North Korea Appears to Demolish ‘Reunification Arch’ as Kim Jong Un Turns Against Ties With South 

This photo shows the Arch of Reunification, a monument to symbolize the hope for eventual reunification of the two Koreas, in Pyongyang, North Korea, on Sept. 11, 2018. (AP)
This photo shows the Arch of Reunification, a monument to symbolize the hope for eventual reunification of the two Koreas, in Pyongyang, North Korea, on Sept. 11, 2018. (AP)
TT

North Korea Appears to Demolish ‘Reunification Arch’ as Kim Jong Un Turns Against Ties With South 

This photo shows the Arch of Reunification, a monument to symbolize the hope for eventual reunification of the two Koreas, in Pyongyang, North Korea, on Sept. 11, 2018. (AP)
This photo shows the Arch of Reunification, a monument to symbolize the hope for eventual reunification of the two Koreas, in Pyongyang, North Korea, on Sept. 11, 2018. (AP)

North Korea appears to have torn down a huge arch in its capital that symbolized reconciliation with South Korea, a week after leader Kim Jong Un dismissed decades of hopes for peaceful reunification with the war-divided peninsula’s south, according to satellite photos analyzed by The Associated Press on Wednesday.

South Korea’s military also said Wednesday that North Korea fired several cruise missiles into waters off its western coast.

Kim last week described the Pyongyang monument as an “eyesore” and called for its removal while declaring that the North was abandoning long-standing goals of a peaceful unification with South Korea and ordered a rewriting of the North’s constitution to define the South as its most hostile foreign adversary.

Satellite images from Planet Labs PBC appeared to show the destruction of Pyongyang’s Monument to the Three Charters for National Reunification, also called the Arch of Reunification. An image Tuesday clearly showed the arch missing along a roadway.

Clouds and snow cover made it difficult to ascertain when North Korea tore down the monument, but it appeared to be within the last few days. NKNews, a website focused on North Korea, first reported on the satellite images.

The arch was a 30-meter (about 100-foot) tall structure that looked over a highway leading to the city of Kaesong near the border with South Korea.

The cruise missile launches were North Korea’s second known launch event of the year, following a Jan. 14 test-firing of the country’s first solid-fuel intermediate range ballistic missile, which reflected its efforts to advance its lineup of weapons targeting US military bases in Japan and Guam.

South Korea’s Joint Chiefs of Staff said Wednesday that the US and South Korean militaries were analyzing the latest launches. It did not immediately confirm the exact number of missiles fired or their specific flight details.

Tensions on the Korean Peninsula have increased in recent months as Kim continues to accelerate his weapons development and issue provocative threats of nuclear conflict with the United States and its Asian allies.

While North Korean cruise missile activities aren’t directly banned under UN sanctions, experts say those weapons potentially pose a serious threat to South Korea and Japan, as they are designed to fly like small airplanes and travel along landscape that would make them harder to detect by radar.

There are concerns that North Korea could dial up tensions in a US election year. Experts say the North would aim to increase its bargaining power as it plans for eventual negotiations with whoever wins the November presidential vote.

North Korea also has a long history of ramping up pressure on rival South Korea when it doesn’t get what it wants from Washington.

During the speech at Pyongyang’s rubber-stamp parliament where Kim announced that his country would no longer pursue reconciliation with the South, he accused South Korea of acting as “top-class stooges” of the Americans and repeated a threat that he would use his nukes to annihilate the South if provoked.



Cultural Camp at King Abdulaziz Camel Festival Showcases Saudi Heritage

The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity - SPA
The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity - SPA
TT

Cultural Camp at King Abdulaziz Camel Festival Showcases Saudi Heritage

The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity - SPA
The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity - SPA

The cultural camp is a key feature of the 10th King Abdulaziz Camel Festival, held in Al-Sayahid desert. The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity, according to SPA.

It offers a range of programs, including live performances and interactive events, that highlight camels' historical significance in Arab culture and illustrate the values of patience, strength, and belonging.

The camp has attracted over 2,000 guests from 71 nationalities, emphasizing its global appeal as a cultural platform for diversity and tradition.

Visitors engage with cultural content through innovative methods that merge authenticity with modern technology, enhancing awareness of the camel's cultural legacy. This initiative aligns with Saudi Vision 2030 by preserving heritage and connecting younger generations with their roots.


Tuwaiq Sculpture 2026 Announces 25 Participating Artists for Seventh Edition

The 2026 edition features a month-long live sculpting phase alongside a community engagement program - SPA
The 2026 edition features a month-long live sculpting phase alongside a community engagement program - SPA
TT

Tuwaiq Sculpture 2026 Announces 25 Participating Artists for Seventh Edition

The 2026 edition features a month-long live sculpting phase alongside a community engagement program - SPA
The 2026 edition features a month-long live sculpting phase alongside a community engagement program - SPA

Under the Royal Commission for Riyadh City and Riyadh Art, Tuwaiq Sculpture has announced the selection of 25 artists for the seventh edition of the annual sculpture symposium and exhibition, taking place from January 10 to February 22, 2026.

This year’s edition unfolds under the curatorial theme “Traces of What Will Be,” inviting artists to reflect on how sculptural form can express the physical, cultural and conceptual traces that shape the future of cities and communities, SPA reported.

A total of 25 artists from 18 countries, including Saudi artists, have been selected for the seventh edition. Their proposals reflect a diverse range of artistic approaches, responding to the theme through explorations of transformation, place, and materiality.

Director of the Tuwaiq Sculpture Symposium Sarah Alruwayti said: "The seventh edition of Tuwaiq Sculpture received more than 590 applications, reflecting the cultural diversity and global interest in the symposium. The selection of the 25 participating artists was carried out by a jury of industry experts and specialists. Their proposals show meaningful engagement with the theme and reflect the strength and diversity of contemporary sculptural practice. We look forward to welcoming them to Riyadh for the creation of new works that will become lasting additions to the city.”

Building on the evolving material practice of the symposium, Tuwaiq Sculpture 2026 introduces two sculpting categories: granite with optional stainless-steel integration and reclaimed metal. Twenty artists will work in granite, while five will create new works in reclaimed metal. Over four weeks, they will produce large-scale sculptures that will later be added to Riyadh Art’s permanent public art collection.

The 2026 edition features a month-long live sculpting phase alongside a community engagement program, inviting visitors to witness the creation of artworks and take part in panel discussions and workshops. The symposium will conclude with a public exhibition showcasing the completed sculptures from its seventh edition.


ALECSO Celebrates Opening of Arabic Calligraphy Center in Saudi Arabia

Arabic calligraphy adorns wrcades, Walls of the Grand Mosque of Makkah - SPA
Arabic calligraphy adorns wrcades, Walls of the Grand Mosque of Makkah - SPA
TT

ALECSO Celebrates Opening of Arabic Calligraphy Center in Saudi Arabia

Arabic calligraphy adorns wrcades, Walls of the Grand Mosque of Makkah - SPA
Arabic calligraphy adorns wrcades, Walls of the Grand Mosque of Makkah - SPA

The Arab League of Educational, Cultural and Scientific Organization (ALECSO) congratulated Saudi Arabia on the opening of the Prince Mohammed bin Salman Global Center for Arabic Calligraphy in Madinah on December 22, 2025.

In a statement, ALECSO called the center a significant addition to the Arab and Islamic cultural landscape, noting its role in preserving Arabic calligraphy and enhancing its global presence, SPA reported.

This achievement reflects the Kingdom's commitment to culture and heritage, aligning with Saudi Vision 2030’s objectives of fostering cultural creativity and reinforcing Arabic identity.

ALECSO emphasized that such institutions serve as global bridges for cultural exchange and ensure the relevance of traditional arts through dedicated research and training facilities.