British Museum Names Nicholas Cullinan Its New Director as It Tries to Get over a Rocky Patch

Visitors walk outside the British Museum in Bloomsbury, London, Friday, June 26, 2015. (AP)
Visitors walk outside the British Museum in Bloomsbury, London, Friday, June 26, 2015. (AP)
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British Museum Names Nicholas Cullinan Its New Director as It Tries to Get over a Rocky Patch

Visitors walk outside the British Museum in Bloomsbury, London, Friday, June 26, 2015. (AP)
Visitors walk outside the British Museum in Bloomsbury, London, Friday, June 26, 2015. (AP)

The British Museum on Thursday appointed National Portrait Gallery chief Nicholas Cullinan as its new director, as the 265-year-old institution grapples with the apparent theft of hundreds of artifacts and growing international scrutiny of its collection.

Previous director Hartwig Fischer resigned in August after the museum disclosed that more than 1,800 items were missing in an apparent case of insider theft. Many of the items had been offered for sale online.

Mark Jones, former head of the Victoria and Albert Museum, has served as interim director since then. Cullinan will replace him in the summer.

Cullinan has been director of the National Portrait Gallery since 2015, overseeing a major refurbishment of the building beside London’s Trafalgar Square. He has previously worked at Tate Modern in London and the Metropolitan Museum of Art in New York.

His appointment was approved by the British Museum’s trustees and Prime Minister Rishi Sunak.

Cullinan said it was an honor to become director of “one of the greatest museums in the world.”

He said he looked forward to leading the institution through “the most significant transformations, both architectural and intellectual, happening in any museum globally, to continue making the British Museum the most engaged and collaborative it can be.”

The museum fired a longstanding curator, Paul Higgs, over the missing items, and is suing him at the High Court. Lawyers for the museum say Higgs “abused his position of trust” to steal ancient gems, gold jewelry and other pieces from storerooms over the course of a decade.

Higgs, who worked in the museum’s Greece and Rome department for more than two decades, denies the allegations and intends to dispute the museum’s legal claim.

Police are also investigating, but no one has been charged.

The 18th-century museum in central London’s Bloomsbury district is one of Britain’s biggest tourist attractions, visited by 6 million people a year. They come to see a collection that ranges from Egyptian mummies and ancient Greek statues to Viking hoards, scrolls bearing 12th-century Chinese poetry and masks created by the Indigenous peoples of Canada.

The museum faces growing pressure over items taken from other countries during the period of the British Empire -– especially the Parthenon Marbles, 2,500-year-old sculptures that were taken from Athens in the early 19th century by British diplomat Lord Elgin.

Greece has campaigned for decades for the marbles to be returned. The British Museum is banned by law from giving the sculptures back to Greece, but its leaders have held talks with Greek officials about a compromise, such as a long-term loan.

Those efforts suffered a setback in November, when a diplomatic spat erupted over the marbles, and Prime Minister Sunak abruptly canceled a planned meeting with his Greek counterpart, Kyriakos Mitsotakis.

British Museum Chairman George Osborne said that with Cullinan’s appointment, the institution was entering “a new chapter in the long story of the British Museum with confidence, and back on the front foot.”



Cultural Fund, Investment Ministry Promote Saudi Film Sector at Cannes Film Festival

Attendees included international investors, studios, production companies, and investment fund managers. SPA
Attendees included international investors, studios, production companies, and investment fund managers. SPA
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Cultural Fund, Investment Ministry Promote Saudi Film Sector at Cannes Film Festival

Attendees included international investors, studios, production companies, and investment fund managers. SPA
Attendees included international investors, studios, production companies, and investment fund managers. SPA

The Cultural Development Fund, in partnership with the Ministry of Investment and Riviera Content Fund, organized a special event alongside the 79th Cannes Film Festival to attract international investment into Saudi Arabia’s rapidly growing film sector.

The event also aimed to highlight the achievements of Riviera Content Fund, the Kingdom’s first Saudi film investment fund.

Cultural Development Fund CEO Majed bin Abdulmohsen Al Hugail said the Saudi film industry has evolved into a fully integrated ecosystem and is now more attractive for investment than ever before.

He also showcased the sector’s strong investment potential, supported by expanding infrastructure, advanced regulations, creative talent, and financing solutions.

The event also highlighted Riviera Content Fund’s investments exceeding SAR54 million from a total capital of SAR375 million.

Attendees included international investors, studios, production companies, and investment fund managers.

The initiative supports Saudi Arabia’s efforts to strengthen the cultural economy, empower local talent, and attract high-value investments in line with Vision 2030.


Literature Commission Inaugurates Saudi Pavilion at Doha International Book Fair 2026

The Kingdom's participation reflects the integration of national efforts in the cultural sector - SPA
The Kingdom's participation reflects the integration of national efforts in the cultural sector - SPA
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Literature Commission Inaugurates Saudi Pavilion at Doha International Book Fair 2026

The Kingdom's participation reflects the integration of national efforts in the cultural sector - SPA
The Kingdom's participation reflects the integration of national efforts in the cultural sector - SPA

The Literature, Publishing and Translation Commission inaugurated the Kingdom of Saudi Arabia's pavilion today at the Doha International Book Fair 2026, held from May 14 to 23, 2026, reflecting the Kingdom's growing presence in the publishing sector and the regional and global cultural landscape, SPA reported.

CEO of the commission Dr. Abdullatif Alwasel affirmed that the commission seeks, through its participation, to promote Saudi literary and intellectual production, highlight the development of the literature, publishing, and translation sectors in the Kingdom, and raise awareness of the Saudi cultural scene through an accompanying cultural program featuring panel discussions and poetry evenings with leading Saudi authors and intellectuals, addressing literature, publishing, and translation issues and spotlighting Saudi cultural achievements and their impact on the Arab and international stage.

The Kingdom's participation reflects the integration of national efforts in the cultural and knowledge sector, led by the commission with the participation of several entities.


Heritage Commission Releases Documentary on Saudi Underwater Heritage

The film highlights the commission’s efforts in research, documentation, and protection of the marine environment
The film highlights the commission’s efforts in research, documentation, and protection of the marine environment
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Heritage Commission Releases Documentary on Saudi Underwater Heritage

The film highlights the commission’s efforts in research, documentation, and protection of the marine environment
The film highlights the commission’s efforts in research, documentation, and protection of the marine environment

The Heritage Commission in Jeddah launched a special screening of a documentary film that introduces underwater cultural heritage and highlights its importance within the national heritage framework.

The film highlights the commission’s efforts in research, documentation, and protection of the marine environment, while raising public awareness of underwater heritage and its growing cultural significance.

It follows research teams and divers uncovering archaeological evidence beneath the Red Sea, including shipwrecks, artifacts, and traces of human activity across different historical periods, offering insight into the Kingdom’s maritime history.

The screening reflects the growing importance of underwater heritage in the cultural landscape and the role of heritage in shaping identity, history, and national memory.