'Anora,' 'I Saw the TV Glow' Lead Spirit Award Nominations

(L-R) Karren Karagulian, Mark Eidelstein, Mikey Madison, Yuriy Borisov and Jeremy O. Harris attend a SAG-AFTRA Foundation conversation for "Anora" at SAG-AFTRA Foundation Robin Williams Center on December 03, 2024 in New York City. (Getty Images via AFP)
(L-R) Karren Karagulian, Mark Eidelstein, Mikey Madison, Yuriy Borisov and Jeremy O. Harris attend a SAG-AFTRA Foundation conversation for "Anora" at SAG-AFTRA Foundation Robin Williams Center on December 03, 2024 in New York City. (Getty Images via AFP)
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'Anora,' 'I Saw the TV Glow' Lead Spirit Award Nominations

(L-R) Karren Karagulian, Mark Eidelstein, Mikey Madison, Yuriy Borisov and Jeremy O. Harris attend a SAG-AFTRA Foundation conversation for "Anora" at SAG-AFTRA Foundation Robin Williams Center on December 03, 2024 in New York City. (Getty Images via AFP)
(L-R) Karren Karagulian, Mark Eidelstein, Mikey Madison, Yuriy Borisov and Jeremy O. Harris attend a SAG-AFTRA Foundation conversation for "Anora" at SAG-AFTRA Foundation Robin Williams Center on December 03, 2024 in New York City. (Getty Images via AFP)

“Anora,” Sean Baker’s odyssey of a New York stripper, and Jane Schoenbrun’s psychological horror “I Saw the TV Glow” dominated nominations for the Film Independent Spirit Awards with six nods each, including best film and best director. The nonprofit organization announced nominations Wednesday on a YouTube livestream.

Three actors in “Anora,” which won top honors at the Cannes Film Festival, were also singled out for their performances including Mikey Madison’s leading turn and Yura Borisov and Karren Karagulian’s supporting turns. “I Saw the TV Glow’s” Justice Smith was nominated in lead and Brigette Lundy-Paine in supporting.

Also nominated for best feature film were RaMell Ross’s Colson Whitehead adaptation “Nickel Boys,” Greg Kwedar’s incarceration drama “Sing Sing” and Coralie Fargeat’s body horror “The Substance.”

In the best director category, in addition to Baker and Schoenbrun, nominees included Brady Corbet for “The Brutalist,” its sole nomination despite its big showing with the New York Film Critics Circle this week, Ali Abbasi for “The Apprentice” and Alonso Ruizpalacios for “La Cocina.” Sebastian Stan was also recognized for his turn as a young Donald Trump in “The Apprentice” in the lead performing category, but not for “A Different Man.”

Other lead performers who got nods include Amy Adams for “Nightbitch,” Colman Domingo for “Sing Sing,” Demi Moore for “The Substance,” June Squibb for “Thelma,” “Hunter Schafer for “Cuckoo,” Keith Kupferer for “Ghostlight” and Ryan Destiny for “The Fire Inside.”

The supporting category also included both newcomers and veterans: Kieran Culkin (“A Real Pain”), Carol Kane (“Between the Temples”), Clarence Maclin (“Sing Sing”), Adam Pearson (“A Different Man,” which triumphed this week at the Gotham Awards ), Joan Chen (“Dìdi”), Danielle Deadwyler (“The Piano Lesson”) and Kani Kusruti (“Girls Will Be Girls”).

Sometimes the Spirit Awards overlap significantly with major Oscar contenders and winners, as in the “Everything Everywhere All At Once” year, and sometimes not. Last year’s big winners included Celine Song’s “Past Lives” and Cord Jefferson’s “American Fiction.” The awards limit eligibility to productions with budgets of $30 million or less, meaning more expensive productions like “Wicked” and “Dune: Part Two” were not in the running.

International film nominees were: Payal Kapadia’s “All We Imagine as Light,” which India did not select to represent the country at the Oscars, “Black Dog,” from China, the animated adventure “Flow,” Agnieszka Holland’s “Green Border,” and Mike Leigh’s “Hard Truths.” Netflix movies “Emilia Pérez” and “Maria” were eligible only for international feature, but neither made the cut.

The Robert Altman Award, recognizing an ensemble cast, went to “His Three Daughters,” Azazel Jacobs’ moving portrait of three women, played by Carrie Coon, Natasha Lyonne and Elizabeth Olsen, whose father is in hospice.

The Spirit Awards also recognize new fiction and non-fiction television series, where nominees include the Netflix phenomenon “Baby Reindeer,” “Shōgun” and “Ren Fair.”

Like last year, the independent film studio A24 dominated with 19 nominations for releases like “I Saw the TV Glow,” “Sing Sing” and “The Brutalist.”

The Spirit Awards will be held on Saturday, Feb. 22 in Santa Monica, California, and streamed live on IMDb and Film Independent’s YouTube channels. Comedian Aidy Bryant will return to host.



Sony Buys a Majority Stake in the ‘Peanuts’ Comic for $457 Million from Canada's WildBrain

Sony Corp. President Kenichiro Yoshida speaks as characters from "Peanuts" are shown at a press conference at the company's headquarters Tuesday, May 22, 2018, in Tokyo. (AP)
Sony Corp. President Kenichiro Yoshida speaks as characters from "Peanuts" are shown at a press conference at the company's headquarters Tuesday, May 22, 2018, in Tokyo. (AP)
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Sony Buys a Majority Stake in the ‘Peanuts’ Comic for $457 Million from Canada's WildBrain

Sony Corp. President Kenichiro Yoshida speaks as characters from "Peanuts" are shown at a press conference at the company's headquarters Tuesday, May 22, 2018, in Tokyo. (AP)
Sony Corp. President Kenichiro Yoshida speaks as characters from "Peanuts" are shown at a press conference at the company's headquarters Tuesday, May 22, 2018, in Tokyo. (AP)

Happiness is taking control of a beloved comic strip.

Sony is buying a 41% stake in the Charles M. Schulz comic “Peanuts” and its characters including Snoopy and Charlie Brown from Canada's WildBrain in a $457 million deal, the two companies said Friday.

The deal adds to Sony's existing 39% stake, bringing its shareholding to 80%, according to a joint statement. The Schulz family will continue to own the remaining 20%.

“With this additional ownership stake, we are thrilled to be able to further elevate the value of the 'Peanuts' brand by drawing on the Sony Groupʼs extensive global network and collective expertise,” Sony Music Entertainment President Shunsuke Muramatsu said.

“Peanuts” made its debut Oct. 2, 1950 in seven newspapers. The travails of the “little round-headed kid” Charlie Brown and pals including Linus, Lucy, Peppermint Patty and his pet beagle Snoopy eventually expanded to more than 2,600 newspapers, reaching millions of readers in 75 countries.

The strip offers enduring images of kites stuck in trees, Charlie Brown trying to kick a football, tart-tongued Lucy handing out advice for a nickel and Snoopy taking the occasional flight of fancy to the skies. Phrases such as “security blanket," “good grief” and “happiness is a warm puppy” are a part of the global vernacular. Schulz died in 2000.

Sony acquired its first stake in Peanuts Holdings LLC in 2018 from Toronto-based WildBrain Ltd. In Friday's transaction, Sony's music and movie arms signed a “definitive agreement” with WildBrain to buy its remaining stake for $630 million Canadian dollars ($457 million).

Rights to the “Peanuts” brand and management of its business are handled by a wholly-owned subsidiary of Peanuts Holdings.

WildBrain also owns other kids' entertainment franchises including Strawberry Shortcake and Teletubbies.


‘Sinners,’ ‘Wicked: For Good,’ ‘KPop Demon Hunters’ Advance in Oscars Shortlists 

US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)
US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)
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‘Sinners,’ ‘Wicked: For Good,’ ‘KPop Demon Hunters’ Advance in Oscars Shortlists 

US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)
US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)

Ryan Coogler’s bluesy vampire thriller “Sinners,” the big screen musical “Wicked: For Good” and the Netflix phenomenon “KPop Demon Hunters” are all a step closer to an Oscar nomination.

The Academy of Motion Picture Arts and Sciences released shortlists for 12 categories Tuesday, including for best song, score, international and documentary film, cinematography and this year’s new prize, casting.

“Sinners” and “Wicked: For Good” received the most shortlist mentions with eight each, including makeup and hair, sound, visual effects, score, casting and cinematography. Both have two original songs advancing as well. For “Wicked” it’s Stephen Schwartz’s “The Girl in the Bubble” and “No Place Like Home.” For “Sinners,” it’s Ludwig Göransson, Miles Caton and Alice Smith’s “Last Time (I Seen the Sun),” and Göransson and Raphael Saadiq’s “I Lied to You.”

The “KPop Demon Hunters” hit “Golden,” by EJAE and Mark Sonnenblick, was another shortlisted song alongside other notable artists like: Nick Cave and Bryce Dessner for “Train Dreams”; John Mayer, Ed Sheeran and Blake Slatkin for the “F1” song “Drive”; Sara Bareilles, Brandi Carlile and Andrea Gibson for “Salt Then Sour Then Sweet” from “Come See Me In the Good Light"; and Miley Cyrus, Simon Franglen, Mark Ronson and Andrew Wyatt for “Dream as One” from “Avatar: Fire and Ash.” Diane Warren also might be on her way to a 17th nomination with “Dear Me” from “Diane Warren: Relentless.”

One of the highest profile shortlist categories is the best international feature, where 15 films were named including “Sentimental Value” (Norway), “Sirât” (Spain), “No Other Choice” (South Korea), “The Secret Agent” (Brazil), “It Was Just an Accident” (France), “The Voice of Hind Rajab” (Tunisia), “Sound of Falling” (Germany) and “The President's Cake” (Iraq).

Notable documentaries among the 15 include “My Undesirable Friends: Part I — Last Air in Moscow,” “The Perfect Neighbor,” “The Alabama Solution,” “Come See Me in the Good Light,” “Cover-Up” and Mstyslav Chernov’s “2000 Meters to Andriivka,” a co-production between The Associated Press and PBS Frontline.

The Oscars' new award for casting shortlisted 10 films that will vie for the five nomination slots: “Frankenstein,” “Hamnet,” “Marty Supreme,” “One Battle After Another,” “The Secret Agent,” “Sentimental Value,” “Sinners,” “Sirāt,” “Weapons,” and “Wicked: For Good.” Notably “Jay Kelly and “Wake Up Dead Man: A Knives Out Mystery” did not make the list.

Composers who made the shortlist for best score include Göransson (“Sinners”), Jonny Greenwood (“One Battle After Another”), Max Richter (“Hamnet”), Alexandre Desplat (“Frankenstein”) and Kangding Ray (“Sirāt”).

For the most part, shortlists are determined by members in their respective categories, though the specifics vary from branch to branch: Some have committees, some have minimum viewing requirements.

As most of the shortlists are in below-the-line categories celebrating crafts like sound and visual effects, there are also films that aren’t necessarily the most obvious of Oscar contenders like “The Alto Knights,” shortlisted in hair and makeup, as well as the widely panned “Tron: Ares” and “The Electric State,” both shortlisted for visual effects. “Tron: Ares” also made the lists for score and song with Nine Inch Nails' “As Alive As You Need Me To Be”

The lists will narrow to five when final nominations are announced on Jan. 22. The 98th Oscars, hosted by Conan O’Brien, will air live on ABC on March 15.


Netflix Boss Promises Warner Bros Films Would Still be Seen in Cinemas

Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)
Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)
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Netflix Boss Promises Warner Bros Films Would Still be Seen in Cinemas

Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)
Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)

Netflix will continue to distribute Warner Bros. films in cinemas if its takeover bid for the storied studio is successful, the streaming service's chief executive Ted Sarandos said in an interview Tuesday in Paris.

"We're going to continue to operate Warner Bros. studios independently and release the movies traditionally in cinema," he said during an event in the French capital, while admitting his past comments on theatrical distribution "now confuse people".

Previously, Sarandos had suggested that the cinema experience was outdated, surpassed by the convenience of streaming.

The Netflix boss was being interviewed by Maxime Saada, head of France's Canal+ media group, in a Paris theater that was presenting Canal+'s projects for 2026, Agence France Presse reported.

Netflix only began to produce its own programs a dozen years ago, Sarandos explained, so "our library only extends back a decade, where Warner Bros. extends back 100 years. So they know a lot about things that we haven't ever done, like theatrical distribution."

In early December, Netflix announced that it had reached an agreement with Warner Bros. Discovery (WBD) to acquire most of the group for $83 billion.

However, doubts remain about whether the deal will be approved by regulators, and in the meantime television and film group Paramount Skydance has made a counter-offer valued at $108.4 billion.

If Netflix's bid is successful, it would acquire HBO Max, one of the world's largest media platforms, and it would find itself at the head of a movie catalogue including the Harry Potter and Lord of the Rings sagas, as well as the superheroes of DC Studios.