Jennifer Lopez Slays TIFF Red Carpet as She Unveils 'Unstoppable'

Actor and singer Jennifer Lopez arrives for the screening of the movie ‘Unstoppable’ during the 49th annual Toronto International Film Festival (TIFF), in Toronto, Canada, 06 September 2024. EPA/EDUARDO LIMA
Actor and singer Jennifer Lopez arrives for the screening of the movie ‘Unstoppable’ during the 49th annual Toronto International Film Festival (TIFF), in Toronto, Canada, 06 September 2024. EPA/EDUARDO LIMA
TT

Jennifer Lopez Slays TIFF Red Carpet as She Unveils 'Unstoppable'

Actor and singer Jennifer Lopez arrives for the screening of the movie ‘Unstoppable’ during the 49th annual Toronto International Film Festival (TIFF), in Toronto, Canada, 06 September 2024. EPA/EDUARDO LIMA
Actor and singer Jennifer Lopez arrives for the screening of the movie ‘Unstoppable’ during the 49th annual Toronto International Film Festival (TIFF), in Toronto, Canada, 06 September 2024. EPA/EDUARDO LIMA

Jennifer Lopez infused the Toronto film festival with a dose of A-list glamor Friday at the world premiere of her new movie, true-story sports drama "Unstoppable," which earned a rousing ovation.
The 55-year-old actress, singer and dancer was making her first red carpet appearance since the announcement of her divorce from Ben Affleck, who co-produced the film with best friend Matt Damon but was not in attendance.
And she did not disappoint, wearing a skin-baring metallic silver gown with seemingly nothing but giant black velvet bows holding it together, her hair long and loose. Sky-high silver platform heels finished the look.
In "Unstoppable," Lopez plays Judy, the mother of high school wrestler Anthony Robles (Jharrel Jerome) who, though born with only one leg, doggedly pursued -- and achieved -- his dream of becoming a US university champion.
Oscar nominee Don Cheadle and Michael Pena play his demanding coaches, and Bobby Cannavale plays his abusive stepfather, who repeatedly puts the family in jeopardy.
"Unstoppable" tells Robles's inspiring story while also delving into the difficulties of his family life, and showcasing his close relationship with his mother.
The film had several applause moments in the buildup to Robles's winning run to a college championship for Arizona State University. Then, as the credits rolled, Robles himself, in the theater, earned a standing ovation from the crowd at Roy Thomson Hall.
"When I read the script, I felt like so many women, including myself, could relate to the struggles that she had gone through in her life," Lopez said in a question-and-answer session after the screening.
"This story being a Latino story, being so inspiring -- it was just something that kind of grabbed me."
Jerome said he trained for five months, including with Robles on the wrestling mat.
"As an actor, it is one of the most daunting tasks to portray somebody that is real," he said.
"Unstoppable" was one of the marquee events of day two at the Toronto International Film Festival, the largest in North America, which offers a mix of Oscar-bait movies, feel-good family fare and searing documentaries.
This year marks a return to normal for the event, after twin strikes by actors and writers kept top talent from promoting their work here last year.
Lopez is just one of the major stars visiting Canada's biggest city for the festival.
Ben Stiller, Orlando Bloom and Katy Perry hit the red carpet on Thursday night. Also expected are Angelina Jolie, Elton John, Bruce Springsteen, Salma Hayek, Cate Blanchett and Nicole Kidman.
'The Last Showgirl'
Earlier, Gia Coppola debuted her latest effort behind the camera, "The Last Showgirl," starring Pamela Anderson as veteran Vegas performer Shelley, who is left in despair when her show is abruptly canceled.
After a 30-year run dancing half-naked in sequins and high heels in a traditional Sin City show, Shelley must figure out what the future holds.
Coppola -- the granddaughter of legendary director Francis Ford Coppola -- goes beyond the bright lights of America's favorite gambling playground to show the harsh realities of the entertainment industry and what happens to those it discards, especially women.
"I think I’ve been getting ready my whole life for this role," Anderson told the audience after the screening.
The "Baywatch" actress quipped that it was the first time she'd been offered a script that was "coherent."
Jamie Lee Curtis teared up as she spoke about the film. She plays Annette, a onetime dancer and Shelley's best friend who ends up waitressing to make ends meet -- and frittering away her hard-won earnings on bets.
"It's a movie about dreams and going after your dreams," only to discover they may never be realized, said the Oscar winner.



Now It’s All Come Together: Forgotten Beatles Photos Released

The Beatles in New York in 1968. (AFP)
The Beatles in New York in 1968. (AFP)
TT

Now It’s All Come Together: Forgotten Beatles Photos Released

The Beatles in New York in 1968. (AFP)
The Beatles in New York in 1968. (AFP)

The venue that hosted The Beatles' only concerts in Japan has released long-forgotten photos of the legendary British band six decades after the gigs.

At the height of Beatlemania in 1966, when the quartet was the world's most famous pop group, the Beatles staged five summer performances in Tokyo in front of screaming fans.

Crowds reportedly thronged their hotel, where they stayed in the finest suite.

Then in 2009, more than 100 photos shot during the gigs "were discovered on a shelf" inside an office at the concert venue Nippon Budokan, the arena's operator told AFP.

But the 19 rolls of negative film -- reportedly wrapped in paper and labelled in such a way that it suggested they belonged to Japanese newspaper the Yomiuri Shimbun -- remained "stored as they were" until recently, the operator in a statement.

However, as the 60th anniversary of the Japan tour approached, the venue operator asked a Beatles expert to examine the negatives, and "his assessment revealed that the photos appear to have never been published" in newspapers or other media.

Among the photos released by the concert venue is a shot of John Lennon smiling beside a Japanese doll that resembles a figurine featuring on the album cover of the 1967 album "Sgt. Pepper's Lonely Hearts Club Band".

The global stars were under tight security during their visit, but the doll may have been purchased during a hurried shopping trip, the Yomiuri Shimbun daily said.

The newspaper is investigating who took the photos and why the negatives had been kept in Nippon Budokan despite being wrapped in paper labelled "The Yomiuri Shimbun archives room", it said.

The photos capture "the atmosphere of that one and only Japan tour -- now remembered as a historic event -- as well as various moments from their stay in Japan," the Nippon Budokan statement said.


AI-generated Artists Break Through in Country Music

"Whiskey & Water," a song by Cain Walker featuring Cade Winslow, is one of many AI-generated country music tunes. TIMOTHY A. CLARY / AFP
"Whiskey & Water," a song by Cain Walker featuring Cade Winslow, is one of many AI-generated country music tunes. TIMOTHY A. CLARY / AFP
TT

AI-generated Artists Break Through in Country Music

"Whiskey & Water," a song by Cain Walker featuring Cade Winslow, is one of many AI-generated country music tunes. TIMOTHY A. CLARY / AFP
"Whiskey & Water," a song by Cain Walker featuring Cade Winslow, is one of many AI-generated country music tunes. TIMOTHY A. CLARY / AFP

AI-generated singers routinely rank among the top-streamed country music artists in the United States -- a trend that for now is limited to a genre that industry observers fear is becoming too formulaic.

Breaking Rust, Cain Walker, Aventhis, and Outlaw Gospel have more in common that cowboy hats, denim and leather. They are all completely computer-generated, from their faces to their melodies, said AFP.

And they are all hitmakers.

"That's a phenomenon I didn't see coming," said Jennie Hayes Kurtz of the country music band Brother and The Hayes.

"I thought AI was going to be curing cancer or something."

Many of the AI country tunes tap into the genre's archetype of the lone cowboy: a rugged, taciturn, plain-spoken man who, above all, refuses to apologize for simply existing.

Lyrics are delivered in raspy, gravelly voices that sound as authentic as the real thing.

"It's scary as songwriters," said Kassie Jordan, who forms the singing duo Blue Honey with her husband Troy Brooks.

"We are starting to see a lot of people just putting words into these chatbots and it is writing songs for them," she said. "As a songwriter, it's kind of like, is anyone going to even think I really wrote this?"

Berklee College of Music professor Joe Bennett noted that a sampling of AI singers suggests that the words used to "prompt" AI songs were "not particularly detailed."

None of the producers behind AI-generated music projects responded to AFP's requests for comment.

So how did AI find a place in a genre that is fundamentally rooted in the human experience and storytelling, blending folk, blues, and even gospel influences?

For Bennett, the emergence of modern country music in the early 2000s -- with a highly polished, more pop sound and repeated "melodic shapes" -- is key.

AI models could become adept at replicating such a sound, when fueled with those elements, he explained.

- 'Superficial' -

Once overshadowed by rap and Latin music, and hindered by the industry's shift to digital music formats, country music has nevertheless staged a comeback thanks to a generation of artists with stronger pop, not folk, sensibilities.

Following in the footsteps of country-turned-pop megastar Taylor Swift, today's headliners are more likely to sport baseball caps than wide Stetsons.

Their music breaks genre boundaries, while artists such as Beyonce and Post Malone win fans and sell albums with their crossover efforts.

Last year, country stars Morgan Wallen and Zach Bryan were both in the top 10 most streamed artists on Spotify.

Some in the industry believe country's rebirth signifies a dulled-down formula designed to appeal to the widest possible audience.

"The lyrics aren't as deep as they used to be," Jordan said.

"A big portion of popular country music has become kind of shallow, so that is pretty easy to duplicate."

Bennett says the industry must do a better job of identifying AI-generated music, noting that Deezer is the only major streaming platform to clearly label such material.

"We need AI detection," Bennett maintained.

"It will happen, and there is a consumer demand for it."

Hayes Kurtz said there is a large audience of "passive" listeners who don't care whether music is made by AI, but there are also "active listeners" who attend concerts, buy band merchandise, and deeply respect the integrity of the artists.

"That audience seems to really care it the music is made by the actual humans they are going to see," Hayes Kurtz said.

Jordan says she remains optimistic about the future.

"There's another wave of country artists that are coming that is really into doing it the old school way and showing emotion," she said.

"That will be harder for AI to duplicate. That might save the genre."


'Charlie's Angels' Stars Reunite for Show's 50th Anniversary

Aired over five seasons between 1976 and 1981, 'Charlie's Angels' became a cultural phenomenon. VALERIE MACON / AFP
Aired over five seasons between 1976 and 1981, 'Charlie's Angels' became a cultural phenomenon. VALERIE MACON / AFP
TT

'Charlie's Angels' Stars Reunite for Show's 50th Anniversary

Aired over five seasons between 1976 and 1981, 'Charlie's Angels' became a cultural phenomenon. VALERIE MACON / AFP
Aired over five seasons between 1976 and 1981, 'Charlie's Angels' became a cultural phenomenon. VALERIE MACON / AFP

The stars of legendary American crime drama "Charlie's Angels" reunited Monday at Los Angeles' PaleyFest to celebrate 50 years since the show catapulted the trio to fame.

Aired over five seasons between 1976 and 1981, the show became a cultural phenomenon that left its mark on television and starred Kate Jackson, Jaclyn Smith and Cheryl Ladd -- who joined after Farrah Fawcett left the show to pursue a movie career.

The series followed three powerful women who left the daily grind of the Los Angeles police force to become private detectives working for a mysterious boss named Charlie Townsend who spoke to them through an intercom.

It hoped to highlight the strength of women and fight against the archetype that women needed rescuing, Smith -- who played Kelly Garrett -- told AFP on the red carpet at Hollywood's legendary Dolby Theatre.

"Women came into their own, it was groundbreaking (and a) game changer for women," she said.

"Here we were chasing danger (and) we were not being rescued. We were not a wife, a nurse, a secretary, a girlfriend... we were these strong women that could take down a 200-pound man."

Jackson, 77, said she had "never doubted" the show's potential or that it would become a hit big enough to captivate audiences half a century later.

"It was unique, it was unusual, and the three of us had chemistry... we're still sisters today," the 77-year-old who played Sabrina Duncan told AFP.

Although the cast of "Charlie's Angels" changed several times, Smith, Jackson and Ladd formed the series' most enduring trio with Fawcett, who died in 2009, returning as a guest star in a few episodes as Ladd's older sister.

PaleyFest, organized by the Paley Center for Media, celebrates the best of American television.