Sparkle and Color Pop Amid More Subdued Tones on Grammys Red Carpet 

Chappell Roan poses at the red carpet during the 67th Annual Grammy Awards in Los Angeles, California, US, February 2, 2025. (Reuters)
Chappell Roan poses at the red carpet during the 67th Annual Grammy Awards in Los Angeles, California, US, February 2, 2025. (Reuters)
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Sparkle and Color Pop Amid More Subdued Tones on Grammys Red Carpet 

Chappell Roan poses at the red carpet during the 67th Annual Grammy Awards in Los Angeles, California, US, February 2, 2025. (Reuters)
Chappell Roan poses at the red carpet during the 67th Annual Grammy Awards in Los Angeles, California, US, February 2, 2025. (Reuters)

The 67th Grammy Awards kicked off Sunday with a red carpet full of black and subdued tones against the backdrop of loss and devastation from the Los Angeles wildfires.

But there was plenty of sparkle and statement looks in huge sleeves and embellishment. The color red had a moment on Haley Kalil and others.

“While the Grammys carpet is one where we see most celebrities take major risks, some of the night’s most notable artists stayed true to their personal style,” said Bianca Betancourt, digital culture editor for Harper's Bazaar.

Madeline Hirsch, fashion features director for InStyle, agreed.

“There was a lot more edge and personality than usual on this red carpet. Everyone followed their own vision and aesthetic, which was fun to watch,” she said.

Here's a few celebrity looks and fashion moments from the red carpet:

Sierra Ferrell evokes a bride with no fashion fears

Sierra Ferrell won BIG with four Grammys. She did it just as BIG in a huge white gown that evoked a way enthusiastic bride with no fashion fears, designed by Jeffrey Kelly Designs.

Ferrell’s dress included huge luminescent sleeves, pearl embellishment all over and a matching choker piece. And she didn’t forget her bold bride’s veil: a head piece with pearls and flower touches above large pearl chandelier earrings. And she had a scepter, where she stashed her acceptance speech.

“Honestly this is kind of hilarious,” she joked after returning to the stage for a third time. “Yikes!” she started her fourth acceptance speech.

Chappell Roan is a whole mood

Chappell Roan walked in a vintage look from Jean Paul Gaultier Haute Couture, long wavy red hair flowing down her back. Her signature white powder makeup was full of color: yellows and blues and pinks and reds.

Roan's look had touches of teal and images of Degas' dancers on the skirt. It was Gaultier vintage from spring 2003.

“The singer has become known for her bold, artistic red carpet choices that reflect her unique sense of style and personality, and tonight was no exception,” said Claire Stern Milch, digital director for Elle.

Roan’s gown is from spring 2003. It was first worn by Beyoncé in Elle that April. The two are up against each other for Grammys.

“Chappell Roan inherently understands that if you want to be a pop star, you need to pave your own lane. She also understands you don’t just wear vintage to wear vintage — you do it to continue your sartorial storytelling,” Betancourt said. 'It’s probably her best red carpet look yet."

The Young Smiths

Jaden Smith walked the red carpet in Louis Vuitton with a large black castle on his head, his face peeking out. His sister, Willow Smith, was at his side. She went for classic young Hollywood in a tiny, sparkling black two piece with a long matching coat.

Willow wore her hair loose and natural as she worked her itty bitty look, a pair of towering black platform sandals on her feet.

Sabrina Carpenter stays close to signature style

Sabrina Carpenter was among those who stuck close to her signature style codes, Betancourt said. She opted for a baby blue satin gown by Jonathan Anderson for Loewe with a tousled updo and plunging back with feather boa detailing.

“It was just the right amount of sexy and old Hollywood glam that her red carpet looks usually aim for,” Betancourt said.

Red was a vibe

Red is an enduring trend in fashion of late, thanks to Taylor Swift’s commitment to the color at boyfriend Travis Kelce’s Kansas City Chiefs games. And it had a moment at the Grammys on Swift and many others.

Swift wore a short red sparkler by Vivienne Westwood. A little chain at one side of the hem dangled with red jewels, including a tiny “T.”

“It's my favorite of hers to date,” Hirsch said of Swift's look. “You can’t go wrong with a Vivienne Westwood minidress, and she’s been wearing the designer quite a bit over the past year.”

Among other vibes: swingy and sparkly metallics. Kacey Musgraves represented in a long, gold belted skirt paired with a simple white muscle T-shirt. Musgraves' look hails from Ralph Lauren Collection for spring 2025.

Beyoncé dazzles in couture

Beyoncé skipped the red carpet but showed up in custom Schiaparelli to collect the best country album award.

The body-hugger was embroidered in a bandana pattern. It’s covered in sparkling sequins and beads in champagne and cream. Her opera gloves elevated the look.

Her gown was a high fashion take on country-western style. She's been doing country couture since her album “Cowboy Carter” was released last March.

Cardi B in gold and feathers

With black detailing, the look evoked tiger stripes. There were feathers at the bottom.

It was a custom Roberto Cavalli Couture creation. The mermaid design is a true body hugger. It was covered in hand-embroidered beads and sequins.

“It was probably her most pared back look yet,” said Betancourt. "Yes, tiger print and feather trim is indeed subdued when it comes to Cardi B."

Goth Lady Gaga

Lady Gaga shut down the carpet in bulky black. Her custom look from designer Samuel Lewis had pointy shoulders, long sleeves and a huge ball gown skirt. Her hair was equally vampirish: short bangs and spiky tendrils.

After moving to more timeless looks over the years, Lady Gaga brought back her classic eye-catching and daring style to the carpet. The singer dressed like she walked straight off the set of her music video for “Disease.”

Olivia Rodrigo in black

Olivia Rodrigo's slinky look had a high neck and deep cutout at the front with a low open back and double straps securing the look.

Miley Cyrus was also in the club of black looks.

“She went for a more subtle design as well, wearing a sultry leather cut out gown from Saint Laurent and a new asymmetrical face framing haircut that kept the look intriguing,” Betancourt said.

It was halter style with a center slit. Her hair was straight and down with bangs.



Ralph Lauren’s Fall 2026 Collection a Mix of Romantic Adventure with Metallic Flair 

A model walks the runway during the Ralph Lauren Fall 2026 Collection fashion show in New York, on February 10, 2026. (AFP)
A model walks the runway during the Ralph Lauren Fall 2026 Collection fashion show in New York, on February 10, 2026. (AFP)
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Ralph Lauren’s Fall 2026 Collection a Mix of Romantic Adventure with Metallic Flair 

A model walks the runway during the Ralph Lauren Fall 2026 Collection fashion show in New York, on February 10, 2026. (AFP)
A model walks the runway during the Ralph Lauren Fall 2026 Collection fashion show in New York, on February 10, 2026. (AFP)

With more than 50 years in fashion, Ralph Lauren is still looking for adventure. Lauren took his celebrity guests on an adventure into the English countryside Tuesday for his fall 2026 runway show.

Set amid the beaux arts architecture of the Clock Tower building in Manhattan, Lauren delivered a stylish take on softness and strength, pairing luxurious earth-toned rich fabrics with metallic detailing for his latest collection.

Lauren’s ethereal models with their hair flowing behind them strutted on opulent rugs as celebrity guests including actor Anne Hathaway, singer Lana Del Rey and actor Lili Reinhart looked on from antique style chairs; a romantic painted landscape canvas filled the walls surrounding them.

In his show notes, Lauren described his muse as a woman whose style is not defined by time.

“I love the adventure of fashion,” Ralph Lauren wrote, adding his fall collection “is inspired by that kind of renegade spirit and the confidence of the woman who will wear it in her own personal way — to tell her own story.”

The 86-year-old designer has never been one to follow trends but drive them. At Tuesday’s show, accessories added a modern flair from leather gloves paired with a knit off-the-shoulder dress to shimmering silver detailing.

Supermodel Gigi Hadid opened the show in a wool corseted top and maxi skirt accentuated with a silver waist chain. Other models walked the runway with silver belt chains and metallic brooches that stood in an edgy contrast to Lauren’s romantic Victorian tops and tailored jackets. Lauren pinned metallic glimmering brooches to lush wool cloaks that were elegantly draped over models’ shoulders in a show of strength.

In a modern twist on Joan of Arc, Lauren designed a chain mail top that delicately peeked out from underneath one model’s tweed jacket. Lauren complemented the look with a printed scarf and leather pants.

“There were several looks that had this beautiful chain mail kind of detailing,” actor Ariana DeBose told The Associated Press. “What a way to give a woman beautiful armor.”

Even with his contemporary additions, Lauren’s collection still included his signature touches from his riding boots, exquisite tailoring and elegant high neck blouses.

Lauren’s brand is an American staple that continues to prevail in an ever-changing industry. As part of his enduring legacy, Lauren was once again tapped to design the uniforms for Team USA at the Olympic Winter Games in Milan, marking his sixth time designing for the games.

“From being in Italy with the greatest athletes in the world and then coming here to New York City to put on a fashion show that’s so elegant, it’s two different sides of Ralph Lauren and two different sides of what an American company can do to reach the world,” David Lauren, the company's chief branding and innovation officer, said.


Kering’s Fourth-Quarter Sales Fall Less Than Expected as Gucci Slide Continues

The logo of French luxury group Kering is seen at Kering headquarters in Paris, France, February 13, 2023. (Reuters)
The logo of French luxury group Kering is seen at Kering headquarters in Paris, France, February 13, 2023. (Reuters)
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Kering’s Fourth-Quarter Sales Fall Less Than Expected as Gucci Slide Continues

The logo of French luxury group Kering is seen at Kering headquarters in Paris, France, February 13, 2023. (Reuters)
The logo of French luxury group Kering is seen at Kering headquarters in Paris, France, February 13, 2023. (Reuters)

Kering reported on Tuesday a slightly smaller-than-expected drop in fourth-quarter sales, as investors await details of CEO Luca de Meo's plans ​to revive the Gucci owner's flagging fortunes.

Sales reached 3.9 billion euros ($4.64 billion), down 3% from the previous year when adjusted for currency swings. That beat analysts' consensus forecast for a 5% drop, according to Visible Alpha.

The revenue drop was 10% at Italian flagship label Gucci, which accounts for most of Kering's profits, versus analyst expectations of a 12% decline.

It ‌was the brand's ‌10th straight quarter of revenue ‌decline.

Finance ⁠Chief ​Armelle ‌Poulou told journalists Gucci saw some improvement at the end of last year in "almost all regions", helped by newly introduced products and handbag sales.

Grappling with weak sales since the maximalist styles of Gucci's former star designer Alessandro Michele fell out of fashion in 2022, Kering has faced heightened investor scrutiny over its high ⁠debt and declining profitability.

Free cash from operations fell by 35% last year ‌when excluding one-off payments from real estate ‍sales, reaching 2.3 billion euros, Kering ‍said.

"For Kering, it's really about (restoring) the broad desirability globally," said ‍JPMorgan analyst Chiara Battistini.

Facing an uncertain business outlook, the group, which also owns Gucci Balenciaga, Bottega Veneta and Yves Saint Laurent, further reduced its store network by 75 boutiques with further closures planned, Poulou said.

The ​earnings underscored the steep challenges Kering faces to catch up with peers even though its shares have ⁠risen around 50% since de Meo's appointment was announced last June.

"2025 did not reflect Kering's true potential or the strength of our brands, but it enabled us to lay the foundations for our future recovery," said Poulou.

Kering's annual operating income reached 1.63 billion euros, less than a third of its 2022 level. Kering's operating profit margin fell to 11% group-wide and 16% at Gucci, down from 28% and 36% three years earlier.

By contrast, LVMH delivered a 22% margin last year amid ‌a broader luxury slowdown, with its leather and fashion division - home to Louis Vuitton and Dior - hitting 35%.


Pieter Mulier Named Creative Director of Versace

(FILES) Pieter Mulier attends the 2025 CFDA Awards at The American Museum of Natural History on November 03, 2025 in New York City. (Photo by Dimitrios Kambouris / GETTY IMAGES NORTH AMERICA / AFP)
(FILES) Pieter Mulier attends the 2025 CFDA Awards at The American Museum of Natural History on November 03, 2025 in New York City. (Photo by Dimitrios Kambouris / GETTY IMAGES NORTH AMERICA / AFP)
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Pieter Mulier Named Creative Director of Versace

(FILES) Pieter Mulier attends the 2025 CFDA Awards at The American Museum of Natural History on November 03, 2025 in New York City. (Photo by Dimitrios Kambouris / GETTY IMAGES NORTH AMERICA / AFP)
(FILES) Pieter Mulier attends the 2025 CFDA Awards at The American Museum of Natural History on November 03, 2025 in New York City. (Photo by Dimitrios Kambouris / GETTY IMAGES NORTH AMERICA / AFP)

Belgian fashion designer Pieter Mulier has been named the new creative director of the Milan fashion house Versace starting July 1, according to an announcement on Thursday from the Prada Group, which owns Versace.

Mulier is currently creative director of the French fashion house Alaïa, and was previously the right-hand man of fellow Belgian designer and Prada co-creative director Raf Simons at Calvin Klein, Jil Sander and Dior.

In his new role, Mulier will report to Versace executive chairman Lorenzo Bertelli, the designated successor to manage the family-run Prada Group. Bertelli is the son of Miuccia Prada and Prada Group chairman Patrizio Bertelli.

“We believe that he can truly unlock Versace’s full potential and that he will be able to engage in a fruitful dialogue,’’ The Associated Press quoted Lorenzo Bertelli as saying of Mulier in a statement.

Mulier takes over from Dario Vitale, who departed in December after previewing just one collection during his short-lived Versace stint.

Mulier was honored last fall by supermodel and longtime Alaïa muse Naomi Campbell at the Council of Fashion Designers of America for his work paying tribute to brand founder Azzedine Alaïa. Mulier took the creative helm in 2021, after Alaïa’s death.