Nobel Literature Prize Winner Mario Vargas Llosa Dies in Peru

(FILES) Peruvian writer Mario Vargas Llosa is pictured during an interview at his home in Madrid on October 7, 2009. (Photo by Pierre-Philippe MARCOU / AFP)
(FILES) Peruvian writer Mario Vargas Llosa is pictured during an interview at his home in Madrid on October 7, 2009. (Photo by Pierre-Philippe MARCOU / AFP)
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Nobel Literature Prize Winner Mario Vargas Llosa Dies in Peru

(FILES) Peruvian writer Mario Vargas Llosa is pictured during an interview at his home in Madrid on October 7, 2009. (Photo by Pierre-Philippe MARCOU / AFP)
(FILES) Peruvian writer Mario Vargas Llosa is pictured during an interview at his home in Madrid on October 7, 2009. (Photo by Pierre-Philippe MARCOU / AFP)

Peruvian writer and Nobel literature laureate Mario Vargas Llosa died on Sunday at the age of 89, his family announced, ending the era of Latin America's literary golden generation.

"It is with deep sorrow that we announce that our father, Mario Vargas Llosa, passed away peacefully in Lima today, surrounded by his family," his eldest son Alvaro wrote in a message on X also signed by his siblings Gonzalo and Morgana Vargas Llosa.

Born into a middle-class Peruvian family, Vargas Llosa was one of the greats of the Latin American literary "boom" of the 1960s and 1970s, along with Colombia's Gabriel Garcia Marquez and Argentina's Julio Cortazar.

Rumors of the writer's deteriorating health had spread in recent months, during which he had been living out of the public eye.

In October, his son Alvaro said he was "on the verge of turning 90, an age when you have to reduce the intensity of your activities a little."

The writer's "passing will sadden his relatives, his friends and his readers around the world," the family statement read.

"But we hope that they will find comfort, as we do, in the fact that he enjoyed a long, adventurous and fruitful life, and leaves behind him a body of work that will outlive him."

Peru declared a day of mourning for the author on Monday, with flags flying at half-mast on government premises.

'Enduring legacy'

The family said that "no public ceremony will take place," in accordance with instructions left by Vargas Llosa himself.

"Our mother, our children and ourselves trust that we will have the space and privacy to bid him farewell in the company of family members and close friends," the siblings added.

Vargas Llosa's body will be cremated, in accordance with his wishes, they said.

Gustavo Ruiz, a reader of Vargas Llosa's works, was among a small group of young people gathered around the writer's home to pay tribute.

"I didn't believe it and I wanted to come close to his house since they are not going to give him a wake," Ruiz told national radio station RPP.

David Marreros, a 30-year-old visual artist, told AFP that Vargas Llosa proved "one can live doing what one is most passionate about."

The writer's "intellectual genius and enormous body of work will remain an enduring legacy for future generations," Peru's President Dina Boluarte posted on X.

"We express our sincerest condolences to the family, to his friends and to the whole world. Rest in peace, illustrious Peruvian for the ages."

Former Colombian President Alvaro Uribe called Vargas Llosa a "Master of Masters."

"He leaves us a path for the future," Uribe said on X.

Fellow Peruvian writer Alfredo Bryce Echenique hailed Vargas Llosa's "enormity," telling RPP his friend's death was "a sorrow for Peru."

US Deputy State Secretary State Christopher Landau said that "to label him as just Peruvian would be a disservice because his themes and interests were timeless and universal."

"He will live on in my bookshelves and many others in Latin America and around the world," Landau wrote on X.

Mario Vargas Llosa moved to Lima last year and celebrated his 89th birthday on March 28.

A few days before, his son Alvaro posted on X three photos of him showing the writer in spots around Lima where he wrote his last two novels, "Cinco Esquinas" ("Five Corners", 2016) and "Le Dedico Mi Silencio" ("I Dedicate My Silence To You," 2023).

Vargas Llosa was hailed for his close description of social reality in works like "La ciudad y los perros" ("The City and the Dogs", 1963) and "Conversacion en la catedral" ("Conversation in the Cathedral", 1969).

But he was criticized by some South American intellectuals for his conservative stances.

Vargas Llosa's works were translated into around 30 languages.

A Francophile, he lived in Paris for several years, becoming in 2016 the first foreign author added to the prestigious Pleiade literary collection during his lifetime.

He was named to France's Academy of prominent intellectuals in 2021.



Libyans Savor Shared Heritage at Reopened National Museum

Libyans visit the National Museum after its reopening, following a closure of more than a decade in the Libyan capital Tripoli on December 23, 2025. (AFP)
Libyans visit the National Museum after its reopening, following a closure of more than a decade in the Libyan capital Tripoli on December 23, 2025. (AFP)
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Libyans Savor Shared Heritage at Reopened National Museum

Libyans visit the National Museum after its reopening, following a closure of more than a decade in the Libyan capital Tripoli on December 23, 2025. (AFP)
Libyans visit the National Museum after its reopening, following a closure of more than a decade in the Libyan capital Tripoli on December 23, 2025. (AFP)

In a historic building in central Tripoli, Libyans wander past ancient statues and artifacts, rediscovering a heritage that transcends political divides at their national museum which reopened this month after a 2011 uprising.

"I got here barely 15 minutes ago but I already feel like I've been transported somewhere. It's a different world," said architecture student Nirmine Miladi, 22.

In the waterfront building known as the red citadel -- once the seat of power -- visitors journey through a history that includes ancient art, Greek and Roman antiquities and Ottoman-era weapons and jewellery.

Miladi's sister Aya, 26, an interior design student, said she liked the bright new museum's layout, "the careful lighting, the screens and interactive tools" that all help make the museum accessible to all.

Libya plunged into chaos after a NATO-backed uprising toppled and killed longtime leader Moammar al-Gadhafi in 2011, and the country has struggled to regain stability.

Since then, the North African country has been divided, with two rival executives vying for power: a Tripoli-based Government of National Unity and an administration based in Benghazi in the country's east.

Mohamed Fakroun, head of international cooperation at the antiquities department, said the museum went through "a dark period during its 14-year closure".

Fearing looting and vandalism after Gadhafi's overthrow, the antiquities department removed "all the artifacts until the country re-stabilized", said Fakroun, 63, who has worked at the French archaeological mission to Libya for almost four decades.

- 'National symbol' -

Curator Fathiya Abdallah Ahmad is among a handful of people who knew the location of secret, sealed rooms where the museum's treasures were taken into hiding for more than a decade.

She said the antiquities department and staff worked to "preserve a historic and cultural heritage that belongs to all Libyans".

This allowed the works to be safeguarded until the museum could reopen "in a modern format that conforms to international standards", she added.

The bright new facility includes digital projections and interactive screens as well as videos, audio guides and QR codes enabling visitors to delve further.

Fakroun noted the museum has a room dedicated to Roman emperor Septimius Severus, who was born in the ancient city of Leptis Magna -- now a UNESCO World Heritage site east of Tripoli.

Another room is dedicated to stolen items that have since been returned, including from the United States and the United Kingdom, he added.

Interior design student Aya Miladi said many Libyans saw the museum's inauguration as the "return of a national symbol".

It is also "a step towards reconciliation between Libyans and with their often little-known past", after years of war, as well as a sign of stability, she added.

- 'Not without past' -

Teacher Fatima al-Faqi, 48, said there was "a world of difference" between the reopened museum and the dark, dusty facility she visited 30 years ago on a school trip.

This time, she was leading a group of high-school students to help them "discover Libya's history and nourish their sense of patriotism", she said, as pupils goggled at items from Roman statues to stuffed animals in the natural history section.

The Tripoli government has invested more than five million dollars in rehabilitating the museum and its surrounding area, despite the oil-rich country's economic woes including frequent cash and fuel shortages.

Fakroun said the six-year renovations were carried out in cooperation with the French mission and the ALIPH foundation -- the International Alliance for the Protection of Heritage.

The museum seeks to convey a hope-filled message about Libya's identity to its visitors, most of whom "were not born when it was last open before 2011", he added.

Visitor Sarah al-Motamid, 34, said that "many people don't know about our country's ancient history and look at us as if we were worthless".

She said she was visiting with her six-year-old daughter Mariam because she wanted her to "understand that we are not without a past or civilization".


Cultural Camp at King Abdulaziz Camel Festival Showcases Saudi Heritage

The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity - SPA
The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity - SPA
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Cultural Camp at King Abdulaziz Camel Festival Showcases Saudi Heritage

The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity - SPA
The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity - SPA

The cultural camp is a key feature of the 10th King Abdulaziz Camel Festival, held in Al-Sayahid desert. The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity, according to SPA.

It offers a range of programs, including live performances and interactive events, that highlight camels' historical significance in Arab culture and illustrate the values of patience, strength, and belonging.

The camp has attracted over 2,000 guests from 71 nationalities, emphasizing its global appeal as a cultural platform for diversity and tradition.

Visitors engage with cultural content through innovative methods that merge authenticity with modern technology, enhancing awareness of the camel's cultural legacy. This initiative aligns with Saudi Vision 2030 by preserving heritage and connecting younger generations with their roots.


Tuwaiq Sculpture 2026 Announces 25 Participating Artists for Seventh Edition

The 2026 edition features a month-long live sculpting phase alongside a community engagement program - SPA
The 2026 edition features a month-long live sculpting phase alongside a community engagement program - SPA
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Tuwaiq Sculpture 2026 Announces 25 Participating Artists for Seventh Edition

The 2026 edition features a month-long live sculpting phase alongside a community engagement program - SPA
The 2026 edition features a month-long live sculpting phase alongside a community engagement program - SPA

Under the Royal Commission for Riyadh City and Riyadh Art, Tuwaiq Sculpture has announced the selection of 25 artists for the seventh edition of the annual sculpture symposium and exhibition, taking place from January 10 to February 22, 2026.

This year’s edition unfolds under the curatorial theme “Traces of What Will Be,” inviting artists to reflect on how sculptural form can express the physical, cultural and conceptual traces that shape the future of cities and communities, SPA reported.

A total of 25 artists from 18 countries, including Saudi artists, have been selected for the seventh edition. Their proposals reflect a diverse range of artistic approaches, responding to the theme through explorations of transformation, place, and materiality.

Director of the Tuwaiq Sculpture Symposium Sarah Alruwayti said: "The seventh edition of Tuwaiq Sculpture received more than 590 applications, reflecting the cultural diversity and global interest in the symposium. The selection of the 25 participating artists was carried out by a jury of industry experts and specialists. Their proposals show meaningful engagement with the theme and reflect the strength and diversity of contemporary sculptural practice. We look forward to welcoming them to Riyadh for the creation of new works that will become lasting additions to the city.”

Building on the evolving material practice of the symposium, Tuwaiq Sculpture 2026 introduces two sculpting categories: granite with optional stainless-steel integration and reclaimed metal. Twenty artists will work in granite, while five will create new works in reclaimed metal. Over four weeks, they will produce large-scale sculptures that will later be added to Riyadh Art’s permanent public art collection.

The 2026 edition features a month-long live sculpting phase alongside a community engagement program, inviting visitors to witness the creation of artworks and take part in panel discussions and workshops. The symposium will conclude with a public exhibition showcasing the completed sculptures from its seventh edition.