Film's 'Search for Palestine' Takes Center Stage at Cairo Festival

Palestinian director Rashid Masharawi (2nd R) presented his film 'Passing Dreams' at the Cairo International Film Festival this week. Khaled DESOUKI / AFP
Palestinian director Rashid Masharawi (2nd R) presented his film 'Passing Dreams' at the Cairo International Film Festival this week. Khaled DESOUKI / AFP
TT

Film's 'Search for Palestine' Takes Center Stage at Cairo Festival

Palestinian director Rashid Masharawi (2nd R) presented his film 'Passing Dreams' at the Cairo International Film Festival this week. Khaled DESOUKI / AFP
Palestinian director Rashid Masharawi (2nd R) presented his film 'Passing Dreams' at the Cairo International Film Festival this week. Khaled DESOUKI / AFP

The tale of a distinctly Palestinian road trip -- through refugee camps and Israeli checkpoints -- takes center stage in director Rashid Masharawi's latest film, which debuted at this year's Cairo International Film Festival.
"It's a search for home, a search for Palestine, for ourselves," Masharawi told AFP a day after Wednesday's world premiere of his new film "Passing Dreams".
It kicked off the Middle East's oldest film festival, which opened with a traditional dabkeh dance performance by a troupe from the war-torn Gaza Strip.
Masharawi's film follows Sami, a 12-year-old boy, and his uncle and cousin on a quest to find his beloved pet pigeon, which has flown away from their home in a refugee camp in the occupied West Bank.
Told that pigeons always return to their birthplace, the family attempts to "follow the bird home" -- driving a small red camper van from Qalandia camp and Bethlehem in the occupied West Bank to the Old City of Jerusalem and the Israeli city of Haifa.

Their odyssey, Masharawi says, becomes a "deeply symbolic journey" that represents an inversion of the family's original displacement from Haifa during the 1948 war that led to the creation of the State of Israel -- a period Palestinians refer to as the Nakba, or "catastrophe".
"It's no coincidence we're in places that have a deep significance to Palestinian history," the director said, speaking to AFP after a more intimate second screening on Thursday.
'From Ground Zero'
The bittersweet tale is a far cry from Masharawi's other project featured at the Cairo film festival: "From Ground Zero".
The anthology, supervised by the veteran director, showcases 22 shorts by filmmakers in Gaza, shot against the backdrop of war.
For that project, Masharawi -- who was the first Palestinian director officially selected for the Cannes Film Festival for his film "Haifa" in 1996 -- "wanted to act as a bridge between global audiences" and filmmakers on the ground.
In April, he told AFP the anthology intended to expose "the lie of self-defence", which he said was Israel's justification for its devastating military campaign in Gaza.
The war broke out following Palestinian militant group Hamas's October 7, 2023 attack on southern Israel, which resulted in 1,206 deaths, according to an AFP tally of official Israeli figures.
Israel has since killed more than 43,700 people in the Gaza Strip, according to the Hamas-controlled territory's health ministry.
"As filmmakers, we must document this through the language of cinema," Masharawi said, adding that filmmaking "defends our land far better than any military or political speeches".
Smuggled onto set
Speaking to an enthralled audience, the 62-year-old director -- donning his signature fedora -- called for change in Palestinian filmmaking.
"Our cinema can't always only be a reaction to Israeli actions," he said.
"It must be the action itself."
A self-taught director born in a Gaza refugee camp before moving to Ramallah, Masharawi is intimately familiar with the "obstacles to filmmaking under occupation" -- including "separation walls, barriers, who's allowed to go where".
Like the family in the film, "you never know if authorities will let you get to your location", he said, especially since Masharawi refuses "on principle" to seek permits from Israeli authorities.
Instead, his crew often resorts to makeshift schemes -- including "smuggling in" actors from the West Bank who do not have permission to visit Israeli-annexed east Jerusalem.
"If you ask (Israeli authorities) for permission to shoot in Jerusalem, you're giving them legitimacy that Jerusalem is theirs," he said Thursday to raucous applause from audience members, many of them draped in Palestinian keffiyehs.
Organizers canceled the Cairo film festival last year after calls for the suspension of artistic and cultural activities across the Arab world in solidarity with Palestinians.
But this week, keffiyehs have dotted the red carpet, while audience members wore pins bearing the Palestinian flag and the map of historic Palestine.
Festival president Hussein Fahmy voiced solidarity "with our brothers in Gaza and Lebanon", where Israel's bombing campaign and ground offensive have killed 3,360 people.
Pride of place, Fahmy said, has been given to Palestinian cinema, with a handful of films showing during the festival and a competition to crown a winner among the 22 filmmakers in "From Ground Zero".



Actor Jon Voight Met with Trump to Advocate for Hollywood Tax Incentives

Cast member Jon Voight attends a premiere for the film "Reagan" at TCL Chinese Theatre in Los Angeles, California, US, August 20, 2024. REUTERS/Mario Anzuoni Purchase Licensing Rights
Cast member Jon Voight attends a premiere for the film "Reagan" at TCL Chinese Theatre in Los Angeles, California, US, August 20, 2024. REUTERS/Mario Anzuoni Purchase Licensing Rights
TT

Actor Jon Voight Met with Trump to Advocate for Hollywood Tax Incentives

Cast member Jon Voight attends a premiere for the film "Reagan" at TCL Chinese Theatre in Los Angeles, California, US, August 20, 2024. REUTERS/Mario Anzuoni Purchase Licensing Rights
Cast member Jon Voight attends a premiere for the film "Reagan" at TCL Chinese Theatre in Los Angeles, California, US, August 20, 2024. REUTERS/Mario Anzuoni Purchase Licensing Rights

Actor Jon Voight met with President Donald Trump earlier this year to advocate for a federal tax credit intended to help boost film and TV production in the United States, representatives of the actor said on Monday.

The previously undisclosed meeting at the White House on February 11 is part of a Hollywood effort to secure federal assistance to fight the flight of production overseas, Reuters reported.

When asked about the meeting, a White House spokesperson said Trump "is committed to Make Hollywood Great Again, and his administration continues to explore all possible policy options to ensure Hollywood remains a potent force of American culture.”

Trump named Voight, who rose to fame following ‌his role ‌in the 1969 film "Midnight Cowboy," as one of three special ambassadors ‌to ⁠Hollywood along with ⁠Sylvester Stallone and Mel Gibson in January 2025.

To fight an exodus of entertainment production abroad, Voight is working with a coalition that includes the Motion Picture Association, the Directors Guild of America and unions representing actors, writers and other talent.

SP Media Group CEO Steven Paul, a film producer and Voight's agent, and SP Media President Scott Karol have proposed a 20% federal tax credit for labor ⁠costs on a film or television production in the United ‌States.

An additional 5% could be earned for ‌independent films or for filming in a disaster zone or a defined “enterprise zone.” Those credits ‌could be used in tandem with state incentives.

The goal is to ‌make the cost of domestic production competitive with Britain and other places around the world that offer tax credits, lower labor costs and world-class soundstages.

Overseas incentives have been luring movie and TV producers to locations outside the United States for years. Filming in the US ‌declined 10% in the first quarter, compared with a year ago, according to ProdPro, which tracks worldwide film ⁠and television production.

The United ⁠States accounted for roughly 38% of film and television work in the first quarter of the year, while the United Kingdom and Canada together represented nearly one-third of global production, ProdPro reported.

In September 2025, Trump floated the idea of a 100% tariff on movies made abroad as a way to bring production back to the United States. Industry advocates welcomed Trump's desire to fight production flight but have urged the president to support tax incentives.

California more than doubled its annual tax incentives for film and television production in June 2025 to $750 million. Early results show the effort helped bring some projects back to Hollywood. Shoot days in Los Angeles rose nearly 11% in the first quarter of this year, according to permitting agency FilmLA.


Kylie Minogue Looks Back on Life in Pop Music in New Documentary

Kylie Minogue arrives at the Vanity Fair Oscar party after the 96th Academy Awards, known as the Oscars, in Beverly Hills, California, US, March 10, 2024. (Reuters)
Kylie Minogue arrives at the Vanity Fair Oscar party after the 96th Academy Awards, known as the Oscars, in Beverly Hills, California, US, March 10, 2024. (Reuters)
TT

Kylie Minogue Looks Back on Life in Pop Music in New Documentary

Kylie Minogue arrives at the Vanity Fair Oscar party after the 96th Academy Awards, known as the Oscars, in Beverly Hills, California, US, March 10, 2024. (Reuters)
Kylie Minogue arrives at the Vanity Fair Oscar party after the 96th Academy Awards, known as the Oscars, in Beverly Hills, California, US, March 10, 2024. (Reuters)

Kylie Minogue opens ‌up about her life in pop music for new documentary "KYLIE", looking back on her career as well as the personal challenges she has faced, such as the scrutiny when she was starting out and overcoming breast cancer.

The three-part series, which premieres on Netflix on Wednesday, sees the "Spinning Around" and "Padam Padam" singer share videos and photos from her personal archive and talk about her rise to stardom.

“Oh, there were surprises ‌left, right and ‌center, like 'Ooh, er, no, yes, ‌that ⁠was good. That ⁠should never have happened'. Like, there was worlds within worlds within worlds of the archive," Minogue told Reuters on making the docuseries.

"A nice surprise is that I can kind of recognize myself from the beginning ... I don't know that I've changed that ⁠much. My level of experience has changed... ‌But I can see ... ‌the seed of who I was and I think that's ‌really moving."

Minogue, 57, first starred on Australian ‌soap "Neighbours" in the 1980s before kicking off her music career with hits such as "The Loco-Motion" and "I Should Be So Lucky". She has gone on to sell more than 80 ‌million records worldwide and has won numerous awards, including two Grammys.

In the docuseries, she ⁠talks ⁠about success but also about the scrutiny and criticism she faced early in her career, being diagnosed with breast cancer in 2005, as well as her personal relationships. There are also interviews with her sister, singer Dannii Minogue, her former "Neighbours" co-star Jason Donovan and singer Nick Cave.

"I just go with my gut. I go with what's inspiring me at the time. I think whatever I do depends on what I've done previously," she said on reinventing herself during her career.


Blockbuster ‘Hope’ Shows S.Korea’s Growing Movie Muscle

Director Na Hong-jin and cast members Hwang Jung-min, Alicia Vikander, Michael Fassbender, Taylor Russell and Hoyeon pose on the red carpet during arrivals for the screening of the film "Hope" in competition at the 79th Cannes Film Festival in Cannes, France, May 17, 2026. (Reuters)
Director Na Hong-jin and cast members Hwang Jung-min, Alicia Vikander, Michael Fassbender, Taylor Russell and Hoyeon pose on the red carpet during arrivals for the screening of the film "Hope" in competition at the 79th Cannes Film Festival in Cannes, France, May 17, 2026. (Reuters)
TT

Blockbuster ‘Hope’ Shows S.Korea’s Growing Movie Muscle

Director Na Hong-jin and cast members Hwang Jung-min, Alicia Vikander, Michael Fassbender, Taylor Russell and Hoyeon pose on the red carpet during arrivals for the screening of the film "Hope" in competition at the 79th Cannes Film Festival in Cannes, France, May 17, 2026. (Reuters)
Director Na Hong-jin and cast members Hwang Jung-min, Alicia Vikander, Michael Fassbender, Taylor Russell and Hoyeon pose on the red carpet during arrivals for the screening of the film "Hope" in competition at the 79th Cannes Film Festival in Cannes, France, May 17, 2026. (Reuters)

Acclaimed director Na Hong-jin has unveiled South Korea's biggest budget film ever: a blood-splattered sci-fi thriller featuring killer extraterrestrials played by real-life couple Michael Fassbender and Alicia Vikander.

"Hope" by Na, whose low-budget horror movie "The Wailing" became a huge hit in his home country, was able to give free rein to his dark imagination in this gory tale of alien invasion.

"It's the most expensive film in the history of Korean cinema," Na told AFP in an interview at the Cannes Film Festival where the film premiered on Sunday night.

"It's a film that really required a very, very large budget because of the special effects, the design, the actors."

Despite having a genre-defying concept that was hard to sell initially -- it skips between thriller, sci-fi, horror and comedy -- he received backing from Korea's Plus M Entertainment and a budget of around 30 million euros ($35 million).

The cost of "Hope" underlines the increasing resources available to South Korean directors whose hit films such as the quadruple Oscar-winning "Parasite", as well as TV series like "Squid Game" have turned the home of KPop music into a global entertainment center.

Reviews for "Hope" were broadly positive, with Screen magazine calling it "a thunderously entertaining genre mash-up" while The Hollywood Reporter said it had "instant cult classic written all over it".

But others such as IndieWire slammed the quality of the special effects -- suggesting the budget was "not enough" for Na's grand ambitions, while its run-time of 160 minutes was described as "over long" by Variety.

Although married acting couple Fassbender and Vikander, stars of films from "12 Years a Slave" to "Ex Machina", are listed on the film's cast, many fans might struggle to recognize them.

Their acting has been transformed by special effects, with all the recognizable lead roles performed by bankable Korean stars including Hwang Jung-min, as well as Hoyeon from "Squid Game".

- Korean wave -

The all-action film, full of bodily fluids and gunfire, revolves around a clash between the residents of a remote town close to the frontier between South and North Korea and terrifying visitors from another planet.

With its themes of conflict and the incompetence of local officials, Na said he had "the wars that we know at the moment and the political situation that we had" at the time in his mind as he was writing the screenplay.

"Hope", intended as the first film in a series, is one of 22 films competing for the prestigious Palme d'Or prize for best film in Cannes.

It is the first by Na in 10 years since "The Wailing", which also focused on a remote location struggling with a mystery arrival.

The Cannes jury this year is headed by a South Korean director for the first time, Park Chan-wook, the maker of arthouse classics such as "Oldboy" and "The Handmaiden".

"Korea is playing a role as one of the central hubs of the film world, and I believe this is a movement befitting the time," he told AFP last week.

"It makes me think of a lot of the (Korean) predecessors who were truly outstanding but never had the opportunity to be recognized internationally," he added.

Park insisted that he would not favor his compatriot, Na.

"Some even joked that I might go out of my way to be harsher on a Korean film, because it wouldn't look good if I appeared to be favoring it," he told AFP. "I intend to judge everything as fairly and objectively as possible."