Wooden Doors: Testament to Aseer's Artistic Heritage

Wooden doors are testament to Aseer's artistic heritage. (SPA)
Wooden doors are testament to Aseer's artistic heritage. (SPA)
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Wooden Doors: Testament to Aseer's Artistic Heritage

Wooden doors are testament to Aseer's artistic heritage. (SPA)
Wooden doors are testament to Aseer's artistic heritage. (SPA)

Researchers in architecture consider intricately decorated wooden doors, which have endured for centuries, as prime examples of the exceptional craftsmanship and artistic depth that have characterized the Arabian Peninsula, particularly the Aseer region.
Traditional decorations on wooden doors and windows have been a hallmark of architecture in the Arabian Peninsula since ancient times. These decorative elements have not only served as a reflection of a carpenter's skill, they have also played a significant role in marketing their work.
In an interview with the Saudi Press Agency, Dr. Ali Marzouq, professor of archaeology and Islamic arts at King Khalid University, emphasized the social significance of this art form. He noted that people derive psychological comfort from beautifying their belongings, and the decorative motifs associated with Islamic architecture, such as engravings and writings on doors and windows, became an integral part of building design, enhancing both functionality and aesthetic appeal.
Researcher Dr. Saleh Abu Arad concurred and highlighted the importance of the "door and window industry" as a skilled craft that relies on the use of local wood and the application of various techniques to create doors and windows of different sizes. These structures are often adorned with beautiful engravings and may include metal accents such as handles or rings.
The type of wood used in door and window construction significantly impacts the final product. The talh tree (red acacia), known for its cohesive fibers, is a preferred material for high-quality doors and intricate decorations. Carpenters have excelled in engraving decorations on both external and internal doors, taking advantage of the talh tree's properties.
Internal wooden doors and windows are often decorated by the housewife or with the help of female relatives and neighbors. These decorations incorporate a variety of geometric, botanical, and symbolic motifs, creating a welcoming atmosphere for guests and visitors.
Aseer region has a rich tradition of skilled carpenters who have mastered the art of creating traditional architecture doors and windows. These craftsmen have demonstrated their expertise in incorporating various geometric and botanical motifs into their designs, drawing inspiration from the surrounding natural world. While they avoid using human or animal figures, they skillfully employ plant, geometric, and symbolic elements to create unique decorative compositions.
Researcher Maryam Al-Omari said that popular artists frequently used geometric shapes, such as triangles and diamond shape, in their door designs. These were often combined in various ways, creating intricate patterns.
Due to the creativity and skill involved in carving and engraving wooden doors, they have become symbols of social status.
Marzouq said that the main door holds significant social importance, reflecting the owner's wealth and status. Elaborately decorated doors made from expensive wood are often found in the houses of wealthy villagers, while simpler doors are more common in the houses of ordinary people.
The tradition of decorating doors continues today, with people often renewing the decorations on their doors to celebrate holidays or special occasions.
In coastal Tihama, some people even plant aromatic plants around their main doors, creating a fragrant entrance.
In 2021, the Ministry of Culture recognized the importance of preserving this heritage and republished the works of the late French professor Thierry Mouget whose extensive photographic documentation of southern Saudi Arabia in the 1980s captured the region's architectural style, historical legacy, social life, and customs. His work sheds light on the rich cultural heritage of the Aseer region.



Ukrainians Seeking Cultural Escape from War’s Brutality Find Comfort and Resilience at Kyiv Art Fair

 Visitors look at paintings by Ukrainian artists at the Art Kyiv 2026 Festival at the Art Ukraine Gallery in Kyiv, Ukraine, Friday, May 8, 2026. (AP)
Visitors look at paintings by Ukrainian artists at the Art Kyiv 2026 Festival at the Art Ukraine Gallery in Kyiv, Ukraine, Friday, May 8, 2026. (AP)
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Ukrainians Seeking Cultural Escape from War’s Brutality Find Comfort and Resilience at Kyiv Art Fair

 Visitors look at paintings by Ukrainian artists at the Art Kyiv 2026 Festival at the Art Ukraine Gallery in Kyiv, Ukraine, Friday, May 8, 2026. (AP)
Visitors look at paintings by Ukrainian artists at the Art Kyiv 2026 Festival at the Art Ukraine Gallery in Kyiv, Ukraine, Friday, May 8, 2026. (AP)

A contemporary art fair has been held in the Ukrainian capital with an unusual premise: that art can help a society come to terms with what war has made normal.

“Holding the event during wartime means not waiting for a better moment, but working with reality as it is,” said Anna Avetova, director of the Art Kyiv fair. “In this context, art does not stand apart from life — it helps make sense of the present, preserve cultural continuity, and lay the groundwork for the future.”

Titled “This is Normal”, the fair has become a space where Ukrainians try to make sense through painting, sculpture and conversation of a reality in which missile strikes, death and loss have quietly become a part of ordinary life.

Hundreds of works filled the space at the Lavra Gallery, from oddly shaped sculptures to paintings spanning from expressive abstraction to surreal portraiture and atmospheric landscapes. Notably, not a single booth is dedicated specifically to the war. That was a deliberate choice.

“The war is always in the air, we just really didn’t want to make a point of mentioning it,” Avetova said. “Art is one of the things that keeps us human. It sustains us and warms our soul when things are very hard.”

The organizers said the event was also intended to provide a boost to the domestic art market, which had already stagnated under COVID-19 before the Russian war made things worse. The market is gradually beginning to recover, and the fair is one example of how Ukrainian artists are ready not only to speak about the war, but to sell paintings.

Art Kyiv describes itself as a cultural platform where artistic experience, public discourse and contemporary Ukrainian reality meet. In a hall occasionally pierced by air-raid sirens warning of Russian strikes, the event has united Ukraine’s most prominent galleries, artists, collectors, and cultural institutions.

It is being held for only the second time since the war began after launching in October.

Ceramic artist Tala Vovk is showing her work for the first time. She tries to attend art events in Kyiv frequently, as it helps her take her mind off the war and “detach from the tragedy.”

“Art is a place where the everyday doesn’t exist,” she said. In her view, even during wartime such events matter, because it is important to nourish the cultural foundation and give it strength so that it can take root and grow stronger. “And that would give strength in any situation,” she said.

That was the case for artist Yuriy Vatkin, who in the first weeks of Russia’s invasion found himself trapped under occupation between Ukraine’s northern city Kharkiv and the Russian border. Painting helped him to survive and maintain his mental health, even after his studio was damaged in an attack, according to his representative at the fair, Denys Dmytriev.

None of the art works, which are primarily for sale, show anything focused on the war. The artists have opted instead for something more neutral. Vatkin is represented by works in his signature style, where thick, layered brushstrokes, fragmented forms and a vivid use of color create a sense of motion and instability.

Anna Domashchenko, a visitor to the event, said she was drawn to the rich, saturated hues because they evoke intense emotions.

She attends art events frequently and says it matters deeply to her that they continue despite the war.

“Sometimes you wonder whether it’s appropriate... but these are exactly the things that inspire you and remind you that life is full of color, and all of those colors should be present at any time,” she said. “Even in times as hard as these.”


Saudi Arabia: King Abdulaziz Library to Launch 26th Free Reading Festival

The King Abdulaziz Public Library. SPA
The King Abdulaziz Public Library. SPA
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Saudi Arabia: King Abdulaziz Library to Launch 26th Free Reading Festival

The King Abdulaziz Public Library. SPA
The King Abdulaziz Public Library. SPA

The King Abdulaziz Public Library, in cooperation with the Riyadh Education Department, will launch its 26th annual Free Reading Festival for public school students on Sunday.

Running from May 10 to 14 in Riyadh, the festival will bring together more than 100 schools, over 1,550 students, and a number of educators and teachers.

It aims to foster a love of reading and learning, expand students’ literary, scientific, and cultural horizons, and encourage teachers to promote independent reading. It will also provide a platform to showcase student talents and strengthen Arabic language skills.

Through initiatives like this festival, the King Abdulaziz Public Library promotes reading through diverse programs and a wide range of books that foster pride in the Kingdom’s heritage.


Qassim's Monday Market Retains Heritage Role as Economic and Cultural Hub

The Monday market in the governorate of Uyun Al-Jiwa. (SPA)
The Monday market in the governorate of Uyun Al-Jiwa. (SPA)
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Qassim's Monday Market Retains Heritage Role as Economic and Cultural Hub

The Monday market in the governorate of Uyun Al-Jiwa. (SPA)
The Monday market in the governorate of Uyun Al-Jiwa. (SPA)

The Monday market in the governorate of Uyun Al-Jiwa, north of Qassim Region, stands as one of the oldest traditional weekly markets, enduring through changing times while maintaining its role as a vibrant economic and cultural hub.

The market draws a growing number of visitors from across Qassim and beyond, supported by the governorate’s strategic location.

During a field tour, the Saudi Press Agency observed lively activity throughout the market, with stalls displaying a diverse range of products. These include agricultural goods such as almonds and dried figs; animal products like ghee and milk, for which the region is renowned; as well as handicrafts and natural items such as henna and sidr.

Visitors noted that the market has retained its authentic character, continuing to serve as a vital source of income for small vendors and families working in the cottage industry, reinforcing its role as a key platform for preserving traditional culture while supporting the local rural economy.