F1 Great Ayrton Senna’s High-Octane Life in Focus of New Netflix Series about Racing Champion

 Brazilian actor Gabriel Leone poses for photos on the red carpet for the Netflix series Senna, about the life and death of Formula 1 legend Ayrton Senna, who was killed in 1994 in a crash, in Sao Paulo, Tuesday, Nov. 26, 2024. (AP)
Brazilian actor Gabriel Leone poses for photos on the red carpet for the Netflix series Senna, about the life and death of Formula 1 legend Ayrton Senna, who was killed in 1994 in a crash, in Sao Paulo, Tuesday, Nov. 26, 2024. (AP)
TT

F1 Great Ayrton Senna’s High-Octane Life in Focus of New Netflix Series about Racing Champion

 Brazilian actor Gabriel Leone poses for photos on the red carpet for the Netflix series Senna, about the life and death of Formula 1 legend Ayrton Senna, who was killed in 1994 in a crash, in Sao Paulo, Tuesday, Nov. 26, 2024. (AP)
Brazilian actor Gabriel Leone poses for photos on the red carpet for the Netflix series Senna, about the life and death of Formula 1 legend Ayrton Senna, who was killed in 1994 in a crash, in Sao Paulo, Tuesday, Nov. 26, 2024. (AP)

Thirty years after his death in a high-speed crash viewed by millions around the world, Formula One champion Ayrton Senna's high-octane life is also about to play out in front of a global audience.

The legendary Brazilian driver — who was killed when his car hit a concrete wall at the San Marino Grand Prix in 1994 — is the subject of a six-episode Netflix series that debuts on Nov. 29 and follows him from his early go-kart days to that fatal Sunday afternoon at the Imola track in Italy.

Even three decades after that accident, few F1 figures evoke as much emotion and passion among fans and fellow drivers as Senna, who won three championship titles before his death at the age of 34.

Senna’s complex personality — he was a saint to his millions of Brazilian fans and a sinner to some critics who deemed his driving style too aggressive — comes to life through Brazilian actor Gabriel Leone, who embraced the challenge of portraying such a popular figure.

"He was much more than an F1 driver for us, he became an icon, much beyond his technique and his driving," Leone told The Associated Press in an interview in Sao Paulo. "He had this humanity, this honesty. The things he said, his values, it all made him closer to people."

Senna's life and career had no shortage of made-for-TV moments.

This was a driver who once won a race with his car stuck in sixth gear in front of thousands of raucous fans at the Interlagos track. And who went from fifth position to first in one lap at the 1993 European Grand Prix. And who jumped out of his car during a training session to save the life of a French driver who had crashed.

On the track, his rivalry with French driver Alain Prost was one of the most intense that F1 has ever seen. Off the track, he had some high-profile relationships as well and dated several models, including Elle Macpherson.

"For me as an actor, the more complex the character is, the better. It is more interesting to build him and live him. And this is quite a character, the biggest hero in Brazil, not only in sport," Leone said. "Ayrton was transcendent, he was more than an F1 driver. That’s a guy who is the hero of great drivers in history, like (Michael) Schumacher and (Lewis) Hamilton."

Senna won the drivers’ championship in 1988, 1990 and 1991 with the McLaren team and moved to Williams in the year he died as the favorite to lift the title again.

For Leone, though, it was also important to portray him as a person who understood his role as a national hero, who advocated for the poor and proudly waved a Brazilian flag from his cockpit during every victory lap.

"He was not distant, he was close," said Leone, who attended a red carpet premiere in Sao Paulo on Tuesday with several other cast members and director Vicente Amorim. "That’s for Brazilians and non-Brazilians. It was like this, and it still is like this."

To many international fans, Senna was simply an exceptional talent who was born to be a driver. Even former rival Martin Brundle, now a TV pundit, once likened Senna's ability to find grip on some corners to a dance seemingly innate to a Brazilian.

"It is a different kind of samba that I could not do," Brundle has said.

The Netflix series, however, shows some of the hard work and attention to detail that went into Senna becoming a wet-weather master.

The streaming giant — which reportedly invested more than $170 million in its production — also takes a bit of liberty with the truth when it comes to building up the animosity between Senna and one of his other real-life antagonists, Jean-Marie Balestre, the French former president of F1's governing body FIA.

Balestre is often accused by fans of aiding his countryman Prost in his rivalry with Senna, including at the 1984 Monaco Grand Prix by stopping the race early before the Brazilian driver could overtake his French rival in the heavy rain. And at the 1989 Japanese Grand Prix, when Senna was disqualified in a decision that handed the championship title to Prost.

The Netflix series goes a step further by making Balestre (played by Arnaud Viard) the man responsible for Senna also losing a go-kart title as a youngster, long before he even entered F1.

"If that was true it would be news to every reporter covering Senna’s story over the last decades," said Ernesto Rodrigues, who wrote a biography on the three-time F1 champion. "Yes, Senna had Balestre working against him many times. But Balestre was an autocrat with other drivers, too. It wasn’t exclusive."

Prost, played by Matt Mella, goes from being a racing foe to a friend after his retirement in the series just like in real life. The friction between the two as McLaren teammates and then in the title-deciding races in the 1989 and 1990 seasons create some of the best moments of the series for racing fans.

Three of the women in Senna’s life also appear in the series.

Scenes with Lílian de Vasconcellos Souza, who married Senna in 1981 and divorced him the next year, help show how the Brazilian was driven to go into F1 early in his career. Xuxa Meneghel, a wildly popular TV host, is featured for a full episode as the driver’s most important girlfriend. Adriane Galisteu, who was the champion’s girlfriend when he died, appears for less than three minutes.

Senna's importance to today's F1 drivers was on full display at the Brazilian Grand Prix this month, when Hamilton — the British seven-time F1 champion — drove one of Senna's old cars around the track as part of the tributes marking the 30th anniversary of his death.

"This is the greatest honor of my life," Hamilton said on Nov. 3. "I hope I made Senna proud."



Movie Review: Stephen Curry's Animated Basketball Movie 'GOAT' Is a Disappointing Air Ball

 Stephen Curry attends a premiere for the film "GOAT", in Los Angeles, California, US, February 6, 2026. (Reuters)
Stephen Curry attends a premiere for the film "GOAT", in Los Angeles, California, US, February 6, 2026. (Reuters)
TT

Movie Review: Stephen Curry's Animated Basketball Movie 'GOAT' Is a Disappointing Air Ball

 Stephen Curry attends a premiere for the film "GOAT", in Los Angeles, California, US, February 6, 2026. (Reuters)
Stephen Curry attends a premiere for the film "GOAT", in Los Angeles, California, US, February 6, 2026. (Reuters)

You'd expect an animated basketball movie with four-time NBA champion Stephen Curry in the producer's chair to be an easy lay-up. So why is “GOAT” such a brick?

Despite a wondrously textured, kinetic world and some interesting oddball characters, the movie is undone by a predictable, saccharine script. It’s as easy to see the steps coming as a Curry three-pointer arching into the net.

The movie has the kind of lazy, thin writing that feels like it all could have derived from a Hollywood happy hour gettogether: “Bro, bro. Wait. What if the GOAT was an actual goat?”

It centers on Will Harris, a goat with dreams of becoming a great baller, voiced by “Stranger Things” star Caleb McLaughlin. Undersized and an orphan — again with the orphans, guys? — Will is a delivery driver for a diner and late on his rent. He's a great outside shooter but a liability in the paint, unless he learns, that is.

He lives in Vineland — a hectic urban landscape with graffiti and living vines that choke the playgrounds — and is a rabid supporter of the local franchise, the Thorns. His idol is veteran Jett Fillmore, a leopard who's the league's all-time leading scorer, nicely voiced by Gabrielle Union. The Thorns are a bit of a mess, despite Jett's brilliance.

The game here is called roarball, a high-intensity, co-ed, multi-animal, full-contact sport derived from basketball with a hollow ball that has small holes. It's a “Mad Max” sport — ultraviolent, unofficiated and the dangers lurk not just from the beefy opponents but from the arena itself. The championship award is called the Claw.

The best part of the movie may be the environments for the other arenas — lava in one, a swamp with stalagmites and stalactites in another, plus an ice-bound one and another with desert sandstorms and rocks. Homefield advantage is a big thing in this league.

There seem to be only two kinds of points scored here — blazing windmills, cutting tomahawks and spectacular alley-oop dunks or slow-mo threes from so far downtown they might as well be in a different zip code. No mid-range jumpers, bro.

This universe is divided into “bigs” and “smalls” — rhinos, bears and giraffes on one side, gerbils and capybara on the other — and Will is deemed a small. “Smalls can’t ball,” he is told, condescendingly.

But Will — thanks to a viral video — improbably gets signed to the Thorns by the team's owner (a cynical warthog voiced wonderfully by Jenifer Lewis). It's seen as a shameless publicity stunt that no one wants, especially Jett, who needs a winning season after being taunted by “All stats, no Claw.”

Now, predictably, in Aaron Buchsbaum and Teddy Riley script, comes the bulk of the movie, giving a steady “The Karate Kid” or “Air Bud” vibe as it charts Will's steady rise to honored teammate and franchise future, despite Jett insisting she's not ready to go: “I’m the GOAT. I’m not passing the torch.”

The lessons are good — the importance of teamwork and believing in yourself — but the testosterone-fueled violence on the courts is WWE extreme. There are unnecessary plugs for Mercedes and Under Armor, and hollow slogans like “Dream big” and “Roots run deep.”

Some of the most interesting characters end up on the Thorns, a fragile, somewhat broken team that includes a rhino (voiced by David Harbour), a delicate ostrich (Nicola Coughlan), a gonzo Komodo dragon (Nick Kroll) and a desultory giraffe (Curry).

The Komodo dragon, named Modo, is the best of the bunch, an insane, unpredictable creature full of electricity. “If Modo was any more of a snack, he’d eat himself,” he declares. Could he get his own movie?

Directed by “Bob’s Burgers” veteran Tyree Dillihay and Adam Rosette, “GOAT” is targeted to Gen Alpha, leveraging cellphone screens and online likes, virality and diss tracks. It's not as funny as it thinks it is and tiresome in its overly familiar redemption arc.

Another potential basketball GOAT — Michael Jordan — gave us a clunker of a live-action- animated basketball movie in “Space Jam” exactly 30 years ago and “GOAT,” while not as bad as that mess, is an air ball none the same.


Music World Mourns Ghana's Ebo Taylor, Founding Father of Highlife

Ebo Taylor, who kept performing into his 80s, was instrumental in introducing Ghanaian highlife to international listeners. Nipah Dennis / AFP
Ebo Taylor, who kept performing into his 80s, was instrumental in introducing Ghanaian highlife to international listeners. Nipah Dennis / AFP
TT

Music World Mourns Ghana's Ebo Taylor, Founding Father of Highlife

Ebo Taylor, who kept performing into his 80s, was instrumental in introducing Ghanaian highlife to international listeners. Nipah Dennis / AFP
Ebo Taylor, who kept performing into his 80s, was instrumental in introducing Ghanaian highlife to international listeners. Nipah Dennis / AFP

Tributes have been pouring in from across Ghana and the world since the death of Ghanaian highlife legend Ebo Taylor.

A guitarist, composer and bandleader who died on Saturday, Taylor's six-decade career played a key role in shaping modern popular music in West Africa, said AFP.

Often described as one of the founding fathers of contemporary highlife, Taylor died a day after the launch of a music festival bearing his name in the capital, Accra, and just a month after celebrating his 90th birthday.

Highlife, a genre blending traditional African rhythms with jazz and Caribbean influences, was recently added to UNESCO's Intangible Cultural Heritage list.

"The world has lost a giant. A colossus of African music," a statement shared on his official page said. "Your light will never fade."

The Los Angeles-based collective Jazz Is Dead called him a pioneer of highlife and Afrobeat, while Ghanaian dancehall star Stonebwoy and American producer Adrian Younge, who his worked with Jay Z and Kendrick Lamar, also paid tribute to his legacy.

Nigerian writer and poet Dami Ajayi described him as a "highlife maestro" and a "fantastic guitarist".

- 'Uncle Ebo' -

Taylor's influence extended far beyond Ghana, with elements of his music appearing in the soul, jazz, hip-hop and Afrobeat genres that dominate the African and global charts today.

Born Deroy Taylor in Cape Coast in 1936, he began performing in the 1950s, as highlife was establishing itself as the dominant sound in Ghana in the years following independence.

Known for intricate guitar lines and rich horn arrangements, he played with leading bands including the Stargazers and the Broadway Dance Band.

In the early 1960s, he travelled to London to study music, where he worked alongside other African musicians, including Nigerian Afrobeat pioneer Fela Kuti.

The exchange of ideas between the two would later be seen as formative to the development of Afrobeat, a political cocktail blending highlife with funk, jazz and soul.

Back in Ghana, Taylor became one of the country's most sought-after arrangers and producers, working with stars such as Pat Thomas and CK Mann while leading his own bands.

His compositions -- including "Love & Death", "Heaven", "Odofo Nyi Akyiri Biara" and "Appia Kwa Bridge" -- gained renewed international attention decades later as DJs, collectors and record labels reissued his music. His grooves were sampled by hip-hop and R&B artists and helped introduce new global audiences to Ghanaian highlife.

Taylor continued touring into his 70s and 80s, performing across Europe and the United States as part of a late-career renaissance that cemented his status as a cult figure among younger musicians.

Many fans affectionately referred to him as "Uncle Ebo", reflecting both his longevity and mentorship of younger artists.

For many, he remained a symbol of highlife's golden era and of a generation that carried Ghanaian music onto the world stage.


'Send Help' Repeats as N.America Box Office Champ

Canadian actor Rachel McAdams and US actor Dylan O'Brien pose upon arrival on the red carpet for the UK premiere of the film 'Send Help' in central London on January 29, 2026. (Photo by CARLOS JASSO / AFP)
Canadian actor Rachel McAdams and US actor Dylan O'Brien pose upon arrival on the red carpet for the UK premiere of the film 'Send Help' in central London on January 29, 2026. (Photo by CARLOS JASSO / AFP)
TT

'Send Help' Repeats as N.America Box Office Champ

Canadian actor Rachel McAdams and US actor Dylan O'Brien pose upon arrival on the red carpet for the UK premiere of the film 'Send Help' in central London on January 29, 2026. (Photo by CARLOS JASSO / AFP)
Canadian actor Rachel McAdams and US actor Dylan O'Brien pose upon arrival on the red carpet for the UK premiere of the film 'Send Help' in central London on January 29, 2026. (Photo by CARLOS JASSO / AFP)

Horror flick "Send Help" showed staying power, leading the North American box office for a second straight week with $10 million in ticket sales, industry estimates showed Sunday.

The 20th Century flick stars Rachel McAdams and Dylan O'Brien as a woman and her boss trying to survive on a deserted island after their plane crashes.
It marks a return to the genre for director Sam Raimi, who first made his name in the 1980s with the "Evil Dead" films.

Debuting in second place at $7.2 million was rom-com "Solo Mio" starring comedian Kevin James as a groom left at the altar in Italy, Exhibitor Relations reported.

"This is an excellent opening for a romantic comedy made on a micro-budget of $4 million," said analyst David A. Gross of Franchise Entertainment Research, noting that critics and audiences have embraced the Angel Studios film.

Post-apocalyptic Sci-fi thriller "Iron Lung" -- a video game adaptation written, directed and financed by YouTube star Mark Fischbach, known by his pseudonym Markiplier -- finished in third place at $6.7 million, AFP reported.

"Stray Kids: The Dominate Experience," a concert film for the K-pop boy band Stray Kids filmed at SoFi Stadium in Los Angeles, opened in fourth place at $5.6 million.

And in fifth place at $4.5 million was Luc Besson's English-language adaptation of "Dracula," which was released in select countries outside the United States last year.

Gross called it a "weak opening for a horror remake," noting the film's total production cost of $50 million and its modest $30 million take abroad so far.

Rounding out the top 10 are:
"Zootopia 2" ($4 million)
"The Strangers: Chapter 3" ($3.5 million)
"Avatar: Fire and Ash" ($3.5 million)
"Shelter" ($2.4 million)
"Melania" ($2.38 million)