Han Kang Wins Nobel Prize for Literature

10 October 2024, Berlin: A customer in the bookstore Dussmann das Kulturkaufhaus holds a book by 2024 Nobel Prize winner Han Kang from South Korea. Photo: Sebastian Gollnow/dpa
10 October 2024, Berlin: A customer in the bookstore Dussmann das Kulturkaufhaus holds a book by 2024 Nobel Prize winner Han Kang from South Korea. Photo: Sebastian Gollnow/dpa
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Han Kang Wins Nobel Prize for Literature

10 October 2024, Berlin: A customer in the bookstore Dussmann das Kulturkaufhaus holds a book by 2024 Nobel Prize winner Han Kang from South Korea. Photo: Sebastian Gollnow/dpa
10 October 2024, Berlin: A customer in the bookstore Dussmann das Kulturkaufhaus holds a book by 2024 Nobel Prize winner Han Kang from South Korea. Photo: Sebastian Gollnow/dpa

South Korean poet and novelist Han Kang was awarded the Nobel Prize in literature Thursday for a poetic and unsettling body of work that the Nobel committee said “confronts historical traumas and exposes the fragility of human life.”
A slow-burning international literary star who has won multiple awards in South Korea and Europe, Han is the first Asian woman and the first South Korean writer to win the Nobel literature prize. She was awarded for books, including “The Vegetarian” and “Human Acts," that explore the pain of being human and the scars of Korea's turbulent history.
Nobel literature committee member Anna-Karin Palm said Han writes about “trauma, pain and loss,” whether individual or collective, “with the same compassion and care.”
“And this, I think, is something that is quite remarkable,” The Associated Press quoted Palm as saying.
Nobel committee chairman Anders Olsson praised Han’s “empathy for the vulnerable, often female lives” of her characters.
“She has a unique awareness of the connections between body and soul, the living and the dead,” Olsson said.
Han is the second South Korean national to win a Nobel Prize. Late former President Kim Dae-jung won the peace prize in 2000 for his efforts to restore democracy in South Korea during the country’s previous military rule and improve relations with war-divided rival North Korea.
Mats Malm, permanent secretary of the Swedish Academy that awards the prize, said he spoke to the author and surprised her with the news.
“She was having an ordinary day, it seems, had just finished supper with her son,” he said. “She wasn’t really prepared for this.”
Han wins the Nobel at a time of growing global influence of South Korean culture, which in recent years has included the success of films like director Bong Joon-ho’s Oscar-winning “ Parasite,” the Netflix survival drama “Squid Game” and the worldwide fame of K-pop groups like BTS and BLACKPINK.
Han, 53, won the International Booker Prize for fiction translated into English in 2016 for “The Vegetarian,” an unsettling novel in which a woman’s decision to stop eating meat has devastating consequences.
Accepting that award, Han said writing novels “is a way of questioning for me.”
“I just try to complete my questions through the process of my writing and I try to stay in the questions, sometimes painful, sometimes — well — sometimes demanding,” she said.
With “The Vegetarian,” she said, ”I wanted to question about being human and I wanted to describe a woman who desperately didn’t want to belong to the human race any longer."
Han made her publishing debut as a poet in 1993; her first short story collection was published in 1995 and her first novel, “Black Deer,” in 1998.
Works translated into English include “Greek Lessons” — about the relationship between a woman who can no longer speak and a teacher who is losing his sight — “Human Acts” and “The White Book,” a poetic novel that draws on the death of Han’s older sister shortly after birth. “The White Book” was an International Booker Prize finalist in 2018.
“Human Acts” — which Olsson, the Nobel committee chair, called a work of “witness literature” — is based on the real-life killing of pro-democracy protesters in Han’s home city of Gwangju in 1980. The book won Italy’s Malaparte Prize in 2017.
Her most recent novel, “We Do Not Part,” is due to be published in English next year. It also confronts a chapter in South Korea's 20th-century history, which saw the country endure war, the division of the Korean peninsula and dictatorship. The novel deals with a 1948-1949 uprising on Jeju, an island south of the Korean mainland in which thousands of people were killed.
Anders Karlsson, a lecturer at London's School of Oriental and African Studies who has translated Han into Swedish, said he was “overjoyed” at the Nobel accolade.
He said Han's “poignant, condensed” prose is able to describe “difficult and dark passages in South Korean history ... in quite open and inviting language that engages and does not deter the reader.”
The literature prize has long faced criticism that it is too focused on European and North American writers of style-heavy, story-light prose. It has also been male-dominated — Han is only the 18th woman among its 120 laureates.



UK Proposal to Charge Tourists to Visit Museums Sparks Backlash

FILE PHOTO: People walk in front of the British Museum in London, Britain, September 28, 2023. REUTERS/Hollie Adams/File Photo
FILE PHOTO: People walk in front of the British Museum in London, Britain, September 28, 2023. REUTERS/Hollie Adams/File Photo
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UK Proposal to Charge Tourists to Visit Museums Sparks Backlash

FILE PHOTO: People walk in front of the British Museum in London, Britain, September 28, 2023. REUTERS/Hollie Adams/File Photo
FILE PHOTO: People walk in front of the British Museum in London, Britain, September 28, 2023. REUTERS/Hollie Adams/File Photo

Britain is considering introducing entry fees for tourists visiting some of England's most renowned museums, a proposal that has drawn criticism from restitution groups and countries while disputed artefacts remain on display.

Free admission to Britain's national museums and galleries was introduced in 2001 by former Labour Prime Minister Tony Blair in a bid to make culture more accessible to all.

Last month, the UK government said it would work with the museum sector to explore the potential benefits of charging international visitors at ⁠national museums, including how ⁠this could support the arts sector. It would provide an update of the consultation before the end of the year, it said.

However, the proposal is facing backlash amid growing calls worldwide for artefacts to be sent back to their communities or countries of origin, Reuters reported.

Although some efforts have been made to confront the long-standing issue, artifacts as well as human ⁠remains taken during the colonial era are still held in various museums across Europe. Some long-standing claims for artifacts involving the British Museum include Greece's Parthenon Sculptures, known as Elgin marbles, and Nigeria's Benin Bronzes.

The British Museum has previously said that the strength of its collection lies in enabling millions of visitors to understand the world's cultures and how they are interconnected.

Ghana, which has some of its regalia and other artifacts in British institutions, said charging foreign visitors to view such objects raises issues of "fairness," particularly where restitution discussions remain ongoing, ⁠foreign minister ⁠Samuel Okudzeto Ablakwa told Reuters.

The proposal, if implemented, would be "unethica," said Eric Phillips, vice chair of the Caribbean Community's reparations commission, a bloc of 15 member states including Jamaica and Barbados.

"Why should we have to pay to see our heritage?" Phillips said.

Arley Gill, chairman of Grenada's national reparations committee, said the priority should be to return the artifacts to their "rightful owners."

Open Restitution Africa (ORA) said Africans and others already face barriers to accessing artifacts taken from their countries and held in Western museums, including visa requirements and travel costs.

"Introducing entry fees further compounds these inequalities," ORA said.

Meanwhile, the US-based non-profit Restitution Study Group said a fee exemption for such visitors would be a "meaningful gesture."

The government declined to comment on the criticism.


Riyadh Art Unveils 75 Works in Expanding Public Art Collection Across Capital

The artworks are strategically distributed across major streets, public squares, cultural centers, and key urban hubs. SPA
The artworks are strategically distributed across major streets, public squares, cultural centers, and key urban hubs. SPA
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Riyadh Art Unveils 75 Works in Expanding Public Art Collection Across Capital

The artworks are strategically distributed across major streets, public squares, cultural centers, and key urban hubs. SPA
The artworks are strategically distributed across major streets, public squares, cultural centers, and key urban hubs. SPA

The Royal Commission for Riyadh City, through its “Riyadh Art” program, has unveiled 75 new artworks as part of a growing permanent collection installed across key locations in the capital.

The initiative forms part of broader efforts to expand the presence of public art in urban spaces, with additional installations planned in the coming period.

The program aims to enrich daily life in Riyadh by integrating art into the urban fabric, contributing to a dynamic cultural environment that reflects the capital's regional and international stature.

As one of the world’s largest public art initiatives, the Riyadh Art program now features 75 installations, with plans to expand the collection by adding 115 more works. The current collection includes contributions from 35 Saudi artists and 100 international artists representing 45 countries.

Among the internationally renowned artists featured are Anish Kapoor, Giuseppe Penone, and Jeff Koons, alongside prominent Saudi artists such as Zaman Jassim, Mohammed Alsaleem, and Manal AlDowayan.

The artworks are strategically distributed across major streets, public squares, cultural centers, and key urban hubs, enabling residents and visitors to engage with them as part of their everyday environment and reinforcing the role of art in public life.

The collection comprises both commissioned and acquired works. Commissioned pieces are specifically designed to respond to their surroundings, integrating with the urban context and patterns of movement within each location.

Recent commissions were selected through an international competition that attracted 161 artists, with 72 shortlisted participants submitting 70 proposals. These contributions have helped shape a diverse and evolving collection spanning the city’s main axes and public spaces.


New Tools Rescue Old Art at Madrid’s Prado Museum

A conservator works on the restoration of gilded moldings at the Prado museum's sculpture restoration department in Madrid on October 23, 2025. (Pierre-Philippe Marcou/ AFP)
A conservator works on the restoration of gilded moldings at the Prado museum's sculpture restoration department in Madrid on October 23, 2025. (Pierre-Philippe Marcou/ AFP)
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New Tools Rescue Old Art at Madrid’s Prado Museum

A conservator works on the restoration of gilded moldings at the Prado museum's sculpture restoration department in Madrid on October 23, 2025. (Pierre-Philippe Marcou/ AFP)
A conservator works on the restoration of gilded moldings at the Prado museum's sculpture restoration department in Madrid on October 23, 2025. (Pierre-Philippe Marcou/ AFP)

In a quiet space secluded from the throngs of daily visitors to Madrid's Prado art museum, a team of experts perpetuate an ancient tradition of restoring centuries-old European cultural treasures.

Creations by some of art's most illustrious names -- Goya, Velazquez, Rubens, Caravaggio, Bosch and El Greco -- are conserved in the vast, bright space at one of the world's most-visited museums.

The Prado has always put an emphasis on the conservation and restoration of art since it opened to the public in 1819.

Cutting-edge technology and modern tools to analyze and treat paintings and sculptures allow Almudena, Marta, Maria, Alvaro, Alicia, Elena, Sonia and Eva to maintain the tradition.

The team is capable of caring for the museum's most prized collections as well as works from other institutions.

In February, the Prado launched the restoration of "Pablo de Valladolid", an emblematic portrait that Spanish master Velazquez produced in the 17th century.

But the work will first undergo a deep technical analysis by new equipment, the museum said in a statement.

Scanning technology will allow the experts to identify and locate the materials used by the artist, while multispectral infrared reflectography will reveal details invisible to the naked eye.

Everything contributes to a deeper understanding of the artist's technique, the work's state of conservation and preparing its restoration.