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UAE: SZBA Announces Winners, Cultural Personality of Year for 19th Edition

Abu Dhabi Language Centre
Abu Dhabi Language Centre
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UAE: SZBA Announces Winners, Cultural Personality of Year for 19th Edition

Abu Dhabi Language Centre
Abu Dhabi Language Centre

Under the patronage of UAE President Sheikh Mohamed bin Zayed Al Nahyan, the Abu Dhabi Arabic Language Centre (ALC) has announced the winners and Cultural Personality of the year for the 19th edition of the Sheikh Zayed Book Award (SZBA).

The announcement on Tuesday followed a meeting of the SZBA Board of Trustees, which discussed the final results of the evaluation process led by the judging panels and the award's Scientific Committee, based on the highest literary and cultural standards.

This year's winners hail from seven countries - the UK, Italy, Japan, Lebanon, Iraq, Morocco and the UAE. The selection of the winners was based on objective, scientific criteria and rigorous governance upheld by the award.

The meeting was headed by Sheikh Sultan bin Tahnoon Al Nahyan, Chairman of the SZBA Board of Trustees, and attended by Board members Dr. Zaki Anwar Nusseibeh, Cultural Advisor to the UAE President; Mohamed Khalifa Al Mubarak, Chairman of the Department of Culture and Tourism - Abu Dhabi (DCT Abu Dhabi); Saood Abdulaziz Al Hosani, Undersecretary of the DCT Abu Dhabi; Abdullah Majid Al Ali, Director-General of the National Archives and Library; Dr. Ali bin Tamim, Chairman of the ALC and Secretary-General of the SZBA; and Abdulrahman Al Naqbi, Director of the ALC's Literary Awards Department.

"With its forward-looking vision and pledge to the highest standards of evaluation and governance, the Sheikh Zayed Book Award reinforces the UAE's position as a global center for creativity and knowledge,” said Al Mubarak.

“It has moved beyond being a simple act of recognition to become a strategic national initiative promoting the production of knowledge, and a catalyst for a cultural and scientific movement, reflecting our leadership's commitment to culture and knowledge as cornerstones of sustainable development and human prosperity."

Dr. Bin Tamim congratulated the winners for their outstanding achievements.

“Their works were inspiring, tackling new and distinguished topics that delve deep into the human condition and shed light on time and history, which made them stand out to the Award organizers and earn their admiration,” he said.

He also congratulated the Cultural Personality of the Year—Haruki Murakami—adding that the renowned Japanese novelist has truly merited this accolade for his body of literary work, characterized by its unique style between fantasy and extreme realism.

He noted that the author's literature and writings have made a profound influence far beyond Japan, and his selection this year reaffirms the award's determination to connect various cultures and civilizations through dialogue, literature, and intellectual thought.

Lebanese/French author Hoda Barakat won the Sheikh Zayed Book Award in the Literature category for her novel 'Hind or the Most Beautiful Woman in the World'. Moroccan writer Latifa Labsir won the Children's Literature category for her book 'The Phantom of Sabiba'.

In the Translation category, Marco Di Branco from Italy won for his translation from Arabic to English of 'Orosius' by Paulus Orosius. Dr. Said Laouadi from Morocco received the SZBA in the Literary and Art Criticism category for his book 'Food and Language: Cultural Excavations in Arab Heritage'.

The Contribution to the Development of Nations category saw Emirati Prof. Dr. Mohammed Bechari win for his book 'The Right to Strive: Perspectives on Muslim Women's Rights'.

UK researcher Andrew Peacock won in the Arab Culture in Other Languages category for his book 'Arabic Literary Culture in Southeast Asia in the Seventeenth and Eighteenth Centuries'.

In the Editing of Arabic Manuscripts category, the SZBA went to Rasheed Alkhayoun from Iraq/UK for his critical edition of the book 'News of Women'.

The award honored renowned Japanese author Haruki Murakami as the Cultural Personality of the Year in recognition of his creative career and widespread literary influence, unbound by borders, impacting both Arab and Western cultures. His works are widely read and translated worldwide, reflecting literature's ability to bring differing cultures closer together.

The winners and Cultural Personality of the Year for the award's 19th edition will be honored on April 28 in a ceremony organized by the ALC in parallel with the 34th Abu Dhabi International Book Fair (ADIBF).

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UK Proposal to Charge Tourists to Visit Museums Sparks Backlash

FILE PHOTO: People walk in front of the British Museum in London, Britain, September 28, 2023. REUTERS/Hollie Adams/File Photo
FILE PHOTO: People walk in front of the British Museum in London, Britain, September 28, 2023. REUTERS/Hollie Adams/File Photo
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UK Proposal to Charge Tourists to Visit Museums Sparks Backlash

FILE PHOTO: People walk in front of the British Museum in London, Britain, September 28, 2023. REUTERS/Hollie Adams/File Photo
FILE PHOTO: People walk in front of the British Museum in London, Britain, September 28, 2023. REUTERS/Hollie Adams/File Photo

Britain is considering introducing entry fees for tourists visiting some of England's most renowned museums, a proposal that has drawn criticism from restitution groups and countries while disputed artefacts remain on display.

Free admission to Britain's national museums and galleries was introduced in 2001 by former Labour Prime Minister Tony Blair in a bid to make culture more accessible to all.

Last month, the UK government said it would work with the museum sector to explore the potential benefits of charging international visitors at ⁠national museums, including how ⁠this could support the arts sector. It would provide an update of the consultation before the end of the year, it said.

However, the proposal is facing backlash amid growing calls worldwide for artefacts to be sent back to their communities or countries of origin, Reuters reported.

Although some efforts have been made to confront the long-standing issue, artifacts as well as human ⁠remains taken during the colonial era are still held in various museums across Europe. Some long-standing claims for artifacts involving the British Museum include Greece's Parthenon Sculptures, known as Elgin marbles, and Nigeria's Benin Bronzes.

The British Museum has previously said that the strength of its collection lies in enabling millions of visitors to understand the world's cultures and how they are interconnected.

Ghana, which has some of its regalia and other artifacts in British institutions, said charging foreign visitors to view such objects raises issues of "fairness," particularly where restitution discussions remain ongoing, ⁠foreign minister ⁠Samuel Okudzeto Ablakwa told Reuters.

The proposal, if implemented, would be "unethica," said Eric Phillips, vice chair of the Caribbean Community's reparations commission, a bloc of 15 member states including Jamaica and Barbados.

"Why should we have to pay to see our heritage?" Phillips said.

Arley Gill, chairman of Grenada's national reparations committee, said the priority should be to return the artifacts to their "rightful owners."

Open Restitution Africa (ORA) said Africans and others already face barriers to accessing artifacts taken from their countries and held in Western museums, including visa requirements and travel costs.

"Introducing entry fees further compounds these inequalities," ORA said.

Meanwhile, the US-based non-profit Restitution Study Group said a fee exemption for such visitors would be a "meaningful gesture."

The government declined to comment on the criticism.

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Riyadh Art Unveils 75 Works in Expanding Public Art Collection Across Capital

The artworks are strategically distributed across major streets, public squares, cultural centers, and key urban hubs. SPA
The artworks are strategically distributed across major streets, public squares, cultural centers, and key urban hubs. SPA
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Riyadh Art Unveils 75 Works in Expanding Public Art Collection Across Capital

The artworks are strategically distributed across major streets, public squares, cultural centers, and key urban hubs. SPA
The artworks are strategically distributed across major streets, public squares, cultural centers, and key urban hubs. SPA

The Royal Commission for Riyadh City, through its “Riyadh Art” program, has unveiled 75 new artworks as part of a growing permanent collection installed across key locations in the capital.

The initiative forms part of broader efforts to expand the presence of public art in urban spaces, with additional installations planned in the coming period.

The program aims to enrich daily life in Riyadh by integrating art into the urban fabric, contributing to a dynamic cultural environment that reflects the capital's regional and international stature.

As one of the world’s largest public art initiatives, the Riyadh Art program now features 75 installations, with plans to expand the collection by adding 115 more works. The current collection includes contributions from 35 Saudi artists and 100 international artists representing 45 countries.

Among the internationally renowned artists featured are Anish Kapoor, Giuseppe Penone, and Jeff Koons, alongside prominent Saudi artists such as Zaman Jassim, Mohammed Alsaleem, and Manal AlDowayan.

The artworks are strategically distributed across major streets, public squares, cultural centers, and key urban hubs, enabling residents and visitors to engage with them as part of their everyday environment and reinforcing the role of art in public life.

The collection comprises both commissioned and acquired works. Commissioned pieces are specifically designed to respond to their surroundings, integrating with the urban context and patterns of movement within each location.

Recent commissions were selected through an international competition that attracted 161 artists, with 72 shortlisted participants submitting 70 proposals. These contributions have helped shape a diverse and evolving collection spanning the city’s main axes and public spaces.

Culture

New Tools Rescue Old Art at Madrid’s Prado Museum

A conservator works on the restoration of gilded moldings at the Prado museum's sculpture restoration department in Madrid on October 23, 2025. (Pierre-Philippe Marcou/ AFP)
A conservator works on the restoration of gilded moldings at the Prado museum's sculpture restoration department in Madrid on October 23, 2025. (Pierre-Philippe Marcou/ AFP)
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New Tools Rescue Old Art at Madrid’s Prado Museum

A conservator works on the restoration of gilded moldings at the Prado museum's sculpture restoration department in Madrid on October 23, 2025. (Pierre-Philippe Marcou/ AFP)
A conservator works on the restoration of gilded moldings at the Prado museum's sculpture restoration department in Madrid on October 23, 2025. (Pierre-Philippe Marcou/ AFP)

In a quiet space secluded from the throngs of daily visitors to Madrid's Prado art museum, a team of experts perpetuate an ancient tradition of restoring centuries-old European cultural treasures.

Creations by some of art's most illustrious names -- Goya, Velazquez, Rubens, Caravaggio, Bosch and El Greco -- are conserved in the vast, bright space at one of the world's most-visited museums.

The Prado has always put an emphasis on the conservation and restoration of art since it opened to the public in 1819.

Cutting-edge technology and modern tools to analyze and treat paintings and sculptures allow Almudena, Marta, Maria, Alvaro, Alicia, Elena, Sonia and Eva to maintain the tradition.

The team is capable of caring for the museum's most prized collections as well as works from other institutions.

In February, the Prado launched the restoration of "Pablo de Valladolid", an emblematic portrait that Spanish master Velazquez produced in the 17th century.

But the work will first undergo a deep technical analysis by new equipment, the museum said in a statement.

Scanning technology will allow the experts to identify and locate the materials used by the artist, while multispectral infrared reflectography will reveal details invisible to the naked eye.

Everything contributes to a deeper understanding of the artist's technique, the work's state of conservation and preparing its restoration.