Fake Luxuries Supplant Tradition in Istanbul's Grand Bazaar

This photograph taken on July 9, 2024 shows a shop displaying items said to be from 'luxury' brands at historical Grand Bazaar in Istanbul. (Photo by Yasin AKGUL / AFP)
This photograph taken on July 9, 2024 shows a shop displaying items said to be from 'luxury' brands at historical Grand Bazaar in Istanbul. (Photo by Yasin AKGUL / AFP)
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Fake Luxuries Supplant Tradition in Istanbul's Grand Bazaar

This photograph taken on July 9, 2024 shows a shop displaying items said to be from 'luxury' brands at historical Grand Bazaar in Istanbul. (Photo by Yasin AKGUL / AFP)
This photograph taken on July 9, 2024 shows a shop displaying items said to be from 'luxury' brands at historical Grand Bazaar in Istanbul. (Photo by Yasin AKGUL / AFP)

Cut-price branded perfumes and fake high-end handbags line the ornate alleys of Istanbul's Grand Bazaar, with traditional merchants saying the luxury counterfeits are stripping the marketplace of its character.

Where heritage Turkish crafts once flourished under the Ottoman-era marketplace's painted ceilings, the elegant carpet store run by Hasim Gureli is now surrounded by shops selling designer dupes, Agence France Presse reported.

"Back in the day, imitations were rare," said Gureli, who is vice-president of the bazaar's traders' association and a member of its board of directors.

"When some people started selling fake bags, they kept themselves hidden. They were afraid of the state," the carpet-seller added.

Many others among the bazaar's old-timers, who have fond memories of the small workshops that used to fill its labyrinthine alleyways, despair at seeing it overrun by fraudulent facsimiles.

Two aisles down, tea set-seller Gazi Uludag lamented that the Grand Bazaar has "lost its unique character".

"There is nothing but imported or counterfeit goods left and it's getting worse every year," he said.

In her handmade carpet store, Florence Heilbronn-Ogutgen bemoaned the fact that an artisan friend "who used to make real, beautiful bags in very good leather" had to shutter his shop, unable to make a living.

For the shopkeeper, who has been at the bazaar since 1998, artisans "can no longer survive" in the face of competition from the dubious dupes.

"These days, the finest boutiques are the counterfeit ones!" she said.

"They're the only ones left who can afford the $10,000 to $15,000 a month rent on the main alley. The bazaar has lost its soul."

Cheap luxury

One of the world's largest covered markets, the almost six-centuries-old Grand Bazaar attracts millions of tourists every year -- many of them lured by the promise of cheap luxury.

"All of Europe comes here! I've even had footballer's wives," beamed 36-year-old Kemal, reluctant to give his surname for fear of checks on his merchandise.

Kemal made his living selling "made in Türkiye" counterfeits for 15 years, before luxury fakes began taking over each of the bazaar's hallowed shop windows one by one.

His imitation Celine calfskin and Saint Laurent quilted leather handbags "are of the same quality as the originals, but five to 10 times cheaper", the vendor promised.

Whatever the bag, a knock-off can be found at the Grand Bazaar.

"If you can find it on the Champs-Elysees, then you can find it here," he said.

'Very high profits'

As one of the main countries for the production and transit of counterfeit goods, along with China and Hong Kong, knock-offs are ubiquitous in Türkiye.

The trade supports a whole economy of its own, from the small retailers to the manufacturers who also export their counterfeits to the European Union.

"They make very high profits. You can see handbags being sold for thousands of dollars in the Grand Bazaar," said Dilara Bural, a criminologist at the UK's University of Bath.

Organized crime may be at work, "but we can't generalize and say that every single counterfeiting scheme in Türkiye is linked to organized crime. That's not true," she underlined.



Riyadh Art Unveils Tuwaiq Sculpture 2026

The exhibition site on Tahlia Street was strategically chosen for its historical legacy of innovation to provide a conceptual framework for the works. SPA
The exhibition site on Tahlia Street was strategically chosen for its historical legacy of innovation to provide a conceptual framework for the works. SPA
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Riyadh Art Unveils Tuwaiq Sculpture 2026

The exhibition site on Tahlia Street was strategically chosen for its historical legacy of innovation to provide a conceptual framework for the works. SPA
The exhibition site on Tahlia Street was strategically chosen for its historical legacy of innovation to provide a conceptual framework for the works. SPA

The Royal Commission for Riyadh City, via its Riyadh Art program, has launched the Tuwaiq Sculpture 2026 exhibition on Prince Mohammed bin Abdulaziz Street (Tahlia).

Open to the public from February 9 to 22, the exhibition showcases 25 new artworks themed "Traces of What Will Be," exploring transformation and urban renewal.

The sculptures were crafted during a live phase from January 10 to February 5, during which artists from 18 countries used local stone and recycled metals, allowing the public to witness the creative process firsthand.

The exhibition site on Tahlia Street was strategically chosen for its historical legacy of innovation to provide a conceptual framework for the works.

Overseen by a panel of international experts, the exhibition serves as an interactive cultural platform featuring workshops and panel discussions to foster community engagement.

All 2026 pieces will join Riyadh Art's permanent collection, which has hosted over 170 artists since 2019 and already installed more than 60 sculptures across the city to integrate contemporary art into Riyadh's urban fabric.


Syrian Culture Minister Applauds Saudi Pavilion at Damascus Book Fair

The 2026 Damascus International Book Fair is held from February 6 to 16 - SPA
The 2026 Damascus International Book Fair is held from February 6 to 16 - SPA
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Syrian Culture Minister Applauds Saudi Pavilion at Damascus Book Fair

The 2026 Damascus International Book Fair is held from February 6 to 16 - SPA
The 2026 Damascus International Book Fair is held from February 6 to 16 - SPA

Syrian Minister of Culture Mohammed Yassin Saleh visited the Kingdom’s pavilion at the 2026 Damascus International Book Fair, held from February 6 to 16, where the Kingdom is serving as the Guest of Honor.

He commended the efforts of the Literature, Publishing and Translation Commission in showcasing the rich diversity of the Saudi cultural and literary scene. The pavilion features exhibitions of manuscripts, a Saudi fashion corner, and archaeological replicas, SPA reported.

The minister reviewed the commission's Tarjim translation initiative and Saudi literature comics.

This participation at the 2026 Damascus International Book Fair showcases Saudi creativity and fosters cultural dialogue, supporting Saudi Vision 2030’s goals of knowledge exchange and cultural leadership.


Saudi Arabia, Syria Underline Depth of their Cultural Ties

Syrian President al-Sharaa receives the Saudi minister of culture and the accompanying delegation at the Conference Palace in Damascus on Thursday. (SPA)
Syrian President al-Sharaa receives the Saudi minister of culture and the accompanying delegation at the Conference Palace in Damascus on Thursday. (SPA)
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Saudi Arabia, Syria Underline Depth of their Cultural Ties

Syrian President al-Sharaa receives the Saudi minister of culture and the accompanying delegation at the Conference Palace in Damascus on Thursday. (SPA)
Syrian President al-Sharaa receives the Saudi minister of culture and the accompanying delegation at the Conference Palace in Damascus on Thursday. (SPA)

Saudi Arabia and Syria underlined the strength of their cultural relationship during high-level meetings held in Damascus on Thursday, on the sidelines of the opening of the Damascus International Book Fair 2026, where the Kingdom is participating as guest of honor.

Syrian President Ahmad al-Sharaa received Saudi Minister of Culture Prince Badr bin Abdullah bin Farhan at the Conference Palace in the capital.

Earlier the same day, Prince Badr met with his Syrian counterpart, Minister of Culture Mohammad Yassin Saleh, during an official visit to attend the fair. T

he Saudi minister congratulated Syria on hosting the exhibition and expressed his wishes for continued prosperity, progress, and stability for the Syrian government and people.

Both meetings highlighted the depth of cultural relations between the two countries, the importance of expanding joint cultural cooperation across various fields, and the alignment of positions on issues of mutual interest in a way that serves both nations.

The Saudi delegation included senior officials and advisers, among them representatives from the Royal Court, the Ministry of Culture, and the King Abdulaziz Public Library, reflecting broad institutional engagement in the visit.

In the evening, Prince Badr attended the opening ceremony of the fair’s special session, held under the patronage and in the presence of al-Sharaa. The event drew wide official and cultural participation, including Arab ministers, political and intellectual figures, and a distinguished group of writers and cultural figures.

In a post on the X platform, Prince Badr thanked “our brothers in Syria for their generous hospitality and their efforts in organizing the Damascus International Book Fair.”

The minister also inaugurated the Kingdom’s pavilion at the fair in the presence of the Syrian minister of culture and the Qatari minister of culture.

Saudi Arabia’s guest-of-honor participation continues until Feb. 16 and reflects its growing prominence and leadership in the Arab and global cultural landscape.

This participation aligns with Saudi Vision 2030, which places culture at the heart of national development, viewing it as a space for dialogue, a bridge for civilizational communication, and a tool for strengthening ties among Arab peoples.

The Saudi Literature, Publishing and Translation Commission is leading the Kingdom’s participation, highlighting the development of the cultural sector and reaffirming the central role of books as carriers of knowledge and awareness.

The Saudi pavilion boasts a comprehensive cultural program featuring intellectual seminars, poetry evenings, a manuscript exhibition, traditional Saudi fashion displays, hospitality corners, archaeological replicas, and performing arts that express the depth of the Kingdom’s cultural heritage.

On the sidelines of the visit, Prince Badr, accompanied by Minister Saleh, toured the National Museum of Damascus, which houses rare artifacts spanning prehistoric eras, ancient Syrian civilizations, classical and Islamic periods, as well as traditional and modern art.