London Fashion Week: Master Milliner Stephen Jones Wears Many Hats

A hat made from tempered chocolate is seen on display as milliner Stephen Jones presents his Autumn-Winter 2025-2026 collection in his Covent Garden shop during London Fashion Week in London, on February 21, 2025. (AFP)
A hat made from tempered chocolate is seen on display as milliner Stephen Jones presents his Autumn-Winter 2025-2026 collection in his Covent Garden shop during London Fashion Week in London, on February 21, 2025. (AFP)
TT

London Fashion Week: Master Milliner Stephen Jones Wears Many Hats

A hat made from tempered chocolate is seen on display as milliner Stephen Jones presents his Autumn-Winter 2025-2026 collection in his Covent Garden shop during London Fashion Week in London, on February 21, 2025. (AFP)
A hat made from tempered chocolate is seen on display as milliner Stephen Jones presents his Autumn-Winter 2025-2026 collection in his Covent Garden shop during London Fashion Week in London, on February 21, 2025. (AFP)

In a millinery in central London, fascinated guests Friday tried on hats of different shapes and sizes, leaning in to smell one made of chocolate, and another with an aroma of autumn.

Legendary British hat-maker Stephen Jones explored the senses for his Autumn-Winter 2025 presentation at London Fashion Week, with hats of satin, tartan, crepe and even glass on display.

"I was thinking about how people connected through hats, and so it's about sight, and taste, and touch," Jones, who also designs hats for Dior, told AFP at his studio in Covent Garden.

Feathers floated atop a delicate fascinator, icy beads dangled down from another headband, and Jones described a black satin flatcap with white piping as "assured" and "fun".

"What is fashion about? Is fashion a uniform? Is fashion self-expression? Can fashion be fun? So that's why this collection came about," Jones said.

The center of attraction was a Willy Wonka-esque top hat made of chocolate with a bite-size hole in its crown, which Jones crafted in collaboration with Paris-based patissiere Jana Lai.

Jones has already had an order for the hat from a "lady who wants to wear it for her birthday party," and said the confectionary head covering can be worn by "anyone".

"Not somewhere too hot though," he mused.

From plush berets for Princess Diana to towering headdresses strutted down Dior runways, Jones's hats have served as the crowning glory of celebrities and designers for over four decades.

His work is currently on display in a retrospective at Paris's Palais Galliera called "Stephen Jones, Chapeaux d'Artiste," which brings together some 170 hats spanning his career.

Jones, 67, was born "near Liverpool, in the middle of nowhere".

"So for me, Paris was always such an exciting place," said Jones, who divides his time between London and Paris.

"Paris has always influenced my work," he added, a customary brown beret balancing on his head.

Jones crafted his first hat when he was a student at London's Central Saint Martins out of a cereal box and scraps from his sister's blouse.

That sense of whimsy and innovation never really went away.

"Everything else can be super serious, but fashion and hats need to be about celebrating life," he said. "Especially at the moment."

For the millinery guru, it was "strange" to be taking part in fashion week at a time of global political uncertainty.

"But that's what fashion does. At least you can control how you get dressed in the morning."

Jones has collaborated with designers from Vivienne Westwood and Jean Paul Gaultier to Maison Margiela and Comme des Garcons, all while gracing the heads of A-listers -- including styling Rihanna in an embellished bishop's mitre for the Met Gala in 2018.

"Hats are so popular because it's like a talisman of something. It's a talisman of hope," said Jones.

"People wear jackets and tailoring and shoes... But to show your individuality, maybe a hat is a very good way of doing that."

Despite dressing a roster of fashion royalty, Jones said he still has not made a hat for Britain's Queen Camilla.

"The Queen hasn't worn my hats yet. Maybe one day I'll make a hat (for her)," said Jones.

After 45 years of presenting collections, how does he keep pulling ideas out of his hat?

"I guess that's my character. I live my life, and put it into a hat."



Pieter Mulier Named Creative Director of Versace

(FILES) Pieter Mulier attends the 2025 CFDA Awards at The American Museum of Natural History on November 03, 2025 in New York City. (Photo by Dimitrios Kambouris / GETTY IMAGES NORTH AMERICA / AFP)
(FILES) Pieter Mulier attends the 2025 CFDA Awards at The American Museum of Natural History on November 03, 2025 in New York City. (Photo by Dimitrios Kambouris / GETTY IMAGES NORTH AMERICA / AFP)
TT

Pieter Mulier Named Creative Director of Versace

(FILES) Pieter Mulier attends the 2025 CFDA Awards at The American Museum of Natural History on November 03, 2025 in New York City. (Photo by Dimitrios Kambouris / GETTY IMAGES NORTH AMERICA / AFP)
(FILES) Pieter Mulier attends the 2025 CFDA Awards at The American Museum of Natural History on November 03, 2025 in New York City. (Photo by Dimitrios Kambouris / GETTY IMAGES NORTH AMERICA / AFP)

Belgian fashion designer Pieter Mulier has been named the new creative director of the Milan fashion house Versace starting July 1, according to an announcement on Thursday from the Prada Group, which owns Versace.

Mulier is currently creative director of the French fashion house Alaïa, and was previously the right-hand man of fellow Belgian designer and Prada co-creative director Raf Simons at Calvin Klein, Jil Sander and Dior.

In his new role, Mulier will report to Versace executive chairman Lorenzo Bertelli, the designated successor to manage the family-run Prada Group. Bertelli is the son of Miuccia Prada and Prada Group chairman Patrizio Bertelli.

“We believe that he can truly unlock Versace’s full potential and that he will be able to engage in a fruitful dialogue,’’ The Associated Press quoted Lorenzo Bertelli as saying of Mulier in a statement.

Mulier takes over from Dario Vitale, who departed in December after previewing just one collection during his short-lived Versace stint.

Mulier was honored last fall by supermodel and longtime Alaïa muse Naomi Campbell at the Council of Fashion Designers of America for his work paying tribute to brand founder Azzedine Alaïa. Mulier took the creative helm in 2021, after Alaïa’s death.


Ralph Lauren’s Margin Caution Eclipses Stronger‑than‑expected Quarterly Results

Guests wait after viewing the latest Ralph Lauren collection in New York City, US, April 17, 2025. REUTERS/Caitlin Ochs/File photo
Guests wait after viewing the latest Ralph Lauren collection in New York City, US, April 17, 2025. REUTERS/Caitlin Ochs/File photo
TT

Ralph Lauren’s Margin Caution Eclipses Stronger‑than‑expected Quarterly Results

Guests wait after viewing the latest Ralph Lauren collection in New York City, US, April 17, 2025. REUTERS/Caitlin Ochs/File photo
Guests wait after viewing the latest Ralph Lauren collection in New York City, US, April 17, 2025. REUTERS/Caitlin Ochs/File photo

Ralph Lauren posted third-quarter results above Wall Street estimates on Thursday, but the luxury retailer's warning of margin pressure tied to US tariffs sent its shares down nearly 6.4% in premarket trading.

The company expects fourth-quarter margins, its smallest revenue period, to shrink about 80 to 120 basis points due to higher tariff pressure and marketing spend.

Ralph Lauren, which sources its products from regions such as China, India and Vietnam, has relied on raising prices and reallocating production to regions with lower duty exposure to offset US tariff pressures, Reuters reported.

"Ralph Lauren has been able to raise prices for some time now. There is some limit on how long it can continue to do this. I think (the company's) gross margins are near peak levels," Morningstar analyst David Swartz said.

The company, which sells $148 striped linen shirts and $498 leather handbags, has tightened inventory, lifted full-price sales and refreshed core styles, boosting its appeal among wealthier and younger customers, including Gen Z.

Higher-income households are still splurging on luxury items, travel and restaurant meals, while lower- and middle-income consumers are strained by higher costs for rents and food as well as a softer job market.

The New York City-based company saw quarterly operating costs jump 12% year-on-year as it ramped up brand building efforts through sports-focused brand campaigns such as Wimbledon and the US Open tennis championship.

The luxury retailer said revenue in the quarter ended December 27 rose 12% to $2.41 billion, above analysts' estimates of a 7.9% rise to $2.31 billion, according to data compiled by LSEG.

It earned $6.22 per share, excluding items, compared to expectations of $5.81, aided by a 220 basis points increase in margins and an 18% rise in average unit retail across its direct-to-consumer channel.

Ralph Lauren now expects fiscal 2026 revenue to rise in the high single to low double digits on a constant currency basis, up from its prior forecast of a 5% to 7% growth.


Saudi Fashion Commission, Kering Launch 'Kering Generation Award X MENA'

This year's award builds on the strong success of the 2025 award, which attracted more than 500 applications, shortlisted 21 finalists, and recognized three winners. SPA
This year's award builds on the strong success of the 2025 award, which attracted more than 500 applications, shortlisted 21 finalists, and recognized three winners. SPA
TT

Saudi Fashion Commission, Kering Launch 'Kering Generation Award X MENA'

This year's award builds on the strong success of the 2025 award, which attracted more than 500 applications, shortlisted 21 finalists, and recognized three winners. SPA
This year's award builds on the strong success of the 2025 award, which attracted more than 500 applications, shortlisted 21 finalists, and recognized three winners. SPA

Saudi Arabia’s Fashion Commission and global luxury group Kering have launched the "Kering Generation Award X MENA" across the Middle East and North Africa (MENA) for 2026.

The announcement was made on Tuesday during the opening of the RLC Global Forum, hosted at the French Embassy in Riyadh.

This year's award builds on the strong success of the 2025 award, which attracted more than 500 applications, shortlisted 21 finalists, and recognized three winners.

Participants benefited from mentorship programs, workshops, and opportunities to strengthen their global presence. Building on this momentum, the 2026 program seeks to expand its impact across the MENA region.

The 2026 award focuses on four key areas of sustainable fashion: innovation in regenerative materials and clean production, circular design and sustainable business models, nature conservation and animal welfare, and consumer awareness and cultural engagement.

The program targets startups across the MENA region that operate in, or positively influence, the sustainable fashion sector, provided they demonstrate innovation capabilities and the ability to deliver measurable sustainability outcomes.