Nolan's Masterpiece 'Oppenheimer' Wins Best Picture Oscar

'Oppenheimer' producer Emma Thomas (C), producer Charles Roven (L) and director Christopher Nolan accept the best picture Oscar, with the cast behind them. Patrick T. Fallon / AFP
'Oppenheimer' producer Emma Thomas (C), producer Charles Roven (L) and director Christopher Nolan accept the best picture Oscar, with the cast behind them. Patrick T. Fallon / AFP
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Nolan's Masterpiece 'Oppenheimer' Wins Best Picture Oscar

'Oppenheimer' producer Emma Thomas (C), producer Charles Roven (L) and director Christopher Nolan accept the best picture Oscar, with the cast behind them. Patrick T. Fallon / AFP
'Oppenheimer' producer Emma Thomas (C), producer Charles Roven (L) and director Christopher Nolan accept the best picture Oscar, with the cast behind them. Patrick T. Fallon / AFP

It is, in the words of its director, the story of the most important person who ever lived.
And on Sunday, "Oppenheimer" completed its indomitable march towards Hollywood's most important prize, winning the Academy Award for best picture.
Christopher Nolan's masterpiece -- the story of the brilliant physicist who oversaw the invention of the atomic bomb, changing the world forever -- is a grand, old-fashioned blockbuster for grown-ups.
Shot on a $100 million budget, "Oppenheimer" spared no expense, and bucked the recent trend of smaller, indie movies winning the most prestigious Oscar.
A cast was assembled from Tinseltown's top A-list, a replica of 1940s Los Alamos was secretly constructed on a mountain in New Mexico, and the test of the first-ever nuclear bomb was recreated with vast quantities of real explosives.
The effect was spellbinding, for audiences and critics alike.
Released last July, "Oppenheimer" immediately drew rave reviews and shattered box office expectations.
It went on to collect nearly $1 billion around the world, and won a total of seven Academy Awards at Sunday's gala.
'Dream and nightmare'
Nolan, the director behind ambitious blockbusters from "Inception" to "The Dark Knight," had recently finished making "Tenet" when he stumbled upon "American Prometheus," the 2005 Pulitzer Prize-winning biography of J. Robert Oppenheimer.
He was instantly inspired to bring a life of ambitious genius and hubristic tragedy, of "dream and nightmare," to the biggest possible screen.
Oppenheimer, having attained global fame as the "father of the bomb," soon came to bitterly regret the consequences of his invention, campaigning for nuclear disarmament and eventually having his reputation shattered due to his former Communist sympathies.
"His story offers no easy answers. But it offers some of the most fascinating and interesting paradoxes that I've ever encountered," said Nolan.
While Nolan is most often associated with genres such as sci-fi, he decided to structure "Oppenheimer" along three other film tropes -- hero's journey, heist movie and courtroom drama.
The scientist embarks on a quest to race the Nazis to the bomb, assembles a crack team of experts to get the job done, and is forced to plead his case in court, with the action constantly rotating between the three.
Cillian Murphy, a frequent and trusted collaborator from five previous Nolan films, was cast in the titular role, with Robert Downey Jr as his bitter, furtive rival, Lewis Strauss.
The two men won best actor and best supporting actor on Sunday, respectively.
A stellar ensemble cast included Matt Damon, Emily Blunt, Florence Pugh, Kenneth Branagh, Gary Oldman and Rami Malek.
"This was like 'Battle of the Bulge' or 'Ben-Hur,' one of those movies where you just look around and every single person in the movie is somebody that you admire," said actor Matthew Modine, in a book accompanying the film.
Barbenheimer
There is no doubt the film benefited commercially from the viral "Barbenheimer" phenomenon, which saw thousands flock to movie theaters for a double bill including the wildly different "Barbie."
By coincidence, the two movies from rival studios had been penciled in for the same release date, with each refusing to budge.
"I'm glad neither of us did. It worked out pretty well," producer Charles Roven later told AFP.
Even so, few could have predicted the astonishing mainstream popularity of a lengthy movie shot partly in black-and-white, about such a weighty topic, and structured largely around complex science and highly technical government hearings.
"If you're sitting around wondering what the box office is going to be on a three-hour movie about a guy named Oppenheimer who invented the atom bomb, you're not sitting there and saying, 'It's going to do almost a billion dollars,'" recalled Roven.
"So the fact that it did -- and the critical acclaim -- is just so rewarding."
The movie was Nolan's first in two decades not to be released by Warner Bros.
The director had fallen out with his usual studio over its decision to put films on streaming first during the Covid-19 pandemic, jumping ship to its rival Universal.
"Oppenheimer" was also disrupted by last year's Hollywood strikes. Its cast walked out of the London premiere in solidarity with fellow actors as the walkout was called last summer.
Since then, it has been plain sailing, as the movie has scooped up the biggest prizes at every awards season ceremony, from the Golden Globes to the Screen Actors Guild Awards.
The best picture Oscar is its final -- and most important -- reward.



Rapper Lil Jon Confirms Death of His Son, Nathan Smith

Lil Jon performs at Gronk Beach music festival during Super Bowl week on Saturday, Feb. 11, 2023, at Talking Stick Resort in Scottsdale, Ariz. (AP)
Lil Jon performs at Gronk Beach music festival during Super Bowl week on Saturday, Feb. 11, 2023, at Talking Stick Resort in Scottsdale, Ariz. (AP)
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Rapper Lil Jon Confirms Death of His Son, Nathan Smith

Lil Jon performs at Gronk Beach music festival during Super Bowl week on Saturday, Feb. 11, 2023, at Talking Stick Resort in Scottsdale, Ariz. (AP)
Lil Jon performs at Gronk Beach music festival during Super Bowl week on Saturday, Feb. 11, 2023, at Talking Stick Resort in Scottsdale, Ariz. (AP)

American rapper Lil Jon said on Friday that his son, Nathan Smith, has died, the record producer confirmed in a joint statement with Smith’s mother.

"I am extremely heartbroken for the tragic loss of our son, Nathan Smith. His mother (Nicole Smith) and I are devastated,” the statement said.

Lil Jon described his son as ‌an “amazingly talented ‌young man” who was ‌a ⁠music producer, artist, ‌engineer, and a New York University graduate.

“Thank you for all of the prayers and support in trying to locate him over the last several days. Thank you to the entire Milton police department involved,” the “Snap ⁠Yo Fingers” rapper added.

A missing persons report was ‌filed on Tuesday for Smith ‍in Milton, Georgia, authorities ‍said in a post on the ‍Milton government website.

Police officials added that a broader search for Smith, also known by the stage name DJ Young Slade, led divers from the Cherokee County Fire Department to recover a body from a pond near ⁠his home on Friday.

"The individual is believed to be Nathan Smith, pending official confirmation by the Fulton County Medical Examiner’s Office,” the post continued.

While no foul play is suspected, the Milton Police Department Criminal Investigations Division will be investigating the events surrounding Smith’s death.

Lil Jon is a Grammy-winning rapper known for a string ‌of chart-topping hits and collaborations, including “Get Low,” “Turn Down for What” and “Shots.”


Keke Palmer Is a Fish Out of Water in Horror-Comedy Series Based on Cult Movie ‘The ’Burbs’

Keke Palmer and Jack Whitehall attend Premiere Event Of Peacock's "The 'Burbs" at Universal Studios Backlot on February 05, 2026 in Universal City, California. (Getty Images/AFP)
Keke Palmer and Jack Whitehall attend Premiere Event Of Peacock's "The 'Burbs" at Universal Studios Backlot on February 05, 2026 in Universal City, California. (Getty Images/AFP)
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Keke Palmer Is a Fish Out of Water in Horror-Comedy Series Based on Cult Movie ‘The ’Burbs’

Keke Palmer and Jack Whitehall attend Premiere Event Of Peacock's "The 'Burbs" at Universal Studios Backlot on February 05, 2026 in Universal City, California. (Getty Images/AFP)
Keke Palmer and Jack Whitehall attend Premiere Event Of Peacock's "The 'Burbs" at Universal Studios Backlot on February 05, 2026 in Universal City, California. (Getty Images/AFP)

The suburbs are anything but bland in the new Peacock series “The 'Burbs,” where strange things are going on. Like how jokes mix with the dread.

Inspired by the 1989 Tom Hanks-led movie of the same name, “The 'Burbs” follows a new mom as she navigates a foreign world of white picket fences and manicured lawns while also investigating a possible murder.

“It’s got the comedy, it has the drama, it's got the mystery, it's got the horror, the thrills, the suspense — all of it,” says Celeste Hughey, the creator, writer and executive producer. All eight episodes drop Friday.

Hanks is replaced by Keke Palmer, who plays a newlywed and new mom who moves into her husband's family home in fictional Hinkley Hills, where everyone is in everybody else's business. “Suburbia is a spectator sport,” she is told.

Across the street is an abandoned home, where a local teen disappeared decades ago. Palmer's Samira soon joins forces with a band of off-beat suburbanites to help solve the case, even if her own husband had some sort of role.

“I really wanted to focus on that fish-out-of-water feeling, centering Samira as a Black woman in a white suburb who is a new mom, a new wife — new everything — and trying to figure out where she belongs in the environment,” says Hughey.

The cast includes Jack Whitehall as Samira's husband and the trio of Julia Duffy, Mark Proksch and Paula Pell as her wine-swilling, investigating neighbors who form a sort of found family.

“The movie came out when I was quite young, but I remember seeing it as a kid and it being like this terrifying movie to me,” says Hughey. “But revisiting it as an adult, it's just like the most timely movie.”

The scripts crackle with witty humor, from references to Marie Kondo to “Baby Reindeer,” and jokes often improvised by the actors. Chocolate brownies are described as “the Beyoncé of desserts” and there’s a joke about how white ladies love salad.

“The ’Burbs” also touches on more serious issues over its eight episodes — microaggressions, racial profiling, bullying and childhood trauma — but takes a kooky, off-beat approach.

“I always look at things with a sense of humor,” says Hughey. “I think comedy is a way to be able to examine all these pretty heavy subjects, but in a way that’s accessible, in a way that is clarifying.”

Palmer says she grew up watching Norman Lear shows and admired his ability to both entertain and address social tensions — something she found in “The 'Burbs.”

“When I read this script for the first time, then as we started doing the show, it started to become clear that we had an opportunity to do the same thing,” Palmer says. “We can expose cliches, we can lean into things, which is one of the greatest tools of satire and comedy in itself, and horror as well, because horror can play as a good allegory for the issues in our life.”

Whitehall, who grew up in the London suburb of Putney, says he appreciates that the social commentary never feels that heavy handed between the comedy and horror: “It was great to sort of be able to play in both genres.”

There are multiple nods to the original movie, like picking the last name Fisher after the late actor Carrie Fisher, who appeared in the Hanks-led version, and naming a dog Darla after the name of the pup who starred in the 1989 version. Hanks, himself, appears in a blink-or-you’ll-miss-it image.

There’s a scene where Samira steps onto her neighbor’s grass and leaves suddenly swirl around her feet menacingly, an echo to the original. And there’s a moment when sardines and pretzels are served, a riff off a classic moment in the movie. The creators even asked original actor Wendy Schaal to return to play the town librarian.

“I really wanted to honor the original fans of the movie and make sure that they see that someone who respects the original material and loves the movie had it in their hands,” says Hughey. “I see the fans.”

Hughey said she wrote the series with Palmer's voice in mind, a piece of manifesting that turned out to actually work when she first met Palmer over a year later.

The music ranges from Bill Withers' “Lovely Day” to Steve Lacy's “Dark Red” to Doechii’s “Anxiety” and Big Pun's “I'm Not a Player.”

“Music is very much a part of my creative process and something that I wanted to stand out in the show as well,” says Hughey. “I got to pull in so many of my inspiration songs.”


Kurt Cobain's 'Nevermind' Guitar Up for Sale

Guitars are displayed during a press preview of The Jim Irsay Collection at Christie's Los Angeles in Beverly Hills, California, on February 5, 2026. (Photo by VALERIE MACON / AFP)
Guitars are displayed during a press preview of The Jim Irsay Collection at Christie's Los Angeles in Beverly Hills, California, on February 5, 2026. (Photo by VALERIE MACON / AFP)
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Kurt Cobain's 'Nevermind' Guitar Up for Sale

Guitars are displayed during a press preview of The Jim Irsay Collection at Christie's Los Angeles in Beverly Hills, California, on February 5, 2026. (Photo by VALERIE MACON / AFP)
Guitars are displayed during a press preview of The Jim Irsay Collection at Christie's Los Angeles in Beverly Hills, California, on February 5, 2026. (Photo by VALERIE MACON / AFP)

The guitar played by late rock legend Kurt Cobain on the anthemic grunge track "Smells Like Teen Spirit" is going under the hammer next month.

 

The 1966 Fender Mustang is among a treasure trove of instruments and musical memorabilia that also includes the logo-emblazoned drum that announced The Beatles to the United States when the Fab Four played "The Ed Sullivan Show" in 1964.

 

The Jim Irsay collection -- put together by the one-time owner of the Indianapolis Colts NFL team -- includes guitars played by musicians who defined the 20th century, including Pink Floyd's Dave Gilmour, The Grateful Dead's Jerry Garcia, as well as Eric Clapton, John Coltrane and Johnny Cash.

 

But at the center of the collection are handwritten lyrics for The Beatles' smash "Hey Jude" as well as guitars played by John Lennon, Paul McCartney and George Harrison.

 

"I think it's fair to say that this collection of Beatles instruments...is the most important assembled Beatles collection for somebody who wasn't a member of the band," Amelia Walker, the London-based head of private and iconic collections at Christie's, told AFP in Beverly Hills.

 

"There are five Beatles guitars in his collection, as well as Ringo Starr's first Ludwig drum kit (and) John Lennon's piano, on which he composed several songs from Sergeant Pepper."

 

Also included is "the drum skin from Ringo's second Ludwig kit, which is the vision which greeted 73 million Americans who tuned in to watch 'The Ed Sullivan Show' on the ninth of February 1964 when the Beatles broke America."

 

The drum kit is expected to fetch around $2 million, while the guitars could sell for around $1 million at the auction in New York, Christie's estimates.

Perhaps the most expensive item in the collection is Cobain's guitar, which experts say might sell for up to $5 million.

"It's a talismanic guitar for people of my generation... who lived through grunge," said Walker.

"(Smells Like Teen Spirit) was the anthem of that generation. That video is so iconic.

"We're incredibly proud and privileged to have that here."