Ithra Showcases Art Collection for the First Time at Art Week Riyadh

Ithra showcases art collection for the first time at Art Week Riyadh. (SPA)
Ithra showcases art collection for the first time at Art Week Riyadh. (SPA)
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Ithra Showcases Art Collection for the First Time at Art Week Riyadh

Ithra showcases art collection for the first time at Art Week Riyadh. (SPA)
Ithra showcases art collection for the first time at Art Week Riyadh. (SPA)

The King Abdulaziz Center for World Culture (Ithra) announced in a press release Monday its participation as an Exhibition Partner at the inaugural edition of Art Week Riyadh.

This initiative of the Ministry of Culture’s Visual Arts Commission is being held from April 6 –13, 2025, across key cultural sites in Riyadh, including JAX District and Al Mousa Center, the Saudi Press Agency said.

The event celebrates the nation’s dynamic art scene, bringing together leading local and international galleries, cultural institutions, artists, patrons, collectors, and arts enthusiasts, under the theme "At The Edge".

The release stated that during Art Week Riyadh, Ithra is presenting a curated selection of 15 significant works from its museum collection, titled "Landscape and Memory," as part of the event’s invited collections exhibition, under the title of "Collections in Dialogue”.

Spanning from the early 1900s to 2022, the display showcases a rich variety of artistic practices and cultural expressions. Featuring both regional and international artists, it includes sculptures, paintings, and installations, providing a captivating overview of Ithra’s prized art collection.

Moreover, the exhibition explores the interplay between material memory, transformation, and the landscapes that shape identity, questioning how history is preserved, reinterpreted, and reimagined through art. The exhibition portrays memory not only as a mark on the world but as a dynamic force that links us to the past while opening new possibilities for the future.

Featured artists and their works include the Saudi Arabian artist and film director Mohammed Alfaraj’s Fossils of Knowledge (2022), Maha Malluh’s Oil Candies (KSA - 2019), and three works by American artist Gregory Mahoney: Sea Land (1991), Five Gallons/Five Oceans (1995), and End of the World (1993).

Also on display are South Korean artist Do Ho Suh’s Screens (2005); three photographs by Saudi photographer Moath Aloufi, The Scene (2019), I Am the One (2019), and The Family (2019); as well as Italian master Michelangelo Pistoletto’s Persone in Comunicazione (2019); Lebanese calligraphy artist Joumana Medlej’s Who Am I? (2015); and Saudi eclectic artist Sultan bin Fahad’s Sultan Bin Fahad 1440 AH (2016). Additionally, Palestinian sculptor Abdul Rahman Katanani’s Tornado (2020); Palestinian artist Hazem Harb’s The Place is Mine, Series #3 (2019); and Egyptian painter and sculptor Moataz Nasr’s Burning (2019) are also part of the exhibition.

The release emphasized that the exhibition provides a glimpse into Ithra’s diverse collection, highlighting its variety and celebrating the vibrancy of contemporary art.

Head of Museum at Ithra Farah Abushullaih said, "Ithra’s participation in Art Week Riyadh is an opportunity to celebrate creative expression and embrace diverse artistic and cultural perspectives. It is an opportunity to share a glimpse of the Ithra Museum and its rich collection of works."



'Moon Spotter': AlUla's Enduring Tradition of Crescent Sighting

The people of AlUla in Saudi Arabia have long maintained a close relationship with nature, reflected in their careful observation of crescent moons. (SPA)
The people of AlUla in Saudi Arabia have long maintained a close relationship with nature, reflected in their careful observation of crescent moons. (SPA)
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'Moon Spotter': AlUla's Enduring Tradition of Crescent Sighting

The people of AlUla in Saudi Arabia have long maintained a close relationship with nature, reflected in their careful observation of crescent moons. (SPA)
The people of AlUla in Saudi Arabia have long maintained a close relationship with nature, reflected in their careful observation of crescent moons. (SPA)

The people of Saudi Arabia’s AlUla have long maintained a close relationship with nature, reflected in their careful observation of crescent moons and the determination of lunar months, particularly Ramadan and Shawwal (Eid). This tradition was carried out through a role locally known as the “Moon Spotter,” reflecting inherited astronomical knowledge passed down through generations.

Known for sharp eyesight and precise knowledge of celestial timings, the Moon Spotter relied on traditional methods, including placing a copper vessel filled with water at an elevated position to observe the reflections of the sun and moon, which helped determine the crescent's position with accuracy.

Upon sighting the crescent, he would mark the reflected point with a palm frond before notifying the relevant court to contribute to the official announcement, the Saudi Press Agency said.

This heritage is closely tied to AlUla's historically clear skies, which enabled residents to observe celestial bodies with clarity and fostered a lasting connection to astronomy as part of their cultural legacy.


Amsterdam's Rijksmuseum Says Discovers New Rembrandt

Poeple look at Rembrandt's famed Night Watch, which is back on display in what researchers say in its original size, with missing parts temporarily restored in an exhibition aided by artificial intelligence, at Rijksmuseum in Amsterdam, Netherlands June 23, 2021. REUTERS/Piroschka van de Wouw/File Photo
Poeple look at Rembrandt's famed Night Watch, which is back on display in what researchers say in its original size, with missing parts temporarily restored in an exhibition aided by artificial intelligence, at Rijksmuseum in Amsterdam, Netherlands June 23, 2021. REUTERS/Piroschka van de Wouw/File Photo
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Amsterdam's Rijksmuseum Says Discovers New Rembrandt

Poeple look at Rembrandt's famed Night Watch, which is back on display in what researchers say in its original size, with missing parts temporarily restored in an exhibition aided by artificial intelligence, at Rijksmuseum in Amsterdam, Netherlands June 23, 2021. REUTERS/Piroschka van de Wouw/File Photo
Poeple look at Rembrandt's famed Night Watch, which is back on display in what researchers say in its original size, with missing parts temporarily restored in an exhibition aided by artificial intelligence, at Rijksmuseum in Amsterdam, Netherlands June 23, 2021. REUTERS/Piroschka van de Wouw/File Photo

The Rijksmuseum in Amsterdam said Monday it had uncovered a new painting by Rembrandt, using advanced scanning technology and stylistic analysis to confirm it was crafted by the Dutch master.

The whereabouts of the 1633 work, entitled "Vision of Zacharias in the Temple" was unknown for 65 years but was recently handed over to the museum for testing.

"Materials analysis, stylistic and thematic similarities, alterations made by Rembrandt, and the overall quality of the painting all support the conclusion that this painting is a genuine work by Rembrandt van Rijn," the museum said in a statement.


UNESCO-listed Golestan Palace in Tehran Damaged in Strikes

Plumes of smoke rise after a strike in Tehran, Iran, Sunday, March 1, 2026. (AP Photo)
Plumes of smoke rise after a strike in Tehran, Iran, Sunday, March 1, 2026. (AP Photo)
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UNESCO-listed Golestan Palace in Tehran Damaged in Strikes

Plumes of smoke rise after a strike in Tehran, Iran, Sunday, March 1, 2026. (AP Photo)
Plumes of smoke rise after a strike in Tehran, Iran, Sunday, March 1, 2026. (AP Photo)

Iran's UNESCO-listed Golestan Palace in Tehran has been damaged in US and Israeli strikes, local media reported Monday.

"Following the joint US-Israeli attack on Arag square in southern Tehran on Sunday evening, parts of the Golestan Palace... were damaged," the ISNA news agency reported, adding that windows, doors, and mirrors were hit by reverberations from blasts.

Iran's Mehr news agency carried a similar report.