Oscar Presenters Will Include Selena Gomez, Oprah Winfrey

An Oscar statue appears at the 91st Academy Awards Nominees Luncheon, Feb. 4, 2019, in Beverly Hills, Calif. (Photo by Danny Moloshok/Invision/AP, File)
An Oscar statue appears at the 91st Academy Awards Nominees Luncheon, Feb. 4, 2019, in Beverly Hills, Calif. (Photo by Danny Moloshok/Invision/AP, File)
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Oscar Presenters Will Include Selena Gomez, Oprah Winfrey

An Oscar statue appears at the 91st Academy Awards Nominees Luncheon, Feb. 4, 2019, in Beverly Hills, Calif. (Photo by Danny Moloshok/Invision/AP, File)
An Oscar statue appears at the 91st Academy Awards Nominees Luncheon, Feb. 4, 2019, in Beverly Hills, Calif. (Photo by Danny Moloshok/Invision/AP, File)

After devastating wildfires tore through Los Angeles, the 97th Academy Awards are going forward.

Like the Grammys and other awards shows this year, the ceremony will be transformed by the fires and the Academy of Motion Picture Arts and Sciences has pledged to help its members and the broader film community recover.

Here’s everything you need to know about this year’s show:

When are the Oscars? The Academy Awards will be held on Sunday, March 2, at the Dolby Theatre in Los Angeles. The show, to be broadcast live by ABC, is scheduled to begin at 7 p.m. Eastern/4 p.m. Pacific, The AP reported.

Are the Oscars streaming? For the first time, the Oscars will be streamed live on Hulu. You can also watch via Hulu Live TV, YouTubeTV, AT&T TV and FuboTV. With authentication from your provider, you can watch on ABC.com and the ABC app.

Who's hosting the Oscars? For the first time, Conan O’Brien is hosting the Academy Awards. O’Brien, the late-night host turned podcaster and occasional movie star, said upon the announcement: “America demanded it and now it’s happening: Taco Bell’s new Cheesy Chalupa Supreme. In other news, I’m hosting the Oscars.”

How have the wildfires altered the show? The wildfires that consumed large parts of Los Angeles in early January led some to call for the cancellation of the Academy Awards. The academy twice postponed the announcement of nominations but never pushed the March 2 date of the ceremony. Academy leaders have argued the show must go ahead, for their economic impact on Los Angeles and as a symbol of resilience.

Organizers have vowed this year’s awards will “celebrate the work that unites us as a global film community and acknowledge those who fought so bravely against the wildfires.”

Still, the fires have curtailed much of the usual frothiness of Hollywood's awards season. The film academy canceled its annual nominees luncheon.

For many involved in the Oscars, the fires have been felt acutely. O'Brien's Pacific Palisades home survived but his family has been unable to go back to it. O'Brien's assistant and podcast co-host Sona Movsesian lost her home.

“I know so many people who lost their homes and I’m just, was ridiculously lucky,” O’Brien told The Associated Press. “So we want to make sure that that show reflects what’s happening and that we put a light on the right people in the right way.”

Who's presenting at the Oscars? More stars were added to the presenter lineup Wednesday, including Selena Gomez, Oprah Winfrey, Joe Alwyn, Goldie Hawn, Ben Stiller, Ana de Armas, Sterling K. Brown, Willem Dafoe, Lily-Rose Depp and Connie Nielsen. They'll join the likes of Halle Berry, Penélope Cruz, Elle Fanning, Whoopi Goldberg, Scarlett Johansson, John Lithgow, Amy Poehler, June Squibb and Bowen Yang, as well as last year's acting winners — Emma Stone, Robert Downey Jr., Cillian Murphy, Da’Vine Joy Randolph — on the Oscar stage. Though the academy initially said it would bring back the “fab five” style of presenting the acting awards, with five previous winners per category, organizers have reportedly abandoned those plans for this year’s ceremony. Nick Offerman will also be participating as the Oscars announcer.

Will there be any performances? The academy has announced that, unlike previous years, the original song nominees will not be performed this time. That doesn't mean there won't be music, though. “Wicked,” one of the biggest box-office hits of 2024, could feasibly figure into the Oscar plans. (Its songs weren't eligible for best song since, hailing from the Broadway musical, they aren't original to the movie.)

What's nominated for best picture? The 10 nominees for best picture are: “Anora”; “The Brutalist”; “A Complete Unknown”; “Conclave”; “Dune: Part 2”; “Emilia Pérez”; “I’m Still Here”; “Nickel Boys”; “The Substance”; “Wicked”

How can I watch the Oscar-nominated films? Some of the nominees are still in theaters, but many of this year’s Oscar nominees are streaming on various platforms. The AP has this handy guide to help with Oscar cramming.

Who are the favorites? More than most years, that’s a tricky question, but a front-runner has emerged after “Anora” took the top awards at the Producers Guild and the Directors Guild over the weekend. The best picture race had been seen as unusually wide open, with “Anora,” “Conclave,” “The Brutalist,” “A Complete Unknown” and “Emilia Pérez” all having legitimate hopes of winning. In the acting categories, Demi Moore (“The Substance”) is favored for best actress, although Mikey Madison's BAFTA win for “Anora” makes it more of a race. Adrien Brody (“The Brutalist”) is most likely in best actor, Zoe Saldaña (“Emilia Pérez”) is the supporting actress front-runner and Kieran Culkin (“A Real Pain”) is the favorite for best supporting actor. None of those awards, however, is considered definite locks.

What's the deal with ‘Emilia Pérez’? Jacques Audiard’s “Emilia Pérez,” a narco-musical about a Mexican drug lord who undergoes gender affirming surgery, comes in with a leading 13 nominations. The film, at one point, seemed like Netflix’s best chance yet to land the streamer its first best picture win. Its star, Karla Sofía Gascón, made history by becoming the first openly trans actor nominated for an Oscar.

But no nominee has had a rockier post-nominations Oscar campaign. After old offensive tweets by Gascón were uncovered, the actress issued an apology. The fallout, though, has badly damaged a movie that was already a divisive contender, and led Netflix to radically refocus its flagging campaign.



Movie Review: Stephen Curry's Animated Basketball Movie 'GOAT' Is a Disappointing Air Ball

 Stephen Curry attends a premiere for the film "GOAT", in Los Angeles, California, US, February 6, 2026. (Reuters)
Stephen Curry attends a premiere for the film "GOAT", in Los Angeles, California, US, February 6, 2026. (Reuters)
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Movie Review: Stephen Curry's Animated Basketball Movie 'GOAT' Is a Disappointing Air Ball

 Stephen Curry attends a premiere for the film "GOAT", in Los Angeles, California, US, February 6, 2026. (Reuters)
Stephen Curry attends a premiere for the film "GOAT", in Los Angeles, California, US, February 6, 2026. (Reuters)

You'd expect an animated basketball movie with four-time NBA champion Stephen Curry in the producer's chair to be an easy lay-up. So why is “GOAT” such a brick?

Despite a wondrously textured, kinetic world and some interesting oddball characters, the movie is undone by a predictable, saccharine script. It’s as easy to see the steps coming as a Curry three-pointer arching into the net.

The movie has the kind of lazy, thin writing that feels like it all could have derived from a Hollywood happy hour gettogether: “Bro, bro. Wait. What if the GOAT was an actual goat?”

It centers on Will Harris, a goat with dreams of becoming a great baller, voiced by “Stranger Things” star Caleb McLaughlin. Undersized and an orphan — again with the orphans, guys? — Will is a delivery driver for a diner and late on his rent. He's a great outside shooter but a liability in the paint, unless he learns, that is.

He lives in Vineland — a hectic urban landscape with graffiti and living vines that choke the playgrounds — and is a rabid supporter of the local franchise, the Thorns. His idol is veteran Jett Fillmore, a leopard who's the league's all-time leading scorer, nicely voiced by Gabrielle Union. The Thorns are a bit of a mess, despite Jett's brilliance.

The game here is called roarball, a high-intensity, co-ed, multi-animal, full-contact sport derived from basketball with a hollow ball that has small holes. It's a “Mad Max” sport — ultraviolent, unofficiated and the dangers lurk not just from the beefy opponents but from the arena itself. The championship award is called the Claw.

The best part of the movie may be the environments for the other arenas — lava in one, a swamp with stalagmites and stalactites in another, plus an ice-bound one and another with desert sandstorms and rocks. Homefield advantage is a big thing in this league.

There seem to be only two kinds of points scored here — blazing windmills, cutting tomahawks and spectacular alley-oop dunks or slow-mo threes from so far downtown they might as well be in a different zip code. No mid-range jumpers, bro.

This universe is divided into “bigs” and “smalls” — rhinos, bears and giraffes on one side, gerbils and capybara on the other — and Will is deemed a small. “Smalls can’t ball,” he is told, condescendingly.

But Will — thanks to a viral video — improbably gets signed to the Thorns by the team's owner (a cynical warthog voiced wonderfully by Jenifer Lewis). It's seen as a shameless publicity stunt that no one wants, especially Jett, who needs a winning season after being taunted by “All stats, no Claw.”

Now, predictably, in Aaron Buchsbaum and Teddy Riley script, comes the bulk of the movie, giving a steady “The Karate Kid” or “Air Bud” vibe as it charts Will's steady rise to honored teammate and franchise future, despite Jett insisting she's not ready to go: “I’m the GOAT. I’m not passing the torch.”

The lessons are good — the importance of teamwork and believing in yourself — but the testosterone-fueled violence on the courts is WWE extreme. There are unnecessary plugs for Mercedes and Under Armor, and hollow slogans like “Dream big” and “Roots run deep.”

Some of the most interesting characters end up on the Thorns, a fragile, somewhat broken team that includes a rhino (voiced by David Harbour), a delicate ostrich (Nicola Coughlan), a gonzo Komodo dragon (Nick Kroll) and a desultory giraffe (Curry).

The Komodo dragon, named Modo, is the best of the bunch, an insane, unpredictable creature full of electricity. “If Modo was any more of a snack, he’d eat himself,” he declares. Could he get his own movie?

Directed by “Bob’s Burgers” veteran Tyree Dillihay and Adam Rosette, “GOAT” is targeted to Gen Alpha, leveraging cellphone screens and online likes, virality and diss tracks. It's not as funny as it thinks it is and tiresome in its overly familiar redemption arc.

Another potential basketball GOAT — Michael Jordan — gave us a clunker of a live-action- animated basketball movie in “Space Jam” exactly 30 years ago and “GOAT,” while not as bad as that mess, is an air ball none the same.


Music World Mourns Ghana's Ebo Taylor, Founding Father of Highlife

Ebo Taylor, who kept performing into his 80s, was instrumental in introducing Ghanaian highlife to international listeners. Nipah Dennis / AFP
Ebo Taylor, who kept performing into his 80s, was instrumental in introducing Ghanaian highlife to international listeners. Nipah Dennis / AFP
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Music World Mourns Ghana's Ebo Taylor, Founding Father of Highlife

Ebo Taylor, who kept performing into his 80s, was instrumental in introducing Ghanaian highlife to international listeners. Nipah Dennis / AFP
Ebo Taylor, who kept performing into his 80s, was instrumental in introducing Ghanaian highlife to international listeners. Nipah Dennis / AFP

Tributes have been pouring in from across Ghana and the world since the death of Ghanaian highlife legend Ebo Taylor.

A guitarist, composer and bandleader who died on Saturday, Taylor's six-decade career played a key role in shaping modern popular music in West Africa, said AFP.

Often described as one of the founding fathers of contemporary highlife, Taylor died a day after the launch of a music festival bearing his name in the capital, Accra, and just a month after celebrating his 90th birthday.

Highlife, a genre blending traditional African rhythms with jazz and Caribbean influences, was recently added to UNESCO's Intangible Cultural Heritage list.

"The world has lost a giant. A colossus of African music," a statement shared on his official page said. "Your light will never fade."

The Los Angeles-based collective Jazz Is Dead called him a pioneer of highlife and Afrobeat, while Ghanaian dancehall star Stonebwoy and American producer Adrian Younge, who his worked with Jay Z and Kendrick Lamar, also paid tribute to his legacy.

Nigerian writer and poet Dami Ajayi described him as a "highlife maestro" and a "fantastic guitarist".

- 'Uncle Ebo' -

Taylor's influence extended far beyond Ghana, with elements of his music appearing in the soul, jazz, hip-hop and Afrobeat genres that dominate the African and global charts today.

Born Deroy Taylor in Cape Coast in 1936, he began performing in the 1950s, as highlife was establishing itself as the dominant sound in Ghana in the years following independence.

Known for intricate guitar lines and rich horn arrangements, he played with leading bands including the Stargazers and the Broadway Dance Band.

In the early 1960s, he travelled to London to study music, where he worked alongside other African musicians, including Nigerian Afrobeat pioneer Fela Kuti.

The exchange of ideas between the two would later be seen as formative to the development of Afrobeat, a political cocktail blending highlife with funk, jazz and soul.

Back in Ghana, Taylor became one of the country's most sought-after arrangers and producers, working with stars such as Pat Thomas and CK Mann while leading his own bands.

His compositions -- including "Love & Death", "Heaven", "Odofo Nyi Akyiri Biara" and "Appia Kwa Bridge" -- gained renewed international attention decades later as DJs, collectors and record labels reissued his music. His grooves were sampled by hip-hop and R&B artists and helped introduce new global audiences to Ghanaian highlife.

Taylor continued touring into his 70s and 80s, performing across Europe and the United States as part of a late-career renaissance that cemented his status as a cult figure among younger musicians.

Many fans affectionately referred to him as "Uncle Ebo", reflecting both his longevity and mentorship of younger artists.

For many, he remained a symbol of highlife's golden era and of a generation that carried Ghanaian music onto the world stage.


'Send Help' Repeats as N.America Box Office Champ

Canadian actor Rachel McAdams and US actor Dylan O'Brien pose upon arrival on the red carpet for the UK premiere of the film 'Send Help' in central London on January 29, 2026. (Photo by CARLOS JASSO / AFP)
Canadian actor Rachel McAdams and US actor Dylan O'Brien pose upon arrival on the red carpet for the UK premiere of the film 'Send Help' in central London on January 29, 2026. (Photo by CARLOS JASSO / AFP)
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'Send Help' Repeats as N.America Box Office Champ

Canadian actor Rachel McAdams and US actor Dylan O'Brien pose upon arrival on the red carpet for the UK premiere of the film 'Send Help' in central London on January 29, 2026. (Photo by CARLOS JASSO / AFP)
Canadian actor Rachel McAdams and US actor Dylan O'Brien pose upon arrival on the red carpet for the UK premiere of the film 'Send Help' in central London on January 29, 2026. (Photo by CARLOS JASSO / AFP)

Horror flick "Send Help" showed staying power, leading the North American box office for a second straight week with $10 million in ticket sales, industry estimates showed Sunday.

The 20th Century flick stars Rachel McAdams and Dylan O'Brien as a woman and her boss trying to survive on a deserted island after their plane crashes.
It marks a return to the genre for director Sam Raimi, who first made his name in the 1980s with the "Evil Dead" films.

Debuting in second place at $7.2 million was rom-com "Solo Mio" starring comedian Kevin James as a groom left at the altar in Italy, Exhibitor Relations reported.

"This is an excellent opening for a romantic comedy made on a micro-budget of $4 million," said analyst David A. Gross of Franchise Entertainment Research, noting that critics and audiences have embraced the Angel Studios film.

Post-apocalyptic Sci-fi thriller "Iron Lung" -- a video game adaptation written, directed and financed by YouTube star Mark Fischbach, known by his pseudonym Markiplier -- finished in third place at $6.7 million, AFP reported.

"Stray Kids: The Dominate Experience," a concert film for the K-pop boy band Stray Kids filmed at SoFi Stadium in Los Angeles, opened in fourth place at $5.6 million.

And in fifth place at $4.5 million was Luc Besson's English-language adaptation of "Dracula," which was released in select countries outside the United States last year.

Gross called it a "weak opening for a horror remake," noting the film's total production cost of $50 million and its modest $30 million take abroad so far.

Rounding out the top 10 are:
"Zootopia 2" ($4 million)
"The Strangers: Chapter 3" ($3.5 million)
"Avatar: Fire and Ash" ($3.5 million)
"Shelter" ($2.4 million)
"Melania" ($2.38 million)