‘Oppenheimer’ Wins 7 Prizes, Including Best Picture, at the British Academy Film Awards 

Irish actor Cillian Murphy poses with the award for Best leading actor for his role in "Oppenheimer" during the BAFTA British Academy Film Awards ceremony at the Royal Festival Hall, Southbank Center, in London, on February 18, 2024. (AFP)
Irish actor Cillian Murphy poses with the award for Best leading actor for his role in "Oppenheimer" during the BAFTA British Academy Film Awards ceremony at the Royal Festival Hall, Southbank Center, in London, on February 18, 2024. (AFP)
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‘Oppenheimer’ Wins 7 Prizes, Including Best Picture, at the British Academy Film Awards 

Irish actor Cillian Murphy poses with the award for Best leading actor for his role in "Oppenheimer" during the BAFTA British Academy Film Awards ceremony at the Royal Festival Hall, Southbank Center, in London, on February 18, 2024. (AFP)
Irish actor Cillian Murphy poses with the award for Best leading actor for his role in "Oppenheimer" during the BAFTA British Academy Film Awards ceremony at the Royal Festival Hall, Southbank Center, in London, on February 18, 2024. (AFP)

Atom bomb epic "Oppenheimer" won seven prizes, including best picture, director and actor, at the 77th British Academy Film Awards on Sunday, cementing its front-runner status for the Oscars next month.

Gothic fantasia "Poor Things" took five prizes and Holocaust drama "The Zone of Interest" won three.

British-born filmmaker Christopher Nolan won his first best director BAFTA for "Oppenheimer," and Irish performer Cillian Murphy won the best actor prize for playing physicist J. Robert Oppenheimer, the father of the atomic bomb.

Murphy said he was grateful to play such a "colossally knotty, complex character."

Nolan noted that nuclear weapons are "a nihilistic subject and the film inevitably reflects that," telling the movie's backers: "Thank you for taking on something dark."

Emma Stone was named best actress for playing the wild and spirited Bella Baxter in "Poor Things," a steampunk-style visual extravaganza that won prizes for visual effects, production design, makeup and hair and costume design.

"Oppenheimer" had a field-leading 13 nominations, but missed out on the record of nine trophies, set in 1971 by "Butch Cassidy and the Sundance Kid."

It won the best film race against "Poor Things,Killers of the Flower Moon,Anatomy of a Fall" and "The Holdovers.Oppenheimer" also scooped trophies for editing, cinematography and musical score, as well as the best supporting actor prize for Robert Downey Jr., who played Atomic Energy Commission head Lewis Strauss.

Da’Vine Joy Randolph was named best supporting actress for playing a boarding school cook in "The Holdovers" and said she felt a "responsibility I don’t take lightly" to tell the stories of underrepresented people like her character Mary.

"Oppenheimer" faced stiff competition in what's widely considered a vintage year for cinema and an awards season energized by the end of actors’ and writers’ strikes that shut down Hollywood for months.

" The Zone of Interest," a British-produced film shot in Poland with a largely German cast, was named both best British film and best film not in English — a first — and also took the prize for its sound, which has been described as the real star of the film.

Jonathan Glazer's unsettling drama takes place in a family home just outside the walls of the Auschwitz death camp, whose horrors are heard and hinted at, rather than seen.

"Walls aren’t new from before or since the Holocaust, and it seems stark right now that we should care about innocent people being killed in Gaza or Yemen or Mariupol or Israel," producer James Wilson said. "Thank you for recognizing a film that asks us to think in those spaces."

Ukraine war documentary "20 Days in Mariupol," produced by The Associated Press and PBS "Frontline," won the prize for best documentary.

"This is not about us," said filmmaker Mstyslav Chernov, who captured the harrowing reality of life in the besieged city with an AP team. "This is about Ukraine, about the people of Mariupol."

Chernov said the story of the city and its fall into Russian occupation "is a symbol of struggle and a symbol of faith. Thank you for empowering our voice and let’s just keep fighting."

The awards ceremony, hosted by "Doctor Who" star David Tennant — who entered wearing a kilt and sequined top while carrying a dog named Bark Ruffalo — was a glitzy, British-accented appetizer for Hollywood’s Academy Awards, closely watched for hints about who might win at the Oscars on March 10.

The prize for original screenplay went to French courtroom drama "Anatomy of a Fall." The film about a woman on trial over the death of her husband was written by director Justine Triet and her partner, Arthur Harari.

"It’s a fiction, and we are reasonably fine," Triet joked.

Cord Jefferson won the adapted screenplay prize for the satirical "American Fiction," about the struggles of an African American novelist

Jefferson said he hoped the success of the movie "maybe changes the minds of the people who are in charge of greenlighting films and TV shows, allows them to be less risk-averse."

Historical epic "Killers of the Flower Moon," Leonard Bernstein biopic "Maestro," grief-flecked love story "All of Us Strangers" and class-war dramedy "Saltburn " all won nothing despite multiple nominations.

"Barbie," one half of 2023’s "Barbenheimer" box office juggernaut and the year’s top-grossing film, also came up empty from five nominations. "Barbie" director Greta Gerwig failed to get a directing nomination for either the BAFTAs or the Oscars, in what was seen by many as a major snub.

Britain’s film academy introduced changes to increase the awards’ diversity in 2020, when no women were nominated as best director for the seventh year running and all 20 nominees in the lead and supporting performer categories were white. However, Triet was the only woman among this year's six best-director nominees.

Before the ceremony, nominees, including Bradley Cooper, Carey Mulligan, Emily Blunt, Rosamund Pike, Ryan Gosling and Ayo Edebiri all walked the red carpet at London’s Royal Festival Hall, along with presenters Andrew Scott, Cate Blanchett, Idris Elba and David Beckham.

Guest of honor was Prince William, in his role as president of the British Academy of Film and Television Arts. He arrived without his wife, Kate, who is recovering from abdominal surgery last month.

The ceremony included musical performances by "Ted Lasso" star Hannah Waddingham, singing "Time After Time," and Sophie Ellis-Bextor, singing her 2001 hit "Murder on the Dancefloor," which shot back up the charts after featuring in "Saltburn."

Film curator June Givanni, founder of the June Givanni PanAfrican Cinema Archive, was honored for outstanding British contribution to cinema, while actress Samantha Morton received the academy’s highest honor, the BAFTA Fellowship.

Morton, who grew up in foster care and children’s homes, said that "representation matters."

"The stories we tell, they have the power to change people’s lives," she said. "Film changed my life, it transformed me, and it led me here today."



'Send Help' Repeats as N.America Box Office Champ

Canadian actor Rachel McAdams and US actor Dylan O'Brien pose upon arrival on the red carpet for the UK premiere of the film 'Send Help' in central London on January 29, 2026. (Photo by CARLOS JASSO / AFP)
Canadian actor Rachel McAdams and US actor Dylan O'Brien pose upon arrival on the red carpet for the UK premiere of the film 'Send Help' in central London on January 29, 2026. (Photo by CARLOS JASSO / AFP)
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'Send Help' Repeats as N.America Box Office Champ

Canadian actor Rachel McAdams and US actor Dylan O'Brien pose upon arrival on the red carpet for the UK premiere of the film 'Send Help' in central London on January 29, 2026. (Photo by CARLOS JASSO / AFP)
Canadian actor Rachel McAdams and US actor Dylan O'Brien pose upon arrival on the red carpet for the UK premiere of the film 'Send Help' in central London on January 29, 2026. (Photo by CARLOS JASSO / AFP)

Horror flick "Send Help" showed staying power, leading the North American box office for a second straight week with $10 million in ticket sales, industry estimates showed Sunday.

The 20th Century flick stars Rachel McAdams and Dylan O'Brien as a woman and her boss trying to survive on a deserted island after their plane crashes.
It marks a return to the genre for director Sam Raimi, who first made his name in the 1980s with the "Evil Dead" films.

Debuting in second place at $7.2 million was rom-com "Solo Mio" starring comedian Kevin James as a groom left at the altar in Italy, Exhibitor Relations reported.

"This is an excellent opening for a romantic comedy made on a micro-budget of $4 million," said analyst David A. Gross of Franchise Entertainment Research, noting that critics and audiences have embraced the Angel Studios film.

Post-apocalyptic Sci-fi thriller "Iron Lung" -- a video game adaptation written, directed and financed by YouTube star Mark Fischbach, known by his pseudonym Markiplier -- finished in third place at $6.7 million, AFP reported.

"Stray Kids: The Dominate Experience," a concert film for the K-pop boy band Stray Kids filmed at SoFi Stadium in Los Angeles, opened in fourth place at $5.6 million.

And in fifth place at $4.5 million was Luc Besson's English-language adaptation of "Dracula," which was released in select countries outside the United States last year.

Gross called it a "weak opening for a horror remake," noting the film's total production cost of $50 million and its modest $30 million take abroad so far.

Rounding out the top 10 are:
"Zootopia 2" ($4 million)
"The Strangers: Chapter 3" ($3.5 million)
"Avatar: Fire and Ash" ($3.5 million)
"Shelter" ($2.4 million)
"Melania" ($2.38 million)


Rapper Lil Jon Confirms Death of His Son, Nathan Smith

Lil Jon performs at Gronk Beach music festival during Super Bowl week on Saturday, Feb. 11, 2023, at Talking Stick Resort in Scottsdale, Ariz. (AP)
Lil Jon performs at Gronk Beach music festival during Super Bowl week on Saturday, Feb. 11, 2023, at Talking Stick Resort in Scottsdale, Ariz. (AP)
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Rapper Lil Jon Confirms Death of His Son, Nathan Smith

Lil Jon performs at Gronk Beach music festival during Super Bowl week on Saturday, Feb. 11, 2023, at Talking Stick Resort in Scottsdale, Ariz. (AP)
Lil Jon performs at Gronk Beach music festival during Super Bowl week on Saturday, Feb. 11, 2023, at Talking Stick Resort in Scottsdale, Ariz. (AP)

American rapper Lil Jon said on Friday that his son, Nathan Smith, has died, the record producer confirmed in a joint statement with Smith’s mother.

"I am extremely heartbroken for the tragic loss of our son, Nathan Smith. His mother (Nicole Smith) and I are devastated,” the statement said.

Lil Jon described his son as ‌an “amazingly talented ‌young man” who was ‌a ⁠music producer, artist, ‌engineer, and a New York University graduate.

“Thank you for all of the prayers and support in trying to locate him over the last several days. Thank you to the entire Milton police department involved,” the “Snap ⁠Yo Fingers” rapper added.

A missing persons report was ‌filed on Tuesday for Smith ‍in Milton, Georgia, authorities ‍said in a post on the ‍Milton government website.

Police officials added that a broader search for Smith, also known by the stage name DJ Young Slade, led divers from the Cherokee County Fire Department to recover a body from a pond near ⁠his home on Friday.

"The individual is believed to be Nathan Smith, pending official confirmation by the Fulton County Medical Examiner’s Office,” the post continued.

While no foul play is suspected, the Milton Police Department Criminal Investigations Division will be investigating the events surrounding Smith’s death.

Lil Jon is a Grammy-winning rapper known for a string ‌of chart-topping hits and collaborations, including “Get Low,” “Turn Down for What” and “Shots.”


Keke Palmer Is a Fish Out of Water in Horror-Comedy Series Based on Cult Movie ‘The ’Burbs’

Keke Palmer and Jack Whitehall attend Premiere Event Of Peacock's "The 'Burbs" at Universal Studios Backlot on February 05, 2026 in Universal City, California. (Getty Images/AFP)
Keke Palmer and Jack Whitehall attend Premiere Event Of Peacock's "The 'Burbs" at Universal Studios Backlot on February 05, 2026 in Universal City, California. (Getty Images/AFP)
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Keke Palmer Is a Fish Out of Water in Horror-Comedy Series Based on Cult Movie ‘The ’Burbs’

Keke Palmer and Jack Whitehall attend Premiere Event Of Peacock's "The 'Burbs" at Universal Studios Backlot on February 05, 2026 in Universal City, California. (Getty Images/AFP)
Keke Palmer and Jack Whitehall attend Premiere Event Of Peacock's "The 'Burbs" at Universal Studios Backlot on February 05, 2026 in Universal City, California. (Getty Images/AFP)

The suburbs are anything but bland in the new Peacock series “The 'Burbs,” where strange things are going on. Like how jokes mix with the dread.

Inspired by the 1989 Tom Hanks-led movie of the same name, “The 'Burbs” follows a new mom as she navigates a foreign world of white picket fences and manicured lawns while also investigating a possible murder.

“It’s got the comedy, it has the drama, it's got the mystery, it's got the horror, the thrills, the suspense — all of it,” says Celeste Hughey, the creator, writer and executive producer. All eight episodes drop Friday.

Hanks is replaced by Keke Palmer, who plays a newlywed and new mom who moves into her husband's family home in fictional Hinkley Hills, where everyone is in everybody else's business. “Suburbia is a spectator sport,” she is told.

Across the street is an abandoned home, where a local teen disappeared decades ago. Palmer's Samira soon joins forces with a band of off-beat suburbanites to help solve the case, even if her own husband had some sort of role.

“I really wanted to focus on that fish-out-of-water feeling, centering Samira as a Black woman in a white suburb who is a new mom, a new wife — new everything — and trying to figure out where she belongs in the environment,” says Hughey.

The cast includes Jack Whitehall as Samira's husband and the trio of Julia Duffy, Mark Proksch and Paula Pell as her wine-swilling, investigating neighbors who form a sort of found family.

“The movie came out when I was quite young, but I remember seeing it as a kid and it being like this terrifying movie to me,” says Hughey. “But revisiting it as an adult, it's just like the most timely movie.”

The scripts crackle with witty humor, from references to Marie Kondo to “Baby Reindeer,” and jokes often improvised by the actors. Chocolate brownies are described as “the Beyoncé of desserts” and there’s a joke about how white ladies love salad.

“The ’Burbs” also touches on more serious issues over its eight episodes — microaggressions, racial profiling, bullying and childhood trauma — but takes a kooky, off-beat approach.

“I always look at things with a sense of humor,” says Hughey. “I think comedy is a way to be able to examine all these pretty heavy subjects, but in a way that’s accessible, in a way that is clarifying.”

Palmer says she grew up watching Norman Lear shows and admired his ability to both entertain and address social tensions — something she found in “The 'Burbs.”

“When I read this script for the first time, then as we started doing the show, it started to become clear that we had an opportunity to do the same thing,” Palmer says. “We can expose cliches, we can lean into things, which is one of the greatest tools of satire and comedy in itself, and horror as well, because horror can play as a good allegory for the issues in our life.”

Whitehall, who grew up in the London suburb of Putney, says he appreciates that the social commentary never feels that heavy handed between the comedy and horror: “It was great to sort of be able to play in both genres.”

There are multiple nods to the original movie, like picking the last name Fisher after the late actor Carrie Fisher, who appeared in the Hanks-led version, and naming a dog Darla after the name of the pup who starred in the 1989 version. Hanks, himself, appears in a blink-or-you’ll-miss-it image.

There’s a scene where Samira steps onto her neighbor’s grass and leaves suddenly swirl around her feet menacingly, an echo to the original. And there’s a moment when sardines and pretzels are served, a riff off a classic moment in the movie. The creators even asked original actor Wendy Schaal to return to play the town librarian.

“I really wanted to honor the original fans of the movie and make sure that they see that someone who respects the original material and loves the movie had it in their hands,” says Hughey. “I see the fans.”

Hughey said she wrote the series with Palmer's voice in mind, a piece of manifesting that turned out to actually work when she first met Palmer over a year later.

The music ranges from Bill Withers' “Lovely Day” to Steve Lacy's “Dark Red” to Doechii’s “Anxiety” and Big Pun's “I'm Not a Player.”

“Music is very much a part of my creative process and something that I wanted to stand out in the show as well,” says Hughey. “I got to pull in so many of my inspiration songs.”