A Chaotic Golden Globes Night Had a Bit of Everything: The Silly, the Serious, and Taylor Swift, Too 

Kieran Culkin, winner of the award to Best Performance by a Male Actor in a Television Series for "Succession" poses at the 81st Annual Golden Globe Awards in Beverly Hills, California, US, January 7, 2024. (Reuters)
Kieran Culkin, winner of the award to Best Performance by a Male Actor in a Television Series for "Succession" poses at the 81st Annual Golden Globe Awards in Beverly Hills, California, US, January 7, 2024. (Reuters)
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A Chaotic Golden Globes Night Had a Bit of Everything: The Silly, the Serious, and Taylor Swift, Too 

Kieran Culkin, winner of the award to Best Performance by a Male Actor in a Television Series for "Succession" poses at the 81st Annual Golden Globe Awards in Beverly Hills, California, US, January 7, 2024. (Reuters)
Kieran Culkin, winner of the award to Best Performance by a Male Actor in a Television Series for "Succession" poses at the 81st Annual Golden Globe Awards in Beverly Hills, California, US, January 7, 2024. (Reuters)

They may not have had lukewarm chardonnay on the tables, as nominee Jennifer Lawrence had predicted. But the 81st Golden Globes had a bit of everything else: Some silliness, some seriousness, a bit of history, a few good jokes and many bad ones, loads of stars — and one Taylor Swift, who didn’t ascend the podium but still made her presence known as perhaps only Swift can.

One decisive trend emerged: In the great "Barbenheimer" showdown of awards season 2024, round one went to the "heimer" part. Christopher Nolan’s sweeping biopic "Oppenheimer" dominated the evening, among its wins the prize for best drama, best director for Nolan, and best actor (Cillian Murphy) and supporting actor (Robert Downey Jr.). Greta Gerwig’s candy-colored "Barbie," meanwhile, lost to upset victor "Poor Things" in the comedy/musical category, but won the new cinematic and box office achievement award, as well as best song for Billie Eilish’s wistful "What Was I Made For."

It would be unwise to count "Barbie" out, but it was a disappointing night for her fans, and also for another fearsome force: Swifties. The pop superstar, who spent 2023 smashing all records in sight, lost out on her fifth Globe nomination. But she stunned on the carpet in shimmering Gucci green, and later created a meme-worthy moment when she reacted with a seemingly icy glare to a joke about her by host Jo Koy.

Swift was not alone in her displeasure; at one point the jokes were falling flat enough for Koy to stop and explain that he’d had only 10 days to prepare.

The crowd laughed harder at Will Ferrell and Kristen Wiig, who made an amusing bit of pretending — insisting — that the ceremony was "a serious night." The joke was that few actually take the ceremony seriously.

But it was indeed a serious note that served as an emotional highpoint: Lily Gladstone, of "Killers of the Flower Moon," became the first Indigenous winner of best actress in a drama, speaking in the Blackfeet language and reminding the crowd that there are still significant advances to be celebrated.

Some notable moments of the evening:

A BUMPY START Koy got a few laughs with a joke about the lengthy "Oppenheimer," saying, "I needed another hour." But as the monologue went on, it was clear that the comic needed something else: sharper jokes from the writers. Cameras caught negative reactions from celebs like Harrison Ford and Selena Gomez, and the "Barbie" team did not appear amused when he noted that "Oppenheimer" was based on serious material, but their own film was based on "a plastic doll with big boobies."

Koy sought to defend himself. "Yo, I got the gig 10 days ago. You want a perfect monologue?" He added: "I wrote some of these, and they’re the ones you’re laughing at."

THEY’RE NOT CALLED THAT... When Da’Vine Joy Randolph won for her acclaimed supporting actress performance in "The Holdovers," she duly thanked the Hollywood Foreign Press Association. Only problem: The HFPA is now defunct, and many in the audience responded audibly: "They’re not called that."

After several years of turmoil that followed the revelation that the HFPA had no Black members, the Golden Globes were acquired last year by Eldridge Industries and Dick Clark Productions and turned into a for-profit venture. Some 300 entertainment journalists now vote for the awards. Later, Randolph spoke about the vibe of the evening. "It’s a party in there," she said. "It’s a good time. We got through the pandemic. We stuck through our two strikes. There’s a sense of buzz in there."

...AND HE WASN’T CALLED THAT Winning an early award for best supporting actor, Downey Jr. told the crowd he had taken a beta-blocker, so "this is going to be a breeze." He then misspoke the name of his character, government official Lewis Strauss. "Dozens of folks have come up to me since the summertime saying that I was, I quote, ‘unrecognizably subtle as Leonard Strauss,’" the actor said. "To my fellow nominees, let’s not pretend this is a compliment."

‘SUCCESSION’ SUCCEEDS SUCCESSFULLY To nobody’s surprise, "Succession," the HBO drama about the Roy family dynasty, had lots of success, winning best drama as well as major acting awards for Kieran Culkin, Matthew Macfadyen and Sarah Snook.

Macfadyen said he’d enjoyed every second of playing the "weird and wonderful human grease stain" that was Tom Wambsgans. Culkin, who played troubled son Roman Roy, told the crowd how he’d been nominated for a Golden Globe 20 years ago and never thought he'd be back, and playfully taunted his co-nominee, Pedro Pascal of "The Last of Us," quipping: "Suck it, Pedro. Mine!" And Snook, who played Shiv Roy, ascended the stage and said: "Oh, wow. I was kind of hoping I didn’t have to get up. Kieran's usually better at these speeches, right? Don’t you want to get up instead?"

DON’T BE MEAN Also on the TV side, Hulu’s kitchen-based "The Bear" won big – taking best comedy series. Jeremy Allen White won for the second time, and Ayo Edebiri won her first Globe for her own lead performance, charming the ballroom crowd when she thanked the assistants of her agents and managers. "To the people who answer my emails, you’re the real ones," she said, adding: "If I forgot to thank you, I’m sorry. Unless you were mean or something. Okay, bye!"

IF LOOKS COULD KILL When "Barbie" won the new award for cinematic and box office achievement, it beat out the nominee many thought would win: "Taylor Swift: The Eras Tour." Still, Swift, whose attendance was in question until her boyfriend, Travis Kelce of the Kansas City Chiefs, was ruled inactive for the day's game against the Los Angeles Chargers, was a glamorous addition to the evening (Bruce Springsteen was there, too) in her custom Gucci gown. The camera cut to her several times, but she was not happy when Koy joked that the difference between the Globes and the NFL was that the NFL had more reaction shots of Swift. She stared ahead and took a sip of her drink.

THE IMPORTANCE OF WORDS It wasn’t far from anyone’s minds that Hollywood is emerging from historic actors and writers strikes, and one of the more clever presenter bits highlighted the importance of screenwriters. Daniel Kaluuya, Shameik Moore and Hailee Steinfeld joked that they’d asked for their segment to be written not by writers but by studio executives. "What is up, Shameik," Kaluuya said, robotically. "Not much, Daniel. How are you, Hailee?" Moore said. "I am relatable," Steinfeld said. The screenplay award they presented had a surprise winner: Justine Triet, writer-director of "Anatomy of a Fall," beating out both "Barbie" and "Oppenheimer."

A HISTORIC WIN The evening’s emotional highpoint came with the penultimate award, when Gladstone won best actress in a drama for Martin Scorsese's epic "Killers of the Flower Moon," becoming the first Indigenous winner in the category. She opened her speech in the Blackfeet language, explaining backstage that "it was one of the more natural things I could do in the moment."

In her speech, Gladstone, who played Osage community member Mollie Burkhart, pronounced her win historic and said: "This is for every little urban kid, every little Native kid out there who has a dream, who is seeing themselves represented and our stories told — by ourselves, in our own words — with tremendous allies and tremendous trust from and with each other."



How the Coveted Bronze BAFTA Mask Trophies Are Made

Completed British Academy Film Awards masks at the FSE Foundry in Braintree, England on Tuesday, Feb. 10, 2026. (AP)
Completed British Academy Film Awards masks at the FSE Foundry in Braintree, England on Tuesday, Feb. 10, 2026. (AP)
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How the Coveted Bronze BAFTA Mask Trophies Are Made

Completed British Academy Film Awards masks at the FSE Foundry in Braintree, England on Tuesday, Feb. 10, 2026. (AP)
Completed British Academy Film Awards masks at the FSE Foundry in Braintree, England on Tuesday, Feb. 10, 2026. (AP)

Those winning a prize at the upcoming British Academy Film Awards will bag a coveted bronze mask trophy — and get a bit of an arm workout taking it home.

Along with the honor of being named the best of the year in the industry, winners at the BAFTA ceremony on Feb. 22 will be awarded one of the dozens of the 3-kilogram (6.6-pound) prizes.

This year the cast and crew of “One Battle After Another,” “Sinners,” “Hamnet,” “Marty Supreme,” and “Sentimental Value” are in the running for the trophies at the EE BAFTA ceremony, to be held at London's Royal Festival Hall.

As with many things in show business, all that glitters is not gold. The BAFTA masks are made of phosphor bronze, polished to a mirror finish that will reflect the happy face of its new owner.

Craftsmen at the AATi Foundry in Braintree, about 50 miles (80 kilometers) northeast of London, use a sandcasting technique to make about 350 bronze trophies each year for all the BAFTA ceremonies — covering the film, television and gaming industries.

They are created in batches, and making one from start to finish takes around a week, the foundry's director Hugh Bisset said Tuesday.

The process starts with a pattern by the tooling team, often out of timber or 3D printing. That tool moves to the molding team which uses sand to make two recessed impressions of the mask, one each side. They are then closed together, ready for molten hot bronze — up to 1,200 degrees Celsius (2,192 Fahrenheit) — to be poured into it.

The metal takes about three or four hours to cool down, when it can then be removed from the sand. The masks' surfaces look dull and a bit rough around the edges at this stage, but after fettling, threading and polishing they are ready to be assembled before being checked over extremely carefully.

Bisset says it’s important that the masks are shiny and have no polish left on them.

“The thing I’m always conscious of is that these amazing actors and actresses, they pick up their awards and my big concern is that a smudge of polish will end up over their lovely, beautiful white dress,” he said. “There’s lots of things we need to think about.”

Bisset reckons the diligence and care that his skilled team puts into the making of the masks reflects the hard work of the winning filmmakers and movie stars.

While it’s still unknown if favorites Jessie Buckley, Timothée Chalamet and Teyana Taylor will get the glory on Sunday, whoever does win will take home something worth more than its heavy weight in bronze.

“There’s a lot of metal in it,” but each mask also has “a lot of time and love being put into it,” Bisset said.


Britney Spears Sells Rights to Music Catalogue

FILE PHOTO: Singer Britney Spears arrives at the 2016 MTV Video Music Awards in New York, US, August 28, 2016.  REUTERS/Eduardo Munoz/File Photo/File Photo
FILE PHOTO: Singer Britney Spears arrives at the 2016 MTV Video Music Awards in New York, US, August 28, 2016. REUTERS/Eduardo Munoz/File Photo/File Photo
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Britney Spears Sells Rights to Music Catalogue

FILE PHOTO: Singer Britney Spears arrives at the 2016 MTV Video Music Awards in New York, US, August 28, 2016.  REUTERS/Eduardo Munoz/File Photo/File Photo
FILE PHOTO: Singer Britney Spears arrives at the 2016 MTV Video Music Awards in New York, US, August 28, 2016. REUTERS/Eduardo Munoz/File Photo/File Photo

Pop star ‌Britney Spears has sold her rights to her music catalogue to independent music publisher Primary Wave, the ​latest artist to strike a deal for her work.

Entertainment site TMZ, citing legal documents it had obtained, first reported the news, saying the "Oops!... I Did It Again" and "Toxic" singer had signed the deal on December 30.

According to Reuters, it quoted sources as saying it ‌was "in the ‌ballpark" of Canadian singer Justin ​Bieber's ‌reported $200 ⁠million ​agreement to sell ⁠his music rights to Hipgnosis in 2023.

A person familiar with the situation said news of the Spears and Primary Wave deal was accurate. No further details were given.

Primary Wave, which is home to artists ⁠including Whitney Houston, Prince and Stevie ‌Nicks, did not ‌immediately respond to a request for ​comment. Spears has ‌not commented publicly.

The 44-year-old, one of ‌the most successful pop artists of all time, has topped charts around the world, starting off with "...Baby One More Time" in 1998. The ‌deal includes her songs such as "(You Drive Me) Crazy", "Circus", "Gimme More" and "I'm a Slave ⁠4 ⁠U", TMZ said.

Spears' ninth and last studio album, "Glory", came out in 2016.

In 2021, she was released from a 13-year court-ordered conservatorship set up and controlled by her father, Jamie Spears. The arrangement had governed Spears' personal life, career and $60 million estate from 2008 until it was terminated in November 2021.

Spears follows artists such as Sting, ​Bruce Springsteen and Justin ​Timberlake who have struck deals to cash in on their work.


Glitzy Oscar Nominees Luncheon Back One Year After LA Fires 

Brazilian actor Wagner Moura arrives to The Hollywood Reporter's Nominees Night held at the Chateau Marmont in Los Angeles, on February 10, 2026. (AFP)
Brazilian actor Wagner Moura arrives to The Hollywood Reporter's Nominees Night held at the Chateau Marmont in Los Angeles, on February 10, 2026. (AFP)
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Glitzy Oscar Nominees Luncheon Back One Year After LA Fires 

Brazilian actor Wagner Moura arrives to The Hollywood Reporter's Nominees Night held at the Chateau Marmont in Los Angeles, on February 10, 2026. (AFP)
Brazilian actor Wagner Moura arrives to The Hollywood Reporter's Nominees Night held at the Chateau Marmont in Los Angeles, on February 10, 2026. (AFP)

Hollywood stars embraced at this year's Oscars nominee lunch, the glamorous pre-show gathering that was canceled amid last year's devastating Los Angeles wildfires.

Timothee Chalamet, nominated for best actor in "Marty Supreme," flashed a smile while fellow Best Actor contenders Micahel B. Jordan and Ethan Hawke also flitted around the annual luncheon in Beverly Hills.

Mexican director Guillermo del Toro chatted with his tablemates as Wagner Moura, the Brazilian star of "The Secret Agent," enthusiastically embraced Stellan Skarsgard and Oliver Laxe -- the latter of whom has his film "Sirat" up for best international feature film.

Academy of Motion Picture Arts and Sciences President Lynette Howell Taylor praised the diversity of this year's nominees.

"Ballots were cast from 88 countries and regions," the British producer said, adding that "the mission of the Academy is to amplify your art, movies and your voices."

The more than 200 nominees enjoyed a buzzy afternoon, all the more energetic after last year's lunch was canceled as huge fires razed whole communities around Los Angeles. That year the lunch was replaced with a smaller dinner at the Academy's museum.

"This is a recognition of Brazilian cinema, and of the cinema of our region," Moura told AFP.

Nearby, "The Secret Agent" director Kleber Mendonca Filho joked he was feeling animated -- "like a generator."

Skarsgard said that the impact of international films is growing, as evidenced by his historic nomination for Best Supporting Actor for Norwegian film "Sentimental Value."

Foreign films and their stars typically notch nominations in the international categories, but Skarsgard is competing against nominees from US blockbusters, including Benicio del Toro in "One Battle After Another" and Delroy Lindo in "Sinners."

Benicio del Toro meanwhile told AFP he was doubly thrilled after watching fellow Puerto Rican Bad Bunny perform at the Super Bowl halftime show over the weekend.

"I got goosebumps," he told AFP, adding: "It was beautiful."

The luncheon's other legendary del Toro, the director Guillermo, meanwhile said he was "calm."

While his "Frankenstein" is nominated for Best Picture, del Toro himself is off the hook for Best Director, which he said took the pressure off him and meant he could focus on promoting his team.

"I'm happy because nine nominations don't happen every day," he said.

Lanky heartthrob Jacob Elordi, up for best supporting actor, offered a similarly toned down vibe at an impromptu photo shoot.

"I'm chilling," he said. "It's all good."