Bodour Al Qasimi Becomes 1st Woman from the Gulf to Win BolognaRagazzi Award

Sheikha Bodour Al Qasimi received the prize for her groundbreaking children's book ‘House of Wisdom’ (WAM)
Sheikha Bodour Al Qasimi received the prize for her groundbreaking children's book ‘House of Wisdom’ (WAM)
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Bodour Al Qasimi Becomes 1st Woman from the Gulf to Win BolognaRagazzi Award

Sheikha Bodour Al Qasimi received the prize for her groundbreaking children's book ‘House of Wisdom’ (WAM)
Sheikha Bodour Al Qasimi received the prize for her groundbreaking children's book ‘House of Wisdom’ (WAM)

Emirati publisher, author, and women’s advocate Bodour Al Qasimi has made history by becoming the first woman from an Arab Gulf state to receive a prestigious BolognaRagazzi Award for Fiction, Emirates News Agency (WAM) reported on Thursday.

Sheikha Bodour Al Qasimi received the prize for her groundbreaking children's book ‘House of Wisdom’ at a ceremony in the impressive Farnese Chapel, at Palazzo d'Accursio, in Bologna, WAM said.

Reflecting on the honor, Sheikha Bodour said, “For me, this award signals a shift towards a more inclusive children's publishing sector. Amid heightened global tensions, stories like ‘House of Wisdom’ carry a message that books can occasion unity, progress, and a deeper understanding between cultures. It’s a timely statement about literature’s power to build bridges and keep the bigger human picture in view.”

“The House of Wisdom was a library that symbolized how knowledge and collaboration across cultures can build sturdy bridges. Its loss in 1258 is a tragic allegory for the fragility of intellectual freedom – a lesson of undiminished relevance today,” she added.

Feted for its engaging approach to encouraging critical thought, scientific curiosity, and compassion, the success of ‘House of Wisdom’ marks progress in international recognition of the value of Middle Eastern children's literature.

The book is illustrated by Majid Zakeri Younesi, whose evocative art provides a breathtaking complement to the story.



AlUla Royal Commission, National Museum of Asian Art Strengthen Cooperation Through Residence Program

The initiative is part of the commission’s efforts to promote international cultural dialogue and highlight the region’s exceptional cultural heritage. (SPA)
The initiative is part of the commission’s efforts to promote international cultural dialogue and highlight the region’s exceptional cultural heritage. (SPA)
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AlUla Royal Commission, National Museum of Asian Art Strengthen Cooperation Through Residence Program

The initiative is part of the commission’s efforts to promote international cultural dialogue and highlight the region’s exceptional cultural heritage. (SPA)
The initiative is part of the commission’s efforts to promote international cultural dialogue and highlight the region’s exceptional cultural heritage. (SPA)

Saudi Arabia’s Royal Commission for AlUla has strengthened its cultural partnership with the National Museum of Asian Art, part of the Smithsonian Institution in Washington DC, by launching the “Rawi in Residence” program, with the participation of storytellers Atif AlBalawi and Wedad Yaseen.

The initiative is part of the commission’s efforts to promote international cultural dialogue and highlight the region’s exceptional cultural heritage, reported the Saudi Press Agency on Sunday.

The program is the first public-facing initiative under the partnership agreement between the commission and the museum. It was delivered through three interactive sessions involving museum visitors, families, curators, guides, and specialists in heritage and culture.

During the program, the two storytellers led a series of talks and interactive experiences highlighting AlUla’s cultural landscape and historical sites. They also highlighted its historical role as a major hub of cultural exchange along the Incense Route, drawing on storytelling and heritage interpretation techniques.

The initiative builds on field visits and the exchange of expertise between the commission and the museum, which contributed to shaping the “Rawi” concept and incorporating it into the museum’s summer program in Washington. This strengthened shared understanding of heritage interpretation methods and enhanced the visitor experience in line with the highest international standards.

The program is aligned with the Royal Commission for AlUla’s objectives of empowering AlUla’s young men and women and showcasing their capabilities at international forums. It builds on previous participation by storytellers at prominent global venues in Beijing, the UNESCO pavilion at the Venice Biennale, and the organization’s headquarters in Paris.

These efforts are in line with the objectives of Saudi Vision 2030 to celebrate Saudi national heritage and strengthen its cultural presence on the international stage.


Athens Is Cleaning Its All-Marble Olympic Stadium for the First Time in More Than a Century

A worker cleans the marble surfaces of the Panathenaic Stadium, also known as "Kallimarmaro," or beautiful marble, which hosted the first modern Olympic Games in 1896, using a high-pressure water hose during renovation work in Athens, Greece, Thursday, Aug. 13, 2026. (AP Photo/Thanassis Stavrakis)
A worker cleans the marble surfaces of the Panathenaic Stadium, also known as "Kallimarmaro," or beautiful marble, which hosted the first modern Olympic Games in 1896, using a high-pressure water hose during renovation work in Athens, Greece, Thursday, Aug. 13, 2026. (AP Photo/Thanassis Stavrakis)
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Athens Is Cleaning Its All-Marble Olympic Stadium for the First Time in More Than a Century

A worker cleans the marble surfaces of the Panathenaic Stadium, also known as "Kallimarmaro," or beautiful marble, which hosted the first modern Olympic Games in 1896, using a high-pressure water hose during renovation work in Athens, Greece, Thursday, Aug. 13, 2026. (AP Photo/Thanassis Stavrakis)
A worker cleans the marble surfaces of the Panathenaic Stadium, also known as "Kallimarmaro," or beautiful marble, which hosted the first modern Olympic Games in 1896, using a high-pressure water hose during renovation work in Athens, Greece, Thursday, Aug. 13, 2026. (AP Photo/Thanassis Stavrakis)

It has welcomed marathon runners, rock stars and the first modern Olympic athletes. Now it’s time for a monumental scrub.

Athens’ U-shaped Panathenaic Stadium — made entirely of white marble — is getting its first systematic cleaning in more than a century.

Rebuilt for the first modern Olympics in 1896, the site is the ceremonial send-off point for the Olympic flame, including for Los Angeles 2028.

A fresh look in Athens ahead of LA 2028 The stadium is made of the same glittering marble used on the Acropolis, making the cleanup job delicate.

The work is revealing a monument changed by time, weather and millions of visitors. Cleaners in white and blue overalls move across the stadium’s 47 steep tiers with thin spray lances, using clean water at carefully controlled, low pressure. Machines vacuum up the runoff as they go.

“The goal of cleaning is not to make everything white. It’s to remove the dirt and the first layers of organic material that are deposited on the surface,” said Dimitris Selemis, a senior conservator at the site.

“The idea is to clean all the material that (contains) dirt from the surface, so we have a better understanding of the monument,” he said, noting that there is more weed growth and dirt in areas that receive less direct sunlight.

Crews are also using steam to remove blotches of chewing gum, which have turned black over time. Stadium officials say chewing gum, high heels and soft-drink stains are among the main culprits that stain the marble.

Now slowly being revealed, the original gleaming look of the venue earned it the widely used Greek nickname “Kallimarmaro,” or beautiful marble.

“We call it Kallimarmaro because it is made of the finest marble, the best that was ever produced ... We are very proud of it,” Isidoros Kouvelos, president of the Hellenic Olympic Committee, told The Associated Press in an interview.

“It needed to be cleaned of everything that has accumulated over all these years," he said. "This way the Panathenaic Stadium will show all its brilliance and will once again be the foremost monument of humanity for the Olympic Movement.”

Built into a natural ravine, the stadium’s site was used for ancient Greek athletic contests and later Roman spectacles before falling into centuries of disuse.

An African celebration planned in Athens Since its 1896 revival, it has staged fashion shows, rock concerts, boxing matches and national celebrations — as well as lavish patriotic ceremonies ordered by a military dictatorship in the 1960s.

Today, it’s a popular draw for tourists. Apart from the cleanup, the Kallimarmaro is also getting a new track, upgraded lighting and fresh support facilities. The project is privately funded by a shipping company and overseen by the Hellenic Olympic Committee with guidance from Culture Ministry experts.

The work will continue through 2026 but is currently concentrated on the stadium’s “sling,” or curved end, in time for the next torch-passing ceremony on Sept. 10.

That will be for the Dakar Youth Olympics, scheduled for Oct. 31-Nov. 13 in Senegal, which will be the first Olympic competition ever hosted in Africa.

IOC President Kirsty Coventry, a swimming gold medal winner from Zimbabwe, is due to attend the Sept. 10 ceremony, Kouvelos said.


Italian Police Recover Stolen Renoir, Cezanne and Matisse Worth 9 mn Euros

Carabinieri officers pose with three paintings by Paul Cezanne, Henri Matisse and Pierre-Auguste Renoir recovered after they were stolen from the Magnani Rocca Foundation in Mamiano, Italy, in this handout image released on August 14, 2026. Carabinieri/Handout via REUTERS
Carabinieri officers pose with three paintings by Paul Cezanne, Henri Matisse and Pierre-Auguste Renoir recovered after they were stolen from the Magnani Rocca Foundation in Mamiano, Italy, in this handout image released on August 14, 2026. Carabinieri/Handout via REUTERS
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Italian Police Recover Stolen Renoir, Cezanne and Matisse Worth 9 mn Euros

Carabinieri officers pose with three paintings by Paul Cezanne, Henri Matisse and Pierre-Auguste Renoir recovered after they were stolen from the Magnani Rocca Foundation in Mamiano, Italy, in this handout image released on August 14, 2026. Carabinieri/Handout via REUTERS
Carabinieri officers pose with three paintings by Paul Cezanne, Henri Matisse and Pierre-Auguste Renoir recovered after they were stolen from the Magnani Rocca Foundation in Mamiano, Italy, in this handout image released on August 14, 2026. Carabinieri/Handout via REUTERS

Paintings by Renoir, Cezanne and Matisse worth over nine million euros which were stolen from a museum in Italy in March have been recovered, Italian police said Friday.

The paintings were taken by masked thieves from the villa of the Magnani Rocca Foundation, near Parma in northern Italy, in a heist that lasted under three minutes.

Video footage released by the police showed two thieves wearing headlamps and with their faces covered entering the villa by breaking through a window, Reuters reported.

They headed straight into the room where the three paintings hung and took them off the wall, before heading back to the window and passing them through to an accomplice waiting outside.

They made off with "Fish" by Auguste Renoir, "Still Life with Cherries" by Paul Cezanne, and "Odalisque on the Terrace" by Henri Matisse.

The Renoir is worth six million euros, the Cezanne three million and the Matisse some 20,000 euros, police said.

The Magnani Rocca Foundation -- 20 kilometres (12 miles) from Parma -- houses the collection of art historian Luigi Magnani, which also includes works by Durer, Rubens, Van Dyck, Goya and Monet.

The theft is the latest in a series of robberies targeting major museums in Europe.

Last October, thieves broke into the Louvre in Paris -- the most visited museum in the world -- in broad daylight, escaping in less than eight minutes with jewellery worth $102 million.