‘Succession’ Dominates Drama Emmys, ‘The Bear’ Claims Comedy and Quinta Brunson Makes History 

US actor Kieran Culkin poses in the press room with the award for Outstanding Lead Actor In A Drama Series for "Succession" during the 75th Emmy Awards at the Peacock Theater at L.A. Live in Los Angeles on January 15, 2024. (AFP)
US actor Kieran Culkin poses in the press room with the award for Outstanding Lead Actor In A Drama Series for "Succession" during the 75th Emmy Awards at the Peacock Theater at L.A. Live in Los Angeles on January 15, 2024. (AFP)
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‘Succession’ Dominates Drama Emmys, ‘The Bear’ Claims Comedy and Quinta Brunson Makes History 

US actor Kieran Culkin poses in the press room with the award for Outstanding Lead Actor In A Drama Series for "Succession" during the 75th Emmy Awards at the Peacock Theater at L.A. Live in Los Angeles on January 15, 2024. (AFP)
US actor Kieran Culkin poses in the press room with the award for Outstanding Lead Actor In A Drama Series for "Succession" during the 75th Emmy Awards at the Peacock Theater at L.A. Live in Los Angeles on January 15, 2024. (AFP)

“Succession” secured its legacy with its third best drama series award, “The Bear” feasted as the night's top comedy, and the two shows about squabbling families dominated the acting awards at Monday night's Emmys.

Quinta Brunson of “Abbott Elementary" and Steven Yeun and Ali Wong of “Beef" also had historic wins at the 75th Primetime Emmy Awards, in a Martin Luther King Jr. Day ceremony that was finally held four months late after a turbulent year of strikes in Hollywood.

“Succession,” the HBO saga of the dysfunctional generations of a maladjusted media empire, won the top prize for its fourth and final season. It also won best actress in a drama for Sarah Snook and best actor in a drama for Kieran Culkin.

“We all put our all into it, and the bar was set so high,” Snook said.

“The Bear,” the FX dramedy about a contentious family and a struggling restaurant at the center of the life of a talented chef, won best comedy series for its first season. It also made a meal of the comedy acting categories, with Jeremy Allen White winning best actor, Ayo Edebiri winning best supporting actress, and Ebon Moss-Bachrach taking best supporting actor. All three were first-time nominees.

“This is a show about family, and found family and real family,” Edebiri said from the stage as she accepted the first trophy of the night at the Peacock Theater in Los Angeles.

Instead of the usual producer speeches, Matty Matheson, a real-life elite chef who plays a kitchen newbie and repairman on “The Bear,” spoke for the show while surrounded by the cast near the end of the Fox telecast.

“I just love restaurants so much, the good and the bad, we’re broken inside,” Matheson said before getting a long kiss on the mouth from Moss-Bachrach.

Brunson won best actress in a comedy for the show she created, ABC's “Abbott Elementary,” becoming the first Black woman to win the award in more than 40 years and the first from a network show to win it in more than a decade.

“I am so happy to be able to live my dream and act out comedy,” Brunson said during her acceptance, fighting back tears. The writer-actor was among the stars with standout looks on the Emmys' silver carpet.

“Succession" won six Emmys overall including best supporting actor in a drama for Matthew Macfadyen and best writing in a drama for show creator Jesse Armstrong. The only drama acting category it didn't win was supporting actress, taken for the second time by Jennifer Coolidge of “The White Lotus.”

“The Bear” won in every category it was nominated for Monday night, and along with the four it had won previously at the Creative Arts Emmys, took 10 overall, the most of any show.

LANDMARK WINS ON TV'S BIG NIGHT “Beef” from Netflix won best limited series, while Yeun and Wong became the first Asian Americans to win in their categories – Yeun for best actor in a limited series and Wong for best actress. Creator Lee Sung won Emmys for writing and directing. It had eight Emmys overall after three wins at the Creative Arts Emmys.

Brunson had won a writing Emmy for “Abbott Elementary,” her mockumentary about a predominantly Black and chronically underfunded grade school in Philadelphia, but this was her first for acting. Isabel Sanford of “The Jeffersons” was the only previous Black woman to win the category in 1981.

The show held on the King holiday saw three Black women win major awards: Brunson, Edebiri and Niecy Nash-Betts, who won best supporting actress in a limited series for “Dahmer – Monster: The Jeffrey Dahmer Story."

On the Netflix show, Nash-Betts played a neighbor of the serial killer whose complaints to authorities about his behavior go unheeded.

“I accept this award on behalf of every Black and brown woman who has gone unheard and over-policed,” she said.

“Everybody having fun at the chocolate Emmys tonight?” host Anthony Anderson said during the show. “We are killing it tonight! ... This is like MLK Day and Juneteenth all rolled up in one!”

The tweaked awards calendar made for some oddities. Edebiri and White won their Emmys for the show’s first season eight days after winning Golden Globes for the second season.

BABY TALK AMID ‘SUCCESSION’ WINS Culkin as little brother Roman Roy outshined the older brother and the father to win the last lead actor Emmy for “Succession.”

He had twice been nominated for best supporting actor for “Succession” without a win. But in the final season, in which his character goes from sideline wisecracker to emotional disaster at the center of the show’s drama, he was put in the lead category and won over his fictional father Brian Cox and brother Jeremy Strong.

After praising his on-screen family, he shifted to his own family, getting big laughs during his speech when he told his wife Jazz Charton that their two young kids weren't enough. “I want more,” he said. “You said if I won, we could talk about it.”

Snook took her first Emmy in three nominations for “Succession” for playing the family's lone daughter Shiv Roy, and her show-husband Macfadyen won the second Emmy of his career for playing Tom Wambsgans, the son-in-law that began the HBO series as a hanger-on and ended it as the closest thing it had to a victor.

MANY TEARS, AND ONE CONCERNED MOTHER Emotions ran high from the start of the ceremony. Edebiri and Brunson were both quick to cry as they took the stage, and the first presenter, Christina Applegate, who said in 2021 that she was diagnosed with multiple sclerosis, got a standing ovation as she came out using a cane, helped by Anderson. As the tears welled in her eyes, she struggled to get through the nominees and winner.

Anderson told the nominees at the beginning of the night that instead of having their speeches cut off by music, his mother, actor Doris Bowman, sitting in the audience, would tell them when it was time to move on. But she more often shouted down her son in the running gag.

OLDER SHOWS RETURN TO SPOTLIGHT Honoring television history was the theme at the 75th Emmys. Anderson opened the show on a “Mr. Rogers” set and performed TV theme songs including “Good Times,” and several cast reunions were spread throughout the show.

Cast members including Martin Lawrence and Tisha Campbell from “Martin," Ted Danson and Rhea Perlman from “Cheers,” and Rob Reiner and Sally Struthers from “All in The Family” performed short bits from recreations of their sitcom sets before presenting awards.

Tina Fey and Amy Poehler reunited to present in the form of their 2001-2005 “Weekend Update" team-up from “Saturday Night Live.”

“We’ve reached the stage in life where we’ll only present awards sitting down,” Fey said.

One notable appearance came from Katherine Heigl, who joined Ellen Pompeo and other former “Grey's Anatomy” castmates on a hospital room set after leaving the show, now about to start its 20th season, on less than ideal terms in 2010.

“Yes, there have been changes over the years,” Heigl said with a wry smile, “But the one constant is the amazing fanbase.”



'Send Help' Repeats as N.America Box Office Champ

Canadian actor Rachel McAdams and US actor Dylan O'Brien pose upon arrival on the red carpet for the UK premiere of the film 'Send Help' in central London on January 29, 2026. (Photo by CARLOS JASSO / AFP)
Canadian actor Rachel McAdams and US actor Dylan O'Brien pose upon arrival on the red carpet for the UK premiere of the film 'Send Help' in central London on January 29, 2026. (Photo by CARLOS JASSO / AFP)
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'Send Help' Repeats as N.America Box Office Champ

Canadian actor Rachel McAdams and US actor Dylan O'Brien pose upon arrival on the red carpet for the UK premiere of the film 'Send Help' in central London on January 29, 2026. (Photo by CARLOS JASSO / AFP)
Canadian actor Rachel McAdams and US actor Dylan O'Brien pose upon arrival on the red carpet for the UK premiere of the film 'Send Help' in central London on January 29, 2026. (Photo by CARLOS JASSO / AFP)

Horror flick "Send Help" showed staying power, leading the North American box office for a second straight week with $10 million in ticket sales, industry estimates showed Sunday.

The 20th Century flick stars Rachel McAdams and Dylan O'Brien as a woman and her boss trying to survive on a deserted island after their plane crashes.
It marks a return to the genre for director Sam Raimi, who first made his name in the 1980s with the "Evil Dead" films.

Debuting in second place at $7.2 million was rom-com "Solo Mio" starring comedian Kevin James as a groom left at the altar in Italy, Exhibitor Relations reported.

"This is an excellent opening for a romantic comedy made on a micro-budget of $4 million," said analyst David A. Gross of Franchise Entertainment Research, noting that critics and audiences have embraced the Angel Studios film.

Post-apocalyptic Sci-fi thriller "Iron Lung" -- a video game adaptation written, directed and financed by YouTube star Mark Fischbach, known by his pseudonym Markiplier -- finished in third place at $6.7 million, AFP reported.

"Stray Kids: The Dominate Experience," a concert film for the K-pop boy band Stray Kids filmed at SoFi Stadium in Los Angeles, opened in fourth place at $5.6 million.

And in fifth place at $4.5 million was Luc Besson's English-language adaptation of "Dracula," which was released in select countries outside the United States last year.

Gross called it a "weak opening for a horror remake," noting the film's total production cost of $50 million and its modest $30 million take abroad so far.

Rounding out the top 10 are:
"Zootopia 2" ($4 million)
"The Strangers: Chapter 3" ($3.5 million)
"Avatar: Fire and Ash" ($3.5 million)
"Shelter" ($2.4 million)
"Melania" ($2.38 million)


Rapper Lil Jon Confirms Death of His Son, Nathan Smith

Lil Jon performs at Gronk Beach music festival during Super Bowl week on Saturday, Feb. 11, 2023, at Talking Stick Resort in Scottsdale, Ariz. (AP)
Lil Jon performs at Gronk Beach music festival during Super Bowl week on Saturday, Feb. 11, 2023, at Talking Stick Resort in Scottsdale, Ariz. (AP)
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Rapper Lil Jon Confirms Death of His Son, Nathan Smith

Lil Jon performs at Gronk Beach music festival during Super Bowl week on Saturday, Feb. 11, 2023, at Talking Stick Resort in Scottsdale, Ariz. (AP)
Lil Jon performs at Gronk Beach music festival during Super Bowl week on Saturday, Feb. 11, 2023, at Talking Stick Resort in Scottsdale, Ariz. (AP)

American rapper Lil Jon said on Friday that his son, Nathan Smith, has died, the record producer confirmed in a joint statement with Smith’s mother.

"I am extremely heartbroken for the tragic loss of our son, Nathan Smith. His mother (Nicole Smith) and I are devastated,” the statement said.

Lil Jon described his son as ‌an “amazingly talented ‌young man” who was ‌a ⁠music producer, artist, ‌engineer, and a New York University graduate.

“Thank you for all of the prayers and support in trying to locate him over the last several days. Thank you to the entire Milton police department involved,” the “Snap ⁠Yo Fingers” rapper added.

A missing persons report was ‌filed on Tuesday for Smith ‍in Milton, Georgia, authorities ‍said in a post on the ‍Milton government website.

Police officials added that a broader search for Smith, also known by the stage name DJ Young Slade, led divers from the Cherokee County Fire Department to recover a body from a pond near ⁠his home on Friday.

"The individual is believed to be Nathan Smith, pending official confirmation by the Fulton County Medical Examiner’s Office,” the post continued.

While no foul play is suspected, the Milton Police Department Criminal Investigations Division will be investigating the events surrounding Smith’s death.

Lil Jon is a Grammy-winning rapper known for a string ‌of chart-topping hits and collaborations, including “Get Low,” “Turn Down for What” and “Shots.”


Keke Palmer Is a Fish Out of Water in Horror-Comedy Series Based on Cult Movie ‘The ’Burbs’

Keke Palmer and Jack Whitehall attend Premiere Event Of Peacock's "The 'Burbs" at Universal Studios Backlot on February 05, 2026 in Universal City, California. (Getty Images/AFP)
Keke Palmer and Jack Whitehall attend Premiere Event Of Peacock's "The 'Burbs" at Universal Studios Backlot on February 05, 2026 in Universal City, California. (Getty Images/AFP)
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Keke Palmer Is a Fish Out of Water in Horror-Comedy Series Based on Cult Movie ‘The ’Burbs’

Keke Palmer and Jack Whitehall attend Premiere Event Of Peacock's "The 'Burbs" at Universal Studios Backlot on February 05, 2026 in Universal City, California. (Getty Images/AFP)
Keke Palmer and Jack Whitehall attend Premiere Event Of Peacock's "The 'Burbs" at Universal Studios Backlot on February 05, 2026 in Universal City, California. (Getty Images/AFP)

The suburbs are anything but bland in the new Peacock series “The 'Burbs,” where strange things are going on. Like how jokes mix with the dread.

Inspired by the 1989 Tom Hanks-led movie of the same name, “The 'Burbs” follows a new mom as she navigates a foreign world of white picket fences and manicured lawns while also investigating a possible murder.

“It’s got the comedy, it has the drama, it's got the mystery, it's got the horror, the thrills, the suspense — all of it,” says Celeste Hughey, the creator, writer and executive producer. All eight episodes drop Friday.

Hanks is replaced by Keke Palmer, who plays a newlywed and new mom who moves into her husband's family home in fictional Hinkley Hills, where everyone is in everybody else's business. “Suburbia is a spectator sport,” she is told.

Across the street is an abandoned home, where a local teen disappeared decades ago. Palmer's Samira soon joins forces with a band of off-beat suburbanites to help solve the case, even if her own husband had some sort of role.

“I really wanted to focus on that fish-out-of-water feeling, centering Samira as a Black woman in a white suburb who is a new mom, a new wife — new everything — and trying to figure out where she belongs in the environment,” says Hughey.

The cast includes Jack Whitehall as Samira's husband and the trio of Julia Duffy, Mark Proksch and Paula Pell as her wine-swilling, investigating neighbors who form a sort of found family.

“The movie came out when I was quite young, but I remember seeing it as a kid and it being like this terrifying movie to me,” says Hughey. “But revisiting it as an adult, it's just like the most timely movie.”

The scripts crackle with witty humor, from references to Marie Kondo to “Baby Reindeer,” and jokes often improvised by the actors. Chocolate brownies are described as “the Beyoncé of desserts” and there’s a joke about how white ladies love salad.

“The ’Burbs” also touches on more serious issues over its eight episodes — microaggressions, racial profiling, bullying and childhood trauma — but takes a kooky, off-beat approach.

“I always look at things with a sense of humor,” says Hughey. “I think comedy is a way to be able to examine all these pretty heavy subjects, but in a way that’s accessible, in a way that is clarifying.”

Palmer says she grew up watching Norman Lear shows and admired his ability to both entertain and address social tensions — something she found in “The 'Burbs.”

“When I read this script for the first time, then as we started doing the show, it started to become clear that we had an opportunity to do the same thing,” Palmer says. “We can expose cliches, we can lean into things, which is one of the greatest tools of satire and comedy in itself, and horror as well, because horror can play as a good allegory for the issues in our life.”

Whitehall, who grew up in the London suburb of Putney, says he appreciates that the social commentary never feels that heavy handed between the comedy and horror: “It was great to sort of be able to play in both genres.”

There are multiple nods to the original movie, like picking the last name Fisher after the late actor Carrie Fisher, who appeared in the Hanks-led version, and naming a dog Darla after the name of the pup who starred in the 1989 version. Hanks, himself, appears in a blink-or-you’ll-miss-it image.

There’s a scene where Samira steps onto her neighbor’s grass and leaves suddenly swirl around her feet menacingly, an echo to the original. And there’s a moment when sardines and pretzels are served, a riff off a classic moment in the movie. The creators even asked original actor Wendy Schaal to return to play the town librarian.

“I really wanted to honor the original fans of the movie and make sure that they see that someone who respects the original material and loves the movie had it in their hands,” says Hughey. “I see the fans.”

Hughey said she wrote the series with Palmer's voice in mind, a piece of manifesting that turned out to actually work when she first met Palmer over a year later.

The music ranges from Bill Withers' “Lovely Day” to Steve Lacy's “Dark Red” to Doechii’s “Anxiety” and Big Pun's “I'm Not a Player.”

“Music is very much a part of my creative process and something that I wanted to stand out in the show as well,” says Hughey. “I got to pull in so many of my inspiration songs.”