Saudi Culture Ministry, King Saud University Launch Kingdom’s First College of Arts

The Saudi Ministry of Culture logo
The Saudi Ministry of Culture logo
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Saudi Culture Ministry, King Saud University Launch Kingdom’s First College of Arts

The Saudi Ministry of Culture logo
The Saudi Ministry of Culture logo

The Ministry of Culture, in a strategic partnership with King Saud University in Riyadh, inaugurated the College of Arts at the university, marking the first specialized Saudi college dedicated to arts education in the Kingdom.
The inauguration ceremony took place on Sunday at the university theater in the presence of Deputy Minister of Culture Hamed bin Mohammed Fayez and President of King Saud University Dr. Badran bin Abdulrahman Al-Omar, along with culture and arts enthusiasts across the Kingdom.
In his speech during the ceremony, Fayez affirmed that the new College of Arts reflects the importance attached by Culture Minister Prince Badr bin Abdullah bin Farhan to education and its role in cultural growth.

He emphasized the role of education in the development and advancement of the cultural sector under Saudi Vision 2030.
Fayez further noted that the establishment of the college is a significant milestone in the development of higher cultural education in the Kingdom, with a substantial impact on national cultural development. He highlighted that this step will lay the foundation for an academic path required for nurturing creative talents and fostering cultural advancement.
Fayez said the establishment of the college is part of the strategic partnership between the Culture Ministry and King Saud University, representing one of the first tangible outcomes of the collaborative efforts made with local universities. These efforts aim to achieve the objectives of the National Strategy for Culture and the strategy for the development of cultural capacities derived from it. The goal is to meet the demands of the job market and provide highly competent cultural professionals who will lead the sector towards achieving ambitious national goals.
Fayez stated that the college is launching with three departments dedicated to the specialties of design, performing arts, and visual arts. He emphasized that this is “[just] the beginning of a continuous scientific and cultural cooperation with King Saud University and our other prestigious national universities.”
After the ceremony, the attendees visited the accompanying exhibition of the newly launched college, where they learned about the Saudi cultural sector and the available opportunities for students to develop their capabilities and pursue careers in cultural professions.

They also learned about the objectives of launching the first college of arts in the Kingdom, which include offering high-quality specialized academic programs adhering to national and international standards. Additionally, the college aims to establish a supportive educational and artistic environment for research and innovation, attracting exceptional and talented students based on specific admission criteria.

The college also seeks to prepare graduates who are technically, scientifically, and professionally qualified. The college is assigned to conduct specialized research and scientific studies in the field of arts.



Saudi Museums Commission Explores Tapline's Historical and Cultural Legacy

Saudi Museums Commission Explores Tapline's Historical and Cultural Legacy
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Saudi Museums Commission Explores Tapline's Historical and Cultural Legacy

Saudi Museums Commission Explores Tapline's Historical and Cultural Legacy

Saudi Arabia’s Museums Commission organized a virtual session as part of its monthly open-meeting series, during which it explored the historical and social legacy of the Trans-Arabian Pipeline (Tapline) and its role in shaping the identity of Northern Borders Region, reported the Saudi Press Agency on Tuesday.

The meeting highlighted Tapline’s story as one of the largest construction projects of the 20th century. Construction began in 1947, and operations commenced in 1950, linking the oil fields of eastern Saudi Arabia to the port of Sidon on Lebanon’s Mediterranean coast.

Pumping operations ceased permanently in 1990.

Speakers focused on transforming this industrial legacy into a contemporary museum narrative that highlights Tapline's impact on the emergence of modern cities in the Northern Borders Region.

The meeting concluded with an open dialogue on the role of museums and exhibitions in preserving industrial memory while transforming it into cultural platforms that strengthen connections to national identity.


Archaeologists at Pompeii Use AI to Reveal the Face of One of the Victims

A view of the Pompeii Archeological Park, near Naples, southern Italy, on Dec. 14, 2022. (AP)
A view of the Pompeii Archeological Park, near Naples, southern Italy, on Dec. 14, 2022. (AP)
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Archaeologists at Pompeii Use AI to Reveal the Face of One of the Victims

A view of the Pompeii Archeological Park, near Naples, southern Italy, on Dec. 14, 2022. (AP)
A view of the Pompeii Archeological Park, near Naples, southern Italy, on Dec. 14, 2022. (AP)

Archaeologists at the ancient Roman site of Pompeii have used artificial intelligence for the first time to digitally reconstruct the face of a victim of the AD 79 eruption of Mount Vesuvius that smothered the city, offering a new way to understand one of history’s most famous natural disasters.

The digital portrait represents an older man who was among two victims discovered as they attempted to flee the city toward the coast of what is now Italy during the volcanic eruption. Researchers believe the man died earlier in the disaster, during a heavy fall of volcanic debris.

The reconstruction was developed by the Pompeii Archaeological Park in collaboration with the University of Padua and is based on archaeological survey data from excavations near the Porta Stabia necropolis, just outside the walls of the ancient city.

Pompeii, a UNESCO World Heritage site near Naples, was buried under ash and pumice when Mount Vesuvius erupted nearly 2,000 years ago, preserving the city and thousands of its inhabitants in remarkable detail.

Archaeologists found the victim holding a terracotta mortar, which they interpret as an improvised attempt to shield his head from falling lapilli, the small volcanic stones rained down during the eruption.

Ancient accounts, including those of Roman writer Pliny the Younger, describe residents using objects to protect themselves as ash and debris blanketed the city.

The man was also carrying an oil lamp, a small iron ring and 10 bronze coins, personal objects that offer insight into his final moments, as well as daily life in Pompeii before the catastrophe.

The digital portrait was created using artificial intelligence and photo-editing techniques designed to translate skeletal and archaeological data into a realistic human likeness.

“The vastness of archaeological data is now such that only with the help of artificial intelligence will we be able to adequately protect and enhance them. If used well, AI can contribute to a renewal of classical studies,” Pompeii park director Gabriel Zuchtriegel said in a statement.

The project aims to make archaeological research more accessible and emotionally engaging for the public while maintaining a scientific foundation, researchers said.


Visual Arts Commission's Bedayat Exhibition Attracts Over 13,000 Visitors

Visual Arts Commission's Bedayat Exhibition Attracts Over 13,000 Visitors
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Visual Arts Commission's Bedayat Exhibition Attracts Over 13,000 Visitors

Visual Arts Commission's Bedayat Exhibition Attracts Over 13,000 Visitors

The “Bedayat: Beginnings of the Saudi Art Movement” exhibition highlighted the early development of the art movement in Saudi Arabia, showcasing the experiences of pioneering artists and their contributions to shaping the local visual arts scene.

Organized by the Visual Arts Commission and held at the National Museum of Saudi Arabia in Riyadh, the exhibition attracted more than 13,000 visitors throughout its run, SPA reported.

The exhibition was accompanied by a diverse cultural program comprising around 17 events, including workshops, panel discussions, and specialized courses, led by a select group of experts.

This exhibition is part of the commission’s efforts to document Saudi Arabia’s artistic heritage and strengthen its presence both locally and internationally, contributing to the development of the cultural sector and enhancing its sustainability.