‘Oppenheimer’ Wins 7 Prizes, Including Best Picture, at the British Academy Film Awards 

Irish actor Cillian Murphy poses with the award for Best leading actor for his role in "Oppenheimer" during the BAFTA British Academy Film Awards ceremony at the Royal Festival Hall, Southbank Center, in London, on February 18, 2024. (AFP)
Irish actor Cillian Murphy poses with the award for Best leading actor for his role in "Oppenheimer" during the BAFTA British Academy Film Awards ceremony at the Royal Festival Hall, Southbank Center, in London, on February 18, 2024. (AFP)
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‘Oppenheimer’ Wins 7 Prizes, Including Best Picture, at the British Academy Film Awards 

Irish actor Cillian Murphy poses with the award for Best leading actor for his role in "Oppenheimer" during the BAFTA British Academy Film Awards ceremony at the Royal Festival Hall, Southbank Center, in London, on February 18, 2024. (AFP)
Irish actor Cillian Murphy poses with the award for Best leading actor for his role in "Oppenheimer" during the BAFTA British Academy Film Awards ceremony at the Royal Festival Hall, Southbank Center, in London, on February 18, 2024. (AFP)

Atom bomb epic "Oppenheimer" won seven prizes, including best picture, director and actor, at the 77th British Academy Film Awards on Sunday, cementing its front-runner status for the Oscars next month.

Gothic fantasia "Poor Things" took five prizes and Holocaust drama "The Zone of Interest" won three.

British-born filmmaker Christopher Nolan won his first best director BAFTA for "Oppenheimer," and Irish performer Cillian Murphy won the best actor prize for playing physicist J. Robert Oppenheimer, the father of the atomic bomb.

Murphy said he was grateful to play such a "colossally knotty, complex character."

Nolan noted that nuclear weapons are "a nihilistic subject and the film inevitably reflects that," telling the movie's backers: "Thank you for taking on something dark."

Emma Stone was named best actress for playing the wild and spirited Bella Baxter in "Poor Things," a steampunk-style visual extravaganza that won prizes for visual effects, production design, makeup and hair and costume design.

"Oppenheimer" had a field-leading 13 nominations, but missed out on the record of nine trophies, set in 1971 by "Butch Cassidy and the Sundance Kid."

It won the best film race against "Poor Things,Killers of the Flower Moon,Anatomy of a Fall" and "The Holdovers.Oppenheimer" also scooped trophies for editing, cinematography and musical score, as well as the best supporting actor prize for Robert Downey Jr., who played Atomic Energy Commission head Lewis Strauss.

Da’Vine Joy Randolph was named best supporting actress for playing a boarding school cook in "The Holdovers" and said she felt a "responsibility I don’t take lightly" to tell the stories of underrepresented people like her character Mary.

"Oppenheimer" faced stiff competition in what's widely considered a vintage year for cinema and an awards season energized by the end of actors’ and writers’ strikes that shut down Hollywood for months.

" The Zone of Interest," a British-produced film shot in Poland with a largely German cast, was named both best British film and best film not in English — a first — and also took the prize for its sound, which has been described as the real star of the film.

Jonathan Glazer's unsettling drama takes place in a family home just outside the walls of the Auschwitz death camp, whose horrors are heard and hinted at, rather than seen.

"Walls aren’t new from before or since the Holocaust, and it seems stark right now that we should care about innocent people being killed in Gaza or Yemen or Mariupol or Israel," producer James Wilson said. "Thank you for recognizing a film that asks us to think in those spaces."

Ukraine war documentary "20 Days in Mariupol," produced by The Associated Press and PBS "Frontline," won the prize for best documentary.

"This is not about us," said filmmaker Mstyslav Chernov, who captured the harrowing reality of life in the besieged city with an AP team. "This is about Ukraine, about the people of Mariupol."

Chernov said the story of the city and its fall into Russian occupation "is a symbol of struggle and a symbol of faith. Thank you for empowering our voice and let’s just keep fighting."

The awards ceremony, hosted by "Doctor Who" star David Tennant — who entered wearing a kilt and sequined top while carrying a dog named Bark Ruffalo — was a glitzy, British-accented appetizer for Hollywood’s Academy Awards, closely watched for hints about who might win at the Oscars on March 10.

The prize for original screenplay went to French courtroom drama "Anatomy of a Fall." The film about a woman on trial over the death of her husband was written by director Justine Triet and her partner, Arthur Harari.

"It’s a fiction, and we are reasonably fine," Triet joked.

Cord Jefferson won the adapted screenplay prize for the satirical "American Fiction," about the struggles of an African American novelist

Jefferson said he hoped the success of the movie "maybe changes the minds of the people who are in charge of greenlighting films and TV shows, allows them to be less risk-averse."

Historical epic "Killers of the Flower Moon," Leonard Bernstein biopic "Maestro," grief-flecked love story "All of Us Strangers" and class-war dramedy "Saltburn " all won nothing despite multiple nominations.

"Barbie," one half of 2023’s "Barbenheimer" box office juggernaut and the year’s top-grossing film, also came up empty from five nominations. "Barbie" director Greta Gerwig failed to get a directing nomination for either the BAFTAs or the Oscars, in what was seen by many as a major snub.

Britain’s film academy introduced changes to increase the awards’ diversity in 2020, when no women were nominated as best director for the seventh year running and all 20 nominees in the lead and supporting performer categories were white. However, Triet was the only woman among this year's six best-director nominees.

Before the ceremony, nominees, including Bradley Cooper, Carey Mulligan, Emily Blunt, Rosamund Pike, Ryan Gosling and Ayo Edebiri all walked the red carpet at London’s Royal Festival Hall, along with presenters Andrew Scott, Cate Blanchett, Idris Elba and David Beckham.

Guest of honor was Prince William, in his role as president of the British Academy of Film and Television Arts. He arrived without his wife, Kate, who is recovering from abdominal surgery last month.

The ceremony included musical performances by "Ted Lasso" star Hannah Waddingham, singing "Time After Time," and Sophie Ellis-Bextor, singing her 2001 hit "Murder on the Dancefloor," which shot back up the charts after featuring in "Saltburn."

Film curator June Givanni, founder of the June Givanni PanAfrican Cinema Archive, was honored for outstanding British contribution to cinema, while actress Samantha Morton received the academy’s highest honor, the BAFTA Fellowship.

Morton, who grew up in foster care and children’s homes, said that "representation matters."

"The stories we tell, they have the power to change people’s lives," she said. "Film changed my life, it transformed me, and it led me here today."



Perry Bamonte, Keyboardist and Guitarist for The Cure, Dies at 65

Perry Bamonte of The Cure performs at North Island Credit Union Amphitheater on May 20, 2023 in Chula Vista, California. (Getty Images/AFP)
Perry Bamonte of The Cure performs at North Island Credit Union Amphitheater on May 20, 2023 in Chula Vista, California. (Getty Images/AFP)
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Perry Bamonte, Keyboardist and Guitarist for The Cure, Dies at 65

Perry Bamonte of The Cure performs at North Island Credit Union Amphitheater on May 20, 2023 in Chula Vista, California. (Getty Images/AFP)
Perry Bamonte of The Cure performs at North Island Credit Union Amphitheater on May 20, 2023 in Chula Vista, California. (Getty Images/AFP)

Perry Bamonte, keyboardist and guitarist in The Cure, has died at 65, the English indie rock band confirmed through their official website on Friday.

In a statement, the band wrote that Bamonte died "after a short illness at home" on Christmas Day.

"It is with enormous sadness that ‌we confirm ‌the death of our ‌great ⁠friend and ‌bandmate Perry Bamonte who passed away after a short illness at home over Christmas," the statement said, adding he was a "vital part of The Cure story."

The statement said Bamonte was ⁠a full-time member of The Cure since 1990, ‌playing guitar, six-string bass, ‍and keyboards, and ‍performed in more than 400 shows.

Bamonte, ‍born in London, England, in 1960, joined the band's road crew in 1984, working alongside his younger brother Daryl, who worked as tour manager for The Cure.

Bamonte first worked as ⁠an assistant to co-founder and lead vocalist, Robert Smith, before becoming a full member after keyboardist Roger O'Donnell left the band in 1990.

Bamonte's first album with The Cure was "Wish" in 1992. He continued to work with them on the next three albums.

He also had various acting ‌roles in movies: "Judge Dredd,About Time" and "The Crow."


First Bond Game in a Decade Hit by Two-month Delay

'007 First Light' depicts a younger Bond earning his license to kill. Ina FASSBENDER / AFP
'007 First Light' depicts a younger Bond earning his license to kill. Ina FASSBENDER / AFP
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First Bond Game in a Decade Hit by Two-month Delay

'007 First Light' depicts a younger Bond earning his license to kill. Ina FASSBENDER / AFP
'007 First Light' depicts a younger Bond earning his license to kill. Ina FASSBENDER / AFP

A Danish video game studio said it was delaying the release of the first James Bond video game in over a decade by two months to "refine the experience".

Fans will now have to wait until May 27 to play "007 First Light" featuring Ian Fleming's world-famous spy, after IO Interactive said on Tuesday it was postponing the launch to add some final touches.

"007 First Light is our most ambitious project to date, and the team has been fully focused on delivering an unforgettable James Bond experience," the Danish studio wrote on X.

Describing the game as "fully playable", IO Interactive said the two additional months would allow their team "to further polish and refine the experience", giving players "the strongest possible version at launch".

The game, which depicts a younger Bond earning his license to kill, is set to feature "globe-trotting, spycraft, gadgets, car chases, and more", IO Interactive added.

It has been more than a decade since a video game inspired by Bond was released. The initial release date was scheduled for March 27.


Movie Review: An Electric Timothee Chalamet Is the Consummate Striver in Propulsive ‘Marty Supreme’

 Timothee Chalamet attends the premiere of "Marty Supreme" at Regal Times Square on Tuesday, Dec. 16, 2025, in New York. (AP)
Timothee Chalamet attends the premiere of "Marty Supreme" at Regal Times Square on Tuesday, Dec. 16, 2025, in New York. (AP)
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Movie Review: An Electric Timothee Chalamet Is the Consummate Striver in Propulsive ‘Marty Supreme’

 Timothee Chalamet attends the premiere of "Marty Supreme" at Regal Times Square on Tuesday, Dec. 16, 2025, in New York. (AP)
Timothee Chalamet attends the premiere of "Marty Supreme" at Regal Times Square on Tuesday, Dec. 16, 2025, in New York. (AP)

“Everybody wants to rule the world,” goes the Tears for Fears song we hear at a key point in “Marty Supreme,” Josh Safdie’s nerve-busting adrenaline jolt of a movie starring a never-better Timothee Chalamet.

But here’s the thing: everybody may want to rule the world, but not everybody truly believes they CAN. This, one could argue, is what separates the true strivers from the rest of us.

And Marty — played by Chalamet in a delicious synergy of actor, role and whatever fairy dust makes a performance feel both preordained and magically fresh — is a striver. With every fiber of his restless, wiry body. They should add him to the dictionary definition.

Needless to say, Marty is a New Yorker.

Also needless to say, Chalamet is a New Yorker.

And so is Safdie, a writer-director Chalamet has called “the street poet of New York.” So, where else could this story be set?

It’s 1952, on Manhattan’s Lower East Side. Marty Mauser is a salesman in his uncle’s shoe store, escaping to the storeroom for a hot tryst with his (married) girlfriend. This witty opening sequence won’t be the only thing recalling “Uncut Gems,” co-directed by Safdie with his brother Benny before the two split for solo projects. That film, which feels much like the precursor to “Marty Supreme,” began as a trip through the shiny innards of a rare opal, only to wind up inside Adam Sandler’s colon, mid-colonoscopy.

Sandler’s Howard Ratner was a New York striver, too, but sadder, and more troubled. Marty is young, determined, brash — with an eye always to the future. He’s a great salesman: “I could sell shoes to an amputee,” he boasts, crassly. But what he’s plotting to unveil to the world has nothing to do with shoes. It’s about table tennis.

How likely is it that this Jewish kid from the Lower East Side can become the very face of a sport in America, soon to be “staring at you from the cover of a Wheaties box?”

To Marty, perfectly likely. Still, he knows nobody in the US cares about table tennis. He’s so determined to prove everyone wrong, starting at the British Open in London, that when there’s a snag obtaining cash for his trip, he brandishes a gun at a colleague to get it.

Shaking off that sorta-armed robbery thing, Marty arrives in London, where he fast-talks his way into a suite at the Ritz. Here, he spies fellow guest Kay Stone (Gwyneth Paltrow, in a wise, stylish return to the screen), a former movie star married to an insufferable tycoon (“Shark Tank” personality Kevin O’Leary, one of many nonactors here.)

Kay’s skeptical, but Marty finds a way to woo her. Really, all he has to say is: “Come watch me.” Once she sees him play, she’s sneaking into his room in a lace corselet.

This would be a good time to stop and consider Chalamet’s subtly transformed appearance. He is stick-thin — duh, he never stops moving. His mustache is skimpy. His skin is acne-scarred — just enough to erase any movie-star sheen. Most strikingly, his eyes, behind the round spectacles, are beady — and smaller. Definitely not those movie-star eyes.

But then, nearly all the faces in “Marty Supreme” are extraordinary. In a movie with more than 100 characters, we have known actors (Fran Drescher, Abel Ferrara); nonacting personalities (O’Leary, and an excellent Tyler Okonma (Tyler, The Creator) as Marty’s friend Wally); and exciting newcomers like Odessa A’Zion as Marty’s feisty girlfriend Rachel.

There are also a slew of nonactors in small parts, plus cameos from the likes of David Mamet and even high wire artist Philippe Petit. The dizzying array makes one curious how it all came together — is casting director Jennifer Venditti taking interns? Production notes tell us that for one hustling scene at a bowling alley, young men were recruited from a sports trading-card convention.

Elsewhere on the creative team, composer Daniel Lopatin succeeds in channeling both Marty’s beating heart and the ricochet of pingpong balls in his propulsive score. The script by Safdie and cowriter Ronald Bronstein, loosely based on real-life table tennis hustler Marty Reisman, beats with its own, never-stopping pulse. The same breakneck aesthetic applies to camera work by Darius Khondji.

Back now to London, where Marty makes the finals against Japanese player Koto Endo (Koto Kawaguchi, like his character a deaf table tennis champion). “I’ll be dropping a third atom bomb on them,” he brags — not his only questionable World War II quip. But Endo, with his unorthodox paddle and grip, prevails.

After a stint as a side act with the Harlem Globetrotters, including pingpong games with a seal — you’ll have to take our word for this, folks, we’re running low on space — Marty returns home, determined to make the imminent world championships in Tokyo.

But he's in trouble — remember he took cash at gunpoint? Worse, he has no money.

So Marty’s on the run. And he’ll do anything, however messy or dangerous, to get to Japan. Even if he has to totally debase himself (mark our words), or endanger friends — or abandon loyal and brave Rachel.

Is there something else for Marty, besides his obsessive goal? If so, he doesn’t know it yet. But the lyrics of another song used in the film are instructive here: “Everybody’s got to learn sometime.”

So can a single-minded striver ultimately learn something new about his own life?

We'll have to see. As Marty might say: “Come watch me.”