Taylor Swift Announces New Album, ‘The Tortured Poets Department,’ and Song Titles 

US singer-songwriter Taylor Swift arrives for the 66th Annual Grammy Awards at the Crypto.com Arena in Los Angeles on February 4, 2024. (AFP)
US singer-songwriter Taylor Swift arrives for the 66th Annual Grammy Awards at the Crypto.com Arena in Los Angeles on February 4, 2024. (AFP)
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Taylor Swift Announces New Album, ‘The Tortured Poets Department,’ and Song Titles 

US singer-songwriter Taylor Swift arrives for the 66th Annual Grammy Awards at the Crypto.com Arena in Los Angeles on February 4, 2024. (AFP)
US singer-songwriter Taylor Swift arrives for the 66th Annual Grammy Awards at the Crypto.com Arena in Los Angeles on February 4, 2024. (AFP)

Forget her “Reputation.” Taylor Swift has a whole new album coming out.

Accepting the Grammy for best pop vocal album on Sunday night, Taylor said she’d been keeping a secret for two years.

“My brand-new album comes out April 19. It’s called ‘The Tortured Poets Department.’ I’m going to go and post the cover right now backstage,” she announced.

And so she did.

On her Instagram, Swift posted a black-and-white image of her reclining across pillows. The top half of her face and lower half of her legs are cut off in the low-contrast image.

“All’s fair in love and poetry...” her caption read. In a little over an hour, the Instagram post alone had amassed nearly 7 million likes — a figure that swelled to an apt 13 million in under a day.

“And so I enter into evidence / My tarnished coat of arms / My muses, acquired like bruises / My talismans and charms / The tick, tick, tick of love bombs / My veins of pitch black ink,” read what appeared to be handwritten lyrics posted after the album cover.

Inside Los Angeles' Crypto.com Arena, Swift's album announcement elicited screams from the upper levels.

Swift had provoked mass speculation earlier in the night when her site seemed to go down. Some theorized she was gearing up to release “Reputation (Taylor’s Version),” but cryptic clues on the “crashed” site indicated that might be a misdirect.

And so it was.

The site’s back up now, focused around the upcoming album, with preordering and merchandise options. The album will feature 16 tracks, with some editions offering a bonus track, “The Manuscript,” according to product descriptions. On Monday night, Swift released a track listing on social media.

Collaborations include “Fortnight,” featuring Post Malone, and “Florida!!!” featuring Florence + the Machine. A selection of other song titles: “Down Bad,” “I Can Fix Him (No Really I Can),” “loml” and “Clara Bow.”

This will be Swift's 11th studio album, not counting her re-recordings. Her last original album was “Midnights,” released in October 2022. Since then, she's launched the billion-dollar Eras Tour and released “Speak Now (Taylor's Version)” and “1989 (Taylor's Version).”

Swift was accepting the Grammy for “Midnights” when she made the surprise announcement. She later picked up album of the year, the show's final award, for the album.

“I would love to tell you this is the best moment of my life, but I feel this happy when I finish a song, or when I crack the code to a bridge that I love, or when I’m shortlisting a music video, or when I’m working with my dancers,” she said after accepting her album of the year award from Celine Dion. With it, she broke the record for the most wins in that category (her other albums of the year: “Fearless,” “1989” and “Folklore”).

As she walked the red carpet in custom Schiaparelli Couture, she paid homage to her album title, donning a Lorraine Schwartz choker with a small clock embedded. And yes, the time was set to the midnight — even if the viewer had to tilt their head to see the hands pointing to “12.”

While a nod to the album — and reminiscent of the “tick, tick, tick” in “The Tortured Poets Department” post — the watch seemed particularly apt, given the superstar's seemingly packed schedule over the next week.

Swift is set to head back out on her Eras Tour this week, performing for four nights in Tokyo. She still will be able to make it back to the US later in the week to catch her boyfriend Travis Kelce playing in the Super Bowl.



How the World’s Press Rated Paris’s Olympics Opening Ceremony

Former French football player Zinedine Zidane holds the Olympic torch during the opening ceremony of the Paris 2024 Olympic Games in Paris on July 26, 2024. (AFP)
Former French football player Zinedine Zidane holds the Olympic torch during the opening ceremony of the Paris 2024 Olympic Games in Paris on July 26, 2024. (AFP)
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How the World’s Press Rated Paris’s Olympics Opening Ceremony

Former French football player Zinedine Zidane holds the Olympic torch during the opening ceremony of the Paris 2024 Olympic Games in Paris on July 26, 2024. (AFP)
Former French football player Zinedine Zidane holds the Olympic torch during the opening ceremony of the Paris 2024 Olympic Games in Paris on July 26, 2024. (AFP)

Paris broke with tradition on Friday by turning the Olympic Opening Ceremony into a parade down the River Seine rather than a stadium-based show.

TV viewers around the world were treated to a spectacle performed on bridges, the riverbank and rooftops, culminating with French athletes Marie-Jose Perec and Teddy Riner lighting the Olympic cauldron and a performance from Canada's Celine Dion.

However, the 6,000-odd athletes, 3,000 performers, 300,000 spectators and dozens of world leaders had to endure heavy rain for much of the event.

Here's how the world's media judged Paris's ambitious ceremony:

FRANCE

Newspaper Le Monde wrote in a rave review that director Thomas Jolly "succeeded in his challenge of presenting an immersive show in a capital transformed into a gigantic stage".

Right-leaning Le Figaro said the show was "great but some of it was just too much". It said viewers "could have been spared" images including an apparent recreation of the painting of The Last Supper of Jesus and his apostles in front of a fashion show.

UNITED STATES

"Opening Ceremony Misses the Boat" headlined the New York Times's television review.

It wrote that the river parade "turned the ceremony into something bigger, more various and more intermittently entertaining. But it also turned it into something more ordinary — just another bloated made-for-TV spectacle".

The Washington Post was more glowing, noting that the organizer's "bold thinking" brought a shine back to an event that has seen its popularity wane in recent years.

CHINA

China's Xinhua state news agency said the ceremony succeeded in showcasing France.

"There were Can-Can girls, a homage to the reconstruction of Notre Dame and of course the French Revolution, with fireworks, heavy metal and singers who appeared to have lost a battle with the guillotine.

"If there was a downside to the ceremony, it is that any event performed over such a long distance has to struggle with continuity, and the big difference between this ceremony and others is that the parade of athletes was mixed in with the performances."

SOUTH KOREA

South Korean media noted the "impressive" imagination of using the whole city as the backdrop but the event was overshadowed by the country's team being misintroduced as North Korea.

South Korea's CBS radio said while the incident was no doubt an honest mistake, it was disappointing the Paris organizers failed at what should have been a very basic part of the event.

GERMANY

"As beautiful as it was mad," wrote Germany's Frankfurter Allgemeine. "France revolutionized the opening ceremony ... by the end even the rain had been defeated."

Tabloid Bild was bowled over by Celine Dion's return to the stage after four years, defying illness to "sing just as in the best of times. She deserves a gold medal for this performance."

BRITAIN

British tabloid The Sun joked "Wet The Games Begin!" on its front page alongside an image of the Eiffel Tower surrounded by laser beams, and described the ceremony as spectacular.

The Daily Mail's headline read "La Farce!", mainly in reference to the train disruption earlier in the day, but the paper also judged Paris's gamble on the weather had "backfired spectacularly".

A writer for the Guardian newspaper described the parade of boats on the Seine as "like watching an endless series of weirdly nationalistic office parties" but concluded Celine Dion had rescued the event with a "jaw dropping" performance.

ITALY

La Gazzetta dello Sport said the ceremony was "something unprecedented, even extraordinary. A great show or a long, tedious work, depending on your point of view and sensibility."

The mainstream Italian newspaper Il Corriere della Sera likened the show to a contemporary art performance, noting that "some (spectators) were bored, others were amused, many found the spectacle disappointing".

The left-leaning Italian daily La Repubblica said the ceremony overshadowed the athletes.

"A lot of France, a lot of Paris, very little Olympics.... a mirror that the immortal Paris turned on herself and discovered that she was so much, too much and soaking wet".