Chinese Lion Dance Troupe Shrugs off Patriarchal Past 

This photo taken on January 22, 2025 shows members of a lion dance troupe playing drums and percussions during a lion dance practice session in Shantou, in southern China's Guangdong province. (AFP)
This photo taken on January 22, 2025 shows members of a lion dance troupe playing drums and percussions during a lion dance practice session in Shantou, in southern China's Guangdong province. (AFP)
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Chinese Lion Dance Troupe Shrugs off Patriarchal Past 

This photo taken on January 22, 2025 shows members of a lion dance troupe playing drums and percussions during a lion dance practice session in Shantou, in southern China's Guangdong province. (AFP)
This photo taken on January 22, 2025 shows members of a lion dance troupe playing drums and percussions during a lion dance practice session in Shantou, in southern China's Guangdong province. (AFP)

Flinging her male teammate into the air, performer Lin Xinmeng practices China's world-famous lion dance with a troupe that is shrugging off centuries of patriarchal norms.

Mixing acrobatics, martial arts and theater, lion dancing is believed to bring prosperity and protection from evil spirits.

Performed across China and around the world, at weddings or during business openings, it is a mainstay of Lunar New Year celebrations, which begin on Wednesday.

"I discovered this dance one day by chance in the street. I found it super graceful," Lin, 18, told AFP in a courtyard in the southern Chinese city of Shantou, where her troupe trains.

"The tenacity of the dancers, their ability to perform these movements, impressed me. I wanted to become like them," she said.

Inside a costume consisting of a large, colorful lion head and a long, silky piece of fabric representing the body, dancers must work in tandem to bring the animal to life.

It can be tough on dancers' bodies, with one performer often required to lift the other by the waist to simulate the beast jumping on its hind legs.

That physical exertion, coupled with deep-rooted patriarchal attitudes, has long resulted in women being excluded from the tradition.

But Lin Likun -- the troupe's 31-year-old coach -- said the presence of women made the lion dancing show more "enjoyable" and means more people can pass on "this intangible heritage".

"We are constantly looking for ways to innovate, to breathe new vitality into lion dance," he said.

"It also allows us to reflect women's aspirations," he added, even if some give up along the way because of the physical demands.

- Rejecting patriarchy -

The troupe, called Lingdong, counts about 80 members aged between 13 to 33, most of them school students.

Around 20 of them are women.

While the presence of young women in the troupe elicits "mostly positive" feedback, Lin acknowledges that there has been some "mockery" and "negative reactions".

"Some old-timers think that women should stay at home and do housework. But our generation has a different view," he said.

"We believe in equality between men and women."

A growing number of Chinese women are rejecting the rigidity of traditional obligations imposed by their parents, who expect them to marry and have children young.

The cultural shift has been accompanied by the stardom of tennis player Zheng Qinwen, a champion at last year's Paris Olympics, and the critical success of the Chinese film "Her Story", which addresses gender inequality in contemporary society.

"Some say that a girl can't lead a lion. But it's my passion and it's up to me alone to take it on," said performer Lin Xinmeng.

"I want to surpass myself, to show that girls are not necessarily less good than boys," she explained.

- 'Masculine strength, feminine grace' -

Lin goes jogging, squats and weight trains to prepare herself for the most physically demanding parts of the dance.

She sees the participation of women and girls as a way "to combine masculine strength and feminine grace".

Another girl in the troupe, Dong Zidan, has 45,000 followers on the social network Douyin, China's version of TikTok, where she regularly shares content about lion dancing.

"I hope to encourage more girls to participate in our customs and pass on this intangible heritage," she said.

Coach Lin's next project is to have as many girls as boys in his team.

He will then try to create an all-women troupe -- a distant goal given the challenges that persist.

"The facts will prove that girls can assert themselves just as much as men," he insisted.

"Whether in lion dancing or in daily life."



'Talking Drum' Looted by France in 1916 Back in Ivory Coast

A crate containing the Djidji Ayokwe drum, at the airport in Abidjan, Ivory Coast. (Photo by Issouf SANOGO / AFP)
A crate containing the Djidji Ayokwe drum, at the airport in Abidjan, Ivory Coast. (Photo by Issouf SANOGO / AFP)
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'Talking Drum' Looted by France in 1916 Back in Ivory Coast

A crate containing the Djidji Ayokwe drum, at the airport in Abidjan, Ivory Coast. (Photo by Issouf SANOGO / AFP)
A crate containing the Djidji Ayokwe drum, at the airport in Abidjan, Ivory Coast. (Photo by Issouf SANOGO / AFP)

The Djidji Ayokwe "talking drum", which was looted by French colonial troops in 1916 and taken to France, arrived back in Ivory Coast Friday, in the latest repatriation of stolen artifacts.

The wooden drum, more than three meters (10 feet) long and weighing 430 kilos (950 pounds), was used by the Ebrie tribe to transmit messages.

It was officially handed over on February 20 after France's parliament approved removing the artifact from the national museum collections to enable its return.

Ivory Coast had asked in late 2018 for the return of the Djidji Ayokwe among 148 works of art taken during the colonial period.

It arrived aboard a specially chartered plane at Ivory Coast's main city Abidjan and remained inside a huge wooden crate stamped "fragile", AFP journalists saw.

"It's an historic day and I feel deep emotion," Culture Minister Francoise Remarck said, welcoming its arrival at the airport, where the Ebrie community also sang and played drums.

"We are living a moment of justice and remembrance," the minister added.

French President Emmanuel Macron promised in 2021 to send the drum and other artifacts back home to the west African country.

It is one of hundreds of objects France is preparing to send back to Africa, with the efforts set to be accelerated by the passing of a new law to authorize mass repatriations.

"We are happy and relieved to know that this sacred piece of our culture is back on its native land," Aboussou Guy Georges Mobio, an Ebrie village chief, told AFP.

The drum will initially be held in a "safe space" to allow it to acclimatize, the culture minister said.

It is due to go on display at the Museum of Civilizations in Abidjan which has been specially renovated.

The "talking drum" was used by the Ebrie community to warn of danger, mobilize for war or call villagers to ceremonies.

It was seized by colonial authorities in 1916 before being shipped to France in 1929 and exhibited in Paris.

Senegal and Benin have also asked for the repatriation of their treasures.

In late 2020, the French parliament adopted a law providing for the permanent return to Benin of 26 artifacts from the royal treasures of Dahomey.

The return of cultural artifacts taken from ex-colonies in Africa and elsewhere has become a sensitive issue, with museums, institutions and collectors in Europe and the United States facing pressure to give them back.


Red Sea Fund Launches Second Round to Support Film Projects in Production Stage

File photo of the fifth day of the Red Sea International Film Festival - SPA
File photo of the fifth day of the Red Sea International Film Festival - SPA
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Red Sea Fund Launches Second Round to Support Film Projects in Production Stage

File photo of the fifth day of the Red Sea International Film Festival - SPA
File photo of the fifth day of the Red Sea International Film Festival - SPA

The Red Sea Fund, affiliated with the Red Sea Film Foundation, announced the opening of applications to support film projects in the production stage within the second round of this year’s support program, which will continue until March 21, as part of its efforts to enhance the cinema industry and empower innovators in the region, SPA reported.

The round aims to support promising cinematic voices from the Kingdom and the Arab world, as well as filmmakers from Africa and Asia, through financial grants that help complete film projects and present their creative narratives globally, with a special focus on projects ready to enter production and begin filming.


Prince Mohammed bin Salman Project Restores Historic Al-Jami' Mosque in Tabuk Region

The renovation utilized modern technologies to restore the mosque's original identity - SPA
The renovation utilized modern technologies to restore the mosque's original identity - SPA
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Prince Mohammed bin Salman Project Restores Historic Al-Jami' Mosque in Tabuk Region

The renovation utilized modern technologies to restore the mosque's original identity - SPA
The renovation utilized modern technologies to restore the mosque's original identity - SPA

The Prince Mohammed bin Salman Project for the Development of Historical Mosques has completed the restoration of Al-Jami' Mosque in Duba, Tabuk Region, as part of its mission to preserve the Kingdom's architectural heritage under Vision 2030.

As one of Duba’s oldest landmarks, the mosque is deeply intertwined with the city’s maritime history, traditionally serving as a central meeting point for sailors. Throughout its history, the mosque underwent several construction phases, including significant contributions by King Abdulaziz and King Fahd, before its selection for the current national development project, SPA reported.

The renovation utilized modern technologies to restore the mosque's original identity, increasing its area to 972.23 square meters and its capacity to 779 worshippers. The architectural style is inspired by traditional Red Sea heritage, incorporating natural materials like stone, mud, and wood for intricate mashrabiyas.

Executed by specialized Saudi firms, the project balances traditional standards with sustainability to rehabilitate the site for worship while highlighting its cultural significance. By restoring such landmarks, the project ensures the preservation of the Kingdom’s diverse architectural and social memory for future generations.