Beyoncé Wins Album of the Year at the 2025 Grammys for ‘Cowboy Carter’ 

Beyoncé accepts the award for album of the year for “Cowboy Carter” during the 67th annual Grammy Awards on Sunday, Feb. 2, 2025, in Los Angeles. (AP)
Beyoncé accepts the award for album of the year for “Cowboy Carter” during the 67th annual Grammy Awards on Sunday, Feb. 2, 2025, in Los Angeles. (AP)
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Beyoncé Wins Album of the Year at the 2025 Grammys for ‘Cowboy Carter’ 

Beyoncé accepts the award for album of the year for “Cowboy Carter” during the 67th annual Grammy Awards on Sunday, Feb. 2, 2025, in Los Angeles. (AP)
Beyoncé accepts the award for album of the year for “Cowboy Carter” during the 67th annual Grammy Awards on Sunday, Feb. 2, 2025, in Los Angeles. (AP)

Beyoncé won album of the year for "Cowboy Carter" at Sunday's Grammys, delivering her — at last — the show’s elusive top award.

The superstar, who is both the most awarded and nominated artist in Grammys history, has been up for the category four times before and many feel she has been snubbed by its top honors.

In winning album of the year with "Cowboy Carter," Beyoncé has become the first Black woman to win the top prize in the 21st century. The last was Lauryn Hill with "The Miseducation of Lauryn Hill" 26 years ago. Before her was Natalie Cole and Whitney Houston. That means Beyoncé is only the fourth Black woman to win album of the year at the Grammys.

Members of the Los Angeles Fire Department presented Beyoncé with the trophy, one of several times the show reflected the recent wildfires that burned thousands of homes.

"It’s been many, many years," Beyoncé said in her speech. "I want to dedicate this to Ms. Martell," she said, referencing Linda Martell, the performer who became the first Black woman to play the Grand Ole Opry.

"We finally saw it happen, everyone," host Trevor Noah said, nodding to the long overdue achievement for one of music's transcendent artists.

Kendrick Lamar won song and record of the year for his diss track "Not Like Us," taking home two of the night's most prestigious awards.

"We're gonna dedicate this one to the city," Lamar said before shouting out Los Angeles area neighborhoods.

It is the second hip-hop single to ever win in the category. The first was Childish Gambino’s "This Is America."

The Weeknd mends fences

The Weeknd has mended his fractious relationship with the Grammy Awards with a surprise performance of his new single, "Cry For Me" and "Timeless" with Playboi Carti.

His decision is a direct reflection of the changes the Recording Academy has made to diversify its voting body, CEO Harvey Mason jr. said in his introduction. The Weeknd has been openly critical of the Grammys organization, dating back to 2020 when he wrote on Twitter: "The Grammys remain corrupt."

It was just one of many pleasant surprises Sunday night. Chappell Roan was named best new artist.

She read a speech from a notebook, speaking directly to major labels and the music industry, instructing them to "offer a living wage and healthcare, especially to developing artists." She described getting signed as a minor, getting dropped and entering the workforce during COVID-19 with no work experience and no health care. She asked them to treat artists like "valuable employees."

"Labels, we got you," she concluded her speech. "But do you got us?"

Country theme

In one of the biggest moments of the evening so far, Taylor Swift presented the award for best country album to Beyoncé. She became the first Black woman to ever win in the category.

"Genre is a cold word to keep us in our place as artists," she said in her speech. "I'm still in shock. Thank you so much for this honor."

Beyoncé entered the night as the leading nominee.

A little bit of the wild west, a little bit of West Hollywood. Roan brought a rocking version of her "Pink Pony Club" to the Grammy stage. Joined by a posse of dancing clown cowboys, she sang from atop a giant pink horse.

Los Angeles on the mind

In incorporating the wildfires throughout the show, the Grammys put the spotlight on the city’s resiliency.

Noah's opening speech was dedicated to those affected by the fires, promising a show that not only celebrates them, but one that also celebrates "the city that brought us so much of that music." The Grammys have also allotted ad time to be used by local businesses affected by the fires.

As the show neared its end, Noah announced that viewers had contributed $7 million to relief efforts Sunday night so far.

On a stage set up to look like the mountains of Los Angeles, the LA born-and-raised Billie Eilish and her brother/collaborator Finneas performed her hit "Birds of a Feather." It was one of a number of ways the show seeks to salute the city. "We love you LA," she told the crowd at the end of the set.

The show kicked off with a powerful opening performance of Randy Newman's "I Love LA" by Dawes — whose members were directly affected by the Eaton fire — backed by John Legend, Brad Paisley, Sheryl Crow, Brittany Howard and St. Vincent.

Star studded performances and victories

The first televised award went to Doechii for best rap album for "Alligator Bites Never Heal."

The tears were immediate. "This category was introduced in 1989. Two women have won, Lauryn Hill —" she said, correcting herself. "Three women have won. Lauryn Hill, Cardi B and Doechii."

Will Smith introduced a tribute to the late, great, legendary producer Quincy Jones. "In his 91 years, Q touched countless lives, but I have to say he changed mine forever," he said. "You probably wouldn’t even know who Will Smith was without Quincy Jones."

Jones died in November at age 91. Kicked off by Cynthia Erivo, accompanied by Herbie Hancock on piano, the "Wicked" star sang Frank Sinatra’s "Fly Me to the Moon." Then came Lainey Wilson and Jacob Collier with "Let the Good Times Roll," followed by Stevie Wonder and Hancock busting out "Bluesette" and "We Are The World." For the latter, they were joined by student singers from two schools that were lost in the LA-area fires.

Then, Janelle Monae with an inspired rendition of "Don’t Stop 'Til You Get Enough," channeling Michael Jackson in a sparkly tuxedo and an effortless moonwalk.

The Beatles’ "Now and Then," which used AI technology, took home best rock performance. Sean Lennon accepted the award on behalf of his father John Lennon. "As far as I’m concerned, it’s the best band of all time," he said of the Beatles.

First time winners were abundant. They included Carpenter, Roan, Doechii, Charli xcx, songwriter Amy Allen, Música Mexicana star Carin León, French metal band Gojira and country folk artist Sierra Ferrell.

The Red Hot Chili Peppers’ Anthony Kiedis and Chad Smith led the crowd in a short singalong of their hit "Under the Bridge," reminding the crowd to "support their friends and neighbors as they rebuild their lives," said Kiedis. Then they presented the best pop vocal album award to Carpenter for "Short n' Sweet."

"I really wasn’t expecting this," she said. "This is, woo, my first Grammy so I’m going to cry." (She’s now won two, but the earlier award was handed out at a pre-telecast ceremony that many artists don’t attend.) She also performed.

In a tense political climate Shakira won Latin pop album for "Las Mujeres Ya No Lloran" and gave a powerful, short speech. "I want to dedicate this award to all my immigrant brothers and sisters in this country," she said.

Lady Gaga and Bruno Mars teamed up for a cover of "California Dreamin’." Later, SZA presented them with the award for best pop duo/group performance for "Die With A Smile."



First Bond Game in a Decade Hit by Two-month Delay

'007 First Light' depicts a younger Bond earning his license to kill. Ina FASSBENDER / AFP
'007 First Light' depicts a younger Bond earning his license to kill. Ina FASSBENDER / AFP
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First Bond Game in a Decade Hit by Two-month Delay

'007 First Light' depicts a younger Bond earning his license to kill. Ina FASSBENDER / AFP
'007 First Light' depicts a younger Bond earning his license to kill. Ina FASSBENDER / AFP

A Danish video game studio said it was delaying the release of the first James Bond video game in over a decade by two months to "refine the experience".

Fans will now have to wait until May 27 to play "007 First Light" featuring Ian Fleming's world-famous spy, after IO Interactive said on Tuesday it was postponing the launch to add some final touches.

"007 First Light is our most ambitious project to date, and the team has been fully focused on delivering an unforgettable James Bond experience," the Danish studio wrote on X.

Describing the game as "fully playable", IO Interactive said the two additional months would allow their team "to further polish and refine the experience", giving players "the strongest possible version at launch".

The game, which depicts a younger Bond earning his license to kill, is set to feature "globe-trotting, spycraft, gadgets, car chases, and more", IO Interactive added.

It has been more than a decade since a video game inspired by Bond was released. The initial release date was scheduled for March 27.


Movie Review: An Electric Timothee Chalamet Is the Consummate Striver in Propulsive ‘Marty Supreme’

 Timothee Chalamet attends the premiere of "Marty Supreme" at Regal Times Square on Tuesday, Dec. 16, 2025, in New York. (AP)
Timothee Chalamet attends the premiere of "Marty Supreme" at Regal Times Square on Tuesday, Dec. 16, 2025, in New York. (AP)
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Movie Review: An Electric Timothee Chalamet Is the Consummate Striver in Propulsive ‘Marty Supreme’

 Timothee Chalamet attends the premiere of "Marty Supreme" at Regal Times Square on Tuesday, Dec. 16, 2025, in New York. (AP)
Timothee Chalamet attends the premiere of "Marty Supreme" at Regal Times Square on Tuesday, Dec. 16, 2025, in New York. (AP)

“Everybody wants to rule the world,” goes the Tears for Fears song we hear at a key point in “Marty Supreme,” Josh Safdie’s nerve-busting adrenaline jolt of a movie starring a never-better Timothee Chalamet.

But here’s the thing: everybody may want to rule the world, but not everybody truly believes they CAN. This, one could argue, is what separates the true strivers from the rest of us.

And Marty — played by Chalamet in a delicious synergy of actor, role and whatever fairy dust makes a performance feel both preordained and magically fresh — is a striver. With every fiber of his restless, wiry body. They should add him to the dictionary definition.

Needless to say, Marty is a New Yorker.

Also needless to say, Chalamet is a New Yorker.

And so is Safdie, a writer-director Chalamet has called “the street poet of New York.” So, where else could this story be set?

It’s 1952, on Manhattan’s Lower East Side. Marty Mauser is a salesman in his uncle’s shoe store, escaping to the storeroom for a hot tryst with his (married) girlfriend. This witty opening sequence won’t be the only thing recalling “Uncut Gems,” co-directed by Safdie with his brother Benny before the two split for solo projects. That film, which feels much like the precursor to “Marty Supreme,” began as a trip through the shiny innards of a rare opal, only to wind up inside Adam Sandler’s colon, mid-colonoscopy.

Sandler’s Howard Ratner was a New York striver, too, but sadder, and more troubled. Marty is young, determined, brash — with an eye always to the future. He’s a great salesman: “I could sell shoes to an amputee,” he boasts, crassly. But what he’s plotting to unveil to the world has nothing to do with shoes. It’s about table tennis.

How likely is it that this Jewish kid from the Lower East Side can become the very face of a sport in America, soon to be “staring at you from the cover of a Wheaties box?”

To Marty, perfectly likely. Still, he knows nobody in the US cares about table tennis. He’s so determined to prove everyone wrong, starting at the British Open in London, that when there’s a snag obtaining cash for his trip, he brandishes a gun at a colleague to get it.

Shaking off that sorta-armed robbery thing, Marty arrives in London, where he fast-talks his way into a suite at the Ritz. Here, he spies fellow guest Kay Stone (Gwyneth Paltrow, in a wise, stylish return to the screen), a former movie star married to an insufferable tycoon (“Shark Tank” personality Kevin O’Leary, one of many nonactors here.)

Kay’s skeptical, but Marty finds a way to woo her. Really, all he has to say is: “Come watch me.” Once she sees him play, she’s sneaking into his room in a lace corselet.

This would be a good time to stop and consider Chalamet’s subtly transformed appearance. He is stick-thin — duh, he never stops moving. His mustache is skimpy. His skin is acne-scarred — just enough to erase any movie-star sheen. Most strikingly, his eyes, behind the round spectacles, are beady — and smaller. Definitely not those movie-star eyes.

But then, nearly all the faces in “Marty Supreme” are extraordinary. In a movie with more than 100 characters, we have known actors (Fran Drescher, Abel Ferrara); nonacting personalities (O’Leary, and an excellent Tyler Okonma (Tyler, The Creator) as Marty’s friend Wally); and exciting newcomers like Odessa A’Zion as Marty’s feisty girlfriend Rachel.

There are also a slew of nonactors in small parts, plus cameos from the likes of David Mamet and even high wire artist Philippe Petit. The dizzying array makes one curious how it all came together — is casting director Jennifer Venditti taking interns? Production notes tell us that for one hustling scene at a bowling alley, young men were recruited from a sports trading-card convention.

Elsewhere on the creative team, composer Daniel Lopatin succeeds in channeling both Marty’s beating heart and the ricochet of pingpong balls in his propulsive score. The script by Safdie and cowriter Ronald Bronstein, loosely based on real-life table tennis hustler Marty Reisman, beats with its own, never-stopping pulse. The same breakneck aesthetic applies to camera work by Darius Khondji.

Back now to London, where Marty makes the finals against Japanese player Koto Endo (Koto Kawaguchi, like his character a deaf table tennis champion). “I’ll be dropping a third atom bomb on them,” he brags — not his only questionable World War II quip. But Endo, with his unorthodox paddle and grip, prevails.

After a stint as a side act with the Harlem Globetrotters, including pingpong games with a seal — you’ll have to take our word for this, folks, we’re running low on space — Marty returns home, determined to make the imminent world championships in Tokyo.

But he's in trouble — remember he took cash at gunpoint? Worse, he has no money.

So Marty’s on the run. And he’ll do anything, however messy or dangerous, to get to Japan. Even if he has to totally debase himself (mark our words), or endanger friends — or abandon loyal and brave Rachel.

Is there something else for Marty, besides his obsessive goal? If so, he doesn’t know it yet. But the lyrics of another song used in the film are instructive here: “Everybody’s got to learn sometime.”

So can a single-minded striver ultimately learn something new about his own life?

We'll have to see. As Marty might say: “Come watch me.”


Nicki Minaj Surprises Conservatives with Praise for Trump, Vance at Arizona Event

CEO and Chair of the Board of Turning Point USA Erika Kirk (L) listens to US rapper Nicki Minaj speak during Turning Point's annual AmericaFest conference in Phoenix, Arizona on December 21, 2025. (Photo by Olivier Touron / AFP)
CEO and Chair of the Board of Turning Point USA Erika Kirk (L) listens to US rapper Nicki Minaj speak during Turning Point's annual AmericaFest conference in Phoenix, Arizona on December 21, 2025. (Photo by Olivier Touron / AFP)
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Nicki Minaj Surprises Conservatives with Praise for Trump, Vance at Arizona Event

CEO and Chair of the Board of Turning Point USA Erika Kirk (L) listens to US rapper Nicki Minaj speak during Turning Point's annual AmericaFest conference in Phoenix, Arizona on December 21, 2025. (Photo by Olivier Touron / AFP)
CEO and Chair of the Board of Turning Point USA Erika Kirk (L) listens to US rapper Nicki Minaj speak during Turning Point's annual AmericaFest conference in Phoenix, Arizona on December 21, 2025. (Photo by Olivier Touron / AFP)

Rapper Nicki Minaj on Sunday made a surprise appearance at a gathering of conservatives in Arizona that was memorializing late activist Charlie Kirk, and used her time on stage to praise President Donald Trump and Vice President JD Vance, calling them “role models” for young men.

The rap star was interviewed at Turning Point USA’s AmericaFest convention by Erika Kirk, the widow of Charlie Kirk, about her newly found support for Trump — someone she had condemned in the past — and about her actions denouncing violence against Christians in Nigeria.

The Grammy-nominated rapper's recent alignment with the Make America Great Again movement has caught some interest because of her past criticism of Trump even when the artist's own political ideology had been difficult to pin down. But her appearance Sunday at the flagship event for the powerful conservative youth organization may shore up her status as a MAGA acolyte.

Minaj mocked California Gov. Gavin Newsom, referring to him as New-scum, a nickname Trump gave him. Newsom, a Democrat, has 2028 prospects. Minaj expressed admiration for the Republican president and Vance, who received an endorsement from Erika Kirk despite the fact he has not said whether he will run for president. Kirk took over as leader of Turning Point.

“This administration is full of people with heart and soul, and they make me proud of them. Our vice president, he makes me ... well, I love both of them,” The Associated Press quoted Minaj as saying. “Both of them have a very uncanny ability to be someone that you relate to.”

Minaj’s appearance included an awkward moment when, in an attempt to praise Vance’s political skills, she described him as an “assassin.”

She paused, seemingly regretting her word choice, and after Kirk appeared to wipe a tear from one of her eyes, the artist put her hand over her mouth while the crowd murmured.

“If the internet wants to clip it, who cares? I love this woman,” said Erika Kirk, who became a widow when Charlie Kirk was assassinated in September.

Last month, the rapper shared a message posted by Trump on his Truth Social network about potential actions to sanction Nigeria saying the government is failing to rein in the persecution of Christians in the West African country. Experts and residents say the violence that has long plagued Nigeria isn’t so simply explained.

“Reading this made me feel a deep sense of gratitude. We live in a country where we can freely worship God,” Minaj shared on X. She was then invited to speak at a panel at the US mission to the United Nations along with US Ambassador Mike Waltz and faith leaders.

Minaj said she was tired of being “pushed around,” and she said that speaking your mind with different ideas is controversial because “people are no longer using their minds.” Kirk thanked Minaj for being “courageous,” despite the backlash she is receiving from the entertainment industry for expressing support for Trump.

“I didn’t notice,” Minaj said. “We don’t even think about them.” Kirk then said “we don’t have time to. We’re too busy building, right?”

“We’re the cool kids,” Minaj said.

The Trinidadian-born rapper is best known for her hits “Super Freaky Girl,” “Anaconda” and “Starships.” She has been nominated for 12 Grammy Awards over the course of her career.

In 2018, Minaj was one of several celebrities condemning Trump’s zero-tolerance immigration policy that split more than 5,000 children from their families at the Mexico border. Back then, she shared her own story of arriving to the country at 5 years old, describing herself as an “illegal immigrant.”

“This is so scary to me. Please stop this. Can you try to imagine the terror & panic these kids feel right now?” she posted then on Instagram.

On Sunday on stage with Erika Kirk, Minaj said, “it’s OK to change your mind.”