Night Tours Spotlight Casablanca Architectural Heritage 

A picture shows a view of a building with distinguished architecture in the city of Casablanca on March 29, 2024. (AFP)
A picture shows a view of a building with distinguished architecture in the city of Casablanca on March 29, 2024. (AFP)
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Night Tours Spotlight Casablanca Architectural Heritage 

A picture shows a view of a building with distinguished architecture in the city of Casablanca on March 29, 2024. (AFP)
A picture shows a view of a building with distinguished architecture in the city of Casablanca on March 29, 2024. (AFP)

For architecture fans, Casablanca offers a visual feast of Moorish tiles, ancient minarets and French colonial facades with Art Deco touches, but much still faces dereliction or is falling apart.

To highlight the rich heritage of the Moroccan economic capital and encourage its preservation, guided walking tours have taken thousands of people on urban explorations on Ramadan evenings.

Normally, "the pace of life in Casablanca is so hectic that we don't take the time to appreciate" the landmarks, said Mehdi Ksikes, 51, a company manager joining one of the "Heritage Nights" tours.

Ksikes said on a tour during the Muslim holy month of fasting that he was seeing the city of his birth with new eyes.

"I live here, but that doesn't stop me from discovering things about my city."

The visitors gazed intently at a facade in central Casablanca as Leila, a volunteer guide with heritage association Casamemoire, pointed out details most of them had missed.

Casablanca's architectural heritage is not limited to its 18th-century walled city, but also includes structures from its urban expansion during the French colonial period from 1912 to 1956.

From the early 20th century, European architects "worked to adapt progressive urban visions to Moroccan particularities", said architect Karim Rouissi, who heads Casamemoire.

They brought the city to "the avant-garde of exploring 20th-century architectural and urban theories".

Architects drew inspiration from different styles, such as "colonial architecture in Algeria and Tunisia" and "new Moroccan architecture", a fusion of classic European architecture and elements of Moroccan craftsmanship, Rouissi said.

Casamemoire was founded in 1995 with the aim of promoting the city's "unique" heritage and preserving it, after the demolition of several historic buildings.

'A different perspective'

Many of Casablanca's historical buildings, such as the Wilaya (province) hall, the court of first instance, the central bank building, and others, are in the old administrative district in the city center.

But traffic and noise there "makes us not usually think about wandering around here", said Bouthaina, a tour participant snapping pictures inside a building open to visitors for the night tours.

"I can now see the city from a different perspective with influences of European architecture mixing with Moroccan techniques," said Bouthaina, who settled in Casablanca because of her work.

The Wilaya hall is an example of this blend, inspired by designs from Siena municipal palace in Italy, with balconies overlooking the exterior -- an uncommon feature in traditional Moroccan architecture.

Inside the building, a small garden sits in the middle of a spacious patio, allowing for natural ventilation, its columns and floors coated with hand-shaped glazed Zellige tiles.

At the central bank building, tour guide Leila pointed to polished stones clinging to the outside windows of the upper floor.

She noted the influence of the minarets of the Koutoubia Mosque in Marrakesh and its twin, the Giralda Mosque in Seville which was built during the 12th century Almohad era, and later converted to a cathedral.

The bank building also bears Art Deco features, with a beehive-like glass roof inside and a wide gate resembling the door of a safe.

Keeping 'buildings alive'

While some of Casablanca's architectural gems are well-preserved, others have fallen into disrepair or have been demolished, sparking public outrage.

A total of 483 buildings in the city have been listed as national heritage, and 100 others are expected to be added soon, according to culture ministry official Hassan Zohal.

The owners of national heritage buildings are required to preserve the original architecture of the facades when carrying out renovations or other work.

Wearing a yellow T-shirt with the slogan "Volunteer for my heritage" on the back, Yacine Benzriouil, a Casamemoire volunteer, said that despite official efforts, some buildings remain abandoned or closed.

"The fight today is to show the value of this heritage," said Benzriouil.

"We need to think about how to keep these buildings alive before they are doomed to disappear."

Benzriouil is one of almost 200 volunteer guides leading the "heritage nights".

Near the end of the visit in the administrative district, participants joined Benzriouil's group in Mohammed VI Boulevard, where buildings blend Moorish tilework and arches with Art Nouveau.

Nature or mythological figures are showcased on the buildings' ornate facades.

During the walk, Benzriouil pointed to a statue of the head of Bacchus, the Roman god of wine, sitting atop a building facing one of Casablanca's historic bars.

Further down the boulevard, the Lincoln Hotel is undergoing reconstruction, restoring its original 1917 facade after decades of dereliction.

"The conservation battle is half won," he said.



Syrian Culture Minister Applauds Saudi Pavilion at Damascus Book Fair

The 2026 Damascus International Book Fair is held from February 6 to 16 - SPA
The 2026 Damascus International Book Fair is held from February 6 to 16 - SPA
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Syrian Culture Minister Applauds Saudi Pavilion at Damascus Book Fair

The 2026 Damascus International Book Fair is held from February 6 to 16 - SPA
The 2026 Damascus International Book Fair is held from February 6 to 16 - SPA

Syrian Minister of Culture Mohammed Yassin Saleh visited the Kingdom’s pavilion at the 2026 Damascus International Book Fair, held from February 6 to 16, where the Kingdom is serving as the Guest of Honor.

He commended the efforts of the Literature, Publishing and Translation Commission in showcasing the rich diversity of the Saudi cultural and literary scene. The pavilion features exhibitions of manuscripts, a Saudi fashion corner, and archaeological replicas, SPA reported.

The minister reviewed the commission's Tarjim translation initiative and Saudi literature comics.

This participation at the 2026 Damascus International Book Fair showcases Saudi creativity and fosters cultural dialogue, supporting Saudi Vision 2030’s goals of knowledge exchange and cultural leadership.


Saudi Arabia, Syria Underline Depth of their Cultural Ties

Syrian President al-Sharaa receives the Saudi minister of culture and the accompanying delegation at the Conference Palace in Damascus on Thursday. (SPA)
Syrian President al-Sharaa receives the Saudi minister of culture and the accompanying delegation at the Conference Palace in Damascus on Thursday. (SPA)
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Saudi Arabia, Syria Underline Depth of their Cultural Ties

Syrian President al-Sharaa receives the Saudi minister of culture and the accompanying delegation at the Conference Palace in Damascus on Thursday. (SPA)
Syrian President al-Sharaa receives the Saudi minister of culture and the accompanying delegation at the Conference Palace in Damascus on Thursday. (SPA)

Saudi Arabia and Syria underlined the strength of their cultural relationship during high-level meetings held in Damascus on Thursday, on the sidelines of the opening of the Damascus International Book Fair 2026, where the Kingdom is participating as guest of honor.

Syrian President Ahmad al-Sharaa received Saudi Minister of Culture Prince Badr bin Abdullah bin Farhan at the Conference Palace in the capital.

Earlier the same day, Prince Badr met with his Syrian counterpart, Minister of Culture Mohammad Yassin Saleh, during an official visit to attend the fair. T

he Saudi minister congratulated Syria on hosting the exhibition and expressed his wishes for continued prosperity, progress, and stability for the Syrian government and people.

Both meetings highlighted the depth of cultural relations between the two countries, the importance of expanding joint cultural cooperation across various fields, and the alignment of positions on issues of mutual interest in a way that serves both nations.

The Saudi delegation included senior officials and advisers, among them representatives from the Royal Court, the Ministry of Culture, and the King Abdulaziz Public Library, reflecting broad institutional engagement in the visit.

In the evening, Prince Badr attended the opening ceremony of the fair’s special session, held under the patronage and in the presence of al-Sharaa. The event drew wide official and cultural participation, including Arab ministers, political and intellectual figures, and a distinguished group of writers and cultural figures.

In a post on the X platform, Prince Badr thanked “our brothers in Syria for their generous hospitality and their efforts in organizing the Damascus International Book Fair.”

The minister also inaugurated the Kingdom’s pavilion at the fair in the presence of the Syrian minister of culture and the Qatari minister of culture.

Saudi Arabia’s guest-of-honor participation continues until Feb. 16 and reflects its growing prominence and leadership in the Arab and global cultural landscape.

This participation aligns with Saudi Vision 2030, which places culture at the heart of national development, viewing it as a space for dialogue, a bridge for civilizational communication, and a tool for strengthening ties among Arab peoples.

The Saudi Literature, Publishing and Translation Commission is leading the Kingdom’s participation, highlighting the development of the cultural sector and reaffirming the central role of books as carriers of knowledge and awareness.

The Saudi pavilion boasts a comprehensive cultural program featuring intellectual seminars, poetry evenings, a manuscript exhibition, traditional Saudi fashion displays, hospitality corners, archaeological replicas, and performing arts that express the depth of the Kingdom’s cultural heritage.

On the sidelines of the visit, Prince Badr, accompanied by Minister Saleh, toured the National Museum of Damascus, which houses rare artifacts spanning prehistoric eras, ancient Syrian civilizations, classical and Islamic periods, as well as traditional and modern art.


UNESCO Honors Al-Bisht Al-Hasawi as Thousands Flock to Al-Ahsa Festival

Visitors can explore interactive displays, participate in live workshops, and witness the meticulous process of tailoring this iconic symbol of prestige - SPA
Visitors can explore interactive displays, participate in live workshops, and witness the meticulous process of tailoring this iconic symbol of prestige - SPA
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UNESCO Honors Al-Bisht Al-Hasawi as Thousands Flock to Al-Ahsa Festival

Visitors can explore interactive displays, participate in live workshops, and witness the meticulous process of tailoring this iconic symbol of prestige - SPA
Visitors can explore interactive displays, participate in live workshops, and witness the meticulous process of tailoring this iconic symbol of prestige - SPA

The third edition of Al-Bisht Al-Hasawi Festival is drawing thousands of regional and international visitors to Ibrahim Palace in historic Al-Hofuf.

Organized by the Heritage Commission, this year’s festival celebrates the inscription of the Bisht on UNESCO’s Representative List of the Intangible Cultural Heritage of Humanity.

The event showcases Al-Ahsa’s centuries-old tradition of hand-weaving and gold embroidery, a craft passed down through generations of local families, SPA reported.

Visitors can explore interactive displays, participate in live workshops, and witness the meticulous process of tailoring this iconic symbol of prestige.

With UNESCO's participation and representatives from six countries, the festival has evolved into a global platform for cultural dialogue, cementing the Bisht’s status as a world-class cultural treasure.