Francis Ford Coppola Thinks 'Megalopolis' Outweighs Ordinary Film Ideas

 Francis Ford Coppola attends the premiere of "Megalopolis" on Monday, Sept. 23, 2024, at AMC Lincoln Square in New York. (AP)
Francis Ford Coppola attends the premiere of "Megalopolis" on Monday, Sept. 23, 2024, at AMC Lincoln Square in New York. (AP)
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Francis Ford Coppola Thinks 'Megalopolis' Outweighs Ordinary Film Ideas

 Francis Ford Coppola attends the premiere of "Megalopolis" on Monday, Sept. 23, 2024, at AMC Lincoln Square in New York. (AP)
Francis Ford Coppola attends the premiere of "Megalopolis" on Monday, Sept. 23, 2024, at AMC Lincoln Square in New York. (AP)

Renowned American director Francis Ford Coppola believes his harshly criticized science fiction film “Megalopolis” offers audiences a unique narrative vastly different from what they are accustomed to seeing.

"We're so used to seeing movies that are like other movies because they're financed that way,” Coppola told Reuters during a Zoom interview while he was at the Toronto International Film Festival, where the film was also screened.

"It's [movies like other movies] always something that's already proven that it will make money. It's like a potato chip that you know is habit forming and 'Megalopolis' is new,” he added.

After debuting this year at the Cannes Film Festival, Coppola's $120 million self-funded project is going to be shared with broader audiences when it arrives to US movie theaters on Friday.

While the film will be distributed by Lionsgate, Coppola maintains ownership of the movie.

Adam Driver stars as Cesar Catilina, an architect-scientist who wants to better a fictional version of New York City called New Rome, pitting him against Mayor Franklyn Cicero, played by Giancarlo Esposito, who prizes authority and institutions over change.

Catilina falls in love with the mayor's daughter, Julia, played by "Game of Thrones"' Nathalie Emmanuel, as she helps him work towards his vision and re-ignites his power to stop time.

When asked if “Megalopolis” is an allegory for his film-making journey, the 85-year-old director said, “All of my films are.”

“When I was young and made 'The Godfather,'” I had to be like Michael [Michael Corleone] because I had no power and I had to be very Machiavellian. When I made 'Apocalypse Now,' I was in an absurd situation with helicopters and millions of dollars every week that I was paying for, so I had to become a megalomaniac like Kurtz [Colonel Kurtz]. You know, I have always become the characters in my movies just to survive,” he added.

While the press response to the movie has been poor with a low score of 51% on the review aggregator Rotten Tomatoes, Driver believes “Megalopolis” is a film that needs more than one viewing to be truly absorbed.

"I think it does have legs and I think it is something that you want to return to and can return to and mine something else out of it," Driver said. "And it, you know, has a place in people's minds as being one of a kind, which I don't think a lot of films can say that, you know."



'Barbie' Director Gerwig Honored by 'Terrifying' Movie Industry

Greta Gerwig was honored at the Will Rogers Motion Picture Pioneers Foundation gala, which raises funds to support movie industry workers suffering injury or illness. Amy Sussman / GETTY IMAGES NORTH AMERICA/AFP
Greta Gerwig was honored at the Will Rogers Motion Picture Pioneers Foundation gala, which raises funds to support movie industry workers suffering injury or illness. Amy Sussman / GETTY IMAGES NORTH AMERICA/AFP
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'Barbie' Director Gerwig Honored by 'Terrifying' Movie Industry

Greta Gerwig was honored at the Will Rogers Motion Picture Pioneers Foundation gala, which raises funds to support movie industry workers suffering injury or illness. Amy Sussman / GETTY IMAGES NORTH AMERICA/AFP
Greta Gerwig was honored at the Will Rogers Motion Picture Pioneers Foundation gala, which raises funds to support movie industry workers suffering injury or illness. Amy Sussman / GETTY IMAGES NORTH AMERICA/AFP

"Barbie" director Greta Gerwig paid tribute to risk-takers in the "terrifying" entertainment industry as she was honored for her pioneering filmmaking at a prestigious Hollywood gala on Wednesday.
Gerwig, 41, is the first-ever female director to make a $1 billion movie, and all three of her solo directorial movies to date -- "Lady Bird,Little Women" and "Barbie" -- have been nominated for best picture at the Oscars.
"A showperson is the only person I've ever wanted to be," she said, as she was named Pioneer of the Year at the Will Rogers Motion Picture Pioneers Foundation gala in Beverly Hills, AFP said.
"I wanted to be one of those people who are a little bit wild, a little bit on the edge and filled with a kind of joyful madness.
"I think pioneer is the right word."
Gerwig's most recent artistic gamble paid off as her $1.4 billion-grossing feminist satire "Barbie" became the top-grossing movie of 2023.
Improbably based on the popular doll franchise, but given unusual creative license, the film's success came at a crucial time for an increasingly risk-averse industry reeling from the pandemic, strikes and swingeing job cuts.
The film, alongside Christopher Nolan's Oscar-sweeping "Oppenheimer," was widely credited with keeping the movie theater industry afloat last year.
Gerwig is reportedly set to write and direct two Netflix film adaptations of C.S. Lewis's "The Chronicles of Narnia."
"There are easier ways to make money, and there are less terrifying businesses, but there are none that are more exciting and filled with as much joy and wonder," she said.
Wednesday's Pioneer of the Year gala raises funds to support movie industry workers suffering injury or illness.