Dancing with the Bears Lives on as a Unique Custom in Romania

Costel, 46 years-old, the founder of the Sipoteni bear pack, poses for a portrait in Comanesti, northern Romania, Wednesday, Dec. 27, 2023. (AP)
Costel, 46 years-old, the founder of the Sipoteni bear pack, poses for a portrait in Comanesti, northern Romania, Wednesday, Dec. 27, 2023. (AP)
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Dancing with the Bears Lives on as a Unique Custom in Romania

Costel, 46 years-old, the founder of the Sipoteni bear pack, poses for a portrait in Comanesti, northern Romania, Wednesday, Dec. 27, 2023. (AP)
Costel, 46 years-old, the founder of the Sipoteni bear pack, poses for a portrait in Comanesti, northern Romania, Wednesday, Dec. 27, 2023. (AP)

A small industrial town in northeast Romania may seem like an unlikely tourist destination, but Comanesti is where huge numbers of visitors from as far away as Japan choose to spend part of the winter holiday season.

They converge here to see an annual event that grew out of a millennia-old tradition in the Moldavia region: Bearskin-clad people of all ages, organized in packs, marching and dancing to the deafening sound of drums in several rows of gaping jaws and claws.

The Dancing Bears Festival, as the custom has become known, starts in the days before Christmas and ends with a spectacular finale in Comanesti on Dec. 30. Some of the “bears” jokingly growl or mock an attack on spectators.

The bearskins the dancers wear, which can weigh as much as 50 kilograms (110 pounds), are passed on from generation to generation. The packs carefully guard the methods they use to keep the furs in good condition and ready to wear the next year.

One of the more established groups is the Sipoteni Bear Pack, named after a neighborhood of Comanesti, where its founder, Costel Dascalu, was born. It has up to 120 members, some who started participating at age 3.

“My children, Amalia and David, are already in the pack,” said Dascalu, who was 8 years old when he first danced dressed as a bear when Romania was still a communist dictatorship. Back then, he recalled, it was a much more low-key spectacle, with the “bears” only visiting private homes around Christmas.

Locals say the custom dates to before Christianity, when it was believed that wild animals guarded people from misfortune and danger. Dancing bears, therefore, went to people’s homes and knocked on their doors for luck and a happy new year.

While having their portraits taken, members of the Sipoteni Bear Pack shared with the The Associated Press some of their reasons for making sure the ritual continues.

Preserving tradition was a recurring theme. But some pack members said they get an adrenaline rush from wearing an animal’s fur, dancing to tribal drum rhythms and socializing with other young people in real life instead of online. Many said they feel they are briefly embodying a bear's spirit.

“I feel liberated, the bear frees our souls,” said one participant, Maria, who joined the Sipoteni Bear Pack as a 5-year-old and is now 22. “I also connect to my departed father who introduced me to the tradition 17 years ago.”

Residents are happy that the tradition lived on as the region lost much of its population starting in the 1990s, when many people left to look for jobs in Western Europe after the fall of communism.

A 35-year-old, Marian, returns every year from abroad to dance with the pack she has belonged to since age 6.

“I hope our children will make this unique custom last forever,” she said. “I can imagine quitting anything, but I’ll never quit doing this.”



Riyadh Art Unveils Tuwaiq Sculpture 2026

The exhibition site on Tahlia Street was strategically chosen for its historical legacy of innovation to provide a conceptual framework for the works. SPA
The exhibition site on Tahlia Street was strategically chosen for its historical legacy of innovation to provide a conceptual framework for the works. SPA
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Riyadh Art Unveils Tuwaiq Sculpture 2026

The exhibition site on Tahlia Street was strategically chosen for its historical legacy of innovation to provide a conceptual framework for the works. SPA
The exhibition site on Tahlia Street was strategically chosen for its historical legacy of innovation to provide a conceptual framework for the works. SPA

The Royal Commission for Riyadh City, via its Riyadh Art program, has launched the Tuwaiq Sculpture 2026 exhibition on Prince Mohammed bin Abdulaziz Street (Tahlia).

Open to the public from February 9 to 22, the exhibition showcases 25 new artworks themed "Traces of What Will Be," exploring transformation and urban renewal.

The sculptures were crafted during a live phase from January 10 to February 5, during which artists from 18 countries used local stone and recycled metals, allowing the public to witness the creative process firsthand.

The exhibition site on Tahlia Street was strategically chosen for its historical legacy of innovation to provide a conceptual framework for the works.

Overseen by a panel of international experts, the exhibition serves as an interactive cultural platform featuring workshops and panel discussions to foster community engagement.

All 2026 pieces will join Riyadh Art's permanent collection, which has hosted over 170 artists since 2019 and already installed more than 60 sculptures across the city to integrate contemporary art into Riyadh's urban fabric.


Syrian Culture Minister Applauds Saudi Pavilion at Damascus Book Fair

The 2026 Damascus International Book Fair is held from February 6 to 16 - SPA
The 2026 Damascus International Book Fair is held from February 6 to 16 - SPA
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Syrian Culture Minister Applauds Saudi Pavilion at Damascus Book Fair

The 2026 Damascus International Book Fair is held from February 6 to 16 - SPA
The 2026 Damascus International Book Fair is held from February 6 to 16 - SPA

Syrian Minister of Culture Mohammed Yassin Saleh visited the Kingdom’s pavilion at the 2026 Damascus International Book Fair, held from February 6 to 16, where the Kingdom is serving as the Guest of Honor.

He commended the efforts of the Literature, Publishing and Translation Commission in showcasing the rich diversity of the Saudi cultural and literary scene. The pavilion features exhibitions of manuscripts, a Saudi fashion corner, and archaeological replicas, SPA reported.

The minister reviewed the commission's Tarjim translation initiative and Saudi literature comics.

This participation at the 2026 Damascus International Book Fair showcases Saudi creativity and fosters cultural dialogue, supporting Saudi Vision 2030’s goals of knowledge exchange and cultural leadership.


Saudi Arabia, Syria Underline Depth of their Cultural Ties

Syrian President al-Sharaa receives the Saudi minister of culture and the accompanying delegation at the Conference Palace in Damascus on Thursday. (SPA)
Syrian President al-Sharaa receives the Saudi minister of culture and the accompanying delegation at the Conference Palace in Damascus on Thursday. (SPA)
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Saudi Arabia, Syria Underline Depth of their Cultural Ties

Syrian President al-Sharaa receives the Saudi minister of culture and the accompanying delegation at the Conference Palace in Damascus on Thursday. (SPA)
Syrian President al-Sharaa receives the Saudi minister of culture and the accompanying delegation at the Conference Palace in Damascus on Thursday. (SPA)

Saudi Arabia and Syria underlined the strength of their cultural relationship during high-level meetings held in Damascus on Thursday, on the sidelines of the opening of the Damascus International Book Fair 2026, where the Kingdom is participating as guest of honor.

Syrian President Ahmad al-Sharaa received Saudi Minister of Culture Prince Badr bin Abdullah bin Farhan at the Conference Palace in the capital.

Earlier the same day, Prince Badr met with his Syrian counterpart, Minister of Culture Mohammad Yassin Saleh, during an official visit to attend the fair. T

he Saudi minister congratulated Syria on hosting the exhibition and expressed his wishes for continued prosperity, progress, and stability for the Syrian government and people.

Both meetings highlighted the depth of cultural relations between the two countries, the importance of expanding joint cultural cooperation across various fields, and the alignment of positions on issues of mutual interest in a way that serves both nations.

The Saudi delegation included senior officials and advisers, among them representatives from the Royal Court, the Ministry of Culture, and the King Abdulaziz Public Library, reflecting broad institutional engagement in the visit.

In the evening, Prince Badr attended the opening ceremony of the fair’s special session, held under the patronage and in the presence of al-Sharaa. The event drew wide official and cultural participation, including Arab ministers, political and intellectual figures, and a distinguished group of writers and cultural figures.

In a post on the X platform, Prince Badr thanked “our brothers in Syria for their generous hospitality and their efforts in organizing the Damascus International Book Fair.”

The minister also inaugurated the Kingdom’s pavilion at the fair in the presence of the Syrian minister of culture and the Qatari minister of culture.

Saudi Arabia’s guest-of-honor participation continues until Feb. 16 and reflects its growing prominence and leadership in the Arab and global cultural landscape.

This participation aligns with Saudi Vision 2030, which places culture at the heart of national development, viewing it as a space for dialogue, a bridge for civilizational communication, and a tool for strengthening ties among Arab peoples.

The Saudi Literature, Publishing and Translation Commission is leading the Kingdom’s participation, highlighting the development of the cultural sector and reaffirming the central role of books as carriers of knowledge and awareness.

The Saudi pavilion boasts a comprehensive cultural program featuring intellectual seminars, poetry evenings, a manuscript exhibition, traditional Saudi fashion displays, hospitality corners, archaeological replicas, and performing arts that express the depth of the Kingdom’s cultural heritage.

On the sidelines of the visit, Prince Badr, accompanied by Minister Saleh, toured the National Museum of Damascus, which houses rare artifacts spanning prehistoric eras, ancient Syrian civilizations, classical and Islamic periods, as well as traditional and modern art.