A Chaotic Golden Globes Night Had a Bit of Everything: The Silly, the Serious, and Taylor Swift, Too 

Kieran Culkin, winner of the award to Best Performance by a Male Actor in a Television Series for "Succession" poses at the 81st Annual Golden Globe Awards in Beverly Hills, California, US, January 7, 2024. (Reuters)
Kieran Culkin, winner of the award to Best Performance by a Male Actor in a Television Series for "Succession" poses at the 81st Annual Golden Globe Awards in Beverly Hills, California, US, January 7, 2024. (Reuters)
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A Chaotic Golden Globes Night Had a Bit of Everything: The Silly, the Serious, and Taylor Swift, Too 

Kieran Culkin, winner of the award to Best Performance by a Male Actor in a Television Series for "Succession" poses at the 81st Annual Golden Globe Awards in Beverly Hills, California, US, January 7, 2024. (Reuters)
Kieran Culkin, winner of the award to Best Performance by a Male Actor in a Television Series for "Succession" poses at the 81st Annual Golden Globe Awards in Beverly Hills, California, US, January 7, 2024. (Reuters)

They may not have had lukewarm chardonnay on the tables, as nominee Jennifer Lawrence had predicted. But the 81st Golden Globes had a bit of everything else: Some silliness, some seriousness, a bit of history, a few good jokes and many bad ones, loads of stars — and one Taylor Swift, who didn’t ascend the podium but still made her presence known as perhaps only Swift can.

One decisive trend emerged: In the great "Barbenheimer" showdown of awards season 2024, round one went to the "heimer" part. Christopher Nolan’s sweeping biopic "Oppenheimer" dominated the evening, among its wins the prize for best drama, best director for Nolan, and best actor (Cillian Murphy) and supporting actor (Robert Downey Jr.). Greta Gerwig’s candy-colored "Barbie," meanwhile, lost to upset victor "Poor Things" in the comedy/musical category, but won the new cinematic and box office achievement award, as well as best song for Billie Eilish’s wistful "What Was I Made For."

It would be unwise to count "Barbie" out, but it was a disappointing night for her fans, and also for another fearsome force: Swifties. The pop superstar, who spent 2023 smashing all records in sight, lost out on her fifth Globe nomination. But she stunned on the carpet in shimmering Gucci green, and later created a meme-worthy moment when she reacted with a seemingly icy glare to a joke about her by host Jo Koy.

Swift was not alone in her displeasure; at one point the jokes were falling flat enough for Koy to stop and explain that he’d had only 10 days to prepare.

The crowd laughed harder at Will Ferrell and Kristen Wiig, who made an amusing bit of pretending — insisting — that the ceremony was "a serious night." The joke was that few actually take the ceremony seriously.

But it was indeed a serious note that served as an emotional highpoint: Lily Gladstone, of "Killers of the Flower Moon," became the first Indigenous winner of best actress in a drama, speaking in the Blackfeet language and reminding the crowd that there are still significant advances to be celebrated.

Some notable moments of the evening:

A BUMPY START Koy got a few laughs with a joke about the lengthy "Oppenheimer," saying, "I needed another hour." But as the monologue went on, it was clear that the comic needed something else: sharper jokes from the writers. Cameras caught negative reactions from celebs like Harrison Ford and Selena Gomez, and the "Barbie" team did not appear amused when he noted that "Oppenheimer" was based on serious material, but their own film was based on "a plastic doll with big boobies."

Koy sought to defend himself. "Yo, I got the gig 10 days ago. You want a perfect monologue?" He added: "I wrote some of these, and they’re the ones you’re laughing at."

THEY’RE NOT CALLED THAT... When Da’Vine Joy Randolph won for her acclaimed supporting actress performance in "The Holdovers," she duly thanked the Hollywood Foreign Press Association. Only problem: The HFPA is now defunct, and many in the audience responded audibly: "They’re not called that."

After several years of turmoil that followed the revelation that the HFPA had no Black members, the Golden Globes were acquired last year by Eldridge Industries and Dick Clark Productions and turned into a for-profit venture. Some 300 entertainment journalists now vote for the awards. Later, Randolph spoke about the vibe of the evening. "It’s a party in there," she said. "It’s a good time. We got through the pandemic. We stuck through our two strikes. There’s a sense of buzz in there."

...AND HE WASN’T CALLED THAT Winning an early award for best supporting actor, Downey Jr. told the crowd he had taken a beta-blocker, so "this is going to be a breeze." He then misspoke the name of his character, government official Lewis Strauss. "Dozens of folks have come up to me since the summertime saying that I was, I quote, ‘unrecognizably subtle as Leonard Strauss,’" the actor said. "To my fellow nominees, let’s not pretend this is a compliment."

‘SUCCESSION’ SUCCEEDS SUCCESSFULLY To nobody’s surprise, "Succession," the HBO drama about the Roy family dynasty, had lots of success, winning best drama as well as major acting awards for Kieran Culkin, Matthew Macfadyen and Sarah Snook.

Macfadyen said he’d enjoyed every second of playing the "weird and wonderful human grease stain" that was Tom Wambsgans. Culkin, who played troubled son Roman Roy, told the crowd how he’d been nominated for a Golden Globe 20 years ago and never thought he'd be back, and playfully taunted his co-nominee, Pedro Pascal of "The Last of Us," quipping: "Suck it, Pedro. Mine!" And Snook, who played Shiv Roy, ascended the stage and said: "Oh, wow. I was kind of hoping I didn’t have to get up. Kieran's usually better at these speeches, right? Don’t you want to get up instead?"

DON’T BE MEAN Also on the TV side, Hulu’s kitchen-based "The Bear" won big – taking best comedy series. Jeremy Allen White won for the second time, and Ayo Edebiri won her first Globe for her own lead performance, charming the ballroom crowd when she thanked the assistants of her agents and managers. "To the people who answer my emails, you’re the real ones," she said, adding: "If I forgot to thank you, I’m sorry. Unless you were mean or something. Okay, bye!"

IF LOOKS COULD KILL When "Barbie" won the new award for cinematic and box office achievement, it beat out the nominee many thought would win: "Taylor Swift: The Eras Tour." Still, Swift, whose attendance was in question until her boyfriend, Travis Kelce of the Kansas City Chiefs, was ruled inactive for the day's game against the Los Angeles Chargers, was a glamorous addition to the evening (Bruce Springsteen was there, too) in her custom Gucci gown. The camera cut to her several times, but she was not happy when Koy joked that the difference between the Globes and the NFL was that the NFL had more reaction shots of Swift. She stared ahead and took a sip of her drink.

THE IMPORTANCE OF WORDS It wasn’t far from anyone’s minds that Hollywood is emerging from historic actors and writers strikes, and one of the more clever presenter bits highlighted the importance of screenwriters. Daniel Kaluuya, Shameik Moore and Hailee Steinfeld joked that they’d asked for their segment to be written not by writers but by studio executives. "What is up, Shameik," Kaluuya said, robotically. "Not much, Daniel. How are you, Hailee?" Moore said. "I am relatable," Steinfeld said. The screenplay award they presented had a surprise winner: Justine Triet, writer-director of "Anatomy of a Fall," beating out both "Barbie" and "Oppenheimer."

A HISTORIC WIN The evening’s emotional highpoint came with the penultimate award, when Gladstone won best actress in a drama for Martin Scorsese's epic "Killers of the Flower Moon," becoming the first Indigenous winner in the category. She opened her speech in the Blackfeet language, explaining backstage that "it was one of the more natural things I could do in the moment."

In her speech, Gladstone, who played Osage community member Mollie Burkhart, pronounced her win historic and said: "This is for every little urban kid, every little Native kid out there who has a dream, who is seeing themselves represented and our stories told — by ourselves, in our own words — with tremendous allies and tremendous trust from and with each other."



Real-Life Horror to TV Drama: Feared Syria Sites Become Sets for Series 

Syrian director Mohamad Abdul Aziz poses for a photograph at his office in Damascus on November 24, 2025. (AFP)
Syrian director Mohamad Abdul Aziz poses for a photograph at his office in Damascus on November 24, 2025. (AFP)
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Real-Life Horror to TV Drama: Feared Syria Sites Become Sets for Series 

Syrian director Mohamad Abdul Aziz poses for a photograph at his office in Damascus on November 24, 2025. (AFP)
Syrian director Mohamad Abdul Aziz poses for a photograph at his office in Damascus on November 24, 2025. (AFP)

At a Damascus air base once off-limits under Bashar al-Assad, a crew now films a TV series about the final months of the ousted leader's rule as seen through the eyes of a Syrian family.

"It's hard to believe we're filming here," director Mohamad Abdul Aziz said from the Mazzeh base, which was once also a detention center run by Assad's air force intelligence branch, known for its cruelty.

The site in the capital's southwestern suburbs "used to be a symbol of military power. Now we are making a show about the fall of that power," he told AFP.

Assad fled to Russia as an opposition offensive closed in on Damascus, taking it without a fight on December 8 last year after nearly 14 years of civil war and half a century of Assad dynasty rule.

The scene at the Mazzeh base depicts the escape of a figure close to Assad and is set to feature in "The King's Family" filmed in high-security locations once feared by regular Syrians.

The series is to be aired in February during the Muslim holy month of Ramadan, prime-time viewing in the Arab world, when channels and outlets vie for the attention of eager audiences.

Dozens of actors, directors and other show-business figures who were opposed to Assad have returned to Syria since his ouster, giving the local industry a major boost, while other series have also chosen to film at former military or security sites.

- 'Impossible before' -

"It's a strange feeling... The places where Syria used to be ruled from have been transformed" into creative spaces, Abdul Aziz said.

Elsewhere in Damascus, his cameras and crew now fill offices at the former military intelligence facility known as Palestine Branch, where detainees once underwent interrogation so brutal that some never came out alive.

"Palestine Branch was one of the pillars of the security apparatus -- just mentioning its name caused terror," Abdul Aziz said of the facility, known for torture and abuse.

Outside among charred vehicles, explosions and other special effects, the team was recreating a scene depicting "the release of detainees when the security services collapsed," he said.

Thousands of detainees were freed when jails were thrown open as Assad fell last year, and desperate Syrians converged on the facilities in search of loved ones who disappeared into the prison system, thousands of whom are still missing.

Assad's luxurious, high-security residence, which was stormed and looted after he fled to Russia, is also part of the new series.

Abdul Aziz said he filmed a fight scene involving more than 150 people and gunfire in front of the residence in Damascus's upscale Malki district.

"This was impossible to do before," he said.

- 'Fear' -

The series' scriptwriter Maan Sakbani, 35, expressed cautious relief that the days of full-blown censorship under Assad were over.

The new authorities' information ministry still reviews scripts, but the censor's comments on "The King's Family" were very minor, he said from a traditional Damascene house where the team was discussing the order of scenes.

Sakbani said he was uncertain how long the relative freedom would last, and was waiting to see the reaction to the Ramadan productions once they were aired.

Several other series inspired by the Assad era are also planned for release at that time, including "Enemy Syrians", which depicts citizens living under the eyes of the security services.

Another, "Going Out to the Well", directed by Mohammed Lutfi and featuring several prominent Syrian actors, is about deadly prison riots in the infamous Saydnaya facility in 2008.

Rights group Amnesty International had called the facility a "human slaughterhouse".

"The show was written more than two years ago and we intended to film it before Assad's fall," Lutfi said.

But several actors feared the former authorities' reaction and they were unable to find a suitable location since filming in Syria was impossible.

Now, they plan to film on site.

"The new authorities welcomed the project and provided extensive logistical support and facilities for filming inside Saydnaya prison," Lutfi said.

As a result, it will be possible "to convey the prisoners' suffering and the regime's practices -- from the inside the actual location," he said.


A Minute With ‘Knives Out’ Director Rian Johnson on Third Franchise Film 

Rian Johnson. (Getty Images/AFP)
Rian Johnson. (Getty Images/AFP)
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A Minute With ‘Knives Out’ Director Rian Johnson on Third Franchise Film 

Rian Johnson. (Getty Images/AFP)
Rian Johnson. (Getty Images/AFP)

Writer and director Rian Johnson is unveiling his third “Knives Out” mystery movie, “Wake Up, Dead Man,” which streams on Netflix on December 12.

The film centers around Father Jud Duplenticy, played by Josh O’Connor, who finds himself the prime suspect in a murder amidst a small, close-knit Catholic church congregation.

The “Knives Out” detective from the previous franchise films, Benoit Blanc, played by Daniel Craig, turns up to solve the mystery.

Johnson told Reuters about the process of creating the third film in the franchise.

Q. When you’re picking titles for films, like the last film “Glass Onion,” and this one “Wake Up, Dead Man,”– how much are you trying to befuddle the audience just with the title alone?

A. Well, I mean, you’re trying to pick a title that sounds like a good murder mystery title, that sounds a little intriguing but also that hopefully once you see the movie, you’re like, "it couldn’t have been named anything else." And this movie, I think the title is apropos.

Q. When you’re writing these mysteries, do you know who you have in mind for who the cast is?

A. I try not to, because it’s a pathway to heartbreak because in one way, all the actors are excited about being in them. It’s still we’re going after people who are the busiest people in the world, who are these movie stars so you don’t always know if it’s going to work out schedule-wise. So, if you’ve written with somebody deeply ingrained for that part and you can’t get them, then that’s a heartbreak. I try and write just to the characters. I try and just write an interesting group and then find the best people to play them.

Q. I think last time I interviewed you for "Glass Onion", you’d done this script already. How far ahead are you of future installments?

A. I actually think it’s quite important for me not to come up with an idea and start writing it until I know it’s going to be the next thing. So it’s not like I have a drawer of ideas for these things.


Full List of 2026 Golden Globe Nominees

A podium stands near Golden Globe statues, ahead of the announcement of the nominations for the 83rd Golden Globe Awards in Beverly Hills, California, US, December 8, 2025. REUTERS/Mario Anzuoni
A podium stands near Golden Globe statues, ahead of the announcement of the nominations for the 83rd Golden Globe Awards in Beverly Hills, California, US, December 8, 2025. REUTERS/Mario Anzuoni
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Full List of 2026 Golden Globe Nominees

A podium stands near Golden Globe statues, ahead of the announcement of the nominations for the 83rd Golden Globe Awards in Beverly Hills, California, US, December 8, 2025. REUTERS/Mario Anzuoni
A podium stands near Golden Globe statues, ahead of the announcement of the nominations for the 83rd Golden Globe Awards in Beverly Hills, California, US, December 8, 2025. REUTERS/Mario Anzuoni

Nominees for the 2026 Golden Globe Awards have been announced and “One Battle After Another” is this year's leading nominee.

Here's the list of who's nominated for this year's awards, which will be held Jan. 11 at the Beverly Hilton. Nikki Glaser will host the ceremony, according to Reuters.

MOVIES Best motion picture, drama “Frankenstein”; “Hamnet”; “It Was Just An Accident”; “The Secret Agent”; “Sentimental Value”; “Sinners.”

Best motion picture, musical or comedy “Blue Moon”; “Bugonia”; “Marty Supreme”; “No Other Choice”; “Nouvelle Vague”; “One Battle After Another.”

Best performance by a female actor in a motion picture, drama Jessie Buckley, “Hamnet”; Jennifer Lawrence, “Die My Love”; Renate Reinsve, “Sentimental Value”; Julia Roberts, “After the Hunt”; Tessa Thompson, “Hedda”; Eva Victor, “Sorry Baby.”

Best performance by a male actor in a motion picture, drama Joel Edgerton, “Train Dreams”; Oscar Isaac, “Frankenstein”; Dwayne Johnson, “The Smashing Machine”; Michael B. Jordan, “Sinners”; Wagner Moura, “The Secret Agent”; Jeremy Allen White, “Springsteen: Deliver Me from Nowhere.”

Best performance by a female actor in a motion picture, musical or comedy Rose Byrne, “If I Had Legs I’d Kick You”; Cynthia Erivo, “Wicked: For Good”; Kate Hudson, “Song Sung Blue”; Chase Infiniti, “One Battle After Another”; Amanda Seyfried, “The Testament of Ann Lee”; Emma Stone, “Bugonia.”

Best performance by a male actor in a motion picture, musical or comedy Timothée Chalamet, “Marty Supreme”; George Clooney, “Jay Kelly”; Leonardo DiCaprio, “One Battle After Another”; Ethan Hawke, “Blue Moon”; Lee Byung-hun, “No Other Choice”; Jesse Plemons, “Bugonia.”

Best performance by a female actor in a supporting role Emily Blunt, “The Smashing Machine”; Elle Fanning, “Sentimental Value”; Ariana Grande, “Wicked: For Good”; Inga Ibsdotter Lilleaas, “Sentimental Value”; Amy Madigan, “Weapons”; Teyana Taylor, “One Battle After Another.”

Best performance by a male actor in a supporting role Benicio del Toro, “One Battle After Another”; Jacob Elordi, “Frankenstein”; Paul Mescal, “Hamnet”; Sean Penn, “One Battle After Another”; Adam Sandler, “Jay Kelly”; Stellan Skarsgård, “Sentimental Value.”

Cinematic and box office achievement “Avatar: Fire and Ash”; “F1”; “KPop Demon Hunters”; “Mission: Impossible – The Final Reckoning”; “Sinners”; “Weapons”; “Wicked: For Good”; “Zootopia 2.”

Best motion picture, non-English “It Was Just an Accident,” France; “No Other Choice,” South Korea; “The Secret Agent,” Brazil; “Sentimental Value,” Norway; “Sirāt,” Spain; “The Voice of Hind Rajab,” Tunisia.

Best motion picture, animated “Arco”; “Demon Slayer: Kimetsu no Yaiba Infinity Castle”; “Elio”; “KPop Demon Hunters”; “Little Amélie or the Character of Rain”; “Zootopia 2.”

Best director Paul Thomas Anderson, “One Battle After Another”; Ryan Coogler, “Sinners”; Guillermo del Toro, “Frankenstein”; Jafar Panahi, “It Was Just an Accident”; Joachim Trier, “Sentimental Value”; Chloé Zhao, “Hamnet.”

Best screenplay “One Battle After Another,” Paul Thomas Anderson; “Marty Supreme,” Ronald Bronstein and Josh Safdie; “Sinners,” Ryan Coogler; “It Was Just an Accident,” Jafar Panahi; “Sentimental Value,” Eskil Vogt and Joachim Trier; “Hamnet,” Chloé Zhao and Maggie O’Farrell.

Best original score “Frankenstein,” Alexandre Desplat; “Sinners,” Ludwig Göransson; “One Battle After Another,” Jonny Greenwood; “Sirāt,” Kangding Ray; “Hamnet,” Max Richter; “F1,” Hans Zimmer.

Best original song “Dream as One,” from “Avatar: Fire and Ash”; “Golden,” from “KPop Demon Hunters”; “I Lied to You,” from “Sinners”; “No Place Like Home,” from “Wicked: For Good”; “The Girl in the Bubble,” from “Wicked: For Good”; “Train Dreams,” from “Train Dreams.”

TELEVISION Best television series, drama “The Diplomat”; “The Pitt”; “Pluribus”; “Severance”; “Slow Horses”; “The White Lotus.”

Best television series, comedy or musical “Abbott Elementary”; “The Bear”; “Hacks”; “Nobody Wants This”; “Only Murders in the Building”; “The Studio.”

Best performance by a female actor, drama Kathy Bates, “Matlock”; Britt Lower, “Severance”; Helen Mirren, “Mobland”; Bella Ramsey, “The Last of Us”; Keri Russell, “The Diplomat”; Rhea Seehorn, “Pluribus.”

Best performance by a male actor, drama Sterling K. Brown, “Paradise”; Diego Luna, “Andor”; Gary Oldman, “Slow Horses”; Mark Ruffalo, “Task”; Adam Scott, “Severance”; Noah Wyle, “The Pitt.”

Best performance by a female actor TV series, musical or comedy Kristen Bell, “Nobody Wants This”; Ayo Edebiri, “The Bear”; Selena Gomez, “Only Murders in the Building”; Natasha Lyonne, “Poker Face”; Jenna Ortega, “Wednesday”; Jean Smart, “Hacks.”

Best performance by a male actor, TV series, musical or comedy Adam Brody, “Nobody Wants This”; Steve Martin, “Only Murders in the Building”; Glen Powell, “Chad Powers”; Seth Rogen, “The Studio”; Martin Short, “Only Murders in the Building”; Jeremy Allen White, “The Bear.”

Best limited series, anthology series or movie made for television “Adolescence”; “All Her Fault”; “The Beast in Me”; “Black Mirror”; “The Girlfriend”; “Dying for Sex.”

Best performance by a male actor in a limited series, anthology series or movie made for television Jacob Elordi, “The Narrow Road to the Deep North”; Paul Giamatti, “Black Mirror”; Stephen Graham, “Adolescence”; Charlie Hunnam, “Monster: The Ed Gein Story”; Jude Law, “Black Rabbit”; Matthew Rhys, “The Beast in Me.”

Best performance by a female actor in a limited series, anthology series or movie made for television Claire Danes, “The Beast in Me”; Rashida Jones, “Black Mirror”; Amanda Seyfried, “Long Bright River”; Sarah Snook, “All Her Fault”; Michelle Williams, “Dying for Sex”; Robin Wright, “The Girlfriend.”

Best performance by a female actor in a supporting role Carrie Coon, “The White Lotus”; Erin Doherty, “Adolescence”; Hannah Einbinder, “Hacks”; Catherine O’Hara, “The Studio”; Parker Posey, “The White Lotus”; Aimee Lou Wood, “The White Lotus.”

Best performance by a male actor in a supporting role Owen Cooper, “Adolescence”; Billy Crudup, “The Morning Show”; Walton Goggins, “The White Lotus”; Jason Isaacs, “The White Lotus”; Tramell Tillman, “Severance”; Ashley Walters, “Adolescence.”

Best performance in stand-up comedy on TV Bill Maher, “Is Anyone Else Seeing This?”; Brett Goldstein, “The Second Best Night of Your Life”; Kevin Hart, “Acting My Age”; Kumail Nanjiani, “Night Thoughts”; Ricky Gervais, “Mortality”; Sarah Silverman, “PostMortem.”

Best podcast “Armchair Expert with Dax Shepard”; “Call Her Daddy”; “Good Hang with Amy Poehler”; “The Mel Robbins Podcast”; “SmartLess”; “Up First from NPR.”