Ancient Bronze Griffin Head Is Returned to Greece from New York in Major Repatriation Move

 The head of a griffin, that was repatriated from New York's Metropolitan Museum of Art, is displayed at the Archaeological Museum of Olympia in Ancient Olympia, Greece, on Friday, March 21, 2025. (AP)
The head of a griffin, that was repatriated from New York's Metropolitan Museum of Art, is displayed at the Archaeological Museum of Olympia in Ancient Olympia, Greece, on Friday, March 21, 2025. (AP)
TT

Ancient Bronze Griffin Head Is Returned to Greece from New York in Major Repatriation Move

 The head of a griffin, that was repatriated from New York's Metropolitan Museum of Art, is displayed at the Archaeological Museum of Olympia in Ancient Olympia, Greece, on Friday, March 21, 2025. (AP)
The head of a griffin, that was repatriated from New York's Metropolitan Museum of Art, is displayed at the Archaeological Museum of Olympia in Ancient Olympia, Greece, on Friday, March 21, 2025. (AP)

New York’s Metropolitan Museum of Art has returned an ancient bronze griffin head stolen nearly a century ago to a museum in southern Greece, the latest repatriation marking a broader shift in the museum world to return significant artifacts.

The 7th century B.C. artifact was on display at the Archaeological Museum of Olympia, the city that in ancient times was the birthplace of the games that later inspired the modern Olympic Games.

Greece’s culture minister, Lina Mendoni, attended a ceremony Friday at the museum, calling the return a significant moment.

“After decades of absence, the griffin returns from the Metropolitan Museum in New York to the place it belongs,” she said, praising the joint effort by the Culture Ministry and the Met to trace the artifact’s past. The ceremony coincided with a visit to Greece by members of the International Olympic Committee to elect a new president. Kirsty Coventry became the first woman and first African to lead the global body.

The griffin, a mythical creature with the body of a lion and the head and wings of an eagle, symbolized strength and divine protection in ancient Greece. The bronze head will now be displayed alongside a similar griffin head already at the Olympia museum.

The Met has recently increased its efforts to review the history of its holdings, hiring additional experts to track the origins of objects in its collection.

“We are grateful for our long-standing partnership with the Greek government and look forward to continued engagement and cultural exchange,” the Met's museum director Max Hollein said in a statement.

Institutions across the world in recent years have begun to acknowledge the importance of returning significant cultural items while still promoting global access to heritage. As part of this new framework, Greece has agreed to loan the griffin head back to the Met for future exhibitions, Mendoni said.

Athens is hoping the new, more open approach will boost its decades-long campaign for the return of the Parthenon Sculptures, taken from the Acropolis in Athens in the 19th century and now in the British Museum. The government — citing their cultural importance and illegal removal — says it is making slow progress in negotiations with the London museum.



Cultural Camp at King Abdulaziz Camel Festival Showcases Saudi Heritage

The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity - SPA
The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity - SPA
TT

Cultural Camp at King Abdulaziz Camel Festival Showcases Saudi Heritage

The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity - SPA
The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity - SPA

The cultural camp is a key feature of the 10th King Abdulaziz Camel Festival, held in Al-Sayahid desert. The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity, according to SPA.

It offers a range of programs, including live performances and interactive events, that highlight camels' historical significance in Arab culture and illustrate the values of patience, strength, and belonging.

The camp has attracted over 2,000 guests from 71 nationalities, emphasizing its global appeal as a cultural platform for diversity and tradition.

Visitors engage with cultural content through innovative methods that merge authenticity with modern technology, enhancing awareness of the camel's cultural legacy. This initiative aligns with Saudi Vision 2030 by preserving heritage and connecting younger generations with their roots.


Tuwaiq Sculpture 2026 Announces 25 Participating Artists for Seventh Edition

The 2026 edition features a month-long live sculpting phase alongside a community engagement program - SPA
The 2026 edition features a month-long live sculpting phase alongside a community engagement program - SPA
TT

Tuwaiq Sculpture 2026 Announces 25 Participating Artists for Seventh Edition

The 2026 edition features a month-long live sculpting phase alongside a community engagement program - SPA
The 2026 edition features a month-long live sculpting phase alongside a community engagement program - SPA

Under the Royal Commission for Riyadh City and Riyadh Art, Tuwaiq Sculpture has announced the selection of 25 artists for the seventh edition of the annual sculpture symposium and exhibition, taking place from January 10 to February 22, 2026.

This year’s edition unfolds under the curatorial theme “Traces of What Will Be,” inviting artists to reflect on how sculptural form can express the physical, cultural and conceptual traces that shape the future of cities and communities, SPA reported.

A total of 25 artists from 18 countries, including Saudi artists, have been selected for the seventh edition. Their proposals reflect a diverse range of artistic approaches, responding to the theme through explorations of transformation, place, and materiality.

Director of the Tuwaiq Sculpture Symposium Sarah Alruwayti said: "The seventh edition of Tuwaiq Sculpture received more than 590 applications, reflecting the cultural diversity and global interest in the symposium. The selection of the 25 participating artists was carried out by a jury of industry experts and specialists. Their proposals show meaningful engagement with the theme and reflect the strength and diversity of contemporary sculptural practice. We look forward to welcoming them to Riyadh for the creation of new works that will become lasting additions to the city.”

Building on the evolving material practice of the symposium, Tuwaiq Sculpture 2026 introduces two sculpting categories: granite with optional stainless-steel integration and reclaimed metal. Twenty artists will work in granite, while five will create new works in reclaimed metal. Over four weeks, they will produce large-scale sculptures that will later be added to Riyadh Art’s permanent public art collection.

The 2026 edition features a month-long live sculpting phase alongside a community engagement program, inviting visitors to witness the creation of artworks and take part in panel discussions and workshops. The symposium will conclude with a public exhibition showcasing the completed sculptures from its seventh edition.


ALECSO Celebrates Opening of Arabic Calligraphy Center in Saudi Arabia

Arabic calligraphy adorns wrcades, Walls of the Grand Mosque of Makkah - SPA
Arabic calligraphy adorns wrcades, Walls of the Grand Mosque of Makkah - SPA
TT

ALECSO Celebrates Opening of Arabic Calligraphy Center in Saudi Arabia

Arabic calligraphy adorns wrcades, Walls of the Grand Mosque of Makkah - SPA
Arabic calligraphy adorns wrcades, Walls of the Grand Mosque of Makkah - SPA

The Arab League of Educational, Cultural and Scientific Organization (ALECSO) congratulated Saudi Arabia on the opening of the Prince Mohammed bin Salman Global Center for Arabic Calligraphy in Madinah on December 22, 2025.

In a statement, ALECSO called the center a significant addition to the Arab and Islamic cultural landscape, noting its role in preserving Arabic calligraphy and enhancing its global presence, SPA reported.

This achievement reflects the Kingdom's commitment to culture and heritage, aligning with Saudi Vision 2030’s objectives of fostering cultural creativity and reinforcing Arabic identity.

ALECSO emphasized that such institutions serve as global bridges for cultural exchange and ensure the relevance of traditional arts through dedicated research and training facilities.