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Jeddah Historic District Program Unveils 'Culture Square' Landmark Project

Culture Square aims to enrich the visitor journey while positioning the district as a global tourist destination, in alignment with Saudi Vision 2030. SPA
Culture Square aims to enrich the visitor journey while positioning the district as a global tourist destination, in alignment with Saudi Vision 2030. SPA
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Jeddah Historic District Program Unveils 'Culture Square' Landmark Project

Culture Square aims to enrich the visitor journey while positioning the district as a global tourist destination, in alignment with Saudi Vision 2030. SPA
Culture Square aims to enrich the visitor journey while positioning the district as a global tourist destination, in alignment with Saudi Vision 2030. SPA

The Jeddah Historic District Program, under the Ministry of Culture, unveiled “Culture Square,” a landmark project designed to restore Historic Jeddah by establishing specialized centers dedicated to various artistic and cultural disciplines.

By offering immersive experiences, Culture Square aims to enrich the visitor journey while positioning the district as a global tourist destination, in alignment with Saudi Vision 2030.

Located on the shores of Al-Arbaeen Lagoon, overlooking the historic Jeddah area, Culture Square is home to the Performing Arts Center and the Digital Arts Museum "teamLab Borderless," a recipient of the Makkah Excellence Award for Cultural Excellence. The square bridges the past and present, a concept reflected in its design and purpose.

The Performing Arts Center will host a variety of cultural events, including theatrical performances, international festivals, film screenings, and sessions inspired by the spirit of "Al-Markaz." The center also features restaurants and cafes, fostering spaces for gathering and dialogue. Meanwhile, the teamLab Borderless museum embodies the contemporary essence of culture by merging art, science, and technology.

At the heart of Culture Square is the restored historic Bait Amir Al Bahar, located between the Performing Arts Center and the teamLab Borderless museum.

Overlooking Hamza Shehata Street, named after the renowned late Saudi poet, the house stands as a testament to the area's cultural richness. Known for its distinctive architectural design, the single-floor structure is surrounded by large arched windows and historically served as a lighthouse guiding ships. Its unique design reflects its historical function. The program has meticulously restored this iconic landmark, demonstrating its commitment to preserving the region's architectural and cultural heritage.

The Culture Square project showcases an architectural vision that harmoniously blends the rich traditions of historic Jeddah with forward-looking renewal. The design integrates the architectural heritage of the region with the interconnected Hijazi urban fabric, preserving its identity and cultural essence. Simultaneously, it aligns with the philosophy of the teamLab Borderless museum, which emphasizes harmony between visitors and artwork. The concept is reflected in the building’s sloping roof, which seamlessly merges with the surrounding landscapes, reinforcing the themes of integration and unity with the environment.

Spanning a total area of approximately 26,000 square meters, Culture Square comprises two main buildings. The Center for Performing Arts and Cinema, covering 16,000 square meters, serves as the headquarters of the Red Sea Film Festival. It features a grand entrance lobby, a main theater with 868 seats, five cinema halls with 564 seats, a versatile internal lobby, nine dialogue halls, a cinematheque, a restaurant, and three cafes. The teamLab Borderless museum, covering 10,000 square meters, displays around 80 interconnected works, symbolizing a world without boundaries. The innovative space blends art, technology, and nature, offering a transformative cultural experience and enriching the Kingdom's cultural landscape.

The Historic Jeddah Program prioritized public health and environmental sustainability in designing and implementing Culture Square. The project incorporates advanced air conditioning systems with 100% air purification technology, touchless elevators and escalators with ultraviolet sterilization, and a water conservation system that recycles condensate water from cooling units for irrigation purposes. These measures enhance resource efficiency and demonstrate the program's commitment to environmental preservation.

The launch of Culture Square is a significant milestone in the Historic Jeddah Program’s efforts to restore the area, preserve its tangible and intangible heritage, and enhance the visitor experience. With its careful preservation of the urban fabric and a design that seamlessly blends contemporary architecture with heritage-inspired elements, the square serves as a distinctive cultural and visual landmark in Jeddah. The project reflects a broader vision to invest in the area's history and cultural assets, transforming them into economic tributaries and establishing the region as a prominent destination on the global tourism map.

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Fusion Between Culture and Modernity as Children Dance in Kenyan Refugee Camp

Young refugee children from the Acholi Dancers group rehearse their traditional dance at a Child-Friendly Space within the Kalobeyei Refugee Settlement in Turkana, Kenya, Monday, June 2, 2025. (AP Photo/Andrew Kasuku)
Young refugee children from the Acholi Dancers group rehearse their traditional dance at a Child-Friendly Space within the Kalobeyei Refugee Settlement in Turkana, Kenya, Monday, June 2, 2025. (AP Photo/Andrew Kasuku)
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Fusion Between Culture and Modernity as Children Dance in Kenyan Refugee Camp

Young refugee children from the Acholi Dancers group rehearse their traditional dance at a Child-Friendly Space within the Kalobeyei Refugee Settlement in Turkana, Kenya, Monday, June 2, 2025. (AP Photo/Andrew Kasuku)
Young refugee children from the Acholi Dancers group rehearse their traditional dance at a Child-Friendly Space within the Kalobeyei Refugee Settlement in Turkana, Kenya, Monday, June 2, 2025. (AP Photo/Andrew Kasuku)

Beads of sweat drip from the faces of young girls and boys as they dance to the rhythm of traditional drums and open calabashes, while their peers watch them in awe.

These are refugee children, some who were born in one of Africa’s largest camps — Kakuma, located in northern Kenya, where more than 300,000 refugees’ livelihoods have been affected by funding cuts that have halved monthly food rations, The Associated Press said.

The children use the Acholi traditional dance as a distraction from hunger and have perfected a survival skill to skip lunches as they stretch their monthly food rations that are currently at 30% of the UN nutritional recommendation per person.

The Acholi people, mostly from Uganda and South Sudan, are among refugees who live in Kakuma camp, which was established in 1992 as a safe haven for people fleeing conflict from dozens of east African countries.

For a moment, the melodious sound of one of the refugee mothers stops the playground buzz of activity as dozens of children sit down to enjoy the traditional dance performance.

The colorful swings doting the community center at Kakuma’s Kalobeyei Refugee Settlement were donated by a Swiss organization, Terre des hommes, which still manages the playground aptly named “Furaha” — Swahili for Happiness.

But the happiness of these children isn't guaranteed now as funding cuts have affected operations here. Fewer resources and staff are available to engage the children and ensure their safety.

One of the dancers, Gladis Amwony, has lived in Kakuma for 8 years now. In recent years, she has started taking part in the Acholi traditional dances to keep her Ugandan roots alive.

The now 20-year-old doesn't imagine ever going back to Uganda and has no recollection of life in her home village.

“I’m happiest when I dance, I feel connected to my ancestors,” the soft-spoken Amwony says after her dance session.

While Amwony and her friends are looking for a cultural connection, just about 5 kilometers (3 miles) from their village in neighboring Kalobeyei Village 3, some boys are in touch with modernity.

The five boys have been practicing a one-of-a-kind dance where they mimic robots, complete with face masks that hide their human faces.

They make their sharp synchronized moves that they have been perfecting for months.

The boys will be part of performances that will be showcased during this year’s World Refugee Day, as an example of the talent and resilience that exists among the refugee community.

This younger generation of dancers make precision moves in a small hall with play and learning items stored in a cabinet that is branded with an American flag, an indication that it was donated by the U.S government.

Such donations are now scarce, with the United States having cut down on funding in March.

These cuts have affected operations here, with the future stardom hopes for these children dimming by the day.

The center, which previously featured daily programs such as taekwondo and ballet, may not be operational in a few months if the funding landscape remains as is.

“We are now reducing some of the activities because we are few. The staff are few and even per day we only have one staff remaining in the center and it is really hard for him/her to conduct 500 children,” said John Papa, a community officer for Terre des hommes in Kalobeyei Village 3.

These programs do more than entertain the children — they keep them away from issues such as child labor, abuse and crime which as a major concern for humanitarian organizations in Kakuma.

And as the children dance and play beneath the sweltering sun, the only hope is that these child friendly spaces remain operational for years.