‘Holdovers’ Star Downplays Oscar Hype After Latest Win at Spirit Awards

US actress Da'Vine Joy Randolph arrives for the 30th Annual Screen Actors Guild awards at the Shrine Auditorium in Los Angeles, February 24, 2024. (AFP)
US actress Da'Vine Joy Randolph arrives for the 30th Annual Screen Actors Guild awards at the Shrine Auditorium in Los Angeles, February 24, 2024. (AFP)
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‘Holdovers’ Star Downplays Oscar Hype After Latest Win at Spirit Awards

US actress Da'Vine Joy Randolph arrives for the 30th Annual Screen Actors Guild awards at the Shrine Auditorium in Los Angeles, February 24, 2024. (AFP)
US actress Da'Vine Joy Randolph arrives for the 30th Annual Screen Actors Guild awards at the Shrine Auditorium in Los Angeles, February 24, 2024. (AFP)

Da'Vine Joy Randolph has won every major prize going this film award season for her supporting role in "The Holdovers" -- but she insists she is taking nothing for granted as the Oscars loom.

Randolph, who stars in the 1970s-set indie drama as a cook and grieving mother stranded at a New England boarding school over the winter holidays, claimed her latest accolade Sunday at the Film Independent Spirit Awards.

Having already won a Golden Globe, Critics Choice Award, a BAFTA and much more, she now seems poised to collect the best supporting actress Oscar, which will be handed out in just two weeks.

"This has been a really surreal, powerful time for me to see dreams manifesting into reality one by one," she told AFP backstage at the Santa Monica award show, which honors low- and mid-budget movies.

"I don't expect anything. I'm not betting on anything. I'm just here present, and every single one surprises me.

"I take nothing for granted. In regards to the Oscars I don't, truthfully. I'm just happy to be invited into the building. No more, no less."

Randolph, 37, who grew up in Philadelphia, is a highly trained stage actor who attended Yale drama school after initially pursuing classical and opera singing.

After turns on Broadway and the West End, she has appeared on the big screen opposite stars such as Eddie Murphy in "Dolemite Is My Name" and Robin Williams in "The Angriest Man In Brooklyn."

But Alexander Payne's "The Holdovers" has propelled Randolph into Hollywood's A-list, with few if any pundits betting against her at the Oscars.

The film is in the running for five Academy Awards overall, including best picture, with Randolph's co-star Paul Giamatti also a strong contender for best actor.

"What am I expecting? I don't know!" she joked after her Spirit Award win.

"The process has been a beautiful one. It's been a really great time."



At Venice Film Festival, Jude Law Debuts ‘The Order’ about FBI Manhunt for Domestic Terrorist

Jude Law poses for photographers at the photo call for the film 'The Order' during the 81st edition of the Venice Film Festival in Venice, Italy, on Saturday, Aug. 31, 2024. (Photo by Joel C Ryan/Invision/AP)
Jude Law poses for photographers at the photo call for the film 'The Order' during the 81st edition of the Venice Film Festival in Venice, Italy, on Saturday, Aug. 31, 2024. (Photo by Joel C Ryan/Invision/AP)
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At Venice Film Festival, Jude Law Debuts ‘The Order’ about FBI Manhunt for Domestic Terrorist

Jude Law poses for photographers at the photo call for the film 'The Order' during the 81st edition of the Venice Film Festival in Venice, Italy, on Saturday, Aug. 31, 2024. (Photo by Joel C Ryan/Invision/AP)
Jude Law poses for photographers at the photo call for the film 'The Order' during the 81st edition of the Venice Film Festival in Venice, Italy, on Saturday, Aug. 31, 2024. (Photo by Joel C Ryan/Invision/AP)

Jude Law plays an FBI agent investigating the violent crimes of a white supremacist group in “The Order,” which premieres Saturday at the Venice Film Festival.

An adaptation of Kevin Flynn and Gary Gerhardt’s nonfiction book “The Silent Brotherhood,” Nicolas Hoult was cast as Robert Jay Mathews, the charismatic leader of the group which was considered the most radical hate group since the Ku Klux Klan. Their crimes, including bank robberies and armored car heists that the group was using to fund an armed revolution, led to one of the largest manhunts in FBI history, in 1983, according to The AP.

“What amazed me was it was a story I hadn’t heard about before,” said Law, who also produced. “It like a piece of work that needed to be made now.”

He added: “It’s always interesting finding a piece from the relative past that has some relationship to the present day.”

Law made the trip to Italy with his director, Justin Kurzel, and co-stars Hoult, Jurnee Smollett and Tye Sheridan for the premiere.

His character, called Agent Huss, is an amalgam FBI agent and not based on a specific person. This, they said, was important for positioning him within this story.

“He represents an awful lot of us,” Law said. “He felt his hardest work was behind him and in fact he had his biggest battle ahead of him.”

Kurzel, an Australian filmmaker known for the 2015 adaptation of “Macbeth” with Michael Fassbender, said he’d always wanted to make an American film in the vein of dramatic thrillers from the 1970s like “The French Connection,” “Mississippi Burning” and “All the Presidents’ Men.” He tried to make this film with the classic simplicity he admired in those classics.

Hoult felt it was a “difficult story to tell and difficult characters to inhabit,” but praised his director for helping to create a safe and creative environment as they explored the darkness of Mathews. He’d just recently learned, on the boat over to the Lido, that Kurzel had told Law to actually follow him around one day to get into character.

“The first time we spoke was in the first scene we interact,” Hoult said. “It gave a great energy.”

And all were struck by the parallels to today. Though no one wanted to comment directly on the upcoming U.S. presidential election, the film, they hope, speaks for itself.

“The history of America is very complex,” Smollett said. “This level of bigotry is not new and it has existed in our nation since it was founded. As artists we get to hold a mirror up to society....explore the very complex sides of humanity, the ugliness, the darkness in order for us to learn from it and hopefully not repeat it.”

“The Order” is playing in competition at Venice, alongside “ Maria,” “ Babygirl,” “The Room Next Door," “Queer” and “Joker: Folie à Deux.”

Vertical Entertainment will release the film in theaters later this year.