Fire Relief, Quincy Jones Tributes and New Talent Energize the 50th Annual Pre-grammy Benefit Gala

 Yolanda Adams performs during the Pre-Grammy gala, hosted by the Recording Academy and Clive Davis, in Beverly Hills, California, US, February 1, 2025. (Reuters)
Yolanda Adams performs during the Pre-Grammy gala, hosted by the Recording Academy and Clive Davis, in Beverly Hills, California, US, February 1, 2025. (Reuters)
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Fire Relief, Quincy Jones Tributes and New Talent Energize the 50th Annual Pre-grammy Benefit Gala

 Yolanda Adams performs during the Pre-Grammy gala, hosted by the Recording Academy and Clive Davis, in Beverly Hills, California, US, February 1, 2025. (Reuters)
Yolanda Adams performs during the Pre-Grammy gala, hosted by the Recording Academy and Clive Davis, in Beverly Hills, California, US, February 1, 2025. (Reuters)

Fifty years ago, the music mogul Clive Davis threw a party to celebrate the release of Arista Records’ first Grammy record of the year nominee: Barry Manilow’s "Mandy." Stevie Wonder showed up. So did John Denver and Elton John.

What was a one-off celebration for an enduring hit morphed into one of the best-known and most exclusive parties of the year: the annual pre-Grammy fundraising event hosted by Davis, held every year on the Saturday before the Sunday award show.

At the 2025 benefit gala, once again held at the Beverly Hilton hotel in Beverly Hills, California, Manilow performed his 1975 classic. He was introduced with a short video depicting him doing the same five decades prior.

"Can you believe I looked like that," Manilow joked after attendees watched both versions. "Can you believe Clive looked like that?"

There was a lot to celebrate across five decades, but in the direct aftermath of the devastating Los Angeles-area wildfires that destroyed more than 14,000 structures and displaced tens of thousands of people, efforts to raise awareness and donations punctuated the night.

A QR code was placed at every table and flashed on screens to encourage contributions to the Recording Academy and its affiliated MusiCares charity to aid the relief efforts. The evening, infamous for running into the wee hours of the morning, concluded at a respectable 11:30 p.m. to avoid distracting from the cause.

"This one is a little different," Recording Academy CEO Harvey Mason jr. said in his opening remarks. "We knew we could use this platform" to honor first responders and celebrate "the resilience of this community."

Since launching LA wildfire relief efforts, the academy has raised "almost $5 million in aid," he announced.

The tonal shift came as no surprise. The annual event was one of the few 2025 Grammy week events not canceled due to the fires.

Many performers and industry veterans used their time on stage to drive attention to relief efforts.

"Please take care of the people on the front lines, the first responders," the charismatic Post Malone said after a stripped-down arrangement of his 2018 track "Sunflower," the first double-diamond certified single at 20x platinum, which he described as his "only good song."

Sets were a mix of legendary talent, like Joni Mitchell moving some to tears with "Both Sides Now," and newer voices including Samara Joy and the 2025 best new artist nominees Doechii, Shaboozey, Teddy Swims and Benson Boone, the latter of which ended his performance with an athletic flip.

Sprinkled throughout the performances were tributes to the late, great producer Quincy Jones.

Michael Bublé covered "Fly Me to the Moon," Jennifer Hudson belted through Aretha Franklin's "(You Make Me Feel Like) A Natural Woman" and gospel singer Yolanda Adams ended the night with a powerfully heartfelt rendition of Whitney Houston's "I Will Always Love You."

Jody Gerson, chairman and CEO of Universal Music Publishing Group, was honored with the 2025 Grammy Salute to Industry Icons Award at the star-studded event.

"I have a confession. There were a few times early in my career where I crashed this party," she said, noting she received her first invitation in the early 2000s and being honored "deeply, deeply touched" her.

"Music can brighten our darkest days," Gerson said. "And we need artists to bring light now more than ever."

Gerson has broken the glass ceiling throughout her career. She is the first chairwoman of a global music company and the first woman named CEO of a major music publisher. The long list of superstars she has worked with include Malone, Bad Bunny, Justin Bieber, Lana Del Rey, Ariana Grande, Coldplay, Drake, Billie Eilish, Elton John, Kendrick Lamar and, of course, Taylor Swift.

"She is a true industry icon who rightly deserves celebration," said Universal Music Group CEO Lucian Grainge, who introduced Gerson. "She has completely transformed Universal Music Group publishing."

Gaining admittance to Davis’ event is notoriously challenging. The A-listers who made the cut this year included Jennifer Lopez, Babyface, Gayle King, Nancy Pelosi, Jack Antonoff, TEMS, Willow Smith, Berry Gordy, Paris Hilton, Alicia Keys, Swizz Beatz, Diane Warren, Gracie Abrams, John Stamos and Justin Tranter.



Music World Mourns Ghana's Ebo Taylor, Founding Father of Highlife

Ebo Taylor, who kept performing into his 80s, was instrumental in introducing Ghanaian highlife to international listeners. Nipah Dennis / AFP
Ebo Taylor, who kept performing into his 80s, was instrumental in introducing Ghanaian highlife to international listeners. Nipah Dennis / AFP
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Music World Mourns Ghana's Ebo Taylor, Founding Father of Highlife

Ebo Taylor, who kept performing into his 80s, was instrumental in introducing Ghanaian highlife to international listeners. Nipah Dennis / AFP
Ebo Taylor, who kept performing into his 80s, was instrumental in introducing Ghanaian highlife to international listeners. Nipah Dennis / AFP

Tributes have been pouring in from across Ghana and the world since the death of Ghanaian highlife legend Ebo Taylor.

A guitarist, composer and bandleader who died on Saturday, Taylor's six-decade career played a key role in shaping modern popular music in West Africa, said AFP.

Often described as one of the founding fathers of contemporary highlife, Taylor died a day after the launch of a music festival bearing his name in the capital, Accra, and just a month after celebrating his 90th birthday.

Highlife, a genre blending traditional African rhythms with jazz and Caribbean influences, was recently added to UNESCO's Intangible Cultural Heritage list.

"The world has lost a giant. A colossus of African music," a statement shared on his official page said. "Your light will never fade."

The Los Angeles-based collective Jazz Is Dead called him a pioneer of highlife and Afrobeat, while Ghanaian dancehall star Stonebwoy and American producer Adrian Younge, who his worked with Jay Z and Kendrick Lamar, also paid tribute to his legacy.

Nigerian writer and poet Dami Ajayi described him as a "highlife maestro" and a "fantastic guitarist".

- 'Uncle Ebo' -

Taylor's influence extended far beyond Ghana, with elements of his music appearing in the soul, jazz, hip-hop and Afrobeat genres that dominate the African and global charts today.

Born Deroy Taylor in Cape Coast in 1936, he began performing in the 1950s, as highlife was establishing itself as the dominant sound in Ghana in the years following independence.

Known for intricate guitar lines and rich horn arrangements, he played with leading bands including the Stargazers and the Broadway Dance Band.

In the early 1960s, he travelled to London to study music, where he worked alongside other African musicians, including Nigerian Afrobeat pioneer Fela Kuti.

The exchange of ideas between the two would later be seen as formative to the development of Afrobeat, a political cocktail blending highlife with funk, jazz and soul.

Back in Ghana, Taylor became one of the country's most sought-after arrangers and producers, working with stars such as Pat Thomas and CK Mann while leading his own bands.

His compositions -- including "Love & Death", "Heaven", "Odofo Nyi Akyiri Biara" and "Appia Kwa Bridge" -- gained renewed international attention decades later as DJs, collectors and record labels reissued his music. His grooves were sampled by hip-hop and R&B artists and helped introduce new global audiences to Ghanaian highlife.

Taylor continued touring into his 70s and 80s, performing across Europe and the United States as part of a late-career renaissance that cemented his status as a cult figure among younger musicians.

Many fans affectionately referred to him as "Uncle Ebo", reflecting both his longevity and mentorship of younger artists.

For many, he remained a symbol of highlife's golden era and of a generation that carried Ghanaian music onto the world stage.


'Send Help' Repeats as N.America Box Office Champ

Canadian actor Rachel McAdams and US actor Dylan O'Brien pose upon arrival on the red carpet for the UK premiere of the film 'Send Help' in central London on January 29, 2026. (Photo by CARLOS JASSO / AFP)
Canadian actor Rachel McAdams and US actor Dylan O'Brien pose upon arrival on the red carpet for the UK premiere of the film 'Send Help' in central London on January 29, 2026. (Photo by CARLOS JASSO / AFP)
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'Send Help' Repeats as N.America Box Office Champ

Canadian actor Rachel McAdams and US actor Dylan O'Brien pose upon arrival on the red carpet for the UK premiere of the film 'Send Help' in central London on January 29, 2026. (Photo by CARLOS JASSO / AFP)
Canadian actor Rachel McAdams and US actor Dylan O'Brien pose upon arrival on the red carpet for the UK premiere of the film 'Send Help' in central London on January 29, 2026. (Photo by CARLOS JASSO / AFP)

Horror flick "Send Help" showed staying power, leading the North American box office for a second straight week with $10 million in ticket sales, industry estimates showed Sunday.

The 20th Century flick stars Rachel McAdams and Dylan O'Brien as a woman and her boss trying to survive on a deserted island after their plane crashes.
It marks a return to the genre for director Sam Raimi, who first made his name in the 1980s with the "Evil Dead" films.

Debuting in second place at $7.2 million was rom-com "Solo Mio" starring comedian Kevin James as a groom left at the altar in Italy, Exhibitor Relations reported.

"This is an excellent opening for a romantic comedy made on a micro-budget of $4 million," said analyst David A. Gross of Franchise Entertainment Research, noting that critics and audiences have embraced the Angel Studios film.

Post-apocalyptic Sci-fi thriller "Iron Lung" -- a video game adaptation written, directed and financed by YouTube star Mark Fischbach, known by his pseudonym Markiplier -- finished in third place at $6.7 million, AFP reported.

"Stray Kids: The Dominate Experience," a concert film for the K-pop boy band Stray Kids filmed at SoFi Stadium in Los Angeles, opened in fourth place at $5.6 million.

And in fifth place at $4.5 million was Luc Besson's English-language adaptation of "Dracula," which was released in select countries outside the United States last year.

Gross called it a "weak opening for a horror remake," noting the film's total production cost of $50 million and its modest $30 million take abroad so far.

Rounding out the top 10 are:
"Zootopia 2" ($4 million)
"The Strangers: Chapter 3" ($3.5 million)
"Avatar: Fire and Ash" ($3.5 million)
"Shelter" ($2.4 million)
"Melania" ($2.38 million)


Rapper Lil Jon Confirms Death of His Son, Nathan Smith

Lil Jon performs at Gronk Beach music festival during Super Bowl week on Saturday, Feb. 11, 2023, at Talking Stick Resort in Scottsdale, Ariz. (AP)
Lil Jon performs at Gronk Beach music festival during Super Bowl week on Saturday, Feb. 11, 2023, at Talking Stick Resort in Scottsdale, Ariz. (AP)
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Rapper Lil Jon Confirms Death of His Son, Nathan Smith

Lil Jon performs at Gronk Beach music festival during Super Bowl week on Saturday, Feb. 11, 2023, at Talking Stick Resort in Scottsdale, Ariz. (AP)
Lil Jon performs at Gronk Beach music festival during Super Bowl week on Saturday, Feb. 11, 2023, at Talking Stick Resort in Scottsdale, Ariz. (AP)

American rapper Lil Jon said on Friday that his son, Nathan Smith, has died, the record producer confirmed in a joint statement with Smith’s mother.

"I am extremely heartbroken for the tragic loss of our son, Nathan Smith. His mother (Nicole Smith) and I are devastated,” the statement said.

Lil Jon described his son as ‌an “amazingly talented ‌young man” who was ‌a ⁠music producer, artist, ‌engineer, and a New York University graduate.

“Thank you for all of the prayers and support in trying to locate him over the last several days. Thank you to the entire Milton police department involved,” the “Snap ⁠Yo Fingers” rapper added.

A missing persons report was ‌filed on Tuesday for Smith ‍in Milton, Georgia, authorities ‍said in a post on the ‍Milton government website.

Police officials added that a broader search for Smith, also known by the stage name DJ Young Slade, led divers from the Cherokee County Fire Department to recover a body from a pond near ⁠his home on Friday.

"The individual is believed to be Nathan Smith, pending official confirmation by the Fulton County Medical Examiner’s Office,” the post continued.

While no foul play is suspected, the Milton Police Department Criminal Investigations Division will be investigating the events surrounding Smith’s death.

Lil Jon is a Grammy-winning rapper known for a string ‌of chart-topping hits and collaborations, including “Get Low,” “Turn Down for What” and “Shots.”