Glynis Johns, ‘Mary Poppins’ Star Who First Sang Sondheim’s ‘Send in the Clowns,’ Dies at 100 

Actress Glynis Johns is shown, Sept. 11, 1982. (AP)
Actress Glynis Johns is shown, Sept. 11, 1982. (AP)
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Glynis Johns, ‘Mary Poppins’ Star Who First Sang Sondheim’s ‘Send in the Clowns,’ Dies at 100 

Actress Glynis Johns is shown, Sept. 11, 1982. (AP)
Actress Glynis Johns is shown, Sept. 11, 1982. (AP)

Glynis Johns, a Tony Award-winning stage and screen star who played the mother opposite Julie Andrews in the classic movie “Mary Poppins” and introduced the world to the bittersweet standard-to-be “Send in the Clowns” by Stephen Sondheim, has died. She was 100.

Mitch Clem, her manager, said she died Thursday at an assisted living home in Los Angeles of natural causes. “Today’s a sad day for Hollywood,” Clem said. “She is the last of the last of old Hollywood.”

Johns was known to be a perfectionist about her profession — precise, analytical and opinionated. The roles she took had to be multi-faceted. Anything less was giving less than her all.

“As far as I’m concerned, I’m not interested in playing the role on only one level,” she told The Associated Press in 1990. “The whole point of first-class acting is to make a reality of it. To be real. And I have to make sense of it in my own mind in order to be real.”

Johns’ greatest triumph was playing Desiree Armfeldt in “A Little Night Music,” for which she won a Tony in 1973. Sondheim wrote the show’s hit song “Send in the Clowns” to suit her distinctive husky voice, but she lost the part in the 1977 film version to Elizabeth Taylor.

“I’ve had other songs written for me, but nothing like that,” Johns told the AP in 1990. “It’s the greatest gift I’ve ever been given in the theater.”

Others who followed Johns in singing Sondheim’s most popular song include Frank Sinatra, Judy Collins, Barbra Streisand, Sarah Vaughan and Olivia Newton-John. It also appeared in season two of “Yellowjackets” in 2023, sung by Elijah Wood.

Back when it was being conceived, “A Little Night Music” had gone into rehearsal with some of the book and score unfinished, including a solo song for Johns. Director Hal Prince suggested she and co-star Len Cariou improvise a scene or two to give book writer Hugh Wheeler some ideas.

“Hal said ‘Why don’t you just say what you feel,”’ she recalled to the AP. “When Len and I did that, Hal got on the phone to Steve Sondheim and said, ‘I think you’d better get in a cab and get round here and watch what they’re doing because you are going to get the idea for Glynis’ solo.”’

Johns was the fourth generation of an English theatrical family. Her father, Mervyn Johns, had a long career as a character actor and her mother was a pianist. She was born in Pretoria, South Africa, because her parents were visiting the area on tour at the time of her birth.

Johns was a dancer at 12 and an actor at 14 in London’s West End. Her breakthrough role was as the amorous mermaid in the title of the 1948 hit comedy “Miranda.”

“I was quite an athlete, my muscles were strong from dancing, so the tail was just fine; I swam like a porpoise,” she told Newsday in 1998. In 1960’s “The Sundowners,” with Deborah Kerr and Robert Mitchum, she was nominated for a best supporting actress Oscar. (She lost out to Shirley Jones in “Elmer Gantry.”)

Other highlights include playing the mother in “Mary Poppins,” the movie that introduced Julie Andrews and where she sang the rousing tune “Sister Suffragette.” She also starred in the 1989 Broadway revival of “The Circle,” W. Somerset Maugham’s romantic comedy about love, marriage and fidelity, opposite Rex Harrison and Stewart Granger.

“I’ve retired many times. My personal life has come before my work. The theater is just part of my life. It probably uses my highest sense of intelligence, so therefore I have to come back to it, to realize that I’ve got the talent. I’m not as good doing anything else,” she told the AP.

To prepare for “A Coffin in Egypt,” Horton Foote’s 1998 play about a grand dame reminiscing about her life on and off a ranch on the Texas prairie, she asked the Texas-born Foote to record a short tape of himself reading some lines and used it as her coach.

In a 1991 revival of “A Little Night Music” in Los Angeles, she played Madame Armfeldt, the mother of Desiree, the part she had created. In 1963, she starred in her own TV sitcom “Glynis.”

Johns lived all around the world and had four husbands. The first was the father of her only child, the late Gareth Forwood, an actor who died in 2007.



The Oscar Nominations are Being Announced. Here's Who's Nominated So Far

This image released by Netflix shows Karla Sofia Gascon as Emilia Perez in a scene from "Emilia Perez." (Shanna Besson/Netflix via AP)
This image released by Netflix shows Karla Sofia Gascon as Emilia Perez in a scene from "Emilia Perez." (Shanna Besson/Netflix via AP)
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The Oscar Nominations are Being Announced. Here's Who's Nominated So Far

This image released by Netflix shows Karla Sofia Gascon as Emilia Perez in a scene from "Emilia Perez." (Shanna Besson/Netflix via AP)
This image released by Netflix shows Karla Sofia Gascon as Emilia Perez in a scene from "Emilia Perez." (Shanna Besson/Netflix via AP)

In the wake of devastating wildfires in Los Angeles that struck at the heart of the movie industry, the nominations to the 97th Academy Awards are being announced.

The Academy of Motion Pictures Arts and Sciences began announcing the nominations Thursday at 8:30am Eastern via a wide array of platforms, including on Oscar.com, Oscars.org, the academy's social network sites, ABC's “Good Morning America,” as well as on Disney+ and Hulu. Bowen Yang and Rachel Sennott are reading the nominees.

The nominees for best supporting actor are: Yura Borisov, “Anora”; Kieran Culkin, “A Real Pain”; Edward Norton, “A Complete Unknown”; Guy Pearce, “The Brutalist”; Jeremy Strong, “The Apprentice.”

The nominees for Best Supporting Actress are: Monica Barbaro, “A Complete Unknown”; Felicity Jones, “The Brutalist”; Ariana Grande, “Wicked”; Isabella Rossellini, “Conclave”; Zoe Saldaña, “Emilia Pérez.”

The nominees for original screenplay are: “Anora”; “The Brutalist”; “A Real Pain”; “September 5”; “The Substance.”

“This has certainly been a difficult time for Los Angeles, where many members of our film community industry work and live. But the last several weeks have proven what we already know to be true: our film industry and Los Angeles are resilient, and for almost a century, the Oscars have brought us together to unite and celebrate our global film community,” Janet Yang, the academy's president, said before nominees were announced.

The nominations had originally been planned for Jan. 17. But after wildfires on Jan. 7 began burning through the Pacific Palisades, Altadena and other areas around Los Angeles, leaving behind historic levels of destruction, the academy extended its voting window and twice postponed the nominations announcement.

With so many in the film industry reeling from the fires, some called on the academy to cancel the Oscars altogether. Academy leaders have argued the March 2 ceremony must go ahead, for their economic impact on Los Angeles and as a symbol of resilience for the industry. Organizers have vowed this year's awards will “celebrate the work that unites us as a global film community and acknowledge those who fought so bravely against the wildfires.”

“We will reflect on the recent events while highlighting the strength, creativity, and optimism that defines Los Angeles and our industry,” Bill Kramer, academy chief executive, and Yang said in an email to members Wednesday.

But much of the usual frothiness Hollywood's award season has been severely curtailed due to the fires, which continue to burn. The film academy canceled its annual nominees luncheon. Other events have been postponed or downsized. On Wednesday, Kramer and Yang said original song nominees won't be performed this year. Conan O'Brien, whose Pacific Palisades home was spared by the fires, is hosting.

Here are some of the things to look for going into Thursday's nominations:

How wide open is it? Usually by this time, one or two movies have emerged as the clear favorites for best picture. Not so this year. Four films have been nominated for the top award from the Producers Guild, the Directors Guild and the Screen Actors Guild: “Anora,” “Conclave,” “Emilia Pérez” and “A Complete Unknown.”

They are likely to be joined Thursday by Golden Globe-winner “The Brutalist,” the musical blockbuster “Wicked” and the sci-fi sequel “Dune: Part Two.” In the category's 10 films, that leaves slots expected for “A Real Pain” and “The Substance.” The last spot could go to the prison drama “Sing Sing,” the journalism drama “September 5” or the POV-shot “Nickel Boys.”

Of them all, Netflix's contender “Emilia Pérez” could land the most nominations of all, and, possibly, set a new high mark for non-English language films.

Who gets left out in best actress? As is often the case, best actress is extremely competitive. Most prognosticators expect nominations for Demi Moore ("The Substance"), Cynthia Erivo ("Wicked"), Mikey Madison ("Anora") and Karla Sofía Gascón (“Emilia Pérez”). Who gets the fifth slot could go to Fernanda Torres (“I’m Still Here"), Marianne Jean-Baptiste (“Hard Truths”) or Pamela Anderson ("The Last Showgirl”). And that still leaves out Nicole Kidman (“Babygirl”) and Angelina Jolie (“Maria”).

Who could make history? Gascón, the star of Jacques Audiard's “Emilia Pérez," is poised to become the first openly transgender actor nominated for an Oscar. Gascón, who plays both a male drug lord in the film and the woman she becomes, has spoken both passionately and sanguinely about the possibility of making Oscar history at a time with trans rights are imperiled.

“If it does happen, I would be so grateful,” Gascón said last fall. “It would be a beautiful thing. But if it doesn’t, whatever. I’d go back to my old life. I’ll do my grocery shopping. I’ll play with cats. I’ll see my family. Maybe I’ll do other jobs and people will like those jobs.”

With Trump now in office, will ‘The Apprentice’ be nominated? Yes.

One of 2024's most audacious films, “The Apprentice,” dramatized the formative years of President Donald Trump' s emergence in New York real estate under the tutelage of attorney Roy Cohn. Both Sebastian Stan (who plays Trump) and Jeremy Strong (Cohn) were borderline contenders for best actor and best supporting actor, respectively. Trump has called those involved with the film “human scum.”

Strong was nominated for best supporting actor Thursday morning.

Will best director be all male again? For most of Oscar history, the best director category has been all male. That's changed somewhat in recent years, with wins by Jane Campion ("The Power of the Dog") and Chloé Zhao ("Nomadland"). But this year may see another all-male group of Audiard ("Emilia Pérez"), Sean Baker (“Anora”), Edward Berger ("Conclave"), Brady Corbet ("The Brutalist") and James Mangold ("A Complete Unknown").

The two most likely female contenders are Payal Kapadia (“All We Imagine as Light”) and Coralie Fargeat (“The Substance”). Also in the mix are a pair of big-budget filmmakers in Jon M. Chu (“Wicked”) and Denis Villeneuve (“Dune: Part Two”).