Beyoncé Wins Album of the Year at the 2025 Grammys for ‘Cowboy Carter’ 

Beyoncé accepts the award for album of the year for “Cowboy Carter” during the 67th annual Grammy Awards on Sunday, Feb. 2, 2025, in Los Angeles. (AP)
Beyoncé accepts the award for album of the year for “Cowboy Carter” during the 67th annual Grammy Awards on Sunday, Feb. 2, 2025, in Los Angeles. (AP)
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Beyoncé Wins Album of the Year at the 2025 Grammys for ‘Cowboy Carter’ 

Beyoncé accepts the award for album of the year for “Cowboy Carter” during the 67th annual Grammy Awards on Sunday, Feb. 2, 2025, in Los Angeles. (AP)
Beyoncé accepts the award for album of the year for “Cowboy Carter” during the 67th annual Grammy Awards on Sunday, Feb. 2, 2025, in Los Angeles. (AP)

Beyoncé won album of the year for "Cowboy Carter" at Sunday's Grammys, delivering her — at last — the show’s elusive top award.

The superstar, who is both the most awarded and nominated artist in Grammys history, has been up for the category four times before and many feel she has been snubbed by its top honors.

In winning album of the year with "Cowboy Carter," Beyoncé has become the first Black woman to win the top prize in the 21st century. The last was Lauryn Hill with "The Miseducation of Lauryn Hill" 26 years ago. Before her was Natalie Cole and Whitney Houston. That means Beyoncé is only the fourth Black woman to win album of the year at the Grammys.

Members of the Los Angeles Fire Department presented Beyoncé with the trophy, one of several times the show reflected the recent wildfires that burned thousands of homes.

"It’s been many, many years," Beyoncé said in her speech. "I want to dedicate this to Ms. Martell," she said, referencing Linda Martell, the performer who became the first Black woman to play the Grand Ole Opry.

"We finally saw it happen, everyone," host Trevor Noah said, nodding to the long overdue achievement for one of music's transcendent artists.

Kendrick Lamar won song and record of the year for his diss track "Not Like Us," taking home two of the night's most prestigious awards.

"We're gonna dedicate this one to the city," Lamar said before shouting out Los Angeles area neighborhoods.

It is the second hip-hop single to ever win in the category. The first was Childish Gambino’s "This Is America."

The Weeknd mends fences

The Weeknd has mended his fractious relationship with the Grammy Awards with a surprise performance of his new single, "Cry For Me" and "Timeless" with Playboi Carti.

His decision is a direct reflection of the changes the Recording Academy has made to diversify its voting body, CEO Harvey Mason jr. said in his introduction. The Weeknd has been openly critical of the Grammys organization, dating back to 2020 when he wrote on Twitter: "The Grammys remain corrupt."

It was just one of many pleasant surprises Sunday night. Chappell Roan was named best new artist.

She read a speech from a notebook, speaking directly to major labels and the music industry, instructing them to "offer a living wage and healthcare, especially to developing artists." She described getting signed as a minor, getting dropped and entering the workforce during COVID-19 with no work experience and no health care. She asked them to treat artists like "valuable employees."

"Labels, we got you," she concluded her speech. "But do you got us?"

Country theme

In one of the biggest moments of the evening so far, Taylor Swift presented the award for best country album to Beyoncé. She became the first Black woman to ever win in the category.

"Genre is a cold word to keep us in our place as artists," she said in her speech. "I'm still in shock. Thank you so much for this honor."

Beyoncé entered the night as the leading nominee.

A little bit of the wild west, a little bit of West Hollywood. Roan brought a rocking version of her "Pink Pony Club" to the Grammy stage. Joined by a posse of dancing clown cowboys, she sang from atop a giant pink horse.

Los Angeles on the mind

In incorporating the wildfires throughout the show, the Grammys put the spotlight on the city’s resiliency.

Noah's opening speech was dedicated to those affected by the fires, promising a show that not only celebrates them, but one that also celebrates "the city that brought us so much of that music." The Grammys have also allotted ad time to be used by local businesses affected by the fires.

As the show neared its end, Noah announced that viewers had contributed $7 million to relief efforts Sunday night so far.

On a stage set up to look like the mountains of Los Angeles, the LA born-and-raised Billie Eilish and her brother/collaborator Finneas performed her hit "Birds of a Feather." It was one of a number of ways the show seeks to salute the city. "We love you LA," she told the crowd at the end of the set.

The show kicked off with a powerful opening performance of Randy Newman's "I Love LA" by Dawes — whose members were directly affected by the Eaton fire — backed by John Legend, Brad Paisley, Sheryl Crow, Brittany Howard and St. Vincent.

Star studded performances and victories

The first televised award went to Doechii for best rap album for "Alligator Bites Never Heal."

The tears were immediate. "This category was introduced in 1989. Two women have won, Lauryn Hill —" she said, correcting herself. "Three women have won. Lauryn Hill, Cardi B and Doechii."

Will Smith introduced a tribute to the late, great, legendary producer Quincy Jones. "In his 91 years, Q touched countless lives, but I have to say he changed mine forever," he said. "You probably wouldn’t even know who Will Smith was without Quincy Jones."

Jones died in November at age 91. Kicked off by Cynthia Erivo, accompanied by Herbie Hancock on piano, the "Wicked" star sang Frank Sinatra’s "Fly Me to the Moon." Then came Lainey Wilson and Jacob Collier with "Let the Good Times Roll," followed by Stevie Wonder and Hancock busting out "Bluesette" and "We Are The World." For the latter, they were joined by student singers from two schools that were lost in the LA-area fires.

Then, Janelle Monae with an inspired rendition of "Don’t Stop 'Til You Get Enough," channeling Michael Jackson in a sparkly tuxedo and an effortless moonwalk.

The Beatles’ "Now and Then," which used AI technology, took home best rock performance. Sean Lennon accepted the award on behalf of his father John Lennon. "As far as I’m concerned, it’s the best band of all time," he said of the Beatles.

First time winners were abundant. They included Carpenter, Roan, Doechii, Charli xcx, songwriter Amy Allen, Música Mexicana star Carin León, French metal band Gojira and country folk artist Sierra Ferrell.

The Red Hot Chili Peppers’ Anthony Kiedis and Chad Smith led the crowd in a short singalong of their hit "Under the Bridge," reminding the crowd to "support their friends and neighbors as they rebuild their lives," said Kiedis. Then they presented the best pop vocal album award to Carpenter for "Short n' Sweet."

"I really wasn’t expecting this," she said. "This is, woo, my first Grammy so I’m going to cry." (She’s now won two, but the earlier award was handed out at a pre-telecast ceremony that many artists don’t attend.) She also performed.

In a tense political climate Shakira won Latin pop album for "Las Mujeres Ya No Lloran" and gave a powerful, short speech. "I want to dedicate this award to all my immigrant brothers and sisters in this country," she said.

Lady Gaga and Bruno Mars teamed up for a cover of "California Dreamin’." Later, SZA presented them with the award for best pop duo/group performance for "Die With A Smile."



Sundance Film Festival Hits Utah, One Last Time

From Hollywood's biggest stars to breakthrough newcomers, the cinema world has descended on Sundance. Valerie MACON / AFP/File
From Hollywood's biggest stars to breakthrough newcomers, the cinema world has descended on Sundance. Valerie MACON / AFP/File
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Sundance Film Festival Hits Utah, One Last Time

From Hollywood's biggest stars to breakthrough newcomers, the cinema world has descended on Sundance. Valerie MACON / AFP/File
From Hollywood's biggest stars to breakthrough newcomers, the cinema world has descended on Sundance. Valerie MACON / AFP/File

The first Sundance Film Festival since the death of founder Robert Redford begins in Park City Thursday -- the final time it will be held in the mountains of Utah.

Hollywood A-listers Olivia Wilde, Natalie Portman and Ethan Hawke are expected to walk the red carpet at the snowcapped Rocky Mountain resort, along with a host of lesser-known filmmakers at one of the most important gatherings in the global movie calendar.

Amy Redford, daughter of the "Butch Cassidy and the Sundance Kid" star who created the festival in 1978, said this year's get-together would be an emotional experience, just four months after her father's death.

"Very proud," she said, when asked how she felt about her father's legacy.

"He was somebody that created from the field, not from on high," she told AFP.

"He never meant to be the center of focus for this whole organization. The center of focus was always the storytellers."

Line-up

Among the dozens of feature-length films and documentaries on show over the coming days will be "The Invite" directed by and starring Wilde, opposite Seth Rogen and Edward Norton.

The script, co-written by Rashida Jones ("Parks and Recreation"), deals with a couple whose mysterious neighbors come over for dinner.

"Mad Men" stars Jon Hamm and John Slattery reunite in "Gail Daughtry and the Celebrity Sex Pass," where a Midwestern bride-to-be rampages through Hollywood in an effort to even the score after her fiance uses the couple's "free celebrity pass" on his famous crush.

In "The Gallerist" -- starring Oscar winners Natalie Portman and Da'Vine Joy Randolph, along with Jenna Ortega and Sterling K. Brown -- a desperate curator tries to sell a dead body at Art Basel Miami.

Among the most hotly anticipated non-celebrity films premiering at the festival is "The History of Concrete," a sideways look by John Wilson about how to sell a film about building materials.

A strong international lineup includes director Molly Manners debut feature "Extra Geography" from the UK and queer genre film "Leviticus" from Australia.

"Hanging by a Wire" tells the story of the nail-biting race to save schoolboys dangling from a stranded cable car in the Himalayan foothills.

"Hold On to Me" from Cyprus traces the efforts of an 11-year-old tracking down her estranged father, while documentary "Kikuyu Land" from Kenya examines how powerful outside forces use local corruption to dispossess a people.

All of them will offer something special, Amy Redford said.

"I think the look on the faces of people that premiere their films and realize they're looking out into an audience who understand what they were trying to say...it always just is kind of a stunning experience," she said.

Moving on

The festival moves next year to Boulder, Colorado, having outgrown its current host city.

For festival programmer John Nein, who has been at every edition since 1996, leaving Park City will be bittersweet.

"It's a special place," he told AFP.

"It's a place that has been so tied to how the festival works in terms of people coming to this place. It's not particularly convenient. It's really cold."

"But in a weird way, that's what brings people here and it's what creates the audience that we have here. So I feel like that's part of what made it special."

Festival director Eugene Hernandez said the Sundance Institute will continue to have roots in Utah, even as the festival moves to Colorado.

But this year's program will be one to remember.

"There's going to be a lot of laughter, there will probably also be some tears, there will be joy, there will be connection, there will be community," he said.

"I think those are all aspects that make a festival."


Brooklyn Beckham Accuses David and Victoria of Putting Branding Before Family and Sabotaging Wedding

03 September 2019, United Kingdom, London: David Beckham (L), Victoria Beckham and Brooklyn Beckham arrive at the GQ Men of the Year Awards 2019 in association with Hugo Boss at the Tate Modern. (dpa)
03 September 2019, United Kingdom, London: David Beckham (L), Victoria Beckham and Brooklyn Beckham arrive at the GQ Men of the Year Awards 2019 in association with Hugo Boss at the Tate Modern. (dpa)
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Brooklyn Beckham Accuses David and Victoria of Putting Branding Before Family and Sabotaging Wedding

03 September 2019, United Kingdom, London: David Beckham (L), Victoria Beckham and Brooklyn Beckham arrive at the GQ Men of the Year Awards 2019 in association with Hugo Boss at the Tate Modern. (dpa)
03 September 2019, United Kingdom, London: David Beckham (L), Victoria Beckham and Brooklyn Beckham arrive at the GQ Men of the Year Awards 2019 in association with Hugo Boss at the Tate Modern. (dpa)

A Beckham family falling-out has spilled further into public view in a series of social media posts from Brooklyn Beckham alleging that his parents David and Victoria Beckham have tried to sabotage his marriage and have always prioritized public branding over their family relationships.

“For my entire life, my parents have controlled narratives in the press about our family. The performative social media posts, family events and inauthentic relationships have been a fixture of the life I was born into,” Brooklyn Beckham wrote in several pages of text posted via Instagram stories.

At 26, he's the eldest of the four children of the retired English football superstar and former Spice Girl-turned-fashion designer and has worked as a model and photographer, even aspiring to be a chef. He married American actor Nicola Peltz, daughter of activist investor Nelson Peltz, in 2022.

“Recently, I have seen with my own eyes the lengths that they’ll go through to place countless lies in the media, mostly at the expense of innocent people, to preserve their own facade. But I believe the truth always comes out,” the posts said.

The posts make public a barely veiled feud that had been brewing in anonymously sourced stories in tabloids for months. Younger brother Cruz Beckham said on Instagram in December that Brooklyn had blocked family members on social media.

“I do not want to reconcile with my family.” Brooklyn Beckham wrote. “I’m not being controlled, I’m standing up for myself for the first time in my life.”

Unlike his three younger siblings, Brooklyn Beckham did not appear in his mother's recent Netflix docuseries, “Victoria Beckham,” and did not show up at the October premiere as he and Peltz had for the London premiere in 2023 of the one centered on his father, called just “Beckham."

Many of the grievances described in the Instagram stories stem from the Peltz-Beckham wedding in Florida. He accused his mother of bailing at the last minute on designing Peltz's wedding dress, and said she “hijacked” the first dance he was supposed to have with his wife to music performed by Marc Anthony.

“She danced very inappropriately on me in front of everyone,” Brooklyn Beckham wrote. “I’ve never felt more uncomfortable or humiliated in my entire life.”

Without giving specifics he also wrote that before the wedding his parents “repeatedly pressured and attempted to bribe me into signing away the rights to my name.”

David and Victoria Beckham did not have an immediate public response to the posts, and messages to representatives from The Associated Press were not immediately answered.

In a Tuesday appearance on CNBC, David Beckham, who is at the World Economic Forum in Davos, Switzerland, did not directly address his son's statements, but said that children make mistakes on social media and should be allowed to.

“That’s what I try to teach my kids. But you know, you have to sometimes let them make those mistakes as well,” he said.

Married since 1999, David and Victoria Beckham have three other children, 23-year-old Romeo, 20-year-old Cruz and 14-year-old Harper.


‘Snow White’ and ‘War of the Worlds’ Lead Razzie Nominations

Cast member Rachel Zegler attends a premiere for the film "Snow White", in Los Angeles, California, US, March 15, 2025. (Reuters)
Cast member Rachel Zegler attends a premiere for the film "Snow White", in Los Angeles, California, US, March 15, 2025. (Reuters)
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‘Snow White’ and ‘War of the Worlds’ Lead Razzie Nominations

Cast member Rachel Zegler attends a premiere for the film "Snow White", in Los Angeles, California, US, March 15, 2025. (Reuters)
Cast member Rachel Zegler attends a premiere for the film "Snow White", in Los Angeles, California, US, March 15, 2025. (Reuters)

With Oscar nominations a day away, Hollywood’s annual reckoning with its film failures took shape on ​Wednesday as Disney’s live-action “Snow White” and the remake “War of the Worlds” tied for six nods for the Golden Raspberry Awards.

Popularly known as the Razzies, the awards are an annual Oscar spoof that spotlights what voters deem Hollywood’s worst performances. The 46th ‌Golden Raspberry ‌Awards are set for ‌March 14, ⁠the ​day ‌before the Oscar awards.

Disney’s "Snow White," a 2025 remake of the 1937 animated classic, scored a worst picture nod along with nominations for worst remake, director and screenplay. The fantasy film stars Rachel Zegler as Snow White ⁠and Gal Gadot as the Evil Queen, and its seven ‌computer-generated dwarf characters were ‍also cited for both ‍worst supporting actors and screen combo.

Tying with “Snow ‍White,” the 2025 science fiction film "War of the Worlds," starring rapper Ice Cube and actor Eva Longoria, based on H. G. Wells' 1898 ​novel, also scored six nominations, including worst picture, actors, remake, director, screenplay and screen ⁠combo.

Other nominees include the psychological thriller “Hurry Up Tomorrow,” science fiction film “Star Trek: Section 31,” and the action-adventure Netflix film “The Electric State,” starring “Stranger Things” lead Millie Bobby Brown.

More than 1,100 Razzie members from across the United States and about two dozen other countries vote on the awards, according to the Razzie website. Voters are members of the Golden Raspberry Foundation ‌that consists of film critics and movie experts.