Stage Musical of Prince’s ‘Purple Rain’ Finds a Fitting Place to Make Its 2025 Debut — Minneapolis 

Prince performs at the Forum in Inglewood, Calif., on Feb. 18, 1985. (AP)
Prince performs at the Forum in Inglewood, Calif., on Feb. 18, 1985. (AP)
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Stage Musical of Prince’s ‘Purple Rain’ Finds a Fitting Place to Make Its 2025 Debut — Minneapolis 

Prince performs at the Forum in Inglewood, Calif., on Feb. 18, 1985. (AP)
Prince performs at the Forum in Inglewood, Calif., on Feb. 18, 1985. (AP)

The world premiere stage adaptation of Prince’s film and album “Purple Rain” is set for spring 2025 at an appropriate place — Prince’s hometown of Minneapolis.

The musical will be staged at the State Theatre in Minneapolis with music and lyrics by Prince and a story by Branden Jacobs-Jenkins, a two-time Pulitzer Prize finalist for his plays “Gloria” and “Everybody.” Lileana Blain-Cruz, a Tony Award nominee for “The Skin of Our Teeth,” will direct.

“Prince talked about adapting ‘Purple Rain’ for the stage for years. It’s only fitting that we launch this world premiere musical version in the city where it all began,” said L Londell McMillan, former Prince manager and Larry Mestel, founder & CEO of Primary Wave Music, in a statement.

“We’re very excited for the creative team to be inspired by the Minneapolis sound and the unparalleled and unique spirit of the city that Prince inspired.”

Production dates, cast and details will be revealed later.

“Purple Rain” tells the vaguely autobiographical story of an up-and-coming rock musician in the Minneapolis club scene who is juggling a tumultuous home life and a budding romance. The film, which won an Oscar for its song score, includes the hits “Let’s Go Crazy,” “When Doves Cry” and “Take Me With U.”

Prince died in 2016 without a will. His estate and the rights to his music were settled in 2022.



At Venice Film Festival, Jude Law Debuts ‘The Order’ about FBI Manhunt for Domestic Terrorist

Jude Law poses for photographers at the photo call for the film 'The Order' during the 81st edition of the Venice Film Festival in Venice, Italy, on Saturday, Aug. 31, 2024. (Photo by Joel C Ryan/Invision/AP)
Jude Law poses for photographers at the photo call for the film 'The Order' during the 81st edition of the Venice Film Festival in Venice, Italy, on Saturday, Aug. 31, 2024. (Photo by Joel C Ryan/Invision/AP)
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At Venice Film Festival, Jude Law Debuts ‘The Order’ about FBI Manhunt for Domestic Terrorist

Jude Law poses for photographers at the photo call for the film 'The Order' during the 81st edition of the Venice Film Festival in Venice, Italy, on Saturday, Aug. 31, 2024. (Photo by Joel C Ryan/Invision/AP)
Jude Law poses for photographers at the photo call for the film 'The Order' during the 81st edition of the Venice Film Festival in Venice, Italy, on Saturday, Aug. 31, 2024. (Photo by Joel C Ryan/Invision/AP)

Jude Law plays an FBI agent investigating the violent crimes of a white supremacist group in “The Order,” which premieres Saturday at the Venice Film Festival.

An adaptation of Kevin Flynn and Gary Gerhardt’s nonfiction book “The Silent Brotherhood,” Nicolas Hoult was cast as Robert Jay Mathews, the charismatic leader of the group which was considered the most radical hate group since the Ku Klux Klan. Their crimes, including bank robberies and armored car heists that the group was using to fund an armed revolution, led to one of the largest manhunts in FBI history, in 1983, according to The AP.

“What amazed me was it was a story I hadn’t heard about before,” said Law, who also produced. “It like a piece of work that needed to be made now.”

He added: “It’s always interesting finding a piece from the relative past that has some relationship to the present day.”

Law made the trip to Italy with his director, Justin Kurzel, and co-stars Hoult, Jurnee Smollett and Tye Sheridan for the premiere.

His character, called Agent Huss, is an amalgam FBI agent and not based on a specific person. This, they said, was important for positioning him within this story.

“He represents an awful lot of us,” Law said. “He felt his hardest work was behind him and in fact he had his biggest battle ahead of him.”

Kurzel, an Australian filmmaker known for the 2015 adaptation of “Macbeth” with Michael Fassbender, said he’d always wanted to make an American film in the vein of dramatic thrillers from the 1970s like “The French Connection,” “Mississippi Burning” and “All the Presidents’ Men.” He tried to make this film with the classic simplicity he admired in those classics.

Hoult felt it was a “difficult story to tell and difficult characters to inhabit,” but praised his director for helping to create a safe and creative environment as they explored the darkness of Mathews. He’d just recently learned, on the boat over to the Lido, that Kurzel had told Law to actually follow him around one day to get into character.

“The first time we spoke was in the first scene we interact,” Hoult said. “It gave a great energy.”

And all were struck by the parallels to today. Though no one wanted to comment directly on the upcoming U.S. presidential election, the film, they hope, speaks for itself.

“The history of America is very complex,” Smollett said. “This level of bigotry is not new and it has existed in our nation since it was founded. As artists we get to hold a mirror up to society....explore the very complex sides of humanity, the ugliness, the darkness in order for us to learn from it and hopefully not repeat it.”

“The Order” is playing in competition at Venice, alongside “ Maria,” “ Babygirl,” “The Room Next Door," “Queer” and “Joker: Folie à Deux.”

Vertical Entertainment will release the film in theaters later this year.