Chinese Sci-fi Fans Divided over Netflix's '3 Body Problem'

Chinese writer Liu Cixin. Hector RETAMAL / AFP
Chinese writer Liu Cixin. Hector RETAMAL / AFP
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Chinese Sci-fi Fans Divided over Netflix's '3 Body Problem'

Chinese writer Liu Cixin. Hector RETAMAL / AFP
Chinese writer Liu Cixin. Hector RETAMAL / AFP

Netflix's blockbuster "3 Body Problem", an adaptation of the crown jewel of Chinese sci-fi, has sparked passionate debate and divided opinions among fans in the country despite it not being available to watch there.
The streaming service isn't officially operational in China, but that hasn't stopped devotees accessing the show, likely via VPN services or illegal streaming sites.
Hashtags relating to the show have over two billion views on the X-like social media platform Weibo.
Among the tens of thousands of commentaries left on a reviewing platform, reactions ranged from disappointment at plot and character changes, to nationalistic outrage, to optimism the show's profile would boost representation of Chinese literature and film.
The series is based on the three-part "Remembrance of Earth's Past" by Liu Cixin, a domestic superstar and his trilogy "the bible of Chinese sci-fi".
"The original works have a huge influence. Many fans of the books know all the details of the characters in the books by heart, so they have a hard time accepting changes," Li Dongdong, founder of Chinese sci-fi film community Geek Movie, told AFP.
For many, the Netflix adaptation has very much done that.
Spearheaded by the team behind megahit series Game of Thrones, it transfers most of the action to the United Kingdom and changes the nationalities and genders of some of the key characters.
One Chinese reviewer likened the series to "a plate of General Tso's chicken", a Westernised Chinese dish that can be used as a metaphor for inauthenticity and cultural misunderstanding.
'Big miss?'
Disagreement with the showrunners' creative choices is not confined to China.
The series was the most watched on Netflix by its second week, but reviews have been mixed, with Rolling Stone calling it "one great big miss".
Some of the Chinese criticism though is tinged by politics, against a backdrop of tense US-China relations.
Many commenters questioned the motive behind the decision to keep the villain Chinese while the heroes are mostly played by Westerners.
"Other things aside, the casting once again shows that Americans are (political) ideologues," read one of the most popular reviews.
Others have taken issue with the show's portrayal of Chinese history.
The show starts in the 1960s, with an ugly scene from the Cultural Revolution in which a physicist is killed by a mob for refusing to disown key scientific theories.
Its use as the opening scene led some online nationalists to accuse Netflix of making the entire show purely to portray China in a bad light.
"It's making a whole tray of dumplings merely for tasting a bit of vinegar," one Weibo user wrote.
For 3 Body devotees, though, the scene is key to understanding the motivations of the series' antagonist.
"The storyline of the 1960s alone deserves a 5-star review," said another commenter.
'Huge encouragement'
Other fans have warmed to the faster and simpler plot, which they say makes the work more accessible and appealing to the general public.
"Netflix's adaptation makes me really understand the charm of this sci-fi work for the first time," 31-year-old Beijing sci-fi fan Harry Zhou told AFP, admitting that he had tried and failed to finish the original books several times.
The show's popularity has also brought global attention to Liu's work and Chinese sci-fi in general.
"I am sure that more people will reread the original story after watching this," famed Japanese game creator Hideo Kojima posted on X.
"People in other countries can now see that Chinese writers are capable of writing great sci-fi works. This will boost the presence of Chinese sci-fi," Zhou said.
Netflix's involvement is seen as a vote of confidence in the genre.
"Chinese sci-fi is getting recognition with real money investment... it's a huge encouragement for the Chinese sci-fi creator community," said Geek Movie's Li.
"It's a small step for (Liu Cixin), but it's a big step for Chinese sci-fi creation."



Is Risk-Averse Hollywood Running Scared of Cannes Critics?

 A person walks past the Cannes film festival signage prior to the 79th international film festival, Cannes, southern France, Monday, May 11, 2026. (AP)
A person walks past the Cannes film festival signage prior to the 79th international film festival, Cannes, southern France, Monday, May 11, 2026. (AP)
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Is Risk-Averse Hollywood Running Scared of Cannes Critics?

 A person walks past the Cannes film festival signage prior to the 79th international film festival, Cannes, southern France, Monday, May 11, 2026. (AP)
A person walks past the Cannes film festival signage prior to the 79th international film festival, Cannes, southern France, Monday, May 11, 2026. (AP)

Star Wars, Indiana Jones and Top Gun have all premiered at the Cannes Film Festival in the last decade. But in 2026, not a single Hollywood blockbuster is programmed there, raising questions about why US studios are ghosting the event.

The world's biggest film festival, which kicks off on Tuesday, has long relied on Hollywood to provide a dose of mass-market entertainment alongside the sometimes edgy independent cinema that forms the core of its program.

Mega-stars such as Tom Cruise or Harrison Ford help draw attention to the same red carpets walked by auteur directors and the casts of obscure art-house productions -- all in the name of supporting the fragile cinema industry.

Although Cannes director Thierry Fremaux made platforming American productions a priority when he took over 25 years ago, he was left having to explain their absence when he unveiled the line-up of films in April.

"Outside of studio filmmaking, independent cinema -- cinema made somewhere other than Los Angeles -- continues to exist," Fremaux said.

There are two independent American films in the main competition: "Paper Tiger" by James Gray, starring Adam Driver and Scarlett Johansson.

But Hollywood big beasts Universal, Disney, Warner, Sony and Paramount, as well as streaming giants Netflix and Amazon, have decided to pass.

It was a similar story at the Berlin film festival in February where director Tricia Tuttle was left with a blockbuster-free schedule.

- 'Nervousness' -

Tuttle blamed low risk-appetite and commercial pressures -- rather than another sign of America's estrangement from Europe under US President Donald Trump.

"There's a nervousness in a very difficult marketplace: nervousness about reviews coming out long before release and about controlling the way films of that scale are launched because there's so much at stake," she told The Hollywood Reporter in January.

She cited the dreadful critical reception for "Joker: Folie a Deux" which premiered at the Venice Film Festival in 2024 before bombing at the box office.

"We've seen more reticence since," Tuttle told the publication.

In a more confident, profitable environment, or when Hollywood is churning out films more regularly, a commercial dud might be easily absorbed.

Nowadays, it spells major trouble for budget-conscious executives.

- Tough critics -

J. Sperling Reich, a Los Angeles-based film critic and Cannes veteran, said Hollywood studios make fewer Cannes-compatible films. They prefer to control their launch schedules, rather than having them dictated by a festival.

"They're essentially flying in talent, trying to figure out a publicity narrative... two, three, sometimes four months early (before launch), and then they expose that film to the world's toughest critics," he told AFP.

"If it doesn't fly in Cannes, it's going to be tough to recover from that," he explained.

The most recent blockbusters, Michael Jackson biopic "Michael" and the "The Devil Wears Prada 2", organized their own tightly controlled promotional events, boosted by influencers and social media.

Reich cited Christopher Nolan's upcoming ancient Greek action movie "Odyssey" and Steven Spielberg's science-fiction thriller "Disclosure Day" as possible Cannes films.

"But the reality is those films don't need Cannes," he said.

- Coming together -

Others are skeptical that 2026 signals a permanent rupture between Hollywood and European festivals.

Indeed, if the bad reviews for the "Joker: Folie a Deux" in Venice in 2024 are to blame, then why was the Italian festival so packed with big-budget American films just last September?

Eric Marti, who heads the box office specialist Comscore in France, said studios have always had a transactional approach to Cannes.

"It's a tremendous showcase, as it's one of the most watched events, but they also have a very well-oiled promotional machine. If the Cannes dates and their launches line up, the two come together," he said.

Hollywood was not "totally absent", he added.

The festival has added a "Fast and Furious" special screening in the first days to mark the 25th year of the Universal-owned franchise, with the original stars Vin Diesel, Michelle Rodriguez and Jordana Brewster flying in.

Hollywood may simply be sitting out Cannes in 2026, only to rev back into action next year.


Dua Lipa Sues Samsung for $15 Million for Allegedly Using Her Image to Sell TVs

Dua Lipa arrives for the Elton John AIDS Foundation Academy Awards Viewing Party, in West Hollywood, California, US, March 15, 2026. (Reuters)
Dua Lipa arrives for the Elton John AIDS Foundation Academy Awards Viewing Party, in West Hollywood, California, US, March 15, 2026. (Reuters)
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Dua Lipa Sues Samsung for $15 Million for Allegedly Using Her Image to Sell TVs

Dua Lipa arrives for the Elton John AIDS Foundation Academy Awards Viewing Party, in West Hollywood, California, US, March 15, 2026. (Reuters)
Dua Lipa arrives for the Elton John AIDS Foundation Academy Awards Viewing Party, in West Hollywood, California, US, March 15, 2026. (Reuters)

British pop star Dua Lipa has filed a lawsuit against Samsung Electronics seeking at least $15 million in damages, accusing the South Korean tech giant of using her image without permission to market its television sets.

The lawsuit alleges that Samsung featured a copyrighted image of the pop star on the front of cardboard boxes containing televisions for retail sale, ‌enabling the company ‌to benefit from what seemed like her ‌endorsement ⁠of the product.

The ⁠image alleged to have been used on the TV boxes is titled “Dua Lipa - Backstage at Austin City Limits, 2024," and Lipa is the owner of all rights, title and interest in the image, the lawsuit said.

The suit was filed on Friday in the California federal court.

A spokesperson ⁠for Samsung Electronics declined to comment, saying ‌it was unable to comment ‌on pending litigation, while Dua Lipa's lawyers did not immediately respond ‌to a request for comment on the case.

Besides copyright ‌and trademark infringement, Dua Lipa has accused Samsung Electronics of breaching publicity rights.

Lipa's lawyers have attached screenshots of social media postings and comments in the filing claiming that the pop star's image on ‌the front of the boxes pushed potential customers to purchase the product.

One of these ⁠screenshots ⁠shows a fan commenting that they would get the TV "just because Dua is on it."

The "Levitating" singer became aware of Samsung's alleged infringement in June last year and demanded that Samsung stop using her image, but the electronics manufacturer repeatedly refused to do so, her lawyers said.

Samsung’s alleged unauthorized use of Dua Lipa's image has "caused and continues to cause dilution" of the pop star's "brand identity and commercial goodwill by falsely conveying to the consuming public that she approves of and endorses" the products in question, they added.


New Beatles Fan Experience Set to Open in London in 2027

The Beatles, from left, John Lennon, George Harrison, Ringo Starr and Paul McCartney, arrive in Liverpool, England on July 10, 1964, for the premiere of their movie "A Hard Day's Night." (AP)
The Beatles, from left, John Lennon, George Harrison, Ringo Starr and Paul McCartney, arrive in Liverpool, England on July 10, 1964, for the premiere of their movie "A Hard Day's Night." (AP)
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New Beatles Fan Experience Set to Open in London in 2027

The Beatles, from left, John Lennon, George Harrison, Ringo Starr and Paul McCartney, arrive in Liverpool, England on July 10, 1964, for the premiere of their movie "A Hard Day's Night." (AP)
The Beatles, from left, John Lennon, George Harrison, Ringo Starr and Paul McCartney, arrive in Liverpool, England on July 10, 1964, for the premiere of their movie "A Hard Day's Night." (AP)

The Beatles are headed back to one of the band's most famous sites with a new fan experience in London.

Apple Corps Ltd, the company founded by the Fab Four, announced Monday that it will open a new seven-floor fan experience at the company's early headquarters. The building is the place where the band's “Let It Be” album was recorded and its rooftop was the site of the Beatles' last public performance on Jan. 30, 1969.

The attraction at 3 Saville Road in central London will allow fans access to the rooftop, studios and extensive Beatles archives.

“It was such a trip to get back to 3 Savile Row recently and have a look around. There are so many special memories within the walls, not to mention the rooftop. The team have put together some really impressive plans and I’m excited for people to see it when it’s ready,” Paul McCartney said in a statement announcing the attraction.

“Wow, it's like coming home,” Ringo Starr said in a statement.

An opening date for the attraction has not yet been announced.

Interest in the Beatles remains high, with four biopics in production. Peter Jackson's 2021 documentary series, “The Beatles: Get Back,” relied heavily on footage filmed during the “Let It Be” recording sessions and of the farewell rooftop performance.

In 2023, artificial intelligence helped create the final Beatles recording, the song “Now and Then,” which relied on recordings by the original Beatles.