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Diriyah Biennale Foundation Launches ‘Biennale Nights’ Ramadan Program

Diriyah Biennale Foundation Launches ‘Biennale Nights’ Ramadan Program
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Diriyah Biennale Foundation Launches ‘Biennale Nights’ Ramadan Program

Diriyah Biennale Foundation Launches ‘Biennale Nights’ Ramadan Program

The Diriyah Biennale Foundation announced the launch of the "Biennale Nights" Ramadan program as part of the second edition of the Islamic Arts Biennale, currently held at the Western Hajj Terminal of King Abdulaziz International Airport in Jeddah until May 25.
The program seeks to offer a cultural and spiritual experience celebrating the beauty of the holy month and highlighting the rich Islamic heritage. It presents a unique opportunity that brings together experts and creatives from the Kingdom and worldwide to celebrate the diversity of Islamic arts and cultures, fostering creative dialogue across different communities, SPA reported.
The program also features art workshops inspired by Islamic traditions, highlighting Arabic calligraphy, traditional crafts, and rich cultural heritage. Interactive experiences allow visitors to explore creative Ramadan rituals and artistic expressions associated with the holy month.
The events include film screenings narrating stories of resilience, faith, and identity, offering inspiring artistic perspectives from the Islamic world. The Ramadan Market presents popular dishes with rich, unique flavors of the traditional Ramadan table. It features iftar and suhoor meals that combine innovative culinary experiences, blending traditional flavors with modern touches to reflect the diversity and richness of Islamic cuisine.

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Culture

'Moon Spotter': AlUla's Enduring Tradition of Crescent Sighting

The people of AlUla in Saudi Arabia have long maintained a close relationship with nature, reflected in their careful observation of crescent moons. (SPA)
The people of AlUla in Saudi Arabia have long maintained a close relationship with nature, reflected in their careful observation of crescent moons. (SPA)
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'Moon Spotter': AlUla's Enduring Tradition of Crescent Sighting

The people of AlUla in Saudi Arabia have long maintained a close relationship with nature, reflected in their careful observation of crescent moons. (SPA)
The people of AlUla in Saudi Arabia have long maintained a close relationship with nature, reflected in their careful observation of crescent moons. (SPA)

The people of Saudi Arabia’s AlUla have long maintained a close relationship with nature, reflected in their careful observation of crescent moons and the determination of lunar months, particularly Ramadan and Shawwal (Eid). This tradition was carried out through a role locally known as the “Moon Spotter,” reflecting inherited astronomical knowledge passed down through generations.

Known for sharp eyesight and precise knowledge of celestial timings, the Moon Spotter relied on traditional methods, including placing a copper vessel filled with water at an elevated position to observe the reflections of the sun and moon, which helped determine the crescent's position with accuracy.

Upon sighting the crescent, he would mark the reflected point with a palm frond before notifying the relevant court to contribute to the official announcement, the Saudi Press Agency said.

This heritage is closely tied to AlUla's historically clear skies, which enabled residents to observe celestial bodies with clarity and fostered a lasting connection to astronomy as part of their cultural legacy.

Culture

Dutch Museum Makes ‘Needle in a Haystack’ Confirmation of Rembrandt Painting

Poeple look at Rembrandt's famed Night Watch, which is back on display in what researchers say in its original size, with missing parts temporarily restored in an exhibition aided by artificial intelligence, at Rijksmuseum in Amsterdam, Netherlands June 23, 2021. REUTERS/Piroschka van de Wouw/File Photo
Poeple look at Rembrandt's famed Night Watch, which is back on display in what researchers say in its original size, with missing parts temporarily restored in an exhibition aided by artificial intelligence, at Rijksmuseum in Amsterdam, Netherlands June 23, 2021. REUTERS/Piroschka van de Wouw/File Photo
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Dutch Museum Makes ‘Needle in a Haystack’ Confirmation of Rembrandt Painting

Poeple look at Rembrandt's famed Night Watch, which is back on display in what researchers say in its original size, with missing parts temporarily restored in an exhibition aided by artificial intelligence, at Rijksmuseum in Amsterdam, Netherlands June 23, 2021. REUTERS/Piroschka van de Wouw/File Photo
Poeple look at Rembrandt's famed Night Watch, which is back on display in what researchers say in its original size, with missing parts temporarily restored in an exhibition aided by artificial intelligence, at Rijksmuseum in Amsterdam, Netherlands June 23, 2021. REUTERS/Piroschka van de Wouw/File Photo

A painting that was once rejected as a work by Rembrandt van Rijn has now been acknowledged as a work by the Dutch master, thanks to two years of scrutiny in the city where the then-27-year-old artist painted it in 1633, a museum announced Monday. 

The Netherlands' national art and history museum, the Rijksmuseum, unveiled the work, “Vision of Zacharias in the Temple,” and said painstaking analysis including high-tech scans has confirmed it was painted by Rembrandt after he moved to the capital, Amsterdam. 

The painting hasn't been on public display in decades after being bought by a private collector in 1961, a year after it was deemed not to be a Rembrandt, the museum said in a statement. From Wednesday, will go on show among other masterpieces at the Rijksmusuem, where it is on long-term loan. 

Director Taco Dibbits said the museum often gets emails from people asking if the painting they own might just be by the Golden Age master. 

“We always hope to find a new Rembrandt, but this happens rarely," he told The Associated Press. He said making such a discovery “is just like (finding) a needle in a haystack.” 

The owner, who has remained anonymous, initially asked the museum only if the painting was Dutch. 

“He really didn’t know what he had. And then to discover that it’s a Rembrandt is something that’s amazing to experience,” Dibbits said. 

An in-depth study of the work, including macro X-ray fluorescence scans and comparisons with other works by the artist, confirmed Rembrandt painted it, said the museum’s curator of 17th century Dutch paintings, Jonathan Bikker. 

“So the wood that was used for the panel on which it’s painted, that is definitely from a tree that was cut down before 1633, the date on the painting,” he said. 

"All the pigments, the paint in the painting were used by Rembrandt in other paintings. And the layers of paint and how he painted it, that is also precisely the same as in other works by Rembrandt,” he added. 

The work joins about 350 known Rembrandt paintings and raised the hope that there may be more. 

“We’re not actively looking for new paintings by Rembrandt, but I think this gives us hope — not just us, but everyone who’s interested in Rembrandt,” Bikker said. 

Culture

UNESCO-listed Golestan Palace in Tehran Damaged in Strikes

Plumes of smoke rise after a strike in Tehran, Iran, Sunday, March 1, 2026. (AP Photo)
Plumes of smoke rise after a strike in Tehran, Iran, Sunday, March 1, 2026. (AP Photo)
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UNESCO-listed Golestan Palace in Tehran Damaged in Strikes

Plumes of smoke rise after a strike in Tehran, Iran, Sunday, March 1, 2026. (AP Photo)
Plumes of smoke rise after a strike in Tehran, Iran, Sunday, March 1, 2026. (AP Photo)

Iran's UNESCO-listed Golestan Palace in Tehran has been damaged in US and Israeli strikes, local media reported Monday.

"Following the joint US-Israeli attack on Arag square in southern Tehran on Sunday evening, parts of the Golestan Palace... were damaged," the ISNA news agency reported, adding that windows, doors, and mirrors were hit by reverberations from blasts.

Iran's Mehr news agency carried a similar report.