‘Shogun’ Wins Record-Breaking 14 Emmys at Creative Arts Ceremony, Jamie Lee Curtis Gets Her First 

Nestor Carbonell with the award for Outstanding Guest Actor in a Drama Series for "Shogun" attends night two of the Creative Arts Emmy Awards on Sunday, Sept. 8, 2024, in Los Angeles. (AP)
Nestor Carbonell with the award for Outstanding Guest Actor in a Drama Series for "Shogun" attends night two of the Creative Arts Emmy Awards on Sunday, Sept. 8, 2024, in Los Angeles. (AP)
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‘Shogun’ Wins Record-Breaking 14 Emmys at Creative Arts Ceremony, Jamie Lee Curtis Gets Her First 

Nestor Carbonell with the award for Outstanding Guest Actor in a Drama Series for "Shogun" attends night two of the Creative Arts Emmy Awards on Sunday, Sept. 8, 2024, in Los Angeles. (AP)
Nestor Carbonell with the award for Outstanding Guest Actor in a Drama Series for "Shogun" attends night two of the Creative Arts Emmy Awards on Sunday, Sept. 8, 2024, in Los Angeles. (AP)

“Shogun” won the most Emmys ever for a single season of a television series with 14 at the Creative Arts Emmy Awards on Sunday night, while “The Bear” won seven including best guest actress in a comedy series for Jamie Lee Curtis.

Presenters were saying “Shogun” all night at the Peacock Theater in Los Angeles on the second night of the two-night Creative Arts Emmys, where awards are handed out that don’t quite make the main Primetime Emmys ceremony. It broke the record of 13 set by the 2008 limited series “John Adams” before even reaching the Sept. 15 main Emmys ceremony, when it can pad its record with up to five more.

“Shogun," the FX series about political machinations in feudal Japan, won all but two of the possible 16 trophies it could have claimed on Sunday night, including Emmys for costumes, makeup, editing, stunts and cinematography, along with a best guest actor in a drama Emmy for Néstor Carbonell.

As he accepted, Carbonell thanked the crew, then marveled at how many of them were in the audience.

“You’re all here! You’re all nominated!” Carbonell said. “I love the team sport of this.”

Curtis was emotional on stage after winning her first Emmy 18 months after winning her first Oscar for “Everything Everywhere All at Once.”

“I’m the luckiest girl in the world,” Curtis said backstage. “I just never thought I would get to do work at this level of depth and complexity and intelligence. It’s been the thrill of my creative life these last couple of years.”

Asked if she could win a Grammy and a Tony to make it an EGOT, she said no way.

“I can't sing at all,” she said, “and I've never been on stage.”

The songwriting team of Benj Pasek and Justin Paul, however, did become the 20th and 21st members of the elite EGOT club when they won their first Emmy for a song they co-wrote for “Only Murders in the Building.” The duo had previously won an Oscar for “La La Land” and a Grammy and Tony for “Dear Evan Hansen.”

Curtis won for the season two “Bear” episode “Fishes," in which she played the mother of star Jeremy Allen White at a nightmare holiday family gathering. Jon Bernthal, who played White's big brother in the episode, won best guest actor in a comedy.

Michaela Coel won best guest actress in a comedy series for her appearance on “Mr. and Mrs. Smith.”

“Shogun” shook up the Emmys race when it switched from the limited series to the drama series category in May and led all nominees with 25 when nominations were announced in July.

It won so steadily that the few who beat it — it lost only in two music-composition categories — felt the need to comment on it.

“I didn’t write a speech, because there was no way I was beating ‘Shogun’ tonight,” said Siddharta Khosa, who won best music composition for a series for “Only Murders in the Building.”

When Eric Andŕe was asked only one question in the media room after winning his first Emmy for his performance on his self-titled talk show, he said, with fake exasperation, “Sorry I'm not on Shogun!”

Maya Rudolph and Angela Bassett were among the Creative Arts winners on Saturday night, which focused on reality and variety TV. Rudolph won her sixth career Emmy, for her voice-over work on the animated “Big Mouth.” Bassett won her first, for her narration of the National Geographic wildlife documentary series “Queens.”

Dan and Eugene Levy will host the Primetime Emmy Awards, also at the Peacock Theater, airing on ABC on Sept. 15.



‘The Room Next Door’ Tops Venice Film Festival, Nicole Kidman Wins Top Acting Honor

Spanish director and screenwriter Pedro Almodóvar holds the Golden Lion award for his movie "The Room Next Door" during the closing ceremony of the 81st annual Venice International Film Festival, in Venice, Italy, 07 September 2024. (EPA)
Spanish director and screenwriter Pedro Almodóvar holds the Golden Lion award for his movie "The Room Next Door" during the closing ceremony of the 81st annual Venice International Film Festival, in Venice, Italy, 07 September 2024. (EPA)
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‘The Room Next Door’ Tops Venice Film Festival, Nicole Kidman Wins Top Acting Honor

Spanish director and screenwriter Pedro Almodóvar holds the Golden Lion award for his movie "The Room Next Door" during the closing ceremony of the 81st annual Venice International Film Festival, in Venice, Italy, 07 September 2024. (EPA)
Spanish director and screenwriter Pedro Almodóvar holds the Golden Lion award for his movie "The Room Next Door" during the closing ceremony of the 81st annual Venice International Film Festival, in Venice, Italy, 07 September 2024. (EPA)

“The Room Next Door,” Pedro Almodóvar’s English-language debut starring Julianne Moore and Tilda Swinton, topped the Venice Film Festival and was awarded its Golden Lion award Saturday.

Nicole Kidman was awarded the best actress prize, for her raw and exposing portrayal of a CEO embroiled in an affair with an intern in “Babygirl,” but missed the ceremony due to the death of her mother.

“I arrived in Venice and found out shortly after that my beautiful, brave mother, Janelle Ann Kidman has just passed,” Kidman said in a statement read by “Babygirl” director Halina Reijn. “I'm in shock and I have to go to my family, but this award is for her. ... She shaped me and made me."

The 81st edition of the festival came to a close Saturday, with the Isabelle Huppert-led jury bestowing top prizes to Brady Corbet, for directing the 215-minute post-war epic “The Brutalist” and Vincent Lindon, for his lead performance in “The Quiet Son.” Lindon plays a single father whose son is radicalized by the far right.

Maura Delpero’s “Vermiglio” won the Silver Lion award, the runner up prize. The Italian-French-Belgian drama is about the last year of World War II, in which a refugee soldier happens upon a large family.

Almodóvar's win came after his film, a meditation on friendship and death, received a nearly 20-minute standing ovation. The Spanish filmmaker is a Venice favorite, having premiered many of his films at the festival over the past four decades.

“I would like to dedicate it to my family,” Almodóvar said. “This movie ... it is my first movie in English but the spirit is Spanish.”

Corbert, whose “The Brutalist” is about an architect and a Holocaust survivor rebuilding a life in America, came armed with a written statement to read at the ceremony — something his filmmaker wife had encouraged him to do.

“This is all very overwhelming. ... Brevity has never been my strong suit,” Corbet said. “Thank you for not holding its length against me.”

The Venice Film Festival used its closing film slot to host the world premiere of Kevin Costner’s “Horizon: An American Saga — Chapter 2.” The film played out of competition.

Many of the 21 competition titles were divisive, with passionate supporters and detractors.

“I have good news for you,” Huppert said at the ceremony. “Cinema is in great shape.”

Among the highest profile of the films of the festival in competition were: Todd Phillips’ “Joker: Folie à Deux,” the not-a-musical-musical with Joaquin Phoenix and Lady Gaga and Pablo Larraín’s Maria Callas film “Maria,” starring Angelina Jolie as the famed soprano.

Five years ago, the Venice jury surprised the film world by giving the Golden Lion to “Joker,” which went on to win a best actor Oscar for Phoenix. Last year the top award went to “Poor Things” and the year before, the documentary “All the Beauty and the Bloodshed.”

The Luigi De Laurentiis award for a debut film went to Sarah Friedland’s “Familiar Touch,” about an octogenarian’s transition to life in assisted living as she grapples with her age, her memory and her relationship to her caregivers. Friedland also won the director prize in the horizons section and her star, Kathleen Chalfant, won the actress prize.

Though always a player in the international festival scene, Venice has cemented its reputation as a major launching pad for awards campaigns over the past 12 years. Since 2014, they’ve hosted four best picture winners (“Birdman,” “Spotlight,” “The Shape of Water” and “Nomadland”) and 19 nominees. And buzz is already swirling about possible best actress nominations for Kidman and Jolie, and supporting actress for Gaga, as the fall film season kicks into full gear.

The festival this year marked a return to form with true A-listers back on the Lido to celebrate films both in and out of competition after last year’s strike addled outing. In addition to the names above, George Clooney, Brad Pitt, Michael Keaton, Winona Ryder, Ethan Hawke, Sigourney Weaver were all lending their star power to the event.

And many rose to the occasion with their fashion. Gaga’s Christian Dior gown paired with a vintage lace Philip Treacy headpiece made for a major red-carpet moment. As was Kidman’s body-hugging Schiaparelli, Blanchett’s Armani Privé with strands of pearls cascading down her back, and Jolie with her fur stole.

Rachel Weisz and Daniel Craig also played the power couple, with her in a glittery blue Versace gown and him in a cream Loewe suit. The “Beetlejuice Beetlejuice” cast did also did a spin on the movie’s aesthetic with their wares.