Review: Usher Shines at Star-Studded 2024 Super Bowl Halftime Show 

Football - NFL - Super Bowl LVIII - Half-Time Show - Allegiant Stadium, Las Vegas, Nevada, United States - February 11, 2024 Usher performs during the halftime show. (Reuters)
Football - NFL - Super Bowl LVIII - Half-Time Show - Allegiant Stadium, Las Vegas, Nevada, United States - February 11, 2024 Usher performs during the halftime show. (Reuters)
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Review: Usher Shines at Star-Studded 2024 Super Bowl Halftime Show 

Football - NFL - Super Bowl LVIII - Half-Time Show - Allegiant Stadium, Las Vegas, Nevada, United States - February 11, 2024 Usher performs during the halftime show. (Reuters)
Football - NFL - Super Bowl LVIII - Half-Time Show - Allegiant Stadium, Las Vegas, Nevada, United States - February 11, 2024 Usher performs during the halftime show. (Reuters)

Usher emerged at Las Vegas' Allegiant Stadium for the Super Bowl halftime show seated on a throne, joined by a marching band and a trove of Vegas performers — but stayed its center.

It was an immediate confirmation of his position as the ideal halftime performer: one with timeless, well-known hits, masterful choreography, and a devoted audience.

He started with "Caught Up," moving into "U Don't Have to Call,Superstar," and "Love in the Club."

Then Alicia Keys joined in front of bright red piano for her song "If I Ain't Got You," which morphed into "My Boo," Usher losing a glove in an apparent tribute to Michael Jackson — notable for a performance during Black History Month.

"They said I wouldn't make it," he told the crowd, dedicating the set to his "mama."

Across 13 minutes during the halftime show sponsored by Apple Music, Usher brought out a number of guests including H.E.R., Jermaine Dupri, Lil Jon (for "Turn Down for What," which became "Yeah!" — and included a guest appearance from Ludacris).

Across three decades, the R&B superstar had an endless treasure trove of hits to pull from — and did so with costume changes, and a rolling performance of "OMG" while wearing roller skates — at one moment, sliding between will.i.am's legs.

His album "Confessions" ranks among one of the best-selling music projects of all time and turned 20 this year; "Burn" became an easy performance highlight.

Over the past two years, Usher, 45, has made Vegas a home for his unique talents, with his sold-out residency, "Usher: My Way," at Dolby Live at Park MGM making him the perfect pick for Sunday's game.

The eight-time Grammy award winner is also no stranger to the Super Bowl stage — he made a guest appearance with Black Eyed Peas frontman will.i.am in 2011.

"I got a chance to see a bit of what it felt like," Usher told The Associated Press in a recent interview. In his first Super Bowl performance, he descended from the stadium ceiling to perform "OMG" in Arlington, Texas.

"Don’t take the moments for granted because you only get 13 of them," he said in advance of his 2024 performance, referring to the usually allotted 13-minute run time. "The hardest part is trying to figure out how to squeeze it all in when you actually have a large catalog, or a lot of records people celebrate and love."

With a doubt — he figured out exactly how to do just that.



How the World’s Press Rated Paris’s Olympics Opening Ceremony

Former French football player Zinedine Zidane holds the Olympic torch during the opening ceremony of the Paris 2024 Olympic Games in Paris on July 26, 2024. (AFP)
Former French football player Zinedine Zidane holds the Olympic torch during the opening ceremony of the Paris 2024 Olympic Games in Paris on July 26, 2024. (AFP)
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How the World’s Press Rated Paris’s Olympics Opening Ceremony

Former French football player Zinedine Zidane holds the Olympic torch during the opening ceremony of the Paris 2024 Olympic Games in Paris on July 26, 2024. (AFP)
Former French football player Zinedine Zidane holds the Olympic torch during the opening ceremony of the Paris 2024 Olympic Games in Paris on July 26, 2024. (AFP)

Paris broke with tradition on Friday by turning the Olympic Opening Ceremony into a parade down the River Seine rather than a stadium-based show.

TV viewers around the world were treated to a spectacle performed on bridges, the riverbank and rooftops, culminating with French athletes Marie-Jose Perec and Teddy Riner lighting the Olympic cauldron and a performance from Canada's Celine Dion.

However, the 6,000-odd athletes, 3,000 performers, 300,000 spectators and dozens of world leaders had to endure heavy rain for much of the event.

Here's how the world's media judged Paris's ambitious ceremony:

FRANCE

Newspaper Le Monde wrote in a rave review that director Thomas Jolly "succeeded in his challenge of presenting an immersive show in a capital transformed into a gigantic stage".

Right-leaning Le Figaro said the show was "great but some of it was just too much". It said viewers "could have been spared" images including an apparent recreation of the painting of The Last Supper of Jesus and his apostles in front of a fashion show.

UNITED STATES

"Opening Ceremony Misses the Boat" headlined the New York Times's television review.

It wrote that the river parade "turned the ceremony into something bigger, more various and more intermittently entertaining. But it also turned it into something more ordinary — just another bloated made-for-TV spectacle".

The Washington Post was more glowing, noting that the organizer's "bold thinking" brought a shine back to an event that has seen its popularity wane in recent years.

CHINA

China's Xinhua state news agency said the ceremony succeeded in showcasing France.

"There were Can-Can girls, a homage to the reconstruction of Notre Dame and of course the French Revolution, with fireworks, heavy metal and singers who appeared to have lost a battle with the guillotine.

"If there was a downside to the ceremony, it is that any event performed over such a long distance has to struggle with continuity, and the big difference between this ceremony and others is that the parade of athletes was mixed in with the performances."

SOUTH KOREA

South Korean media noted the "impressive" imagination of using the whole city as the backdrop but the event was overshadowed by the country's team being misintroduced as North Korea.

South Korea's CBS radio said while the incident was no doubt an honest mistake, it was disappointing the Paris organizers failed at what should have been a very basic part of the event.

GERMANY

"As beautiful as it was mad," wrote Germany's Frankfurter Allgemeine. "France revolutionized the opening ceremony ... by the end even the rain had been defeated."

Tabloid Bild was bowled over by Celine Dion's return to the stage after four years, defying illness to "sing just as in the best of times. She deserves a gold medal for this performance."

BRITAIN

British tabloid The Sun joked "Wet The Games Begin!" on its front page alongside an image of the Eiffel Tower surrounded by laser beams, and described the ceremony as spectacular.

The Daily Mail's headline read "La Farce!", mainly in reference to the train disruption earlier in the day, but the paper also judged Paris's gamble on the weather had "backfired spectacularly".

A writer for the Guardian newspaper described the parade of boats on the Seine as "like watching an endless series of weirdly nationalistic office parties" but concluded Celine Dion had rescued the event with a "jaw dropping" performance.

ITALY

La Gazzetta dello Sport said the ceremony was "something unprecedented, even extraordinary. A great show or a long, tedious work, depending on your point of view and sensibility."

The mainstream Italian newspaper Il Corriere della Sera likened the show to a contemporary art performance, noting that "some (spectators) were bored, others were amused, many found the spectacle disappointing".

The left-leaning Italian daily La Repubblica said the ceremony overshadowed the athletes.

"A lot of France, a lot of Paris, very little Olympics.... a mirror that the immortal Paris turned on herself and discovered that she was so much, too much and soaking wet".