Syrian Migrant Drama Opens Berlin Film Festival

 German film director Tom Tykwer (C) pose with German actress Nicolette Krebitz (L) and German actor Lars Eidinger during a photo call for the film “Das Licht“ (The light) in the "Berlinale special" section of the 75th Berlinale, Europe's first major film festival of the year, in Berlin on February 13, 2025. (AFP)
German film director Tom Tykwer (C) pose with German actress Nicolette Krebitz (L) and German actor Lars Eidinger during a photo call for the film “Das Licht“ (The light) in the "Berlinale special" section of the 75th Berlinale, Europe's first major film festival of the year, in Berlin on February 13, 2025. (AFP)
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Syrian Migrant Drama Opens Berlin Film Festival

 German film director Tom Tykwer (C) pose with German actress Nicolette Krebitz (L) and German actor Lars Eidinger during a photo call for the film “Das Licht“ (The light) in the "Berlinale special" section of the 75th Berlinale, Europe's first major film festival of the year, in Berlin on February 13, 2025. (AFP)
German film director Tom Tykwer (C) pose with German actress Nicolette Krebitz (L) and German actor Lars Eidinger during a photo call for the film “Das Licht“ (The light) in the "Berlinale special" section of the 75th Berlinale, Europe's first major film festival of the year, in Berlin on February 13, 2025. (AFP)

German director Tom Tykwer said Thursday that his latest movie about a Syrian immigrant aimed to encourage people to stop "isolating" themselves, as it opened Berlin's international film festival.

"The Light", screening out of competition at the Berlinale, tells the story of a middle-class Berlin family whose lives are upended when they hire a new domestic worker from Syria.

The movie marks a return to feature filmmaking after a long hiatus for Tykwer, 59, who has been focusing on the acclaimed German television series "Babylon Berlin".

In "The Light", the Engels family -- Tim, Milena and their teenage twins -- are all immersed in their separate worlds as they navigate the complexities of modern life.

But when the enigmatic Farrah, recently arrived from Syria, is placed in their home as the new housekeeper, they find themselves slowly starting to reconnect.

"Everyone is in their own aquarium with their head stuck in it," Tykwer said.

"They are stuck with their heads under water and then some energy comes from the outside and pulls them out and enables them look at each other again."

'Extra urgency'

Tykwer said the film aimed to show that better communication can help people to relate personally but also "politically".

"We have to approach each other again and stop isolating ourselves so much," he said.

The Berlinale, which ranks with Cannes and Venice among Europe's top festivals, serves as a key launchpad for films from around the world.

US writer and director Todd Haynes will head up the jury at this year's edition, with 19 pictures vying for the festival's Golden Bear top prize.

Haynes said Thursday that the world was in a "state of particular crisis" and that filmmakers had witnessed the return of US President Donald Trump "with tremendous concern, shock".

Haynes said he hoped the Berlinale, which has a reputation as the most political of the big international film festivals, would serve as a forum for digesting global events.

"This festival has always had a strength of conviction and an openness to a challenging and political discourse and bringing that into the filmmaking, and what's happening in the world right now has put an extra urgency to all of that," he told reporters.

This year's Berlinale winds up on February 23, the same day as a snap election in Germany, called after the collapse of Chancellor Olaf Scholz's governing coalition late last year.

The campaign ahead of the election has been bitterly divisive, with the far-right AfD surging in the polls.

'Resistance'

Last year, Berlinale organizers made headlines by barring five previously invited AfD politicians and telling them they were "not welcome".

Berlinale director Tricia Tuttle said cinema could be an act of "resistance... to all of the perverse ideas that many far-right parties across the whole world and across Europe are spreading".

"This is a space where we want to come together and listen to each other and communicate through cinema... I think the very fact we're all here is a resistance," she said.

Films in competition at the Berlinale include "Dreams", from Mexican director Michel Franco, about a Mexican ballet dancer, and "What Does that Nature Say to You", from South Korean arthouse favorite Hong Sang-soo.

Hollywood director Richard Linklater will present "Blue Moon", starring Ethan Hawke, 11 years after Linklater won Berlin's Silver Bear for Best Director for "Boyhood".

Romanian director Radu Jude, who won the Golden Bear in 2021, is in the running with "Kontinental '25", a dark comedy about the rise of nationalism.

And France's Lucile Hadzihalilovic will present "The Ice Tower", a fantasy drama starring Marion Cotillard.

South Korean director Bong Joon-ho will present out of competition his new film "Mickey 17" with Robert Pattinson, and British actor Tilda Swinton will receive a lifetime achievement award.



Italy Bans Kanye West Concert Over Security Concerns

US rapper and producer Kanye West performs on stage during a concert at the Ataturk Olympic Stadium in Istanbul as part of his tour "YE Live in Istanbul" on May 30, 2026. (Photo by Yasin AKGUL / AFP)
US rapper and producer Kanye West performs on stage during a concert at the Ataturk Olympic Stadium in Istanbul as part of his tour "YE Live in Istanbul" on May 30, 2026. (Photo by Yasin AKGUL / AFP)
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Italy Bans Kanye West Concert Over Security Concerns

US rapper and producer Kanye West performs on stage during a concert at the Ataturk Olympic Stadium in Istanbul as part of his tour "YE Live in Istanbul" on May 30, 2026. (Photo by Yasin AKGUL / AFP)
US rapper and producer Kanye West performs on stage during a concert at the Ataturk Olympic Stadium in Istanbul as part of his tour "YE Live in Istanbul" on May 30, 2026. (Photo by Yasin AKGUL / AFP)

A concert by the US rapper Kanye West, who was supposed to perform on July 18 in Reggio Emilia in northern Italy, has been banned on public safety grounds, the authorities said.

The prefect of the province, Salvatore Angieri, said the decision was made following requests from bodies including the local Jewish community.

They had "expressed reservations" about the appearance of the rapper as part of the Pulse of Gaia Festival, the statement released on Friday evening said.

Another concert by the US rapper Travis Scott on July 17 has also been scrapped.

"The decision... was taken for reasons of protection of public order and safety, in view of the close timing of the events and the large crowd expected within a 24-hour period," AFP quoted the prefecture as saying.

"In the overall assessment, the cancellation of previous concerts by the American rapper in other countries and the concrete risk of counter-demonstration also weighed in."

West, who is also known as Ye, has sparked controversy with statements and songs glorifying Adolf Hitler as well as antisemitic diatribes, which he blamed on his bipolar disorder.

The scandal has led to the cancellation of a string of concerts.

Last month, the UK government banned him from entering the country, and a festival at which he was due to appear in July was cancelled.

He was also forced to scrap a planned concert in the southern French city of Marseille, while he has also been stopped from performing in Poland and Switzerland.

West performed in Istanbul on Saturday and is still due to appear at concerts in the Netherlands on June 6 and 8, in Tirana on July 11, and Prague on July 25.

In January, he took out a full-page advert in the Wall Street Journal in which he said he was "not a Nazi or an antisemite", adding: "I love Jewish people."


Hollywood Studios and Actors’ Union Find Common Ground on AI

 SAG-AFTRA chief negotiator Duncan Crabtree-Ireland attributed the mostly drama-free agreements with studios during this round of negotiations to a new mindset. (AFP)
SAG-AFTRA chief negotiator Duncan Crabtree-Ireland attributed the mostly drama-free agreements with studios during this round of negotiations to a new mindset. (AFP)
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Hollywood Studios and Actors’ Union Find Common Ground on AI

 SAG-AFTRA chief negotiator Duncan Crabtree-Ireland attributed the mostly drama-free agreements with studios during this round of negotiations to a new mindset. (AFP)
SAG-AFTRA chief negotiator Duncan Crabtree-Ireland attributed the mostly drama-free agreements with studios during this round of negotiations to a new mindset. (AFP)

As Hollywood's performers cast their ballots to approve the latest negotiated contract, union leaders say they have made some progress in conversations with studio bosses since the massive strike in 2023, especially when it comes to concerns about artificial intelligence.

SAG-AFTRA chief negotiator Duncan Crabtree-Ireland attributed the mostly drama-free agreements in this round of negotiations to a new mindset, "because the studios and streamers came to the table with a different perspective."

With 160,000 members working in film, television and video games, SAG-AFTRA is the largest and most influential union of its kind globally.

Members of the actors' union are voting on a newly negotiated agreement that was approved by the national board earlier this month, ahead of the current contract's expiration at the end of June.

"The tone of the negotiation was much more collaborative and a lot more creativity was brought by both sides, so I really believe that the 2023 strikes -- while they were very difficult for all of us -- did help effectuate a reset in the relationship between the studios and the unions in general," Crabtree-Ireland told AFP.

Approval would mean avoiding a repeat of disastrous 2023 strikes that shuttered productions, costing studios billions of dollars, while actors stood their ground against AI and other issues.

- AI's evolutions -

The strike by the Screen Actors Guild-American Federation of Television and Radio Artists (SAG-AFTRA) lasted 118 days, with star-studded picket lines outside major studios in Los Angeles and New York, marking the longest such revolt in Hollywood history.

AI technology was a sticking point for many, and that tension persists, Crabtree-Ireland said.

"They do feel more secure than they did in 2023 but there's still a very, very strong concern about AI -- and especially because the generative AI tools have advanced so much in the last three years," he said.

The latest agreement does not close the door on AI, but it does introduce new protections.

Under the new contract, digital replicas -- which use AI or any technology to replicate an actual living or deceased performer -- must "have informed consent and fair compensation," Crabtree-Ireland said.

The contract allows for limited use of synthetics, under "unusual circumstances," when a generative AI system can be used to create a character who is not based on any actual person in the world.

"There's now process in place which would require the companies to come to the union if they want to use a synthetic in a project, they have to demonstrate to us that this synthetic brings a significant additional value to the production," Crabtree-Ireland said.

"While this doesn't rise quite to the level of a complete prohibition, it's a very strong disincentive."

Voting on the latest contract closes June 4.


Oscar-Winning ‘Star Wars’ Editor Marcia Lucas Dies at 80

Marcia Lucas, wife of director George Lucas, right, carries her Oscar statuette as they arrive at a post Academy Awards party at the Beverly Hilton Hotel in Los Angeles, April 4, 1978. (AP)
Marcia Lucas, wife of director George Lucas, right, carries her Oscar statuette as they arrive at a post Academy Awards party at the Beverly Hilton Hotel in Los Angeles, April 4, 1978. (AP)
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Oscar-Winning ‘Star Wars’ Editor Marcia Lucas Dies at 80

Marcia Lucas, wife of director George Lucas, right, carries her Oscar statuette as they arrive at a post Academy Awards party at the Beverly Hilton Hotel in Los Angeles, April 4, 1978. (AP)
Marcia Lucas, wife of director George Lucas, right, carries her Oscar statuette as they arrive at a post Academy Awards party at the Beverly Hilton Hotel in Los Angeles, April 4, 1978. (AP)

Marcia Lucas, who won an Oscar as editor of the original 1977 “Star Wars" and was part of a group of women whose editing was essential to film's New Hollywood era, has died, a lawyer for her family said Friday. She was 80.

Lucas, who was married to “Star Wars” creator George Lucas from 1969 to 1983, died Wednesday from metastatic cancer, attorney Deidre Von Rock said in an email to The Associated Press. She died in Rancho Mirage, California, surrounded by loved ones, Von Rock said.

Marcia Lucas was the editor on 1983's “Return of the Jedi” and the pre-“Star Wars” George Lucas-directed films “THX 1138” and “American Graffiti.”

She was also part of the editing team for director Martin Scorsese's 1970s films “Taxi Driver,” “Alice Doesn't Live Here Anymore” and “New York, New York.”

Editor was a rare senior creative position where a woman could find a foothold in Hollywood. Marcia Lucas became one of several women whose work in the editing chair made sense of the work of the overwhelmingly male directors of the New Hollywood of the late 1960s through the early 1980s, including Dede Allen, editor of “Bonnie and Clyde” and “Dog Day Afternoon”; Verna Fields, editor of “Paper Moon” and “Jaws"; and Thelma Schoonmaker, editor of most of Scorsese's films starting with 1980's “Raging Bull.”

Lucas was often called the unsung hero of “Star Wars,” the original film that after sequels, prequels and spinoffs has come to be known by its subtitle, “A New Hope.”

She convinced her then-husband that he should have Obi-Wan Kenobi, played by Alec Guinness, die in his lightsaber battle with Darth Vader and become a spirit guide to Mark Hamill's Luke Skywalker.

And she had to make sense of raw footage that could have been a mess in the wrong hands, including the climactic rebel attack on the Death Star.

“It was extremely complex and we had 40,000 feet of dialogue footage of pilots saying this and that. And she had to cull through all that, and put in all the fighting as well,” George Lucas told Rolling Stone in an interview a few months after the film came out. “Nobody really has ever tried to interweave an actual plot story into a dogfight, and we were trying to do that."

Lucas was born Marcia Griffin in Modesto, California shortly after the end of World War II. She moved to Los Angeles with her mother after her parents divorced when she was a small child.

She began working as a film librarian and moved into working as an editor on commercials, trailers and promotional films. She was an assistant editor on the documentary “Journey to the Pacific” for Fields, who also hired George Lucas, then a film student at the University of Southern California.

The couple became engaged soon after. Their marriage would essentially end in 1982, but they kept their divorce under wraps until after the release of “Return of the Jedi” in 1983. Marcia Lucas was then married to Tom Rodrigues, a production manager at the Skywalker Ranch production center, from 1983 to 1993.

She is survived by her daughters, Amanda Lucas and Amy Soper, and grandchildren Felix Hallikainen, Aeliana Hallikainen and Knox Soper.

"Her influence on film is indelible, but those who knew her best will remember the way she made life feel more vivid, more beautiful, more fun, and more full of love,” a family statement said. “Her work was known for its emotional intelligence, rhythm, and humanity — a rare ability to find the truth of a scene and bring heart, momentum, and clarity to the screen.”