Mission Impossible? 94-Year-Old Star Channels Tom Cruise in ‘Thelma’ 

(L-R) June Squibb and Clark Gregg attends the "Thelma" Premiere during the 2024 Sundance Film Festival at The Ray Theatre on January 18, 2024 in Park City, Utah. (Getty Images/AFP)
(L-R) June Squibb and Clark Gregg attends the "Thelma" Premiere during the 2024 Sundance Film Festival at The Ray Theatre on January 18, 2024 in Park City, Utah. (Getty Images/AFP)
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Mission Impossible? 94-Year-Old Star Channels Tom Cruise in ‘Thelma’ 

(L-R) June Squibb and Clark Gregg attends the "Thelma" Premiere during the 2024 Sundance Film Festival at The Ray Theatre on January 18, 2024 in Park City, Utah. (Getty Images/AFP)
(L-R) June Squibb and Clark Gregg attends the "Thelma" Premiere during the 2024 Sundance Film Festival at The Ray Theatre on January 18, 2024 in Park City, Utah. (Getty Images/AFP)

Packed full of nail-biting chases, hi-tech gadgets and an armed standoff, "Thelma" could be the next "Mission: Impossible" movie -- except its star, June Squibb, is 94.

In the film, Squibb's hero takes matters into her own hands after she is swindled into sending $10,000 to a scammer, racing across Los Angeles on a souped-up mobility scooter with a dusty old gun, determined to confront the villain.

Remarkably, the action-comedy, which premiered at the Sundance festival on Thursday, is the first leading film role for the veteran stage actor, who earned an Oscar nomination for "Nebraska" a decade ago.

So how does it feel to become Hollywood's hottest new action star in her twilight years?

"It feels great! I love it! Me and Tom (Cruise)!" Squibb told AFP.

Indeed, the film is littered with references to Tom Cruise, whose films her character Thelma enjoys watching with her grandson.

It plays with tropes from the "Mission: Impossible" films, such as a top-secret mission briefing delivered through a hearing aid. Cruise himself signed off on the use of footage from his movies.

"I said 'Is he letting us do this?' And they said 'Sure, they like it!'" recalled Squibb.

Squibb also took more personal inspiration from the Hollywood A-lister -- including his famous insistence on doing many of his own stunts.

"They told me 'Slow down June, don't go so fast!'" she said, of a chase sequence on her mobility scooter which required a collision.

"I thought 'this is silly,' and I just rammed right into him and then took off down the hall. And they got that all on camera."

'Real danger'

The movie's colorful premise and stars -- including the late Richard Roundtree, and Malcolm McDowell -- have it already tipped as one of the "buzziest" titles at this year's Sundance festival, which champions independent filmmaking.

But it has a personal and poignant message for its director Josh Margolin, who named the film after his own grandmother Thelma, now 103.

She was tricked by a scammer into believing he had been in a car crash and needed bail money.

Thankfully, the real Thelma did not part with any money before his family rumbled the scheme, but the incident got Margolin thinking about what would have happened if she had sought justice -- "something that I would not put past her!"

"Watching Tom Cruise jump out of a plane is just as scary as watching my grandma jump onto a bed," he said.

"It's smaller, but for her at this moment in her life, and where she's at, that presents real danger, and is nerve-wracking to watch.

"So I wanted to shrink those tropes down to explore her strength, her tenacity, her determination."

The movie also examines how society often underestimates the elderly, and how as a grandson Margolin may "feel the urge to over-protect" out of love, even when his grandmother "is more capable than I give her credit for."

'I don't get lonely'

While the stubbornly independent fictional Thelma enjoys living alone and is determined to keep doing so, her silver-haired partner-in-crime Ben (played by Roundtree in his final role) has embraced the support of his care home.

It is a debate that Squibb can relate to.

"I'm always pleased when I'm involved in something that makes a statement about age," she said.

"I'm alone, and I don't get lonely. I really don't. I'm sort of, 'oh boy, I can just sit by myself and do what I want!'" she added.

Squibb also continues to work, with upcoming projects including an "American Horror Stories" series, and a film directed by Scarlett Johansson called "Eleanor, Invisible."

After decades in which Hollywood was famously reluctant to give roles to even middle-aged actresses, Squibb believes that is finally changing.

"And I thank God for it!" she said, expressing hope that her own film will find a distributor at Sundance and eventually end up in theaters and on streaming.

Could there even be another Oscar nomination in store at last?

"Well, that would be lovely," she said. "It was fun."



'Send Help' Repeats as N.America Box Office Champ

Canadian actor Rachel McAdams and US actor Dylan O'Brien pose upon arrival on the red carpet for the UK premiere of the film 'Send Help' in central London on January 29, 2026. (Photo by CARLOS JASSO / AFP)
Canadian actor Rachel McAdams and US actor Dylan O'Brien pose upon arrival on the red carpet for the UK premiere of the film 'Send Help' in central London on January 29, 2026. (Photo by CARLOS JASSO / AFP)
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'Send Help' Repeats as N.America Box Office Champ

Canadian actor Rachel McAdams and US actor Dylan O'Brien pose upon arrival on the red carpet for the UK premiere of the film 'Send Help' in central London on January 29, 2026. (Photo by CARLOS JASSO / AFP)
Canadian actor Rachel McAdams and US actor Dylan O'Brien pose upon arrival on the red carpet for the UK premiere of the film 'Send Help' in central London on January 29, 2026. (Photo by CARLOS JASSO / AFP)

Horror flick "Send Help" showed staying power, leading the North American box office for a second straight week with $10 million in ticket sales, industry estimates showed Sunday.

The 20th Century flick stars Rachel McAdams and Dylan O'Brien as a woman and her boss trying to survive on a deserted island after their plane crashes.
It marks a return to the genre for director Sam Raimi, who first made his name in the 1980s with the "Evil Dead" films.

Debuting in second place at $7.2 million was rom-com "Solo Mio" starring comedian Kevin James as a groom left at the altar in Italy, Exhibitor Relations reported.

"This is an excellent opening for a romantic comedy made on a micro-budget of $4 million," said analyst David A. Gross of Franchise Entertainment Research, noting that critics and audiences have embraced the Angel Studios film.

Post-apocalyptic Sci-fi thriller "Iron Lung" -- a video game adaptation written, directed and financed by YouTube star Mark Fischbach, known by his pseudonym Markiplier -- finished in third place at $6.7 million, AFP reported.

"Stray Kids: The Dominate Experience," a concert film for the K-pop boy band Stray Kids filmed at SoFi Stadium in Los Angeles, opened in fourth place at $5.6 million.

And in fifth place at $4.5 million was Luc Besson's English-language adaptation of "Dracula," which was released in select countries outside the United States last year.

Gross called it a "weak opening for a horror remake," noting the film's total production cost of $50 million and its modest $30 million take abroad so far.

Rounding out the top 10 are:
"Zootopia 2" ($4 million)
"The Strangers: Chapter 3" ($3.5 million)
"Avatar: Fire and Ash" ($3.5 million)
"Shelter" ($2.4 million)
"Melania" ($2.38 million)


Rapper Lil Jon Confirms Death of His Son, Nathan Smith

Lil Jon performs at Gronk Beach music festival during Super Bowl week on Saturday, Feb. 11, 2023, at Talking Stick Resort in Scottsdale, Ariz. (AP)
Lil Jon performs at Gronk Beach music festival during Super Bowl week on Saturday, Feb. 11, 2023, at Talking Stick Resort in Scottsdale, Ariz. (AP)
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Rapper Lil Jon Confirms Death of His Son, Nathan Smith

Lil Jon performs at Gronk Beach music festival during Super Bowl week on Saturday, Feb. 11, 2023, at Talking Stick Resort in Scottsdale, Ariz. (AP)
Lil Jon performs at Gronk Beach music festival during Super Bowl week on Saturday, Feb. 11, 2023, at Talking Stick Resort in Scottsdale, Ariz. (AP)

American rapper Lil Jon said on Friday that his son, Nathan Smith, has died, the record producer confirmed in a joint statement with Smith’s mother.

"I am extremely heartbroken for the tragic loss of our son, Nathan Smith. His mother (Nicole Smith) and I are devastated,” the statement said.

Lil Jon described his son as ‌an “amazingly talented ‌young man” who was ‌a ⁠music producer, artist, ‌engineer, and a New York University graduate.

“Thank you for all of the prayers and support in trying to locate him over the last several days. Thank you to the entire Milton police department involved,” the “Snap ⁠Yo Fingers” rapper added.

A missing persons report was ‌filed on Tuesday for Smith ‍in Milton, Georgia, authorities ‍said in a post on the ‍Milton government website.

Police officials added that a broader search for Smith, also known by the stage name DJ Young Slade, led divers from the Cherokee County Fire Department to recover a body from a pond near ⁠his home on Friday.

"The individual is believed to be Nathan Smith, pending official confirmation by the Fulton County Medical Examiner’s Office,” the post continued.

While no foul play is suspected, the Milton Police Department Criminal Investigations Division will be investigating the events surrounding Smith’s death.

Lil Jon is a Grammy-winning rapper known for a string ‌of chart-topping hits and collaborations, including “Get Low,” “Turn Down for What” and “Shots.”


Keke Palmer Is a Fish Out of Water in Horror-Comedy Series Based on Cult Movie ‘The ’Burbs’

Keke Palmer and Jack Whitehall attend Premiere Event Of Peacock's "The 'Burbs" at Universal Studios Backlot on February 05, 2026 in Universal City, California. (Getty Images/AFP)
Keke Palmer and Jack Whitehall attend Premiere Event Of Peacock's "The 'Burbs" at Universal Studios Backlot on February 05, 2026 in Universal City, California. (Getty Images/AFP)
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Keke Palmer Is a Fish Out of Water in Horror-Comedy Series Based on Cult Movie ‘The ’Burbs’

Keke Palmer and Jack Whitehall attend Premiere Event Of Peacock's "The 'Burbs" at Universal Studios Backlot on February 05, 2026 in Universal City, California. (Getty Images/AFP)
Keke Palmer and Jack Whitehall attend Premiere Event Of Peacock's "The 'Burbs" at Universal Studios Backlot on February 05, 2026 in Universal City, California. (Getty Images/AFP)

The suburbs are anything but bland in the new Peacock series “The 'Burbs,” where strange things are going on. Like how jokes mix with the dread.

Inspired by the 1989 Tom Hanks-led movie of the same name, “The 'Burbs” follows a new mom as she navigates a foreign world of white picket fences and manicured lawns while also investigating a possible murder.

“It’s got the comedy, it has the drama, it's got the mystery, it's got the horror, the thrills, the suspense — all of it,” says Celeste Hughey, the creator, writer and executive producer. All eight episodes drop Friday.

Hanks is replaced by Keke Palmer, who plays a newlywed and new mom who moves into her husband's family home in fictional Hinkley Hills, where everyone is in everybody else's business. “Suburbia is a spectator sport,” she is told.

Across the street is an abandoned home, where a local teen disappeared decades ago. Palmer's Samira soon joins forces with a band of off-beat suburbanites to help solve the case, even if her own husband had some sort of role.

“I really wanted to focus on that fish-out-of-water feeling, centering Samira as a Black woman in a white suburb who is a new mom, a new wife — new everything — and trying to figure out where she belongs in the environment,” says Hughey.

The cast includes Jack Whitehall as Samira's husband and the trio of Julia Duffy, Mark Proksch and Paula Pell as her wine-swilling, investigating neighbors who form a sort of found family.

“The movie came out when I was quite young, but I remember seeing it as a kid and it being like this terrifying movie to me,” says Hughey. “But revisiting it as an adult, it's just like the most timely movie.”

The scripts crackle with witty humor, from references to Marie Kondo to “Baby Reindeer,” and jokes often improvised by the actors. Chocolate brownies are described as “the Beyoncé of desserts” and there’s a joke about how white ladies love salad.

“The ’Burbs” also touches on more serious issues over its eight episodes — microaggressions, racial profiling, bullying and childhood trauma — but takes a kooky, off-beat approach.

“I always look at things with a sense of humor,” says Hughey. “I think comedy is a way to be able to examine all these pretty heavy subjects, but in a way that’s accessible, in a way that is clarifying.”

Palmer says she grew up watching Norman Lear shows and admired his ability to both entertain and address social tensions — something she found in “The 'Burbs.”

“When I read this script for the first time, then as we started doing the show, it started to become clear that we had an opportunity to do the same thing,” Palmer says. “We can expose cliches, we can lean into things, which is one of the greatest tools of satire and comedy in itself, and horror as well, because horror can play as a good allegory for the issues in our life.”

Whitehall, who grew up in the London suburb of Putney, says he appreciates that the social commentary never feels that heavy handed between the comedy and horror: “It was great to sort of be able to play in both genres.”

There are multiple nods to the original movie, like picking the last name Fisher after the late actor Carrie Fisher, who appeared in the Hanks-led version, and naming a dog Darla after the name of the pup who starred in the 1989 version. Hanks, himself, appears in a blink-or-you’ll-miss-it image.

There’s a scene where Samira steps onto her neighbor’s grass and leaves suddenly swirl around her feet menacingly, an echo to the original. And there’s a moment when sardines and pretzels are served, a riff off a classic moment in the movie. The creators even asked original actor Wendy Schaal to return to play the town librarian.

“I really wanted to honor the original fans of the movie and make sure that they see that someone who respects the original material and loves the movie had it in their hands,” says Hughey. “I see the fans.”

Hughey said she wrote the series with Palmer's voice in mind, a piece of manifesting that turned out to actually work when she first met Palmer over a year later.

The music ranges from Bill Withers' “Lovely Day” to Steve Lacy's “Dark Red” to Doechii’s “Anxiety” and Big Pun's “I'm Not a Player.”

“Music is very much a part of my creative process and something that I wanted to stand out in the show as well,” says Hughey. “I got to pull in so many of my inspiration songs.”