Hollywood Stunt Performers Rev Up 'Fall Guy' Premiere

Stunt techniques were on show alongside A-list stars like Ryan Gosling at the Los Angeles premiere of 'The Fall Guy'. VALERIE MACON / AFP
Stunt techniques were on show alongside A-list stars like Ryan Gosling at the Los Angeles premiere of 'The Fall Guy'. VALERIE MACON / AFP
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Hollywood Stunt Performers Rev Up 'Fall Guy' Premiere

Stunt techniques were on show alongside A-list stars like Ryan Gosling at the Los Angeles premiere of 'The Fall Guy'. VALERIE MACON / AFP
Stunt techniques were on show alongside A-list stars like Ryan Gosling at the Los Angeles premiere of 'The Fall Guy'. VALERIE MACON / AFP

Fresh from the high-profile success of "Barbie," Ryan Gosling used the Los Angeles premiere of his next movie "The Fall Guy" to cede the spotlight to Hollywood's unsung heroes -- stunt performers.
Loosely based on the 1980s TV series of the same name, "The Fall Guy" stars Gosling as a veteran stunt double who must recover from a severe on-set injury to save an old flame (Emily Blunt) from a mysterious real-world threat.
The movie's release comes as pressure is mounting in Hollywood for stunt performers to receive more recognition, including an Oscar category of their own.
"He got set on fire eight times for me," said Gosling, pointing to one of his stunt doubles during Tuesday's red carpet event.
"How do you thank somebody for that?"
In the film, Gosling's hero must draw on all of his impressive stunt tricks and know-how -- navigating high-speed chases, and fighting goons with hastily improvised weapons -- to save the day and win back the girl.
Those techniques were on show alongside the A-list stars at the Los Angeles premiere, as stunt actors roared motorcycles down the red carpet, leapt from a sky-high platform, and brawled through a plate-glass window.
"We just came out and tried to smash some glass and make a fun show for everybody," joked stunt performer Justin Eaton.
"The Fall Guy" -- out in US theaters Friday -- is directed by David Leitch, a former stuntman who took beatings for Matt Damon in "The Bourne Ultimatum" and Brad Pitt in "Fight Club," among others.
Leitch made the leap into directing with 2014's smash hit "John Wick," and has since helmed blockbusters like "Atomic Blonde," "Deadpool 2" and "Bullet Train."
But "The Fall Guy" is Leitch's first movie to specifically highlight and honor his former profession.
And with computer-generated visual effects increasingly used for action sequences in Hollywood movies, Leitch relished the chance to put some of the industry's best to work at the sort of old-school practical stunts that are seldom performed on camera these days.
"It was really important -- we wanted to lean into practical (stunts), because it was a celebration of that artisanship that the stunt communities had," he told AFP.
"So we leaned into the classic stunts, and did them for real."
Stunt Oscars?
Gosling's latest role required multiple specialized stuntmen.
Logan Holladay, a driving stunts expert, broke a world record during the film, by flipping a fast-moving car into an astonishing eight-and-a-half sideways "cannon rolls."
Calls have been growing for a "best stunts" category at the Oscars, with supporters arguing that their input equals that of the sound mixers, makeup artists and visual effects gurus already honored.
"You can get a Best Screenplay Oscar for typing in your shed for a year," said Drew Pearce, the film's writer.
"You have to literally risk death every day -- and not just like 'metaphorical death' death, but real death -- to be a stunt person."
Stunt work is already honored at some prestigious movie and TV ceremonies, such as the Screen Actors Guild Awards.
"The Fall Guy" stars Gosling and Blunt paid tribute to stunt performers during this year's Academy Awards, presenting a video montage featuring hair-raising sequences from Charlie Chaplin through to Leitch's "John Wick" films.
"They've been such a crucial part of our community since the beginning of cinema," said Gosling, at April's Oscars.
Whether that campaign will prevail remains to be seen. But for now, the movie has at least raised awareness of the risks of the job.
"(As) people who work in the shadows, we accept that, we signed up for that," said Eaton.
"But just having some recognition from our audience is really the biggest thing."



Louvre Heist to Be Turned into Film

 The Louvre Museum seen in Paris, France, November 17, 2025. (Reuters)
The Louvre Museum seen in Paris, France, November 17, 2025. (Reuters)
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Louvre Heist to Be Turned into Film

 The Louvre Museum seen in Paris, France, November 17, 2025. (Reuters)
The Louvre Museum seen in Paris, France, November 17, 2025. (Reuters)

Last year's brazen robbery of the Louvre -- when thieves made off with jewellery worth some $100 million -- is set to become a movie, a publisher said on Tuesday.

French director Romain Gavras -- whose work includes 2025 Hollywood film "Sacrifice" starring Anya Taylor-Joy and music videos including most recently a hypnotic schoolboy choreography for GENER8ION -- will draw inspiration from the investigative book "Main basse sur le Louvre" (literally "A grab at the Louvre").

Film rights to the book about the October 19, 2025 heist had been sold to the production company Iconoclast, the Flammarion publishing house said.

The book, written by three journalists, from French dailies Le Parisien and Le Monde, and weekly glossy magazine Paris Match, is to hit bookstores on Wednesday.

According to trade magazine Le Film Francais, the movie project is in development, though neither the title nor the cast has been announced.

The Louvre heist sent shockwaves around the world and sparked a security crisis within the world-famous museum that ultimately led to the replacement of its director, Laurence des Cars.

After seven months of investigation, and despite the arrests of the main suspects, the jewels have still not been found.

The authors said their apparent disappearance "has become a dense mystery, a puzzle that has plunged investigators into deep confusion".

The heist illustrates how "the theft of artworks has become a business like any other for many criminals", they say. "The criminal underworld has found a new cash cow."


'Spider-Noir' Brings a Mature Superhero to the Small Screen

Nicolas Cage stars in the new series "Spider-Noir". Michael loccisano / GETTY IMAGES NORTH AMERICA/AFP
Nicolas Cage stars in the new series "Spider-Noir". Michael loccisano / GETTY IMAGES NORTH AMERICA/AFP
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'Spider-Noir' Brings a Mature Superhero to the Small Screen

Nicolas Cage stars in the new series "Spider-Noir". Michael loccisano / GETTY IMAGES NORTH AMERICA/AFP
Nicolas Cage stars in the new series "Spider-Noir". Michael loccisano / GETTY IMAGES NORTH AMERICA/AFP

While stars of the Spider-Man franchise have trended younger over the years -- from Tobey Maguire to Andrew Garfield to Tom Holland -- the new series "Spider-Noir" starring Nicolas Cage explores a more mature version of the web-slinging superhero.

Premiering on Amazon's streaming platform this week, the series follows Ben Reilly (Cage), a private investigator struggling to make ends meet in New York during the Great Depression, said AFP.

This marks the first time the superhero, whom Cage voiced in the first Spider-Verse film, has appeared on screen in live-action.

Karen Rodriguez, who plays Janet, Riley's loyal secretary, said that what sets "Spider-Noir" apart from other versions of the superhero is the era in which it is set.

"Normally, it's a coming-of-age story, and we're meeting Peter Parker in a youthful setting," she told AFP. "But what happens when you've done it and life has happened to you and you suffered loss?"

Reilly, a World War I veteran who can't even afford to pay his secretary, is burdened by personal tragedy.

"He's lost the love of his life. He's smack dab in the middle of the Great Depression. There's a lot of suffering," Rodriguez added.

For the actress, whose character maintains a constant push and pull with Reilly, working with Cage "was like a dream come true."

Rodriguez said she learned a lot from the 62-year-old Oscar-winning actor, who has over a hundred films to his credit.

"It's the type of job that you dream about because you want jobs that are going to make you better," said Rodriguez, who describes her character as a strong-willed woman who doesn't mince words.

"Spider-Noir," produced by Phil Lord and Christopher Miller, among others, can be seen in color or black and white, in a nod to the film noir genre of the 1940s.

"It's a wholly unique perspective," said Rodriguez, who sees the style as an "exciting" alternative for telling a superhero story.

The genre is related to "what kind of danger is looking around the corner," she said. "And even the visual elements of noir, I think are so evocative, the way that the camera is framed."

"You understand that the world you're never really safe, and we really see it in the black and white, because we're seeing people in shadow or in light, and the shadow is always there."

"Spider-Noir" also features performances by Lamorne Morris, Li Jun Li and Brendan Gleeson, who plays a mobster villain.


Disney’s New ‘Star Wars’ Film Opens with an Estimated $165 Million Worldwide

Cast member Pedro Pascal attends a premiere for the film “Star Wars: The Mandalorian and Grogu” at TCL Chinese theatre in Los Angeles, California, US, May 14, 2026. (Reuters)
Cast member Pedro Pascal attends a premiere for the film “Star Wars: The Mandalorian and Grogu” at TCL Chinese theatre in Los Angeles, California, US, May 14, 2026. (Reuters)
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Disney’s New ‘Star Wars’ Film Opens with an Estimated $165 Million Worldwide

Cast member Pedro Pascal attends a premiere for the film “Star Wars: The Mandalorian and Grogu” at TCL Chinese theatre in Los Angeles, California, US, May 14, 2026. (Reuters)
Cast member Pedro Pascal attends a premiere for the film “Star Wars: The Mandalorian and Grogu” at TCL Chinese theatre in Los Angeles, California, US, May 14, 2026. (Reuters)

New "Star Wars" film "The Mandalorian and Grogu" is expected to end the US Memorial Day weekend with roughly $165 million in worldwide ticket sales, distributor Walt Disney said ‌on Sunday.

About $102 ‌million of that ‌total ⁠will come from ⁠the United States and Canada, Disney said. The domestic total exceeds pre-weekend forecasts but is the lowest opening for any "Star Wars" ⁠movie released by Disney.

The ‌first "Star ‌Wars" movie in seven years ‌tells the story of a ‌helmeted bounty hunter and his sidekick, nicknamed Baby Yoda by fans. The duo debuted ‌on the small screen in the Disney+ streaming series "The ⁠Mandalorian" ⁠in 2019.

Disney's lowest-grossing "Star Wars" film, "Solo: A Star Wars Story," brought in $103 million over Memorial Day weekend in 2018 and was considered a flop. The "Grogu" movie, however, had a smaller budget than most other "Star Wars" movies, of about $165 million.