How the World’s Press Rated Paris’s Olympics Opening Ceremony

Former French football player Zinedine Zidane holds the Olympic torch during the opening ceremony of the Paris 2024 Olympic Games in Paris on July 26, 2024. (AFP)
Former French football player Zinedine Zidane holds the Olympic torch during the opening ceremony of the Paris 2024 Olympic Games in Paris on July 26, 2024. (AFP)
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How the World’s Press Rated Paris’s Olympics Opening Ceremony

Former French football player Zinedine Zidane holds the Olympic torch during the opening ceremony of the Paris 2024 Olympic Games in Paris on July 26, 2024. (AFP)
Former French football player Zinedine Zidane holds the Olympic torch during the opening ceremony of the Paris 2024 Olympic Games in Paris on July 26, 2024. (AFP)

Paris broke with tradition on Friday by turning the Olympic Opening Ceremony into a parade down the River Seine rather than a stadium-based show.

TV viewers around the world were treated to a spectacle performed on bridges, the riverbank and rooftops, culminating with French athletes Marie-Jose Perec and Teddy Riner lighting the Olympic cauldron and a performance from Canada's Celine Dion.

However, the 6,000-odd athletes, 3,000 performers, 300,000 spectators and dozens of world leaders had to endure heavy rain for much of the event.

Here's how the world's media judged Paris's ambitious ceremony:

FRANCE

Newspaper Le Monde wrote in a rave review that director Thomas Jolly "succeeded in his challenge of presenting an immersive show in a capital transformed into a gigantic stage".

Right-leaning Le Figaro said the show was "great but some of it was just too much". It said viewers "could have been spared" images including an apparent recreation of the painting of The Last Supper of Jesus and his apostles in front of a fashion show.

UNITED STATES

"Opening Ceremony Misses the Boat" headlined the New York Times's television review.

It wrote that the river parade "turned the ceremony into something bigger, more various and more intermittently entertaining. But it also turned it into something more ordinary — just another bloated made-for-TV spectacle".

The Washington Post was more glowing, noting that the organizer's "bold thinking" brought a shine back to an event that has seen its popularity wane in recent years.

CHINA

China's Xinhua state news agency said the ceremony succeeded in showcasing France.

"There were Can-Can girls, a homage to the reconstruction of Notre Dame and of course the French Revolution, with fireworks, heavy metal and singers who appeared to have lost a battle with the guillotine.

"If there was a downside to the ceremony, it is that any event performed over such a long distance has to struggle with continuity, and the big difference between this ceremony and others is that the parade of athletes was mixed in with the performances."

SOUTH KOREA

South Korean media noted the "impressive" imagination of using the whole city as the backdrop but the event was overshadowed by the country's team being misintroduced as North Korea.

South Korea's CBS radio said while the incident was no doubt an honest mistake, it was disappointing the Paris organizers failed at what should have been a very basic part of the event.

GERMANY

"As beautiful as it was mad," wrote Germany's Frankfurter Allgemeine. "France revolutionized the opening ceremony ... by the end even the rain had been defeated."

Tabloid Bild was bowled over by Celine Dion's return to the stage after four years, defying illness to "sing just as in the best of times. She deserves a gold medal for this performance."

BRITAIN

British tabloid The Sun joked "Wet The Games Begin!" on its front page alongside an image of the Eiffel Tower surrounded by laser beams, and described the ceremony as spectacular.

The Daily Mail's headline read "La Farce!", mainly in reference to the train disruption earlier in the day, but the paper also judged Paris's gamble on the weather had "backfired spectacularly".

A writer for the Guardian newspaper described the parade of boats on the Seine as "like watching an endless series of weirdly nationalistic office parties" but concluded Celine Dion had rescued the event with a "jaw dropping" performance.

ITALY

La Gazzetta dello Sport said the ceremony was "something unprecedented, even extraordinary. A great show or a long, tedious work, depending on your point of view and sensibility."

The mainstream Italian newspaper Il Corriere della Sera likened the show to a contemporary art performance, noting that "some (spectators) were bored, others were amused, many found the spectacle disappointing".

The left-leaning Italian daily La Repubblica said the ceremony overshadowed the athletes.

"A lot of France, a lot of Paris, very little Olympics.... a mirror that the immortal Paris turned on herself and discovered that she was so much, too much and soaking wet".



‘Toy Story 5’ Tackles Tech Tensions and Tween Girl Trials

This image released by Disney shows characters Bullseye, left, and Jessie, voiced by Joan Cusack, in a scene from Disney and Pixar's "Toy Story 5." (Disney/Pixar via AP)
This image released by Disney shows characters Bullseye, left, and Jessie, voiced by Joan Cusack, in a scene from Disney and Pixar's "Toy Story 5." (Disney/Pixar via AP)
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‘Toy Story 5’ Tackles Tech Tensions and Tween Girl Trials

This image released by Disney shows characters Bullseye, left, and Jessie, voiced by Joan Cusack, in a scene from Disney and Pixar's "Toy Story 5." (Disney/Pixar via AP)
This image released by Disney shows characters Bullseye, left, and Jessie, voiced by Joan Cusack, in a scene from Disney and Pixar's "Toy Story 5." (Disney/Pixar via AP)

For actor Joan Cusack, who voices the animated cowgirl Jessie in Disney's “Toy Story 5,” it was important that the film tell a different kind of story — one centered on the experiences of girls.

“I mean, we’re half the population,” she told Reuters.

Cusack emphasized the value of stories told from a female perspective, saying they bring a distinct emotional depth.

“Girl stories are great because they offer a different point of view. If you do it well, there’s real emotion in it. I think it’s real,” the “Working Girl” actor added.

Alongside Cusack, franchise veterans Tom Hanks and Tim Allen return as the toys Woody and Buzz Lightyear.

In the latest installment, the toys confront a ⁠new threat: the rise ⁠of electronics, which increasingly replace them in children’s lives.

At the center is Bonnie, a little girl who feels pressured to swap her toys for a high-tech tablet called Lilypad, voiced by Greta Lee, in order to fit in with a judgmental group from her dance class.

The conflict sparks an emotional journey for Jessie as she supports Bonnie while questioning her own place in a tech-driven world.

“Toy Story 5,” directed by Andrew Stanton and co-written by Stanton and Kenna ⁠Harris, is the fifth installment in Pixar’s popular franchise and a sequel to "Toy Story 4," which was directed by Josh Cooley.

The film is projected to deliver the franchise’s strongest domestic box office debut, with an opening weekend estimated between $150 million and $175 million, according to Paul Dergarabedian, head of media analytics at Rentrak, a global measurement and research company serving the entertainment industry.

Daniel Loria, senior vice president of content strategy and editorial director at Boxoffice Pro, similarly forecasts an opening in the $150 million to $175 million range. He said "Toy Story 5" could become one of the highest-grossing films of 2026 and potentially surpass $500 million domestically, marking a new franchise record.

The franchise is vital to Disney, which relies on the popularity of its stories and characters to bring ⁠visitors to its theme ⁠parks, sell merchandise and watch its Disney+ streaming service.

The "Toy Story" films have brought in about $3 billion in global box office, according to Rentrak.

Tim Allen said he was surprised by how deeply the film affected him when he first watched it.
“This was horrifying to watch as an adult,” he told Reuters, explaining that the film’s themes of bullying struck an emotional chord for him as a father of girls.

For Tom Hanks, the franchise’s lasting appeal lies in the toys’ compassion for one another.
“Being part of this ensemble - friends who will do anything for each other whenever they are needed - that’s powerful,” the two-time Academy Award winner said.

“There’s no jealousy. There might be confusion, but there is always care for one another. And the fact that this is Jessie’s story, and she reaches out and says, ‘I need your help,’ we are right there.”

"Toy Story 5" arrives in theaters on Friday.


British Presenter Jeremy Clarkson Reveals He Has Cancer on TV Show

Horse Racing - Cheltenham Festival - Cheltenham Racecourse, Cheltenham, Britain - March 13, 2026 Television presenter Jeremy Clarkson ahead of the races. (Action Images via Reuters)
Horse Racing - Cheltenham Festival - Cheltenham Racecourse, Cheltenham, Britain - March 13, 2026 Television presenter Jeremy Clarkson ahead of the races. (Action Images via Reuters)
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British Presenter Jeremy Clarkson Reveals He Has Cancer on TV Show

Horse Racing - Cheltenham Festival - Cheltenham Racecourse, Cheltenham, Britain - March 13, 2026 Television presenter Jeremy Clarkson ahead of the races. (Action Images via Reuters)
Horse Racing - Cheltenham Festival - Cheltenham Racecourse, Cheltenham, Britain - March 13, 2026 Television presenter Jeremy Clarkson ahead of the races. (Action Images via Reuters)

British television presenter Jeremy Clarkson, ‌best known for hosting the "Top Gear" motoring show, has revealed that he had been diagnosed with an aggressive form of prostate cancer.

Clarkson, 66, one of Britain's most popular and high-profile TV figures, made the disclosure during filming for his Amazon documentary show "Clarkson's Farm" for episodes which were broadcast on Wednesday.

"I’ve got cancer," Clarkson tells two of the show's other main characters in a scene filmed last year. "I had a medical, remember, back in May? I disappeared off the other week and I had a biopsy ‌and it ‌is cancer, and it’s aggressive."

Clarkson said the ‌disease ⁠had been caught "really ⁠early" and he had since had an operation to remove 10% of his prostate.

"If I hadn’t have got myself checked out and they hadn’t caught the problem early, this could well have been my last harvest," he said. "It’s only because they did catch it early, there’s every hope that I’ll be harvesting ⁠this farm for many, many years to come."

Ahead ‌of the episodes' broadcast, Clarkson ‌posted a video on Instagram on Tuesday, saying they were a "difficult watch".

"Ordinarily, ‌we try to keep the show bucolic, charming, and cheerful," ‌he said. "But the final two episodes, which drop in the middle of the night tonight, are ... they're none of those things, really. They're a difficult watch.

"They're really, really difficult."

Clarkson, who has cultivated a ‌reputation for being controversial, gained worldwide fame as presenter of the BBC's "Top Gear" show but lost ⁠his job ⁠after he punched a member of the production team in 2015.

He moved to Amazon where he made a new car show with his old show's co-hosts Richard Hammond and James May, and subsequently began making the successful "Clarkson's Farm", which chronicles his often haphazard attempts to run the farm he owns in central England.

"I don't know what's going to happen. But look, what I wanted to say was: if this is all successful, I’ll see you for season six," he says from a hospital bed at the end of the final show of the latest series. "And if it isn’t, I won’t. Take care, everyone."


The Grammys Add 5 New Categories and Announce Changes to Best New Artist

Grammy awards are displayed at the Grammy Museum Experience at Prudential Center in Newark, N.J. on Oct. 10, 2017. (AP)
Grammy awards are displayed at the Grammy Museum Experience at Prudential Center in Newark, N.J. on Oct. 10, 2017. (AP)
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The Grammys Add 5 New Categories and Announce Changes to Best New Artist

Grammy awards are displayed at the Grammy Museum Experience at Prudential Center in Newark, N.J. on Oct. 10, 2017. (AP)
Grammy awards are displayed at the Grammy Museum Experience at Prudential Center in Newark, N.J. on Oct. 10, 2017. (AP)

The Recording Academy has tweaked some of its rules for the 2026 Grammy Awards, including the addition of five new categories.

The academy on Tuesday announced the addition of a best Asian pop music performance category — celebrating releases across K-pop, J-pop, C-pop and beyond — awarded to the performer.

A new best traditional pop vocal performance category will be awarded to performers whose music “cannot properly be intermingled with present forms of pop music,” according to a press release.

Also, a new best Latin song category will recognize songwriters for their work on Latin songs recorded predominantly in Spanish.

The other changes affect the R&B and folk categories. A new best R&B collaboration or duo/group performance award joins the reimagined best R&B solo performance category.

Folk has experienced a similar change that country experienced last year: Best folk album has become best contemporary folk album. A best traditional folk album category has been added.

In addition to the five new categories, changes have been made regarding the criteria of a few releases. Most noteworthy: alterations to the best new artist category.

The Grammys will now allow artists to submit in the category four times, up from three. That is in an attempt to better reflect the current music market, where it can take time for an artist to break through.

There is no specified maximum number of previous releases and a screening committee is tasked with determining “whether the artist had attained this high degree of impact in the music industry prior to the eligibility year,” according to the rule book. An artist who has received a Grammy nomination in the past is not eligible.

The Grammys will also allow certain qualified members to vote in more categories.

“2027 is going to be an amazing year for the Grammy Awards, and one that reflects the extraordinary growth we’re seeing across music,” Harvey Mason jr., CEO of the Recording Academy said in a statement.

“The changes advanced by our Recording Academy members speak to the breadth of today’s music industry and the many genres, crafts and creators shaping it. We’re excited to see these updates come to life in the year ahead as we celebrate the music people who are driving music forward.”