Symposium in AlUla Outlines Recommendations to Protect Vulnerable Heritage Sites from Fires

The symposium brought together 80 national and international experts in fire management and heritage conservation. (SPA)
The symposium brought together 80 national and international experts in fire management and heritage conservation. (SPA)
TT

Symposium in AlUla Outlines Recommendations to Protect Vulnerable Heritage Sites from Fires

The symposium brought together 80 national and international experts in fire management and heritage conservation. (SPA)
The symposium brought together 80 national and international experts in fire management and heritage conservation. (SPA)

The Royal Commission for AlUla (RCU) and its strategic partner, the Saudi International Council on Monuments and Sites (ICOMOS), have issued key recommendations for protecting people and preserving history at cultural heritage sites during the AlUla Symposium on Fire Risk Management at Historic and Heritage Sites.

Hosted recently in AlUla, the symposium brought together 80 national and international experts in fire management and heritage conservation, and provided a platform for critical discussions on fire prevention, mitigation, and response strategies specifically designed for historic and cultural sites, which will inform future development of policies and procedures across AlUla’s landmark cultural sites.

Experts shared best practice, case studies, and innovative technologies, emphasizing a holistic approach that prioritizes the safety of occupants, visitors, surrounding communities, and the landmarks themselves, reported the Saudi Press Agency on Monday.

The symposium focused on balancing historic structures heritage preservation with fire safety. Discussions covered the implementation of fire codes like the Saudi Historical Building Code while respecting the unique character of old buildings and maintaining their structural integrity during fires, to protect occupants.

Case studies presented at the event, such as the 2019 Notre Dame fire, highlighted the need for comprehensive fire safety planning and innovative collaboration.

Experts presented practical strategies including fire risk assessments, community training, and tailored roadmaps for specific locations, demonstrating how proactive risk management can protect both lives and heritage.

Chairman of Saudi ICOMOS Princess Nouf bint Mohammed bin Fahad emphasized the urgent need for preventative measures.

“Fires pose an existential threat to priceless historical and heritage sites, endangering their authenticity, integrity and the values they represent. The negative effects of fires on historical and heritage sites remind us of the urgent need to work to prevent such disasters,” she added.

The recommendations from the symposium will guide RCU’s ongoing efforts to improve fire safety at AlUla’s heritage sites, contributing to the broader goals of Vision 2030 and establishing AlUla as a global leader in heritage conservation.



Iran Artist's Vision For Culture Hub Enlivens Rustic District

Arabesque patterns feature in Yazdi's creations © ATTA KENARE / AFP
Arabesque patterns feature in Yazdi's creations © ATTA KENARE / AFP
TT

Iran Artist's Vision For Culture Hub Enlivens Rustic District

Arabesque patterns feature in Yazdi's creations © ATTA KENARE / AFP
Arabesque patterns feature in Yazdi's creations © ATTA KENARE / AFP

In the winding alleys of southern Iran, artist Adel Yazdi has taken it upon himself to turn his rustic old neighbourhood into a cultural and tourist hub through vibrant paintings and carved relief faces.

Narenjestan, a neighbourhood characterized by crumbling, uninhabited houses, is nestled in Shiraz, a southern city celebrated for its historic architecture, lush gardens and revered poets.

"Most of the dilapidated walls in old Shiraz have no historical value," said Yazdi, a bushy-bearded, bespectacled 40-year-old artist who has dedicated himself to revitalising Narenjestan, AFP reported.

Yazdi has over the years turned the long-neglected neighbourhood walls into a vivid visual tapestry "telling the stories of the people living here," he said.

Arabesque patterns and relief faces carved with intricate details and painted in an array of vivid hues of greens, pinks, blues and purples now adorn the walls.

With its striking designs and bright colors, Yazdi's art can be reminiscent of Surrealism. It often comes across as surprising, showcasing a different side of Iran's artistic heritage that goes beyond the conventional focus on Persian or Islamic architecture.

The artwork includes the face of Scheherazade, Yazdi said, referencing the legendary storyteller from the "One Thousand and One Nights" collection of folktales.

Yazdi's work stands out in Shiraz where graffiti and murals are rare, becoming a social media sensation and a tourist attraction.

One visitor, Mahdieh, discovered Yazdi's murals through Instagram.

"I arrived in Shiraz yesterday... and it was the first site I wanted to visit," said the 40-year-old, who declined to give her last name.

At the end of one alleyway, Yazdi has established his workshop in a century-old building with small rooms encircling a serene garden.

He also lives in the building, with a traditional Persian architectural style.

It is filled with artefacts and sculptures, resembling a museum warehouse.

To Maedah, a 30-year-old engineer, Yazdi's house brings to mind "other historical places in the city, such as the Eram Garden and the Mausoleum of the Poet Hafez".

Yazdi said he drew inspiration from the Pompidou Center in Paris, a cultural hub that transformed the heart of the French capital in the 1970s.

He hopes his efforts can turn Shiraz's alleyways into even more of a vibrant cultural center as well.

At his residence, visitors are particularly drawn to what Yazdi calls "the Finger Room."

Inside, he installed around 14,000 finger sculptures on the ceiling, all pointing downward.

"The room is inspired by the legend of an angel that counts raindrops with thousands of fingers," he said, referring to an Islamic fable.

"These fingers are there to constantly remind us that the present moment is precious and that we must seize it."