Lily Collins Has Found ‘Emily 2.0’ in Paris 

This image released by Netflix shows Lily Collins in a scene from "Emily in Paris." (Stephanie Branchu/Netflix via AP)
This image released by Netflix shows Lily Collins in a scene from "Emily in Paris." (Stephanie Branchu/Netflix via AP)
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Lily Collins Has Found ‘Emily 2.0’ in Paris 

This image released by Netflix shows Lily Collins in a scene from "Emily in Paris." (Stephanie Branchu/Netflix via AP)
This image released by Netflix shows Lily Collins in a scene from "Emily in Paris." (Stephanie Branchu/Netflix via AP)

The new season of “Emily in Paris” will have many of the same elements as the first three: daring fashion, flirty romance and workplace drama. One thing that has changed? The lead actor’s confidence.

Lily Collins, who plays Emily Cooper, said her life has mirrored her character’s growth since the series premiered in 2020.

“Walking onto set season four, I was a different person than walking onto set season one,” Collins said in a recent interview with The Associated Press. “I’m a more well-rounded and understanding human in this space now because of the show.”

In addition to starring in the series, Collins produces it. The first season marked her first producing gig, and she’s taken on several other projects since.

“With the growth of Emily, there’s come a real growth in myself within my role as an actor, but also as a producer,” she said. “Being so collaborative with the writers and Darren (Star, series creator) and the other producers on this and having a voice on the show has really given me the confidence with other projects out there to do the same or want the same.”

The upcoming fourth season follows Emily untangling a messy love triangle, but she’s in a more stable place professionally than when we first saw her struggling to fit in at her new job in a new country. Even her French has improved as the series went on. Collins said some of her character’s self-assurance has rubbed off on her.

“I’ve grown more confident as Emily, but also with Lily. I’m asking deeper questions about the entire project, more so than I would’ve season one,” she said. “They’re not just about aesthetics anymore, it’s about the core values of the show and how to change things and how to bring new ideas to the table.”

Some of those new ideas include adapting Emily’s headline-making wardrobe with each season, a process that Collins said required two eight-hour fittings. She said they broke their own record by securing 82 looks for the fourth season.

The costuming, by designer Marylin Fitoussi, is a crucial part of the story, showing Emily’s evolution from an expat sporting looks emblazoned with the Eiffel Tower to outfits more like that of an authentic Parisian woman. But the costuming is also a crucial part of Collins’ process of stepping back into Emily’s shoes — both literally and figuratively.

“It’s the best way for me to start to feel like Emily again, but Emily 2.0,” Collins said. “We really do tell a story with clothing in this.”

Collins said at Wednesday’s premiere that the depth of Emily’s character has been a rewarding part of the process for her, especially in seeing how fans connect with Emily or are inspired by her.

“It means the world,” Collins said. “I love playing a woman who’s unapologetically herself and loves to work, and that’s a positive thing, and that she’s still struggling to find a work-life balance because I think that you’re always trying to find what works for you. So not having it together all the time is actually an OK thing, and I love playing a character that celebrates that.”

The fourth season of the show, which premieres its first half on Thursday, has been hotly anticipated among its growing fanbase since the third season was released two years ago. Netflix has yet to renew the series for a fifth season but Star, known for “Sex and the City” and “Beverly Hills, 90210,” said he thinks the audience and popularity are only growing with time.

“It’s not like it was a product of the pandemic and people not being able to travel so they liked to watch Paris on the screen. They can travel now and the show’s increased in popularity and, in fact, it encourages people to travel, which was my biggest dream of the show,” he said.

Even with his belief in the series, Star said it’s always “gratifying” when audiences respond well to the final product. As a veteran in the television world, Star knows audiences’ reception and viewership can be unpredictable.

“You just can never, ever know how the audience is going to respond and what the outcome’s going to be, so I just really get mostly attached to the process and feeling happy about the season,” he said. “I’m really happy about this season, I hope the audience loves it.”



How the Coveted Bronze BAFTA Mask Trophies Are Made

Completed British Academy Film Awards masks at the FSE Foundry in Braintree, England on Tuesday, Feb. 10, 2026. (AP)
Completed British Academy Film Awards masks at the FSE Foundry in Braintree, England on Tuesday, Feb. 10, 2026. (AP)
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How the Coveted Bronze BAFTA Mask Trophies Are Made

Completed British Academy Film Awards masks at the FSE Foundry in Braintree, England on Tuesday, Feb. 10, 2026. (AP)
Completed British Academy Film Awards masks at the FSE Foundry in Braintree, England on Tuesday, Feb. 10, 2026. (AP)

Those winning a prize at the upcoming British Academy Film Awards will bag a coveted bronze mask trophy — and get a bit of an arm workout taking it home.

Along with the honor of being named the best of the year in the industry, winners at the BAFTA ceremony on Feb. 22 will be awarded one of the dozens of the 3-kilogram (6.6-pound) prizes.

This year the cast and crew of “One Battle After Another,” “Sinners,” “Hamnet,” “Marty Supreme,” and “Sentimental Value” are in the running for the trophies at the EE BAFTA ceremony, to be held at London's Royal Festival Hall.

As with many things in show business, all that glitters is not gold. The BAFTA masks are made of phosphor bronze, polished to a mirror finish that will reflect the happy face of its new owner.

Craftsmen at the AATi Foundry in Braintree, about 50 miles (80 kilometers) northeast of London, use a sandcasting technique to make about 350 bronze trophies each year for all the BAFTA ceremonies — covering the film, television and gaming industries.

They are created in batches, and making one from start to finish takes around a week, the foundry's director Hugh Bisset said Tuesday.

The process starts with a pattern by the tooling team, often out of timber or 3D printing. That tool moves to the molding team which uses sand to make two recessed impressions of the mask, one each side. They are then closed together, ready for molten hot bronze — up to 1,200 degrees Celsius (2,192 Fahrenheit) — to be poured into it.

The metal takes about three or four hours to cool down, when it can then be removed from the sand. The masks' surfaces look dull and a bit rough around the edges at this stage, but after fettling, threading and polishing they are ready to be assembled before being checked over extremely carefully.

Bisset says it’s important that the masks are shiny and have no polish left on them.

“The thing I’m always conscious of is that these amazing actors and actresses, they pick up their awards and my big concern is that a smudge of polish will end up over their lovely, beautiful white dress,” he said. “There’s lots of things we need to think about.”

Bisset reckons the diligence and care that his skilled team puts into the making of the masks reflects the hard work of the winning filmmakers and movie stars.

While it’s still unknown if favorites Jessie Buckley, Timothée Chalamet and Teyana Taylor will get the glory on Sunday, whoever does win will take home something worth more than its heavy weight in bronze.

“There’s a lot of metal in it,” but each mask also has “a lot of time and love being put into it,” Bisset said.


Britney Spears Sells Rights to Music Catalogue

FILE PHOTO: Singer Britney Spears arrives at the 2016 MTV Video Music Awards in New York, US, August 28, 2016.  REUTERS/Eduardo Munoz/File Photo/File Photo
FILE PHOTO: Singer Britney Spears arrives at the 2016 MTV Video Music Awards in New York, US, August 28, 2016. REUTERS/Eduardo Munoz/File Photo/File Photo
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Britney Spears Sells Rights to Music Catalogue

FILE PHOTO: Singer Britney Spears arrives at the 2016 MTV Video Music Awards in New York, US, August 28, 2016.  REUTERS/Eduardo Munoz/File Photo/File Photo
FILE PHOTO: Singer Britney Spears arrives at the 2016 MTV Video Music Awards in New York, US, August 28, 2016. REUTERS/Eduardo Munoz/File Photo/File Photo

Pop star ‌Britney Spears has sold her rights to her music catalogue to independent music publisher Primary Wave, the ​latest artist to strike a deal for her work.

Entertainment site TMZ, citing legal documents it had obtained, first reported the news, saying the "Oops!... I Did It Again" and "Toxic" singer had signed the deal on December 30.

According to Reuters, it quoted sources as saying it ‌was "in the ‌ballpark" of Canadian singer Justin ​Bieber's ‌reported $200 ⁠million ​agreement to sell ⁠his music rights to Hipgnosis in 2023.

A person familiar with the situation said news of the Spears and Primary Wave deal was accurate. No further details were given.

Primary Wave, which is home to artists ⁠including Whitney Houston, Prince and Stevie ‌Nicks, did not ‌immediately respond to a request for ​comment. Spears has ‌not commented publicly.

The 44-year-old, one of ‌the most successful pop artists of all time, has topped charts around the world, starting off with "...Baby One More Time" in 1998. The ‌deal includes her songs such as "(You Drive Me) Crazy", "Circus", "Gimme More" and "I'm a Slave ⁠4 ⁠U", TMZ said.

Spears' ninth and last studio album, "Glory", came out in 2016.

In 2021, she was released from a 13-year court-ordered conservatorship set up and controlled by her father, Jamie Spears. The arrangement had governed Spears' personal life, career and $60 million estate from 2008 until it was terminated in November 2021.

Spears follows artists such as Sting, ​Bruce Springsteen and Justin ​Timberlake who have struck deals to cash in on their work.


Glitzy Oscar Nominees Luncheon Back One Year After LA Fires 

Brazilian actor Wagner Moura arrives to The Hollywood Reporter's Nominees Night held at the Chateau Marmont in Los Angeles, on February 10, 2026. (AFP)
Brazilian actor Wagner Moura arrives to The Hollywood Reporter's Nominees Night held at the Chateau Marmont in Los Angeles, on February 10, 2026. (AFP)
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Glitzy Oscar Nominees Luncheon Back One Year After LA Fires 

Brazilian actor Wagner Moura arrives to The Hollywood Reporter's Nominees Night held at the Chateau Marmont in Los Angeles, on February 10, 2026. (AFP)
Brazilian actor Wagner Moura arrives to The Hollywood Reporter's Nominees Night held at the Chateau Marmont in Los Angeles, on February 10, 2026. (AFP)

Hollywood stars embraced at this year's Oscars nominee lunch, the glamorous pre-show gathering that was canceled amid last year's devastating Los Angeles wildfires.

Timothee Chalamet, nominated for best actor in "Marty Supreme," flashed a smile while fellow Best Actor contenders Micahel B. Jordan and Ethan Hawke also flitted around the annual luncheon in Beverly Hills.

Mexican director Guillermo del Toro chatted with his tablemates as Wagner Moura, the Brazilian star of "The Secret Agent," enthusiastically embraced Stellan Skarsgard and Oliver Laxe -- the latter of whom has his film "Sirat" up for best international feature film.

Academy of Motion Picture Arts and Sciences President Lynette Howell Taylor praised the diversity of this year's nominees.

"Ballots were cast from 88 countries and regions," the British producer said, adding that "the mission of the Academy is to amplify your art, movies and your voices."

The more than 200 nominees enjoyed a buzzy afternoon, all the more energetic after last year's lunch was canceled as huge fires razed whole communities around Los Angeles. That year the lunch was replaced with a smaller dinner at the Academy's museum.

"This is a recognition of Brazilian cinema, and of the cinema of our region," Moura told AFP.

Nearby, "The Secret Agent" director Kleber Mendonca Filho joked he was feeling animated -- "like a generator."

Skarsgard said that the impact of international films is growing, as evidenced by his historic nomination for Best Supporting Actor for Norwegian film "Sentimental Value."

Foreign films and their stars typically notch nominations in the international categories, but Skarsgard is competing against nominees from US blockbusters, including Benicio del Toro in "One Battle After Another" and Delroy Lindo in "Sinners."

Benicio del Toro meanwhile told AFP he was doubly thrilled after watching fellow Puerto Rican Bad Bunny perform at the Super Bowl halftime show over the weekend.

"I got goosebumps," he told AFP, adding: "It was beautiful."

The luncheon's other legendary del Toro, the director Guillermo, meanwhile said he was "calm."

While his "Frankenstein" is nominated for Best Picture, del Toro himself is off the hook for Best Director, which he said took the pressure off him and meant he could focus on promoting his team.

"I'm happy because nine nominations don't happen every day," he said.

Lanky heartthrob Jacob Elordi, up for best supporting actor, offered a similarly toned down vibe at an impromptu photo shoot.

"I'm chilling," he said. "It's all good."