A Chaotic Golden Globes Night Had a Bit of Everything: The Silly, the Serious, and Taylor Swift, Too 

Kieran Culkin, winner of the award to Best Performance by a Male Actor in a Television Series for "Succession" poses at the 81st Annual Golden Globe Awards in Beverly Hills, California, US, January 7, 2024. (Reuters)
Kieran Culkin, winner of the award to Best Performance by a Male Actor in a Television Series for "Succession" poses at the 81st Annual Golden Globe Awards in Beverly Hills, California, US, January 7, 2024. (Reuters)
TT

A Chaotic Golden Globes Night Had a Bit of Everything: The Silly, the Serious, and Taylor Swift, Too 

Kieran Culkin, winner of the award to Best Performance by a Male Actor in a Television Series for "Succession" poses at the 81st Annual Golden Globe Awards in Beverly Hills, California, US, January 7, 2024. (Reuters)
Kieran Culkin, winner of the award to Best Performance by a Male Actor in a Television Series for "Succession" poses at the 81st Annual Golden Globe Awards in Beverly Hills, California, US, January 7, 2024. (Reuters)

They may not have had lukewarm chardonnay on the tables, as nominee Jennifer Lawrence had predicted. But the 81st Golden Globes had a bit of everything else: Some silliness, some seriousness, a bit of history, a few good jokes and many bad ones, loads of stars — and one Taylor Swift, who didn’t ascend the podium but still made her presence known as perhaps only Swift can.

One decisive trend emerged: In the great "Barbenheimer" showdown of awards season 2024, round one went to the "heimer" part. Christopher Nolan’s sweeping biopic "Oppenheimer" dominated the evening, among its wins the prize for best drama, best director for Nolan, and best actor (Cillian Murphy) and supporting actor (Robert Downey Jr.). Greta Gerwig’s candy-colored "Barbie," meanwhile, lost to upset victor "Poor Things" in the comedy/musical category, but won the new cinematic and box office achievement award, as well as best song for Billie Eilish’s wistful "What Was I Made For."

It would be unwise to count "Barbie" out, but it was a disappointing night for her fans, and also for another fearsome force: Swifties. The pop superstar, who spent 2023 smashing all records in sight, lost out on her fifth Globe nomination. But she stunned on the carpet in shimmering Gucci green, and later created a meme-worthy moment when she reacted with a seemingly icy glare to a joke about her by host Jo Koy.

Swift was not alone in her displeasure; at one point the jokes were falling flat enough for Koy to stop and explain that he’d had only 10 days to prepare.

The crowd laughed harder at Will Ferrell and Kristen Wiig, who made an amusing bit of pretending — insisting — that the ceremony was "a serious night." The joke was that few actually take the ceremony seriously.

But it was indeed a serious note that served as an emotional highpoint: Lily Gladstone, of "Killers of the Flower Moon," became the first Indigenous winner of best actress in a drama, speaking in the Blackfeet language and reminding the crowd that there are still significant advances to be celebrated.

Some notable moments of the evening:

A BUMPY START Koy got a few laughs with a joke about the lengthy "Oppenheimer," saying, "I needed another hour." But as the monologue went on, it was clear that the comic needed something else: sharper jokes from the writers. Cameras caught negative reactions from celebs like Harrison Ford and Selena Gomez, and the "Barbie" team did not appear amused when he noted that "Oppenheimer" was based on serious material, but their own film was based on "a plastic doll with big boobies."

Koy sought to defend himself. "Yo, I got the gig 10 days ago. You want a perfect monologue?" He added: "I wrote some of these, and they’re the ones you’re laughing at."

THEY’RE NOT CALLED THAT... When Da’Vine Joy Randolph won for her acclaimed supporting actress performance in "The Holdovers," she duly thanked the Hollywood Foreign Press Association. Only problem: The HFPA is now defunct, and many in the audience responded audibly: "They’re not called that."

After several years of turmoil that followed the revelation that the HFPA had no Black members, the Golden Globes were acquired last year by Eldridge Industries and Dick Clark Productions and turned into a for-profit venture. Some 300 entertainment journalists now vote for the awards. Later, Randolph spoke about the vibe of the evening. "It’s a party in there," she said. "It’s a good time. We got through the pandemic. We stuck through our two strikes. There’s a sense of buzz in there."

...AND HE WASN’T CALLED THAT Winning an early award for best supporting actor, Downey Jr. told the crowd he had taken a beta-blocker, so "this is going to be a breeze." He then misspoke the name of his character, government official Lewis Strauss. "Dozens of folks have come up to me since the summertime saying that I was, I quote, ‘unrecognizably subtle as Leonard Strauss,’" the actor said. "To my fellow nominees, let’s not pretend this is a compliment."

‘SUCCESSION’ SUCCEEDS SUCCESSFULLY To nobody’s surprise, "Succession," the HBO drama about the Roy family dynasty, had lots of success, winning best drama as well as major acting awards for Kieran Culkin, Matthew Macfadyen and Sarah Snook.

Macfadyen said he’d enjoyed every second of playing the "weird and wonderful human grease stain" that was Tom Wambsgans. Culkin, who played troubled son Roman Roy, told the crowd how he’d been nominated for a Golden Globe 20 years ago and never thought he'd be back, and playfully taunted his co-nominee, Pedro Pascal of "The Last of Us," quipping: "Suck it, Pedro. Mine!" And Snook, who played Shiv Roy, ascended the stage and said: "Oh, wow. I was kind of hoping I didn’t have to get up. Kieran's usually better at these speeches, right? Don’t you want to get up instead?"

DON’T BE MEAN Also on the TV side, Hulu’s kitchen-based "The Bear" won big – taking best comedy series. Jeremy Allen White won for the second time, and Ayo Edebiri won her first Globe for her own lead performance, charming the ballroom crowd when she thanked the assistants of her agents and managers. "To the people who answer my emails, you’re the real ones," she said, adding: "If I forgot to thank you, I’m sorry. Unless you were mean or something. Okay, bye!"

IF LOOKS COULD KILL When "Barbie" won the new award for cinematic and box office achievement, it beat out the nominee many thought would win: "Taylor Swift: The Eras Tour." Still, Swift, whose attendance was in question until her boyfriend, Travis Kelce of the Kansas City Chiefs, was ruled inactive for the day's game against the Los Angeles Chargers, was a glamorous addition to the evening (Bruce Springsteen was there, too) in her custom Gucci gown. The camera cut to her several times, but she was not happy when Koy joked that the difference between the Globes and the NFL was that the NFL had more reaction shots of Swift. She stared ahead and took a sip of her drink.

THE IMPORTANCE OF WORDS It wasn’t far from anyone’s minds that Hollywood is emerging from historic actors and writers strikes, and one of the more clever presenter bits highlighted the importance of screenwriters. Daniel Kaluuya, Shameik Moore and Hailee Steinfeld joked that they’d asked for their segment to be written not by writers but by studio executives. "What is up, Shameik," Kaluuya said, robotically. "Not much, Daniel. How are you, Hailee?" Moore said. "I am relatable," Steinfeld said. The screenplay award they presented had a surprise winner: Justine Triet, writer-director of "Anatomy of a Fall," beating out both "Barbie" and "Oppenheimer."

A HISTORIC WIN The evening’s emotional highpoint came with the penultimate award, when Gladstone won best actress in a drama for Martin Scorsese's epic "Killers of the Flower Moon," becoming the first Indigenous winner in the category. She opened her speech in the Blackfeet language, explaining backstage that "it was one of the more natural things I could do in the moment."

In her speech, Gladstone, who played Osage community member Mollie Burkhart, pronounced her win historic and said: "This is for every little urban kid, every little Native kid out there who has a dream, who is seeing themselves represented and our stories told — by ourselves, in our own words — with tremendous allies and tremendous trust from and with each other."



Sony Buys a Majority Stake in the ‘Peanuts’ Comic for $457 Million from Canada's WildBrain

Sony Corp. President Kenichiro Yoshida speaks as characters from "Peanuts" are shown at a press conference at the company's headquarters Tuesday, May 22, 2018, in Tokyo. (AP)
Sony Corp. President Kenichiro Yoshida speaks as characters from "Peanuts" are shown at a press conference at the company's headquarters Tuesday, May 22, 2018, in Tokyo. (AP)
TT

Sony Buys a Majority Stake in the ‘Peanuts’ Comic for $457 Million from Canada's WildBrain

Sony Corp. President Kenichiro Yoshida speaks as characters from "Peanuts" are shown at a press conference at the company's headquarters Tuesday, May 22, 2018, in Tokyo. (AP)
Sony Corp. President Kenichiro Yoshida speaks as characters from "Peanuts" are shown at a press conference at the company's headquarters Tuesday, May 22, 2018, in Tokyo. (AP)

Happiness is taking control of a beloved comic strip.

Sony is buying a 41% stake in the Charles M. Schulz comic “Peanuts” and its characters including Snoopy and Charlie Brown from Canada's WildBrain in a $457 million deal, the two companies said Friday.

The deal adds to Sony's existing 39% stake, bringing its shareholding to 80%, according to a joint statement. The Schulz family will continue to own the remaining 20%.

“With this additional ownership stake, we are thrilled to be able to further elevate the value of the 'Peanuts' brand by drawing on the Sony Groupʼs extensive global network and collective expertise,” Sony Music Entertainment President Shunsuke Muramatsu said.

“Peanuts” made its debut Oct. 2, 1950 in seven newspapers. The travails of the “little round-headed kid” Charlie Brown and pals including Linus, Lucy, Peppermint Patty and his pet beagle Snoopy eventually expanded to more than 2,600 newspapers, reaching millions of readers in 75 countries.

The strip offers enduring images of kites stuck in trees, Charlie Brown trying to kick a football, tart-tongued Lucy handing out advice for a nickel and Snoopy taking the occasional flight of fancy to the skies. Phrases such as “security blanket," “good grief” and “happiness is a warm puppy” are a part of the global vernacular. Schulz died in 2000.

Sony acquired its first stake in Peanuts Holdings LLC in 2018 from Toronto-based WildBrain Ltd. In Friday's transaction, Sony's music and movie arms signed a “definitive agreement” with WildBrain to buy its remaining stake for $630 million Canadian dollars ($457 million).

Rights to the “Peanuts” brand and management of its business are handled by a wholly-owned subsidiary of Peanuts Holdings.

WildBrain also owns other kids' entertainment franchises including Strawberry Shortcake and Teletubbies.


‘Sinners,’ ‘Wicked: For Good,’ ‘KPop Demon Hunters’ Advance in Oscars Shortlists 

US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)
US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)
TT

‘Sinners,’ ‘Wicked: For Good,’ ‘KPop Demon Hunters’ Advance in Oscars Shortlists 

US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)
US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)

Ryan Coogler’s bluesy vampire thriller “Sinners,” the big screen musical “Wicked: For Good” and the Netflix phenomenon “KPop Demon Hunters” are all a step closer to an Oscar nomination.

The Academy of Motion Picture Arts and Sciences released shortlists for 12 categories Tuesday, including for best song, score, international and documentary film, cinematography and this year’s new prize, casting.

“Sinners” and “Wicked: For Good” received the most shortlist mentions with eight each, including makeup and hair, sound, visual effects, score, casting and cinematography. Both have two original songs advancing as well. For “Wicked” it’s Stephen Schwartz’s “The Girl in the Bubble” and “No Place Like Home.” For “Sinners,” it’s Ludwig Göransson, Miles Caton and Alice Smith’s “Last Time (I Seen the Sun),” and Göransson and Raphael Saadiq’s “I Lied to You.”

The “KPop Demon Hunters” hit “Golden,” by EJAE and Mark Sonnenblick, was another shortlisted song alongside other notable artists like: Nick Cave and Bryce Dessner for “Train Dreams”; John Mayer, Ed Sheeran and Blake Slatkin for the “F1” song “Drive”; Sara Bareilles, Brandi Carlile and Andrea Gibson for “Salt Then Sour Then Sweet” from “Come See Me In the Good Light"; and Miley Cyrus, Simon Franglen, Mark Ronson and Andrew Wyatt for “Dream as One” from “Avatar: Fire and Ash.” Diane Warren also might be on her way to a 17th nomination with “Dear Me” from “Diane Warren: Relentless.”

One of the highest profile shortlist categories is the best international feature, where 15 films were named including “Sentimental Value” (Norway), “Sirât” (Spain), “No Other Choice” (South Korea), “The Secret Agent” (Brazil), “It Was Just an Accident” (France), “The Voice of Hind Rajab” (Tunisia), “Sound of Falling” (Germany) and “The President's Cake” (Iraq).

Notable documentaries among the 15 include “My Undesirable Friends: Part I — Last Air in Moscow,” “The Perfect Neighbor,” “The Alabama Solution,” “Come See Me in the Good Light,” “Cover-Up” and Mstyslav Chernov’s “2000 Meters to Andriivka,” a co-production between The Associated Press and PBS Frontline.

The Oscars' new award for casting shortlisted 10 films that will vie for the five nomination slots: “Frankenstein,” “Hamnet,” “Marty Supreme,” “One Battle After Another,” “The Secret Agent,” “Sentimental Value,” “Sinners,” “Sirāt,” “Weapons,” and “Wicked: For Good.” Notably “Jay Kelly and “Wake Up Dead Man: A Knives Out Mystery” did not make the list.

Composers who made the shortlist for best score include Göransson (“Sinners”), Jonny Greenwood (“One Battle After Another”), Max Richter (“Hamnet”), Alexandre Desplat (“Frankenstein”) and Kangding Ray (“Sirāt”).

For the most part, shortlists are determined by members in their respective categories, though the specifics vary from branch to branch: Some have committees, some have minimum viewing requirements.

As most of the shortlists are in below-the-line categories celebrating crafts like sound and visual effects, there are also films that aren’t necessarily the most obvious of Oscar contenders like “The Alto Knights,” shortlisted in hair and makeup, as well as the widely panned “Tron: Ares” and “The Electric State,” both shortlisted for visual effects. “Tron: Ares” also made the lists for score and song with Nine Inch Nails' “As Alive As You Need Me To Be”

The lists will narrow to five when final nominations are announced on Jan. 22. The 98th Oscars, hosted by Conan O’Brien, will air live on ABC on March 15.


Netflix Boss Promises Warner Bros Films Would Still be Seen in Cinemas

Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)
Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)
TT

Netflix Boss Promises Warner Bros Films Would Still be Seen in Cinemas

Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)
Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)

Netflix will continue to distribute Warner Bros. films in cinemas if its takeover bid for the storied studio is successful, the streaming service's chief executive Ted Sarandos said in an interview Tuesday in Paris.

"We're going to continue to operate Warner Bros. studios independently and release the movies traditionally in cinema," he said during an event in the French capital, while admitting his past comments on theatrical distribution "now confuse people".

Previously, Sarandos had suggested that the cinema experience was outdated, surpassed by the convenience of streaming.

The Netflix boss was being interviewed by Maxime Saada, head of France's Canal+ media group, in a Paris theater that was presenting Canal+'s projects for 2026, Agence France Presse reported.

Netflix only began to produce its own programs a dozen years ago, Sarandos explained, so "our library only extends back a decade, where Warner Bros. extends back 100 years. So they know a lot about things that we haven't ever done, like theatrical distribution."

In early December, Netflix announced that it had reached an agreement with Warner Bros. Discovery (WBD) to acquire most of the group for $83 billion.

However, doubts remain about whether the deal will be approved by regulators, and in the meantime television and film group Paramount Skydance has made a counter-offer valued at $108.4 billion.

If Netflix's bid is successful, it would acquire HBO Max, one of the world's largest media platforms, and it would find itself at the head of a movie catalogue including the Harry Potter and Lord of the Rings sagas, as well as the superheroes of DC Studios.