Nigeria’s Museum Agrees with Royal Ruler on Custody of Benin Bronzes 

Examples of Benin bronzes which, together with collections such as the Parthenon sculptures, are the subject of talks of their return to countries of origin, are displayed at the British Museum in London, Britain, January 25, 2023. (Reuters) 
Examples of Benin bronzes which, together with collections such as the Parthenon sculptures, are the subject of talks of their return to countries of origin, are displayed at the British Museum in London, Britain, January 25, 2023. (Reuters) 
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Nigeria’s Museum Agrees with Royal Ruler on Custody of Benin Bronzes 

Examples of Benin bronzes which, together with collections such as the Parthenon sculptures, are the subject of talks of their return to countries of origin, are displayed at the British Museum in London, Britain, January 25, 2023. (Reuters) 
Examples of Benin bronzes which, together with collections such as the Parthenon sculptures, are the subject of talks of their return to countries of origin, are displayed at the British Museum in London, Britain, January 25, 2023. (Reuters) 

Nigeria's national museum commission will be responsible for retrieving and keeping priceless Benin Bronzes, taking on the task with the assent of the royal ruler appointed sole owner and custodian of the objects nearly two years ago, its head said.

Nigeria is on a quest to recover thousands of intricate bronze sculptures and castings that were looted by British soldiers during a raid on the then-separate Kingdom of Benin, located in what is now southwestern Nigeria, in 1897.

The stolen bronzes are among Africa's finest and most significant heritage objects and are mostly in Europe.

In March 2023, then-president Muhammadu Buhari signed a decree saying the Oba, or king, of the historic kingdom of Benin rightfully owned all returned Benin Bronzes and was responsible for managing all places where the artifacts are kept.

Olugbile Holloway, director general of the National Commission for Museums and Monuments (NCMM), told Reuters that the Oba did not have the infrastructure to care for the bronzes.

"So, the Oba has given the NCMM the blessing to display, conserve and to pursue reparation of these objects. So, there is no more ambiguity," said Holloway.

In 2023 the NCMM had said the University of Cambridge's Museum of Archaeology and Anthropology put on hold plans to return more than 100 artifacts after the government decree.

Holloway, however, said it was now a matter of time before an agreement would be reached with Cambridge University for the artifacts' return.

"The return of these objects is not just about displaying them in the museum or taking care of them. It is about the dignity of our people and undoing the injustice of 1897," he said.



Palestinian Artist Sliman Mansour Dies at 79

Painter and sculptor Sliman Mansour and his landmark 1973 painting, "Camel of Hardships". (Sliman Mansour on Instagram)
Painter and sculptor Sliman Mansour and his landmark 1973 painting, "Camel of Hardships". (Sliman Mansour on Instagram)
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Palestinian Artist Sliman Mansour Dies at 79

Painter and sculptor Sliman Mansour and his landmark 1973 painting, "Camel of Hardships". (Sliman Mansour on Instagram)
Painter and sculptor Sliman Mansour and his landmark 1973 painting, "Camel of Hardships". (Sliman Mansour on Instagram)

Painter and sculptor Sliman Mansour, one of the most prominent names in Palestinian art, has died at the age of 79, his family announced.

Mansour, whose vivid artwork depicted both Palestinian traditions and his people's struggles under Israeli occupation, died on Monday at his home in east Jerusalem, his family said.

"The final chapter has been written. With hearts gripped by sorrow beyond description, we announce that our dear father has left this world," the family said in a statement.

"For the world, he leaves behind a life filled with beauty and memories, and a legacy that will continue through everyone whose lives he touched. As for us, we have lost a father who was the source of our love, our strength and our refuge."

Mansour was born in Birzeit, north of Ramallah, in 1947 and studied art and design in Jerusalem, graduating in 1970.

The Palestinian Culture Ministry mourned Mansour, calling him "one of the most important pillars of contemporary Palestinian visual art, whose career over decades formed part of the Palestinian visual and national memory".

The ministry hailed his landmark 1973 painting, "Camel of Hardships", depicting an elderly Palestinian porter carrying the city of Jerusalem on his back, as "an artistic and national icon", adding that his work served "as witness to Palestinian history and guardian of identity".

Mansour was the recipient of numerous awards, among them the UNESCO-Sharjah Prize for Arab Culture in 2019.


Saudi Arabia Establishes Cultural Center in Paris

Saudi Arabia Establishes Cultural Center in Paris
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Saudi Arabia Establishes Cultural Center in Paris

Saudi Arabia Establishes Cultural Center in Paris

The Saudi Ministry of Culture announced on Monday the establishment of a Saudi cultural center in Paris on the sidelines of the visit of Prince Mohammed bin Salman bin Abdulaziz Al Saud, Crown Prince and Prime Minister, to France.

The center will serve as a platform for promoting Saudi culture and highlighting its historical depth and creative diversity through high-quality cultural programs and initiatives involving French practitioners, institutions and the public.

It will support the international presence of Saudi cultural practitioners, strengthen communication between intellectuals and creative professionals in the two countries, and build strategic partnerships between Saudi and French cultural institutions, facilitating the exchange of expertise and implementation of joint cultural initiatives.

The establishment of the center reflects the continued development of Saudi-French relations and underscores the Kingdom's commitment to strengthening its international cultural presence and presenting an authentic cultural image that introduces the world to its rich heritage and contemporary creative output.


Saudi-French Joint Ministerial Committee on AlUla Underlines Commitment to Deepen Partnership

Saudi Minister of Culture and Governor of the Royal Commission for AlUla Prince Badr bin Abdullah bin Farhan (third from left) and French Minister for Europe and Foreign Affairs Jean-Noel Barrot (third from right) during the meeting of the joint Saudi-French Ministerial Committee on AlUla on Monday. (SPA)
Saudi Minister of Culture and Governor of the Royal Commission for AlUla Prince Badr bin Abdullah bin Farhan (third from left) and French Minister for Europe and Foreign Affairs Jean-Noel Barrot (third from right) during the meeting of the joint Saudi-French Ministerial Committee on AlUla on Monday. (SPA)
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Saudi-French Joint Ministerial Committee on AlUla Underlines Commitment to Deepen Partnership

Saudi Minister of Culture and Governor of the Royal Commission for AlUla Prince Badr bin Abdullah bin Farhan (third from left) and French Minister for Europe and Foreign Affairs Jean-Noel Barrot (third from right) during the meeting of the joint Saudi-French Ministerial Committee on AlUla on Monday. (SPA)
Saudi Minister of Culture and Governor of the Royal Commission for AlUla Prince Badr bin Abdullah bin Farhan (third from left) and French Minister for Europe and Foreign Affairs Jean-Noel Barrot (third from right) during the meeting of the joint Saudi-French Ministerial Committee on AlUla on Monday. (SPA)

The joint Saudi-French Ministerial Committee on AlUla held a meeting in Paris on Monday, chaired by Saudi Minister of Culture and Governor of the Royal Commission for AlUla Prince Badr bin Abdullah bin Farhan and French Minister for Europe and Foreign Affairs Jean-Noel Barrot.

The meeting was attended by Saudi Minister of Foreign Affairs Prince Faisal bin Farhan bin Abdullah, Minister of Investment Fahad Al-Saif, and Chief Executive Officer of the Royal Commission for AlUla Abeer Al-Akel. Also present were French Minister of Culture Catherine Pegard, Minister of Economy, Finance and Industry Roland Lescure, and Chairman of the French Agency for AlUla Development (AFALULA) Jean-Yves Le Drian.

The officials welcomed the signing of an agreement to extend and amend the agreement concluded between the Saudi and French governments on the cultural, environmental, tourism, human, economic, and heritage development of AlUla Governorate.

They reviewed the partnership's achievements and discussed avenues for future cooperation, reflecting the strength of relations between the two countries and affirming AlUla's position as a meeting point of civilizations and a global destination for culture, creativity, and sustainable development.

They underlined their commitment to further deepening the partnership, which has become a global model for international cooperation based on the exchange of mutual benefits and knowledge, contributing to the achievement of comprehensive and sustainable development goals.

The meeting reviewed the scale of joint investments and areas of ongoing cooperation in the sectors of archaeology, arts, culture, sports, hospitality, and human-capital development.

The partnership reflects a shared commitment to sustainable development through strategic projects, such as the AlUla Tram and the Sharaan Resort, designed by Jean Nouvel, as well as investments in renewable energy, water, and mobility, supporting the objectives of Saudi Vision 2030 to attract one million visitors and global investments while preserving AlUla's cultural and natural heritage.