Horses Show Off in Versailles, Keeping Royal Tradition Alive

The entrance to the royal stables, in Versailles, Thursday, April 25, 2024. (AP Photo/Aurelien Morissard)
The entrance to the royal stables, in Versailles, Thursday, April 25, 2024. (AP Photo/Aurelien Morissard)
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Horses Show Off in Versailles, Keeping Royal Tradition Alive

The entrance to the royal stables, in Versailles, Thursday, April 25, 2024. (AP Photo/Aurelien Morissard)
The entrance to the royal stables, in Versailles, Thursday, April 25, 2024. (AP Photo/Aurelien Morissard)

The historic Versailles Palace Gardens will soon host the Paris Olympics equestrian sports.
Meanwhile, the select number of riders of the National Equestrian Academy handling the palace's famed royal stables continue to care for their beloved horses: Almost every day at dawn, they enjoy the quietness and splendor of grass lawns and woods of the park of the Versailles Palace, before thousands of visitors from across the world spread in.
The elite academy — founded by French horse trainer and impresario Bartabas who decided to revive the splendid building in 2003 — has only 12 riders. After years of hard work, they take part in a prestigious show at the Great Stables of Versailles every weekend to the delight of spectators, The Associated Press reported.
While the Academy is open to both genders, women form the majority of applicants.
“We are only women here now,” said one of those experienced riders, Fanny Lorré, gleefully smiling as she noted how big of a change it was from the once male-dominated world of equestrianism.
Lorré, 28, is known as an ‘ecuyères’ — the French word for squire or horse rider, and has a vast knowledge of the royal stables' history.
Commissioned by France's King Louis XIV, or Sun King, the stables were built between 1679 and 1682 opposite the palace’s main entrance. They once housed more than 2,000 horses during the 18th century. Now, the Academy’s riders train about 40 horses, notably including Lusitanos, a Portuguese breed known to be a favorite of Louis IV.
The Great Stables were built “just before the King arrived here in Versailles. He wanted very big and wonderful stables because he had a lot of horses,” Lorré said. “Horses at that time were very important in the court and in the everyday life.”
“They built it in only three years, which is quite amazing when you see how big the building is," she added. "And it was also a school for the people at that time (who wanted to) learn how to ride ... a little bit of philosophy, mathematic and everything so they can become the best person in the kingdom.”
Under the monarchy, horses were used by the royal family, its entourage and visitors to go hunting, show their equestrian skills and enjoy rides in the Versailles gardens. They were an essential part of the festivities and a symbol of the King's power.
After the French Revolution, in the 19th century, the army took over the stables, using them for its cavalry regiments until World War II. They were then used as a storage facility for the Versailles district's archives and later for horse carriages until Bartabas stepped in and formed the academy.
Its members are known for their contemporary take on equestrian art. They receive fencing, dancing and Japanese archery classes to help them hone skills used in their weekly shows.
As the Paris Games approach, the palace — which will host equestrian and modern pentathlon events during the July 26 - Aug. 11 — is starting to buzz with excitement.
The Academy members, though not participating in the games, are looking forward to seeing Olympic riders galloping in the gardens of the Versailles Palace, Lorré said.
"There’s a lot of historical meaning have those Olympics in the gardens," Academy rider Dounia Kazzoul, 26, noted, "because the King used to organize a lot of (theater) plays and shows in those gardens. So it’s really great to have that here!"
Grandstands, outdoor arenas and gallop tracks are now being set up for the Games across the park, where up to 40,000 people are expected to attend the cross-country part of the event. Olympic horses will be housed in temporary, air-conditioned facilities built close to the competition site.
The palace itself will remain open to the public during the Games. To coincide with the Olympics, it will be holding an exhibition dedicated to horses and equestrian civilization in Europe from July 2 July to November 3.
The National Equestrian Academy will continue to present its show at Versailles this summer until Aug. 7. Visitors can also discover the nearby Gallery of Coaches, which contains one of the largest collections of coaches in Europe.
 



Saudi Arabia, UK Announce 2029 as Saudi-UK Year of Culture

Saudi Arabia, UK Announce 2029 as Saudi-UK Year of Culture
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Saudi Arabia, UK Announce 2029 as Saudi-UK Year of Culture

Saudi Arabia, UK Announce 2029 as Saudi-UK Year of Culture

The Saudi Ministry of Culture and the UK Department for Culture, Media and Sport have announced the year 2029 as the official Saudi-UK Year of Culture, reported the Saudi Press Agency on Wednesday. The announcement follows an official visit by Britain’s Prince William to Saudi Arabia this week.

For nearly a century, formal relations between Saudi Arabia and the UK and Northern Ireland have evolved into a multifaceted international relationship that has expanded across culture, education, and innovation, reflecting shared values and a mutual commitment to long-term cooperation.

In recent years, cultural exchange has emerged as a cornerstone of Saudi-British relations, driven by joint initiatives in heritage conservation, visual and culinary arts, architecture, and higher education.

This ongoing expansion of cultural exchange lays the foundation for the Saudi-UK Year of Culture 2029, a year-long program celebrating creative dialogue and the shared heritage of Saudi Arabia and the UK, while deepening cultural ties for generations to come. It will also be a great opportunity for young people in both countries to connect in new ways.

Supported by Saudi Vision 2030 and the United Kingdom’s continued promotion of cultural innovation and creativity, the Saudi-UK Year of Culture 2029 will be an important milestone for both countries.


Prince William Visits Historic, Natural Sites in AlUla Accompanied by Saudi Culture Minister

The visit reflects the depth of Saudi-British relations and their growing cooperation in culture, arts, environmental sustainability, and human capability development. (SPA)
The visit reflects the depth of Saudi-British relations and their growing cooperation in culture, arts, environmental sustainability, and human capability development. (SPA)
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Prince William Visits Historic, Natural Sites in AlUla Accompanied by Saudi Culture Minister

The visit reflects the depth of Saudi-British relations and their growing cooperation in culture, arts, environmental sustainability, and human capability development. (SPA)
The visit reflects the depth of Saudi-British relations and their growing cooperation in culture, arts, environmental sustainability, and human capability development. (SPA)

Britain’s Prince William visited a number of historic, natural, and cultural sites in Saudi Arabia’s AlUla, accompanied by Saudi Minister of Culture and Governor of the Royal Commission for AlUla Prince Bader bin Abdullah bin Farhan, reported the Saudi Press Agency on Wednesday.

The visit reflects the depth of Saudi-British relations and their growing cooperation in culture, arts, environmental sustainability, and human capability development, in line with the objectives of Saudi Vision 2030.

During his tour, Prince William reviewed a number of environmental initiatives at Sharaan Nature Reserve, including ecosystem restoration and biodiversity conservation efforts. He was briefed on programs to rehabilitate natural habitats, restore ecological balance, and reintroduce species such as the Arabian oryx and mountain ibex, contributing to long-term goals for the recovery of the Arabian leopard in its natural environment.

He received an overview of the history of AlUla Old Town and the Incense Road, and the role of culture and arts as a bridge for cultural exchange between the two countries. The visit included viewing artworks at AlUla Arts Festival 2026.

Prince William met with Saudi youths participating in joint cultural programs and initiatives between the two countries. The visit also featured a tour of AlUla Oasis Cultural District.

The visit highlighted the strategic importance of the partnership between the Royal Commission for AlUla and British cultural institutions within an organized framework of cooperation encompassing cultural, educational, and environmental entities, supporting balanced and sustainable development in AlUla and reinforcing its status as a global destination for heritage, culture, and nature.


Workshop Held to Develop Cultural Heritage Documentation, Digital Archiving Guide in Saudi Arabia

The workshop brought together representatives from relevant cultural entities, along with stakeholders, experts, and practitioners. SPA
The workshop brought together representatives from relevant cultural entities, along with stakeholders, experts, and practitioners. SPA
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Workshop Held to Develop Cultural Heritage Documentation, Digital Archiving Guide in Saudi Arabia

The workshop brought together representatives from relevant cultural entities, along with stakeholders, experts, and practitioners. SPA
The workshop brought together representatives from relevant cultural entities, along with stakeholders, experts, and practitioners. SPA

The Saudi Ministry of Culture organized a specialized workshop to review and develop the third edition of the Cultural Heritage Documentation and Digital Archiving Guide in the Kingdom.

The workshop brought together representatives from relevant cultural entities, along with stakeholders, experts, and practitioners, as part of the center’s efforts to standardize methodologies for documenting and archiving cultural heritage and to enhance institutional practices for managing national cultural memory.

The workshop forms part of the Ministry of Culture’s ongoing efforts to establish national standard frameworks for the management and digital documentation of cultural heritage, strengthen integration among entities, and equip practitioners with the necessary tools and methodologies.

These efforts reinforce the role of the Saudi cultural memory center in preserving the Kingdom’s cultural memory and support the objectives of the National Culture Strategy under Saudi Vision 2030.