An English Rugby Team’s Stadium Plan Sparks Concern for UNESCO Designation

 The River Avon in the World Heritage site of Bath, England, Wednesday, March 5, 2025 with the backdrop of the rugby stadium. (AP)
The River Avon in the World Heritage site of Bath, England, Wednesday, March 5, 2025 with the backdrop of the rugby stadium. (AP)
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An English Rugby Team’s Stadium Plan Sparks Concern for UNESCO Designation

 The River Avon in the World Heritage site of Bath, England, Wednesday, March 5, 2025 with the backdrop of the rugby stadium. (AP)
The River Avon in the World Heritage site of Bath, England, Wednesday, March 5, 2025 with the backdrop of the rugby stadium. (AP)

Talk about a scrum.

The rugby club in the English city of Bath is at odds with some of its neighbors over plans to expand the team’s beloved stadium.

Though Bath Rugby won a legal case that went all the way to Britain’s Supreme Court, its plan to boost the Recreation Ground, or The Rec — its "spiritual home" since 1894 — faces more hurdles.

That’s because the city of Bath is a UNESCO World Heritage Site, renowned for its Roman roots, Georgian architecture and scenic landscapes. And the stadium sits in the heart of it, along the River Avon.

"I’m not anti-rugby. This isn’t about a sport. This is looking at what’s best for this city," Joanna Wright, a Green Party member of the Bath and North East Somerset Council, said as tourists stopped for photos near Pulteney Bridge.

Wright, who opposes the plan, worries that reducing the "green setting" will impact the UNESCO designation. She motions toward the hills beyond the stadium’s temporary East Stand, which in the rebuild would become permanent rather than be removed each summer.

She noted that the city of Liverpool lost its world heritage status in 2021 because of waterfront developments, including Everton's new soccer stadium.

"We don’t know what the World Heritage organization will do, but we do know that they have decided that Liverpool is no longer going to get its status, so do you want to risk that?" Wright said.

Bath Rugby — currently atop the Premiership standings — wants to expand from about 14,500 capacity to 18,000 and create "a new sporting, cultural and leisure stadium."

Rugby ‘brings the city alive’

Bath’s planning committee has targeted September for a decision. In a public comment period, a large majority of respondents favored the plan.

"They recognize the importance of the sport to the city," Doug Wrigglesworth, chairman of the Bath Rugby Supporters Club, said in an interview. "It’s an iconic stadium. (But) It really needs to be brought up to date."

Bath Rugby has played home matches there for more than 125 years. Facilities were damaged in the 1942 "Bath Blitz" bombing by Germany’s Luftwaffe during World War II.

After rugby union became professional in the mid-1990s, the club began adding capacity bit by bit.

Much of the seating is unprotected from the weather, and efforts to squeeze in more fans had been dubbed "Operation Sardine."

Still, it's a bucket-list destination for rugby enthusiasts, the way baseball fans in the United States flock to Fenway Park or Wrigley Field. Pubs and restaurants fill up on matchdays.

"It’s quite a big advert for the city," said Wrigglesworth, who has been attending matches for 45 years. "It brings the city alive."

Wright, however, describes game days as "pandemonium and getting in and out of the city is problematic."

Bath was England's top team in the 1990s and won the European Rugby Champions Cup in 1998. Today, its star player is flyhalf Finn Russell, the Scotland captain.

Rugby union has been struggling financially. In the 2022-23 season, no Premiership club made a profit, according to the Leonard Curtis Rugby Finance Report. The Rec’s capacity utilization in '22-23 was 91% — second highest in the league.

Expanding the stadium would generate more match-day revenue and corporate partnerships.

Bath Rugby, owned by businessman Bruce Craig, declined interview requests.

Beavers and bats

Bath in 1987 was declared a World Heritage Site, and in 2021 received a second moniker as one of the Great Spa Towns of Europe.

UNESCO — the UN’s cultural agency — had put Liverpool on an "endangered" list years before pulling its world heritage designation. Last year, it rejected recommendations to put Stonehenge on the list.

Besides the UNESCO designation, concerns have been raised in Bath about everything from noise and transportation to the welfare of bats and beavers.

The UK government’s Environment Agency cautioned in a letter to the planning committee that the plan’s environmental statement overlooks the European beaver — a protected species.

"Beavers need to be considered as they are now known to be present in good numbers on the Avon with numerous active territories in the Bath area and Pulteney Gate being directly on the main dispersal route for these animals," read the Environment Agency’s recent letter, which also raised flooding concerns.

The club's plan has prompted feedback about the need to protect bats, too, with stadium lighting flagged as a potential problem.

Legal battles

Residents scored a legal victory a few years ago by citing a 1922 covenant that said nothing should be built on the ground that would disturb the neighborhood. Bath Rugby got that overturned, however, when the Court of Appeal ruled that covenant language was too vague.

And when the Supreme Court in October 2022 declined to hear an application to appeal the ruling, the expansion plan was back on. The club has been revising it since then to incorporate feedback.

The UK committee of the International Council on Monuments and Sites — ICOMOS serves as adviser to UNESCO on cultural World Heritage Sites — recently submitted its concerns to the planning committee.

ICOMOS-UK noted improvements in the design but encouraged "further reductions in height, especially to the central roof section, and a design approach that overcomes the exaggerated mass and scale and the incompatible form within the otherwise harmonious city." It warned of "significant permanent harm."

However, Historic England, a public body that seeks to champion England’s history and environment, wrote that it has "no objection to the application on heritage grounds."

Wright, the city councilor, said one of her favorite aspects of living in Bath is "wherever you are, you can always see trees."

"That’s one of the (reasons) why it’s been given World Heritage status, it’s not just that it has all this heritage, it has settings of green spaces. Once you put in such a massive commercial development to the heart of the city, you change it."



Libyans Savor Shared Heritage at Reopened National Museum

Libyans visit the National Museum after its reopening, following a closure of more than a decade in the Libyan capital Tripoli on December 23, 2025. (AFP)
Libyans visit the National Museum after its reopening, following a closure of more than a decade in the Libyan capital Tripoli on December 23, 2025. (AFP)
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Libyans Savor Shared Heritage at Reopened National Museum

Libyans visit the National Museum after its reopening, following a closure of more than a decade in the Libyan capital Tripoli on December 23, 2025. (AFP)
Libyans visit the National Museum after its reopening, following a closure of more than a decade in the Libyan capital Tripoli on December 23, 2025. (AFP)

In a historic building in central Tripoli, Libyans wander past ancient statues and artifacts, rediscovering a heritage that transcends political divides at their national museum which reopened this month after a 2011 uprising.

"I got here barely 15 minutes ago but I already feel like I've been transported somewhere. It's a different world," said architecture student Nirmine Miladi, 22.

In the waterfront building known as the red citadel -- once the seat of power -- visitors journey through a history that includes ancient art, Greek and Roman antiquities and Ottoman-era weapons and jewellery.

Miladi's sister Aya, 26, an interior design student, said she liked the bright new museum's layout, "the careful lighting, the screens and interactive tools" that all help make the museum accessible to all.

Libya plunged into chaos after a NATO-backed uprising toppled and killed longtime leader Moammar al-Gadhafi in 2011, and the country has struggled to regain stability.

Since then, the North African country has been divided, with two rival executives vying for power: a Tripoli-based Government of National Unity and an administration based in Benghazi in the country's east.

Mohamed Fakroun, head of international cooperation at the antiquities department, said the museum went through "a dark period during its 14-year closure".

Fearing looting and vandalism after Gadhafi's overthrow, the antiquities department removed "all the artifacts until the country re-stabilized", said Fakroun, 63, who has worked at the French archaeological mission to Libya for almost four decades.

- 'National symbol' -

Curator Fathiya Abdallah Ahmad is among a handful of people who knew the location of secret, sealed rooms where the museum's treasures were taken into hiding for more than a decade.

She said the antiquities department and staff worked to "preserve a historic and cultural heritage that belongs to all Libyans".

This allowed the works to be safeguarded until the museum could reopen "in a modern format that conforms to international standards", she added.

The bright new facility includes digital projections and interactive screens as well as videos, audio guides and QR codes enabling visitors to delve further.

Fakroun noted the museum has a room dedicated to Roman emperor Septimius Severus, who was born in the ancient city of Leptis Magna -- now a UNESCO World Heritage site east of Tripoli.

Another room is dedicated to stolen items that have since been returned, including from the United States and the United Kingdom, he added.

Interior design student Aya Miladi said many Libyans saw the museum's inauguration as the "return of a national symbol".

It is also "a step towards reconciliation between Libyans and with their often little-known past", after years of war, as well as a sign of stability, she added.

- 'Not without past' -

Teacher Fatima al-Faqi, 48, said there was "a world of difference" between the reopened museum and the dark, dusty facility she visited 30 years ago on a school trip.

This time, she was leading a group of high-school students to help them "discover Libya's history and nourish their sense of patriotism", she said, as pupils goggled at items from Roman statues to stuffed animals in the natural history section.

The Tripoli government has invested more than five million dollars in rehabilitating the museum and its surrounding area, despite the oil-rich country's economic woes including frequent cash and fuel shortages.

Fakroun said the six-year renovations were carried out in cooperation with the French mission and the ALIPH foundation -- the International Alliance for the Protection of Heritage.

The museum seeks to convey a hope-filled message about Libya's identity to its visitors, most of whom "were not born when it was last open before 2011", he added.

Visitor Sarah al-Motamid, 34, said that "many people don't know about our country's ancient history and look at us as if we were worthless".

She said she was visiting with her six-year-old daughter Mariam because she wanted her to "understand that we are not without a past or civilization".


Cultural Camp at King Abdulaziz Camel Festival Showcases Saudi Heritage

The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity - SPA
The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity - SPA
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Cultural Camp at King Abdulaziz Camel Festival Showcases Saudi Heritage

The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity - SPA
The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity - SPA

The cultural camp is a key feature of the 10th King Abdulaziz Camel Festival, held in Al-Sayahid desert. The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity, according to SPA.

It offers a range of programs, including live performances and interactive events, that highlight camels' historical significance in Arab culture and illustrate the values of patience, strength, and belonging.

The camp has attracted over 2,000 guests from 71 nationalities, emphasizing its global appeal as a cultural platform for diversity and tradition.

Visitors engage with cultural content through innovative methods that merge authenticity with modern technology, enhancing awareness of the camel's cultural legacy. This initiative aligns with Saudi Vision 2030 by preserving heritage and connecting younger generations with their roots.


Tuwaiq Sculpture 2026 Announces 25 Participating Artists for Seventh Edition

The 2026 edition features a month-long live sculpting phase alongside a community engagement program - SPA
The 2026 edition features a month-long live sculpting phase alongside a community engagement program - SPA
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Tuwaiq Sculpture 2026 Announces 25 Participating Artists for Seventh Edition

The 2026 edition features a month-long live sculpting phase alongside a community engagement program - SPA
The 2026 edition features a month-long live sculpting phase alongside a community engagement program - SPA

Under the Royal Commission for Riyadh City and Riyadh Art, Tuwaiq Sculpture has announced the selection of 25 artists for the seventh edition of the annual sculpture symposium and exhibition, taking place from January 10 to February 22, 2026.

This year’s edition unfolds under the curatorial theme “Traces of What Will Be,” inviting artists to reflect on how sculptural form can express the physical, cultural and conceptual traces that shape the future of cities and communities, SPA reported.

A total of 25 artists from 18 countries, including Saudi artists, have been selected for the seventh edition. Their proposals reflect a diverse range of artistic approaches, responding to the theme through explorations of transformation, place, and materiality.

Director of the Tuwaiq Sculpture Symposium Sarah Alruwayti said: "The seventh edition of Tuwaiq Sculpture received more than 590 applications, reflecting the cultural diversity and global interest in the symposium. The selection of the 25 participating artists was carried out by a jury of industry experts and specialists. Their proposals show meaningful engagement with the theme and reflect the strength and diversity of contemporary sculptural practice. We look forward to welcoming them to Riyadh for the creation of new works that will become lasting additions to the city.”

Building on the evolving material practice of the symposium, Tuwaiq Sculpture 2026 introduces two sculpting categories: granite with optional stainless-steel integration and reclaimed metal. Twenty artists will work in granite, while five will create new works in reclaimed metal. Over four weeks, they will produce large-scale sculptures that will later be added to Riyadh Art’s permanent public art collection.

The 2026 edition features a month-long live sculpting phase alongside a community engagement program, inviting visitors to witness the creation of artworks and take part in panel discussions and workshops. The symposium will conclude with a public exhibition showcasing the completed sculptures from its seventh edition.