Sumo to Stage Event in Paris as Part of Global Push

People gather at the entrance of Ryogoku Kokugikan for the arrival of sumo wrestlers during the Grand Sumo Tournament in Tokyo on January 19, 2025. (AFP)
People gather at the entrance of Ryogoku Kokugikan for the arrival of sumo wrestlers during the Grand Sumo Tournament in Tokyo on January 19, 2025. (AFP)
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Sumo to Stage Event in Paris as Part of Global Push

People gather at the entrance of Ryogoku Kokugikan for the arrival of sumo wrestlers during the Grand Sumo Tournament in Tokyo on January 19, 2025. (AFP)
People gather at the entrance of Ryogoku Kokugikan for the arrival of sumo wrestlers during the Grand Sumo Tournament in Tokyo on January 19, 2025. (AFP)

Sumo will stage a tournament in Paris for the first time in over three decades next year in a push to expand the ancient sport beyond Japan, organizers said Sunday.

Accor Arena, which hosted basketball and gymnastics events at last year's Paris Olympics, will stage a two-day competition featuring top wrestlers in the French capital in June 2026.

Japan Sumo Association (JSA) officials announced last month that they will also stage a tournament later this year at London's Royal Albert Hall -- the first overseas sumo competition in 20 years.

"It's important for us to show our sport to the world," JSA chairman Hakkaku told reporters at Tokyo's Kokugikan, where the New Year Grand Sumo Tournament is currently taking place.

"And for the wrestlers, they're the best in the world, they should be proud of that and see that they're admired all over the world."

Paris hosted sumo tournaments in 1986 and 1995 at the invitation of former French president Jacques Chirac, who was known to be a huge fan of the centuries-old sport.

Hakkaku, who competed at the 1986 Paris event, said he was "grateful for the long and deep relations between sumo and France".

"We feel renewed joy and great responsibility as we prepare for our third performance in Paris in 2026," he said.

"We are committed to fully sharing the charm of sumo... with the French people."

French organizers said they would pull out all the stops to recreate the atmosphere of a sumo tournament in Japan.

David Rothschild, promoter and executive producer for events organizers AEG, said the Paris tournament would be part of a "festival" celebrating Japanese culture.

"When you say the word sumo, everyone in France knows it represents traditional Japanese culture," he said.

"There was a time when it was shown on TV and there are people in France who are very knowledgeable about it," Rothschild added.

"But time flies and we want to introduce the beauty of sumo to a new generation."

Sumo has staged events in several countries around the world, including the Soviet Union, Mexico and the United States.

The last overseas tournament organized by the JSA was in Las Vegas in 2005.

Hakkaku, the JSA chairman, said the association's efforts to bring sumo to audiences abroad were meant to "introduce people to the traditional culture of Japan".

"We thought a lot about how to develop our sport after Covid and I think this was the best idea, but it was already in our plans before that," he said.



Jazan Festival 2026 Kicks Off Thursday with Grand Parade

his year’s festival offers an unprecedented experience that brings together the charm of the region’s unique geographic diversity - SPA
his year’s festival offers an unprecedented experience that brings together the charm of the region’s unique geographic diversity - SPA
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Jazan Festival 2026 Kicks Off Thursday with Grand Parade

his year’s festival offers an unprecedented experience that brings together the charm of the region’s unique geographic diversity - SPA
his year’s festival offers an unprecedented experience that brings together the charm of the region’s unique geographic diversity - SPA

The Jazan Festival 2026 will launch on Thursday in a carnival anticipated by thousands of visitors from within the region and beyond.

The festival will open with a grand celebratory parade starting at 3:45 p.m. along the Jazan city waterfront, signaling the start of an entertainment and cultural season that will extend for several months, according to SPA.

This year’s festival offers an unprecedented experience that brings together the charm of the region’s unique geographic diversity, from its towering green mountains and golden beaches to its picturesque islands, alongside the authenticity of its rich heritage, complemented by modern touches in entertainment programs designed to meet the aspirations of all age groups.

Performing arts inspired by local folklore will add an authentic dimension, while moving installations will flow in harmonious rhythm.

Completing the visual spectacle, integrated light and sound shows will create an enchanting atmosphere before the festivities conclude with a dazzling fireworks display lighting up the Jazan sky in vibrant colors.


UNESCO Chair in Translating Cultures Hosts Lectures on Safeguarding Intangible Cultural Heritage

The program was presented as an advanced knowledge initiative that combined theoretical perspectives with practical application - SPA
The program was presented as an advanced knowledge initiative that combined theoretical perspectives with practical application - SPA
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UNESCO Chair in Translating Cultures Hosts Lectures on Safeguarding Intangible Cultural Heritage

The program was presented as an advanced knowledge initiative that combined theoretical perspectives with practical application - SPA
The program was presented as an advanced knowledge initiative that combined theoretical perspectives with practical application - SPA

The United Nations Educational, Scientific and Cultural Organization (UNESCO) Chair in Translating Cultures at the King Faisal Center for Research and Islamic Studies (KFCRIS), with support from the Literature, Publishing, and Translation Commission, organized a training course and a series of specialized lectures on the translation and safeguarding of intangible cultural heritage, SPA reported.

The program was presented as an advanced knowledge initiative that combined theoretical perspectives with practical application, opening space for in-depth discussion of the challenges of translating intangible heritage as a living, evolving form of culture closely tied to its cultural, social, and performative contexts.

The course and lectures adopted a comprehensive approach that views translation as a cultural tool for preserving oral memory and building bridges between local specificity and the global sphere.

This approach was reflected through applied models, field experiences, and contemporary conceptual frameworks.


Ancient Egyptian Pharaoh’s Boat Is Being Reassembled in Public at Grand Egyptian Museum

People walk next to King Khufu's boat gem, also known as the Solar Boat, as work to restore the second solar boat has started with wooden planks part of the 1,650-piece structure being installed on a metal frame through Egyptian-Japanese cooperation with two Japanese universities, marking the start of preparations for the second boat's public display at the Grand Egyptian Museum (GEM), near the Giza Pyramid Complex, in Giza, Egypt, December 23, 2025.
People walk next to King Khufu's boat gem, also known as the Solar Boat, as work to restore the second solar boat has started with wooden planks part of the 1,650-piece structure being installed on a metal frame through Egyptian-Japanese cooperation with two Japanese universities, marking the start of preparations for the second boat's public display at the Grand Egyptian Museum (GEM), near the Giza Pyramid Complex, in Giza, Egypt, December 23, 2025.
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Ancient Egyptian Pharaoh’s Boat Is Being Reassembled in Public at Grand Egyptian Museum

People walk next to King Khufu's boat gem, also known as the Solar Boat, as work to restore the second solar boat has started with wooden planks part of the 1,650-piece structure being installed on a metal frame through Egyptian-Japanese cooperation with two Japanese universities, marking the start of preparations for the second boat's public display at the Grand Egyptian Museum (GEM), near the Giza Pyramid Complex, in Giza, Egypt, December 23, 2025.
People walk next to King Khufu's boat gem, also known as the Solar Boat, as work to restore the second solar boat has started with wooden planks part of the 1,650-piece structure being installed on a metal frame through Egyptian-Japanese cooperation with two Japanese universities, marking the start of preparations for the second boat's public display at the Grand Egyptian Museum (GEM), near the Giza Pyramid Complex, in Giza, Egypt, December 23, 2025.

A boat belonging to an Egyptian pharaoh is being assembled in full view at the Grand Egyptian Museum’s exhibition hall.

Staff began piecing together the cedarwood boat, one of two that were found that belong to King Khufu, Tuesday morning as dozens of visitors watched.

The assembly of the 42-meter (137-foot) -long vessel, which sits next to its already-assembled twin that has been on display, is expected to take around four years, according to Issa Zeidan, head of restoration at the Grand Egyptian Museum. It contains 1,650 wooden pieces.

King Khufu ruled ancient Egypt more than 4,500 years ago and built the Great Pyramid of Giza.

“You’re witnessing today one of the most important restoration projects in the 21st century,” said Tourism and Antiquities Minister Sherif Fathy, who attended the event.

The $1 billion museum, also known as GEM, was touted as the world’s largest when it was lavishly inaugurated last month. It's home to nearly 50,000 artifacts, including the collection of treasures from the tomb of the famed King Tutankhamun, which was discovered in 1922. The museum, located near the pyramids at the edge of Cairo, is expected to boost Egypt’s tourism revenues and help bolster its economy.

The boat was one of two discovered in 1954, opposite the southern side of the Great Pyramid. The excavation of its wooden parts began in 2014, according to the museum’s website.

The exact purpose of the boats remains unclear, but experts believe they were either used to transport King Khufu’s body during his funeral or were meant to be used for his afterlife journey with the sun god Ra, according to the museum.