More than 1,000 Mariachis Belt out Classics Like ‘Cielito Lindo’ in a Mexico City Plaza

 Hundreds of mariachis perform simultaneously traditional Mexican songs "Cielito Lindo" and "El son de la negra" at the Zocalo square in Mexico City, Mexico, November 10, 2024.(Reuters)
Hundreds of mariachis perform simultaneously traditional Mexican songs "Cielito Lindo" and "El son de la negra" at the Zocalo square in Mexico City, Mexico, November 10, 2024.(Reuters)
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More than 1,000 Mariachis Belt out Classics Like ‘Cielito Lindo’ in a Mexico City Plaza

 Hundreds of mariachis perform simultaneously traditional Mexican songs "Cielito Lindo" and "El son de la negra" at the Zocalo square in Mexico City, Mexico, November 10, 2024.(Reuters)
Hundreds of mariachis perform simultaneously traditional Mexican songs "Cielito Lindo" and "El son de la negra" at the Zocalo square in Mexico City, Mexico, November 10, 2024.(Reuters)

More than 1,000 mariachis gathered in Mexico City’s main plaza Sunday, strumming guitars and singing classics like “Cielito Lindo” to end a mariachi congress celebrating the musical form.

The number of musicians apparently topped the previous record of 700 mariachis at an earlier gathering in the Mexican city of Guadalajara.

The Guinness World Records organization hasn’t replied to a message from The Associated Press asking whether Sunday's gathering broke the previous record.

The musicians, many of whom had arrived in Mexico's capital from other cities, expressed their joy at singing in the giant iconic plaza, saying the music is a family tradition they start learning at a young age.

Jesús Morales said his father taught him to play the violin at age 8, and at 13 he began playing with his uncles in the Mariachi Morales in the city of Hidalgo.

“The heritage that my dad mainly instilled in us is having respect for music and respect for our roots,” he said.

The mariachis played guitars, trumpets, violins and other instruments.

Aida Juárez is a mariachi with 20 years of experience. She is a pioneer of women’s mariachi groups.

“We feel proud that we broke (the record) it is a pride because we are Mexicans,” she said.

Diana Rocío Campos is a merchant who attended the event and loves the music.

“Anyone who listens to (the mariachi) gets very excited, whether they are Mexican or not,” she said. “People come from many countries like Colombia or Japan” to listen to the mariachis.



Iran Artist's Vision For Culture Hub Enlivens Rustic District

Arabesque patterns feature in Yazdi's creations © ATTA KENARE / AFP
Arabesque patterns feature in Yazdi's creations © ATTA KENARE / AFP
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Iran Artist's Vision For Culture Hub Enlivens Rustic District

Arabesque patterns feature in Yazdi's creations © ATTA KENARE / AFP
Arabesque patterns feature in Yazdi's creations © ATTA KENARE / AFP

In the winding alleys of southern Iran, artist Adel Yazdi has taken it upon himself to turn his rustic old neighbourhood into a cultural and tourist hub through vibrant paintings and carved relief faces.

Narenjestan, a neighbourhood characterized by crumbling, uninhabited houses, is nestled in Shiraz, a southern city celebrated for its historic architecture, lush gardens and revered poets.

"Most of the dilapidated walls in old Shiraz have no historical value," said Yazdi, a bushy-bearded, bespectacled 40-year-old artist who has dedicated himself to revitalising Narenjestan, AFP reported.

Yazdi has over the years turned the long-neglected neighbourhood walls into a vivid visual tapestry "telling the stories of the people living here," he said.

Arabesque patterns and relief faces carved with intricate details and painted in an array of vivid hues of greens, pinks, blues and purples now adorn the walls.

With its striking designs and bright colors, Yazdi's art can be reminiscent of Surrealism. It often comes across as surprising, showcasing a different side of Iran's artistic heritage that goes beyond the conventional focus on Persian or Islamic architecture.

The artwork includes the face of Scheherazade, Yazdi said, referencing the legendary storyteller from the "One Thousand and One Nights" collection of folktales.

Yazdi's work stands out in Shiraz where graffiti and murals are rare, becoming a social media sensation and a tourist attraction.

One visitor, Mahdieh, discovered Yazdi's murals through Instagram.

"I arrived in Shiraz yesterday... and it was the first site I wanted to visit," said the 40-year-old, who declined to give her last name.

At the end of one alleyway, Yazdi has established his workshop in a century-old building with small rooms encircling a serene garden.

He also lives in the building, with a traditional Persian architectural style.

It is filled with artefacts and sculptures, resembling a museum warehouse.

To Maedah, a 30-year-old engineer, Yazdi's house brings to mind "other historical places in the city, such as the Eram Garden and the Mausoleum of the Poet Hafez".

Yazdi said he drew inspiration from the Pompidou Center in Paris, a cultural hub that transformed the heart of the French capital in the 1970s.

He hopes his efforts can turn Shiraz's alleyways into even more of a vibrant cultural center as well.

At his residence, visitors are particularly drawn to what Yazdi calls "the Finger Room."

Inside, he installed around 14,000 finger sculptures on the ceiling, all pointing downward.

"The room is inspired by the legend of an angel that counts raindrops with thousands of fingers," he said, referring to an Islamic fable.

"These fingers are there to constantly remind us that the present moment is precious and that we must seize it."