Here’s Everything You Need to Know about the Venice Film Festival

 Actor Sigourney Weaver waves as she arrives ahead of 81st Venice Film Festival, in Venice, Italy, August 27, 2024. (Reuters)
Actor Sigourney Weaver waves as she arrives ahead of 81st Venice Film Festival, in Venice, Italy, August 27, 2024. (Reuters)
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Here’s Everything You Need to Know about the Venice Film Festival

 Actor Sigourney Weaver waves as she arrives ahead of 81st Venice Film Festival, in Venice, Italy, August 27, 2024. (Reuters)
Actor Sigourney Weaver waves as she arrives ahead of 81st Venice Film Festival, in Venice, Italy, August 27, 2024. (Reuters)

The 81st edition of the Venice Film Festival is about to begin, with major Hollywood films and stars expected in Italy. The festival kicks off on Wednesday with the world premiere of "Beetlejuice Beetlejuice," before it opens in theaters worldwide next week.

Here’s everything you need to know.

What is the Venice International Film Festival? One of the most prestigious film festivals in the world, second only to Cannes, Venice's festival is also technically the oldest. It is now a reliably starry affair, gathering some of the best films in international cinema. It was established in 1932, then a non-competitive event, by the La Biennale di Venezia, hosting films like "Grand Hotel" and "It Happened One Night." By 1935, they decided to make it an annual happening.

The Golden Lion award wouldn’t be introduced until 1949 ("Rashômon" won in 1951). Some other winners throughout history include "Belle de jour" (1967), "Au revoir les enfants" (1987), "Brokeback Mountain" (2005), "Somewhere" (2010) and, last year: "Poor Things." A film market was added in 2012, also a year that festival director Alberto Barbera attributes to its turnaround as an important destination for awards hopefuls.

When is the Venice Film Festival? The festival kicks off on Aug. 28 with the premiere of "Beetlejuice Beetlejuice" and runs through Sept. 7, when the awards will be announced.

Who’s going to Venice this year? The private water taxis are going to be packed with some of Hollywood’s biggest stars. Angelina Jolie, Lady Gaga, George Clooney, Brad Pitt, Cate Blanchett, Daniel Craig, Tilda Swinton, Jude Law, Julianne Moore, Kevin Costner and Joaquin Phoenix are just a few of names expected to grace the festival this week.

It is a relief to many after last year’s festival took place amid the Hollywood actors strikes, leaving the red carpets more muted than usual. While this year doesn’t have much in the way of teenage idols (past years have had Harry Styles and Timothée Chalamet attracting a certain frenzied fandom), we can be assured of some great movie star moments.

What are the biggest and buzziest films? Among the biggest titles in competition: Todd Phillips’ "Joker: Folie à Deux"; Pablo Larraín’s Maria Callas film "Maria," starring Jolie; the thriller "Babygirl" starring Kidman and Harris Dickinson from filmmaker Halina Reijn; and Pedro Almodóvar’s first English-language film, "The Room Next Door," starring Moore and Swinton.

There’s also a few big Hollywood films playing out of competition: "Wolfs," with Pitt and Clooney, "Horizon: An American Saga—Chapter 2," and "Beetlejuice Beetlejuice."

Any potential drama? Behind the scenes there might be some competition for private water taxis to shuttle the A-listers between their various engagements, or for the best suites at the Belmond Cipriani, but so far no "Don’t Worry Darling" intrigue has bubbled up. Remember, though, "spit-gate" happened in the middle of the festival; Something is bound to catch the internet’s eye.

But aren’t Brad Pitt and Angelina Jolie in the midst of a contentious divorce? The pair are legally single but are still fighting legally over issues like custody, finances and a winery in France. And the festival has taken care to schedule their films (and arrival/departures) days apart to avoid any overlap. As Barbera told Vanity Fair: "Angelina will be on the first day, on Thursday the 29, and she will leave right after with ("Maria" filmmaker) Pablo Larraín to go to Telluride. So Brad will arrive only on Saturday, to Venice. There is no way that they can cross each other at the Lido."

How does Venice play into the Oscar race? Venice had a difficult time competing with Cannes and Toronto to get the biggest films for a long time. There were always stars and significant films, some of which got Oscar nominations and wins. But Barbera thinks things really changed in 2012 when they hosted the premiere of "Gravity," which went on to win a leading seven Oscars that March and established Venice as a place to launch a campaign.

It’s only intensified as the membership of the academy has gotten more international. Since 2014, they’ve hosted 4 best picture winners ("Birdman," "Spotlight," "The Shape of Water" and "Nomadland") and 19 nominees.

What is the Lido? When people think of Venice, they usually think of landmarks like the Rialto bridge and St. Marks Square. The festival actually takes place on a different island, a nearly 7-mile barrier island called the Lido — about a 20-minute ferry (vaporetto) away where motorized vehicles, including cars and busses, and bikes are allowed.

A military outpost in the 12th century, it transformed into a seaside resort by the end of the 19th, a favorite of European aristocrats. In 1932, the Venice Film Festival decided to make the island its headquarters.

Where do celebrities stay? On the Lido the 5-star hotel of choice is the Hotel Excelsior, which dates back to 1908, where Quentin Tarantino has stayed. But rooms go quickly, and there are so many luxury hotels on the different islands that offer a bit more privacy away from the frenzy of the festival and the photographers.

Perhaps the most famous of the bunch is the Belmond Hotel Cipriani, on Guidecca. There’s the Hotel Danieli, which has been featured in films like "Moonraker" and "Casino Royale," and regularly hosts kick off parties for the festival, with trade publication Variety, to welcome the jury. Another favorite is the Gritti Palace, where everyone from Pitt to Elizabeth Taylor, has stayed. There’s also a St. Regis and the Aman Venice, where George and Amal Clooney were married.

How do people get around Venice? The scattered hotels are also the reason why you see so many celebrities photographed on the Excelsior docks: They arrive to the festival, including press conferences and premieres, by private water taxi. Sometimes, they’re transported a very short distance from the Excelsior to the red carpet, in cars. Unlike the main island of Venice, vehicles are allowed on the Lido including busses and private cars. But many festivalgoers prefer to rent a bike to get around.

Who decides on the Venice awards? Isabelle Huppert is presiding over the main competition jury, which includes James Gray, Andrew Haigh, Agnieszka Holland, Kleber Mendonça Filho, Abderrahmane Sissako, Giuseppe Tornatore, Julia von Heinz and Zhang Ziyi. The competition this year includes 21 films.

How does everyone juggle overlapping festivals? Well, it can be difficult. This year a fair amount of press who had planned to leave Venice to go to the Toronto International Film Festival (which starts Sept. 5) on Sept. 4 but had to rethink plans when it was announced that "Joker 2" was scheduled to premiere that day. Others jet off earlier to Telluride, which begins on Aug. 30. And there’s always the New York Film Festival (Sept. 27-Oct. 14) which hosts top films from earlier festivals.



Movie Review: Stephen Curry's Animated Basketball Movie 'GOAT' Is a Disappointing Air Ball

 Stephen Curry attends a premiere for the film "GOAT", in Los Angeles, California, US, February 6, 2026. (Reuters)
Stephen Curry attends a premiere for the film "GOAT", in Los Angeles, California, US, February 6, 2026. (Reuters)
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Movie Review: Stephen Curry's Animated Basketball Movie 'GOAT' Is a Disappointing Air Ball

 Stephen Curry attends a premiere for the film "GOAT", in Los Angeles, California, US, February 6, 2026. (Reuters)
Stephen Curry attends a premiere for the film "GOAT", in Los Angeles, California, US, February 6, 2026. (Reuters)

You'd expect an animated basketball movie with four-time NBA champion Stephen Curry in the producer's chair to be an easy lay-up. So why is “GOAT” such a brick?

Despite a wondrously textured, kinetic world and some interesting oddball characters, the movie is undone by a predictable, saccharine script. It’s as easy to see the steps coming as a Curry three-pointer arching into the net.

The movie has the kind of lazy, thin writing that feels like it all could have derived from a Hollywood happy hour gettogether: “Bro, bro. Wait. What if the GOAT was an actual goat?”

It centers on Will Harris, a goat with dreams of becoming a great baller, voiced by “Stranger Things” star Caleb McLaughlin. Undersized and an orphan — again with the orphans, guys? — Will is a delivery driver for a diner and late on his rent. He's a great outside shooter but a liability in the paint, unless he learns, that is.

He lives in Vineland — a hectic urban landscape with graffiti and living vines that choke the playgrounds — and is a rabid supporter of the local franchise, the Thorns. His idol is veteran Jett Fillmore, a leopard who's the league's all-time leading scorer, nicely voiced by Gabrielle Union. The Thorns are a bit of a mess, despite Jett's brilliance.

The game here is called roarball, a high-intensity, co-ed, multi-animal, full-contact sport derived from basketball with a hollow ball that has small holes. It's a “Mad Max” sport — ultraviolent, unofficiated and the dangers lurk not just from the beefy opponents but from the arena itself. The championship award is called the Claw.

The best part of the movie may be the environments for the other arenas — lava in one, a swamp with stalagmites and stalactites in another, plus an ice-bound one and another with desert sandstorms and rocks. Homefield advantage is a big thing in this league.

There seem to be only two kinds of points scored here — blazing windmills, cutting tomahawks and spectacular alley-oop dunks or slow-mo threes from so far downtown they might as well be in a different zip code. No mid-range jumpers, bro.

This universe is divided into “bigs” and “smalls” — rhinos, bears and giraffes on one side, gerbils and capybara on the other — and Will is deemed a small. “Smalls can’t ball,” he is told, condescendingly.

But Will — thanks to a viral video — improbably gets signed to the Thorns by the team's owner (a cynical warthog voiced wonderfully by Jenifer Lewis). It's seen as a shameless publicity stunt that no one wants, especially Jett, who needs a winning season after being taunted by “All stats, no Claw.”

Now, predictably, in Aaron Buchsbaum and Teddy Riley script, comes the bulk of the movie, giving a steady “The Karate Kid” or “Air Bud” vibe as it charts Will's steady rise to honored teammate and franchise future, despite Jett insisting she's not ready to go: “I’m the GOAT. I’m not passing the torch.”

The lessons are good — the importance of teamwork and believing in yourself — but the testosterone-fueled violence on the courts is WWE extreme. There are unnecessary plugs for Mercedes and Under Armor, and hollow slogans like “Dream big” and “Roots run deep.”

Some of the most interesting characters end up on the Thorns, a fragile, somewhat broken team that includes a rhino (voiced by David Harbour), a delicate ostrich (Nicola Coughlan), a gonzo Komodo dragon (Nick Kroll) and a desultory giraffe (Curry).

The Komodo dragon, named Modo, is the best of the bunch, an insane, unpredictable creature full of electricity. “If Modo was any more of a snack, he’d eat himself,” he declares. Could he get his own movie?

Directed by “Bob’s Burgers” veteran Tyree Dillihay and Adam Rosette, “GOAT” is targeted to Gen Alpha, leveraging cellphone screens and online likes, virality and diss tracks. It's not as funny as it thinks it is and tiresome in its overly familiar redemption arc.

Another potential basketball GOAT — Michael Jordan — gave us a clunker of a live-action- animated basketball movie in “Space Jam” exactly 30 years ago and “GOAT,” while not as bad as that mess, is an air ball none the same.


Music World Mourns Ghana's Ebo Taylor, Founding Father of Highlife

Ebo Taylor, who kept performing into his 80s, was instrumental in introducing Ghanaian highlife to international listeners. Nipah Dennis / AFP
Ebo Taylor, who kept performing into his 80s, was instrumental in introducing Ghanaian highlife to international listeners. Nipah Dennis / AFP
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Music World Mourns Ghana's Ebo Taylor, Founding Father of Highlife

Ebo Taylor, who kept performing into his 80s, was instrumental in introducing Ghanaian highlife to international listeners. Nipah Dennis / AFP
Ebo Taylor, who kept performing into his 80s, was instrumental in introducing Ghanaian highlife to international listeners. Nipah Dennis / AFP

Tributes have been pouring in from across Ghana and the world since the death of Ghanaian highlife legend Ebo Taylor.

A guitarist, composer and bandleader who died on Saturday, Taylor's six-decade career played a key role in shaping modern popular music in West Africa, said AFP.

Often described as one of the founding fathers of contemporary highlife, Taylor died a day after the launch of a music festival bearing his name in the capital, Accra, and just a month after celebrating his 90th birthday.

Highlife, a genre blending traditional African rhythms with jazz and Caribbean influences, was recently added to UNESCO's Intangible Cultural Heritage list.

"The world has lost a giant. A colossus of African music," a statement shared on his official page said. "Your light will never fade."

The Los Angeles-based collective Jazz Is Dead called him a pioneer of highlife and Afrobeat, while Ghanaian dancehall star Stonebwoy and American producer Adrian Younge, who his worked with Jay Z and Kendrick Lamar, also paid tribute to his legacy.

Nigerian writer and poet Dami Ajayi described him as a "highlife maestro" and a "fantastic guitarist".

- 'Uncle Ebo' -

Taylor's influence extended far beyond Ghana, with elements of his music appearing in the soul, jazz, hip-hop and Afrobeat genres that dominate the African and global charts today.

Born Deroy Taylor in Cape Coast in 1936, he began performing in the 1950s, as highlife was establishing itself as the dominant sound in Ghana in the years following independence.

Known for intricate guitar lines and rich horn arrangements, he played with leading bands including the Stargazers and the Broadway Dance Band.

In the early 1960s, he travelled to London to study music, where he worked alongside other African musicians, including Nigerian Afrobeat pioneer Fela Kuti.

The exchange of ideas between the two would later be seen as formative to the development of Afrobeat, a political cocktail blending highlife with funk, jazz and soul.

Back in Ghana, Taylor became one of the country's most sought-after arrangers and producers, working with stars such as Pat Thomas and CK Mann while leading his own bands.

His compositions -- including "Love & Death", "Heaven", "Odofo Nyi Akyiri Biara" and "Appia Kwa Bridge" -- gained renewed international attention decades later as DJs, collectors and record labels reissued his music. His grooves were sampled by hip-hop and R&B artists and helped introduce new global audiences to Ghanaian highlife.

Taylor continued touring into his 70s and 80s, performing across Europe and the United States as part of a late-career renaissance that cemented his status as a cult figure among younger musicians.

Many fans affectionately referred to him as "Uncle Ebo", reflecting both his longevity and mentorship of younger artists.

For many, he remained a symbol of highlife's golden era and of a generation that carried Ghanaian music onto the world stage.


'Send Help' Repeats as N.America Box Office Champ

Canadian actor Rachel McAdams and US actor Dylan O'Brien pose upon arrival on the red carpet for the UK premiere of the film 'Send Help' in central London on January 29, 2026. (Photo by CARLOS JASSO / AFP)
Canadian actor Rachel McAdams and US actor Dylan O'Brien pose upon arrival on the red carpet for the UK premiere of the film 'Send Help' in central London on January 29, 2026. (Photo by CARLOS JASSO / AFP)
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'Send Help' Repeats as N.America Box Office Champ

Canadian actor Rachel McAdams and US actor Dylan O'Brien pose upon arrival on the red carpet for the UK premiere of the film 'Send Help' in central London on January 29, 2026. (Photo by CARLOS JASSO / AFP)
Canadian actor Rachel McAdams and US actor Dylan O'Brien pose upon arrival on the red carpet for the UK premiere of the film 'Send Help' in central London on January 29, 2026. (Photo by CARLOS JASSO / AFP)

Horror flick "Send Help" showed staying power, leading the North American box office for a second straight week with $10 million in ticket sales, industry estimates showed Sunday.

The 20th Century flick stars Rachel McAdams and Dylan O'Brien as a woman and her boss trying to survive on a deserted island after their plane crashes.
It marks a return to the genre for director Sam Raimi, who first made his name in the 1980s with the "Evil Dead" films.

Debuting in second place at $7.2 million was rom-com "Solo Mio" starring comedian Kevin James as a groom left at the altar in Italy, Exhibitor Relations reported.

"This is an excellent opening for a romantic comedy made on a micro-budget of $4 million," said analyst David A. Gross of Franchise Entertainment Research, noting that critics and audiences have embraced the Angel Studios film.

Post-apocalyptic Sci-fi thriller "Iron Lung" -- a video game adaptation written, directed and financed by YouTube star Mark Fischbach, known by his pseudonym Markiplier -- finished in third place at $6.7 million, AFP reported.

"Stray Kids: The Dominate Experience," a concert film for the K-pop boy band Stray Kids filmed at SoFi Stadium in Los Angeles, opened in fourth place at $5.6 million.

And in fifth place at $4.5 million was Luc Besson's English-language adaptation of "Dracula," which was released in select countries outside the United States last year.

Gross called it a "weak opening for a horror remake," noting the film's total production cost of $50 million and its modest $30 million take abroad so far.

Rounding out the top 10 are:
"Zootopia 2" ($4 million)
"The Strangers: Chapter 3" ($3.5 million)
"Avatar: Fire and Ash" ($3.5 million)
"Shelter" ($2.4 million)
"Melania" ($2.38 million)