Movie Review: A Gripping Deep-Sea Rescue Mission in ‘Last Breath’ with Woody Harrelson, Simu LIU 

Simu Liu, from left, Finn Cole, Woody Harrelson, and Alex Parkinson attend the premiere of Focus Features' "Last Breath" at AMC Lincoln Square on Tuesday, Feb. 25, 2025, in New York. (AP)
Simu Liu, from left, Finn Cole, Woody Harrelson, and Alex Parkinson attend the premiere of Focus Features' "Last Breath" at AMC Lincoln Square on Tuesday, Feb. 25, 2025, in New York. (AP)
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Movie Review: A Gripping Deep-Sea Rescue Mission in ‘Last Breath’ with Woody Harrelson, Simu LIU 

Simu Liu, from left, Finn Cole, Woody Harrelson, and Alex Parkinson attend the premiere of Focus Features' "Last Breath" at AMC Lincoln Square on Tuesday, Feb. 25, 2025, in New York. (AP)
Simu Liu, from left, Finn Cole, Woody Harrelson, and Alex Parkinson attend the premiere of Focus Features' "Last Breath" at AMC Lincoln Square on Tuesday, Feb. 25, 2025, in New York. (AP)

A routine deep-sea diving mission in the North Sea goes terribly wrong when a young diver is stranded some 300 feet below the surface in the new film "Last Breath." His umbilical cable has severed. The support vessel above is aimlessly drifting away from the site through violent, stormy waters. And the diver has only ten minutes of oxygen in his backup tank.

As if that wasn't enough, it's also a true story.

If merely reading this is giving you heart palpitations already, you can only imagine the white-knuckle experience of watching this all play out on the big screen. It's 40ish minutes of pure suspense and anxiety as the story shuffles between the man at the bottom of the ocean, Chris Lemons (Finn Cole), his fellow saturation divers (Woody Harrelson as Duncan and Simu Liu as Dave) in the diving bell below the waters who are unable to help and the crew in the support vessel above (including Cliff Curtis and Mark Bonnar) scrambling to get their systems back online and operational as the clock rapidly runs out. Ten minutes has never felt so short — and then it just gets worse as the clock starts counting up, showing Chris's time without oxygen.

At one point, Liu's character Dave, a no-nonsense, all-business diver says matter-of-factly that it's a body recovery, not a rescue. Deep-sea saturation diving is a dangerous business, described at the start of the film as the most dangerous job on earth. Chris tells his fiancé, in a short introduction, that it's no more dangerous than going to space. She replies that it's funny that he thinks that is comforting.

The real incident happened in September 2012 — Dave, Duncan and Chris were just one team of divers sent to the ocean floor off the coast of Aberdeen, Scotland, to repair an oil pipeline.

The seas were particularly rough that day, with winds up to 35 knots, common for the North Sea but also not what one might call safe. Chris and Dave were in the middle of their work when they heard the urgent calls to abort: The dynamic positioning system in the support vessel above had failed and they were in drift.

Chris scrambled to maneuver out of the pipeline corridors, but his umbilical got caught. For a brief, awful moment he's the anchor to the ship above, but soon enough the cord snapped, and he was thrown back to the ocean floor in pitch black with no coms, no heat and very little hope for survival. News articles about the incident clock his backup oxygen supply as being closer to five or six minutes – perhaps the movie wanted to give the audience a little buffer.

If this sounds at all familiar, it may be because it was made into a documentary, also called "Last Breath" and released in 2019. While it was well-received, some true stories are just too gripping to exist solely in that form. It's not exactly a surprise that a narrative film was made as well. There's a good track record of recent complimentary adaptations — think Ron Howard's "13 Lives" and "The Rescue" about the Thai boys soccer team stuck in the cave.

This one was made by Alex Parkinson, the same director who co-directed the doc, and it's a well-executed narrative interpretation that doesn't get in its own way with padding. Harrelson gets to be the wise mentor who really doesn't want to lose someone on his last mission. Liu gets to flex his action muscles (literally and figuratively) in a modest but solid role. And they don't go out of their way to shoehorn in a villain — this is just a group of people trying their best to save a life.

The only real problem, if one can even call it that, is that it's so short. The film doesn't take liberties with stretching out the timeline much at all and after 93 minutes, the whole thing is over. It feels strange to want a movie to be longer, but in the case of "Last Breath" I was both desperate for it to end, for anxiety reasons, and also wanting more.



Macaulay Culkin, Meryl Streep and More Pay Tribute to Catherine O'Hara, who Died at 71

FILE PHOTO: 24th Critics Choice Awards - Arrivals - Santa Monica, California, US, January 13, 2019 - Catherine O'Hara. REUTERS/Danny Moloshok/File Photo
FILE PHOTO: 24th Critics Choice Awards - Arrivals - Santa Monica, California, US, January 13, 2019 - Catherine O'Hara. REUTERS/Danny Moloshok/File Photo
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Macaulay Culkin, Meryl Streep and More Pay Tribute to Catherine O'Hara, who Died at 71

FILE PHOTO: 24th Critics Choice Awards - Arrivals - Santa Monica, California, US, January 13, 2019 - Catherine O'Hara. REUTERS/Danny Moloshok/File Photo
FILE PHOTO: 24th Critics Choice Awards - Arrivals - Santa Monica, California, US, January 13, 2019 - Catherine O'Hara. REUTERS/Danny Moloshok/File Photo

The death of Catherine O'Hara at 71 prompted an outpouring from the actor's co-stars and friends over the decades.

O'Hara, whose legendary comic skills were on display in “Home Alone,” “Schitt's Creek,” “Beetlejuice" and much more, died Friday in Los Angeles after a brief illness, The Associated Press reported.

Macaulay Culkin “Mama. I thought we had time. I wanted more. I wanted to sit in a chair next to you. I heard you. But I had so much more to say. I love you. I’ll see you later” — the actor, who played O’Hara’s son in two “Home Alone” movies, on Instagram.

Dan Levy “What a gift to have gotten to dance in the warm glow of Catherine O’Hara’s brilliance for all those years. Having spent over fifty years collaborating with my Dad, Catherine was extended family before she ever played my family. It’s hard to imagine a world without her in it. I will cherish every funny memory I was fortunate enough to make with her.” — “Schitt's Creek” star and co-creator Dan Levy, on Instagram.

Meryl Streep “Catherine O’Hara brought love and light to our world, through whipsmart compassion for the collection of eccentrics she portrayed...such a loss for her family and friends, and the audience she graced as friends.” — the actor, who co-starred with O'Hara in “Heartburn,” in a statement.

Michael Keaton “We go back before the first Beetlejuice. She’s been my pretend wife, my pretend nemesis and my real life, true friend. This one hurts. Man am I gonna miss her.” — the actor, on Instagram.

Seth Rogen “Really don’t know what to say... I told O’Hara when I first met her I thought she was the funniest person I’d ever had the pleasure of watching on screen. Home Alone was the movie that made me want to make movies.

Getting to work with her was a true honor. She was hysterical, kind, intuitive, generous... she made me want to make our show good enough to be worthy of her presence in it. This is just devastating. We’re all lucky we got to live in a world with her in it.” — “The Studio” creator and star, on Instagram.

Andrea Martin “Catherine. She is and will always be the greatest. It is an honor to have called her my friend." — the actor, a fellow original “SCTV” cast member, in a statement.

Mark Carney “Over 5 decades of work, Catherine earned her place in the canon of Canadian comedy — from SCTV to Schitt’s Creek. Canada has lost a legend. My thoughts are with her family, friends, and all.” — the Canadian prime minister, on social media.

Mike Myers “It is a very sad day for comedy and for Canada. She was one of the greatest comedy artists in history, an inspiration for millions and above all a very elegant lady” — the comedian, in a statement.

Pedro Pascal “Oh, genius to be near you. Eternally grateful. There is less light in my world, this lucky world that had you, will keep you, always. Always” — the actor, who worked with O’Hara on the second season of “The Last of Us,” on Instagram.

Kevin Nealon “Catherine O’Hara changed how so many of us understand comedy and humanity. From the chaos and heart of Home Alone to the unforgettable precision of Moira Rose in Schitt’s Creek, she created characters we’ll rewatch again and again.” — the comedian and actor, on social media.

Craig Mazin “I think she would prefer that we keep laughing somehow, or at the very least not cry. Not possible at the moment. As brutal as this feels for anyone who knew or worked with her, I know it is far more painful for her husband and sons and close family. I’m thinking about them right now too. It all hurts terribly. Goodbye, you legend... you wonderful, brilliant, kind, beautiful human being. We were lucky to have had you at all.” — the “The Last of Us” showrunner, on Instagram.

Christopher Guest “I am devastated. We have lost one of the comic giants of our age. I send my love to her family.” — the actor and director, who collaborated with O’Hara on four films, in a statement.

Sarah Polley “She was the kindest and the classiest. How could she also have been the funniest person in the world? And she was at the very top of her game. There won't be another like her.” - The Canadian director and actor, on Instagram.

Ron Howard "This is shattering news. What a wonderful person, artist and collaborator. I was lucky enough to direct, produce and act in projects with her and she was simply growing more brilliant with each year. My heart goes out to Bo & family." — the actor and director, on X.

Ike Barinholtz “I never in a million years thought I would get to work with Catherine O’Hara let alone become friends with her. So profoundly sad she’s somewhere else now, So incredibly grateful I got to spend the time I did with her. Thank you Catherine I love you.” — the actor, a co-star in “The Studio,” on Instagram.

Rita Wilson "Catherine O’Hara — a woman who was authentic and truthful in all she did. You saw it in her work, if you knew her you saw it in her life, and you saw it in her family. Bo, Luke and Matthew, our deepest sympathies. May Catherine rest in peace. May her memory be eternal. — the actor, director and producer, on Instagram.

Alec Baldwin “Catherine O’Hara was one of the greatest comic talents in the movie business. She had a quality that was all her own and my sympathy goes out to Bo and their family.” — the actor, her “Beetlejuice” co-star, in a statement.


Montreal Studio Rises from Dark Basement Office to 'Stranger Things'

Visual effects artists work at their stations at Rodeo FX offices in Montreal, Quebec, Canada, January 29, 2026.  (Photo by Sebastien ST-JEAN / AFP)
Visual effects artists work at their stations at Rodeo FX offices in Montreal, Quebec, Canada, January 29, 2026. (Photo by Sebastien ST-JEAN / AFP)
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Montreal Studio Rises from Dark Basement Office to 'Stranger Things'

Visual effects artists work at their stations at Rodeo FX offices in Montreal, Quebec, Canada, January 29, 2026.  (Photo by Sebastien ST-JEAN / AFP)
Visual effects artists work at their stations at Rodeo FX offices in Montreal, Quebec, Canada, January 29, 2026. (Photo by Sebastien ST-JEAN / AFP)

The visual effects studio that worked on the hit Netflix show "Stranger Things" was born 20 years ago in a dim basement in Old Montreal.

"Over time, it grew. We've seen really strong growth through the years," Ara Khanikian, who supervises visual effects at Rodeo FX, told AFP at the studio's current home, a modern office with elegant wood paneling.

But it all "really started in the basement of the building next door," he said with a grin.

Though still headquartered in the Canadian city far from the action in Hollywood, Rodeo FX now has offices in Los Angeles, Paris and Toronto -- establishing itself as a force in an industry dominated by studios tied to behemoths like Disney and Warner Bros.

The studio's list of past projects includes major hits, including titles from Tom Cruise's "Mission Impossible" franchise.

But "Stranger Things," the science fiction and horror series that has shattered streaming records since it debuted in 2016, is a highlight.

Rodeo FX worked on seasons four and five of the Netflix show that follows a group of teenagers in small town America as they take on supernatural creatures and a parallel universe.

Philip Harris-Genois, a 3D modeler at Rodeo FX, worked tirelessly for a year to perfect Demogorgon, the monster whose petaled face opens to reveal rows of menacing teeth.

Harris-Genois said part of his job was to make the beast "even more imposing."

Demonstrating the work, he added a scar to its chest with a deft mouse click.
Shaping Demogorgon, detail by detail, was like "making a clay sculpture," he said.

Harris-Genois said he took inspiration from a lion when creating Demogorgon's threatening posture -- toes perched, ready to pounce.

- 'A lot of love' -

For Julien Hery, a supervisor on projects including "Stranger Things," extraordinary visual effects "often draw inspiration from nature."

For the first season of "Dune: Prophecy," the HBO Max series released in 2024, the imperial palace was inspired by the Mediterranean coastline.

"We researched the vegetation. We looked for what kinds of trees grow along the Mediterranean coast, what kinds of rock," so viewers will be convinced by the visual effects, he said.

Turning a concept into a finished product is time consuming work that involves animation, simulation, lighting and integrating the effects in a sequence filmed with live actors.

The fight sequence between Demogorgon and Jim Hopper (played by David Harbour) in a Soviet prison in Season 4 of Stranger Things -- a scene of less than seven minutes -- took up to a year of work, from conceptualization to final cut, Hery said.

"We obviously spend a lot of time on our projects," he said.

"Season 4 was more than two years of work...It becomes very personal. We put a lot of love into it."

- Critical acclaim -

That process appears to be paying off.

Among the studio's major achievements is its work on the 2014 Best Picture "Birdman," where visual effects created the impression of the film being shot in a single take.

It also contributed to the dream-like world in "Dune: Part 2," which won the Oscar for Best Visual Effects last year.

Rodeo FX has also earned four nominations at the VES Awards, which honor the visual effects industry in a ceremony set for February 25.

And 2026 should include more high-profile work, said Hery.

"There are plenty of projects we can't really reveal," he told AFP, but confirmed the studio will be working on the Marvel blockbuster "Avengers: Doomsday" and the second season of "Monarch."


Bad Bunny, Kendrick Lamar or Lady Gaga Could Make Grammys History

Lady Gaga. (AFP)
Lady Gaga. (AFP)
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Bad Bunny, Kendrick Lamar or Lady Gaga Could Make Grammys History

Lady Gaga. (AFP)
Lady Gaga. (AFP)

The music industry will hand out its highest honors on Sunday at the Grammy Awards, where Bad Bunny, Kendrick Lamar and Lady Gaga will battle for the most coveted album of the year prize and a chance to make history.

Trevor Noah is returning to host for a sixth time, which he says will be his last Grammys gig. The show will air live on CBS and stream on Paramount+ at 5 p.m. Los Angeles time (0100 GMT on Monday).

Any of the three artists could take home the album accolade during the ceremony in Los Angeles, awards experts say. None of the musicians has ever won the honor, which last year went to Beyonce for "Cowboy Carter."

A 'SUPER TIGHT' THREE-WAY RACE

"It's going to be super tight," Paul Grein, awards editor at Billboard, said of the album category.

Bad Bunny, the Puerto Rican rapper who is scheduled to headline next month's Super Bowl ‌halftime show, is ‌in the running for "Debi Tirar Más Fotos." It would be the first Spanish-language ‌album ⁠to win in ‌the category since the Grammys began 68 years ago.

If Lamar wins for "GNX," he would be the first solo male rapper to win the award, Reuters said.

Only two hip-hop musicians have been honored in the category - female artist Lauryn Hill and the duo Outkast.

For pop singer Lady Gaga, the album prize would be the first of her celebrated career. She has never won any of the top four Grammy prizes despite more than two decades in the music business. This year, she is competing with the album "Mayhem."

Grein predicted the trophy would go to Lamar, who won five Grammys a year ago for the single "Not Like Us."

Current events ⁠may boost support for Bad Bunny, Grein said.

BAD BUNNY SKIPPED US SHOWS FOR FEAR OF FEDERAL RAIDS

The singer skipped the continental United States on ‌his recent concert tour, saying he feared federal agents carrying out US President Donald ‍Trump's immigration crackdown would show up to arrest his ‍fans.

His selection for the coming Super Bowl halftime show on February 8 also drew objections from critics who argued ‍the National Football League championship game's entertainment should be performed in English.

"I think the culture wars work in his favor," Grein said. "There are people who will vote for him in part - not only for this reason, but in part - as a rebuke to President Trump's anti-immigrant rhetoric."

Lamar and Gaga are represented by Universal Music Group . Bad Bunny is signed by Puerto Rican label Rimas Entertainment.

Grammy winners will be chosen by the roughly 15,000 voting members of the Recording Academy — industry peers including artists, songwriters, producers and engineers — whose ranks have been revamped over the past seven years to increase ⁠diversity. About 1,000 Latin Grammys voters became eligible to vote this year, and 73% of members have joined since 2019.

Recording Academy Chief Executive Harvey Mason Jr. said the changes reflect the growing popularity of different types of music such as KPop and Afrobeats that now have fans around the world.

"For us, the academy, we had to keep up with that," he said. "We have to make sure we are responsible and we're honoring music regardless of where it comes from."

KPop will be represented in the song of the year category, an honor for songwriters. "Golden," from Netflix movie "KPop Demon Hunters," will face off with "APT.," a duet between KPop singer Rosé and Bruno Mars.

"APT." also will vie for record of the year, given to the performers and producers, against Lamar's "luther" collaboration with SZA and Gaga's "Abracadabra."

In the best new artist category, R&B and soul musician Leon Thomas is considered a frontrunner. He received six Grammy nominations in total including an album of the year nod for "Mutt." His competitors include ‌British soul-pop singer Olivia Dean and pop musician Alex Warren.

Scheduled performers include Sabrina Carpenter, Addison Rae and all eight best new artist nominees. Producers promised some surprise appearances among performers and presenters who have not been announced.